the man U are

Hypnotic Detroit-techno homage: relentless 4am drum machine grid, modal synth arps circling a single tonal center, metallic stabs and filtered noise swells, Male vocals delivered cold and incantatory, almost spoken, sitting dry and upfront, Long builds, subtle automation, and a late-arriving, haunting pad choir to deepen the sense of memory dissolving into pure rhythm, musical

STYLE: Pulp, Blur, Suede reminiscences, disco lush, baroque pop, some Synth-pop, New Wave, Electronic Rock style, INSTRUMENTS: acustic guitar, funk rithm with low pitch snare with no reverb, glam male voice with high pitch, spanish from spain women choir, CHORDS: ORIGINAL SEQUENCE, major mode predominant, some minor chords, some tension jazz chords

Relentless Detroit-techno pulse, 135 BPM, Jeff Mills-inspired, Hypnotic metallic percussion and looping synth arps, kick and hi-hat driving in strict, mechanical patterns, Male vocals delivered like a militant mantra, near-spoken and tightly synced to the grid, Sparse, icy pads bloom in the chorus, with filtered risers and robotic delay on select phrases to intensify the sense of historical inevitability and urban futurism

Voz: femenina, muy grave, rasposa, Tema abre con un beat de reguetón potente, bajos profundos y sintetizadores oscuros creando una atmósfera densa, Percusiones intensas marcan el pulso, mientras guitarras eléctricas sutiles y samples ambientales añaden sensualidad, El estribillo explota con sintes envolventes y un groove contagioso, Chords: musica modal, Minimalismo, peligro

Debussy fantasy style, 2 harps, 2 marimbas, 4 oboes, Glitch electronic rythm, Mass choir, Voice singer: crystalclear male elegant soft low and alternative (rasp voice), Spanish from Spain (PERFECT CASTILLIAN), NO LATIN ELEMENTS, ONLY MEDITERRANEAN

funk, Greasy electronic funk groove in the vein of Minneapolis sound: squelchy synth bass, tight drum machine pocket, chopped clav stabs, Male vocals, playful yet philosophical, sit dry and upfront; call‑and‑response falsettos on the hook, Bright flute riffs punctuate the spaces, weaving around a mid‑song dirty guitar solo that climbs, squeals, then locks back into the riff, Arrangement builds from sparse verse to a thick, chanting chorus, then a breakdown bridge with filtered drums before one last explosive hook

Hardcore techno banger, 150–160 BPM, distorted kick and buzzing offbeat bass, Spanish male vocals spitting tight rhythmic phrases, Saw leads stab on the offbeats, metallic risers and glitchy FX between lines, Hook explodes with shouted crowd-style chant, filtered break in the bridge before a final drop that slams back in with stacked vocal shouts and widened synths, techno

Smoky lounge house groove around 120 BPM, warm Rhodes keys with jazzy chord extensions, elastic sub bass and crisp sidechained pads, Male vocals in European Spanish, intimate and slightly hushed on the verses, opening into lush, reverb-kissed harmonies on the chorus, Subtle filtered arps and reverse FX swirl around the stereo field, with a late-track lift where the chords get brighter and the topline ad-libs float over the beat, lounge house

Stripped-back minimal house groove at 124 BPM, male vocals as percussive texture, Dry kick and tight hi-hats drive the track; a muted, rubbery bassline locks into a hypnotic loop, Sparse synth stabs bloom in the midrange during builds, then duck back to leave space for a single-word vocal hook treated with subtle delay, Arrangement slowly adds and subtracts tiny elements for tension and release, keeping the dancefloor in a steady, focused trance, minimal

First part: Iggy and the Stooges rock raw style, Second part: Francoise Hardy soft french pop, Third part: Bach 3 parts invention, Last part: afro jazz choral drill

Opening with reverb-heavy, angular electric guitar lines and brooding bass, the groove is tight yet unpredictable, drums cutting through with snare-heavy fills, The atmosphere is dense, merging dramatic glam textures with alternative’s raw edge, Expressive male vocals soar atop, driving intensity in each chorus; a stripped instrumental break spotlights dueling guitars before returning to a powerful, layered outro

style mix, complex IDM, baroque, psychodelic, rock virtuoso, electronic variations, dancing tempo

Distorted synths create unease, heavy beats pound relentlessly, abrasive textures clash, Glitchy samples stutter and break, a distorted bassline throbs, mechanical percussion grinds, evoking industrial decay, Metallic ambience permeates, echoing synths create vastness, distorted vocals haunt the mix, a dark industrial sound

Sunny French-house groove with bright piano stabs, filtered disco strings, and a bouncing four-on-the-floor, Male vocals with a smile in the tone, playful spoken asides between sung lines, Verses keep it tight over a steady bass walk; chorus explodes with layered gang shouts and feel-good claps, Mid-song breakdown strips to kick, bass, and vocal hook before a hands-in-the-air final chorus