PNEUMA : chants pour l’invisible

Mystical ethno-jazz track led by a haunting, expressive Armenian duduk and improvised shamanic vocals — throat singing, ancient syllables, breathy murmurs, Deep tribal percussion, subtle hajouj bass, and ambient textures with flutes and hand drums, Organic, meditative atmosphere with a slow trance-like groove, Inspired by Hadouk Trio’s Shamanimal, evoking desert rituals and ancestral memory, Natural acoustic space, earthy and spiritual

Hypnotic krautrock groove with syncopated tribal percussion, a pulsating bassline, and glitchy psychedelic textures, Male vocals reminiscent of Damo Suzuki: whispered, rhythmic, sinuous, and semi-improvised, Lyrics with shamanic imagery, Analog soundscape with a dark, swampy atmosphere, Raw and groovy, An energetic and cinematic production

Ethno-jazz ambient piece led by a soulful, expressive Armenian duduk, evoking vast desert landscapes and ancient rituals, Deep tribal percussion, soft hajouj or upright bass, subtle handpan and bamboo flute textures in the background, Improvised modal melodies with natural reverb, meditative tempo, acoustic feel, Inspired by Hadouk Trio’s Shamanimal — organic, mystical, and deeply atmospheric

A track in the style of 1971-1972 German krautrock, with a hypnotic, repetitive groove, organic bass lines, motorik drum rhythms, and experimental textures, Use a mix of live-sounding drums, analog synthesizers, tape echo effects, and raw guitar riffs, The track should have an improvisational and hypnotic feel, with a psychedelic and slightly chaotic atmosphere, a trance-like build-up for the bridge, and a final improvisation in rhythmic glossolalia, Use autopan throughout, Think of albums like "Tago Mago" or "Ege Bamyasi, " with tribal rhythms, chopped vocals, and long instrumental passages, An energetic and cinematic production

Slow, trance-like krautrock song with dusty textures, tribal drums, analog synth drones, and desert guitars, Male vocals are soft, murmured, spoken like mantras — surreal, mysterious, channeling Damo Suzuki's improvisational flow, Lyrics evoke static, sand, ancient transmissions, Tempo around 65–70 BPM, Ethereal atmosphere, post-industrial and shamanic, with hypnotic repetition, An energetic and cinematic production

Rhythmic ethno-jazz trance with primal energy and shamanic vocals, Earthy hand drums, frame drums, and syncopated tribal percussion form a pulsating groove, Doudouk leads the melodic line with wild, improvised phrases, accompanied by hajouj bass and organic textures, Vocals in French alternate between low poetic chanting and ecstatic glossolalia (“Oya naé… To ka rama…”), evoking transformation and ancestral possession, Tempo is mid to fast, hypnotic, with natural reverb and a raw acoustic sound, Inspired by Hadouk Trio’s Shamanimal — a ritual of animal spirit, instinct, and sacred madness

Long experimental krautrock track inspired by “Mother Sky” by CAN, Features a driving motorik beat, repetitive bassline, jagged psychedelic guitars, noisy textures, and a building, trance-like groove, Male vocals in the style of Damo Suzuki — semi-spoken, improvisational, intense and surreal, Live jam energy with organic shifts, extended instrumental sections, and raw analog sound, Tempo around 125 BPM, Hypnotic, wild, immersive

Gentle ambient ethno-jazz track evoking deep forest introspection, Slow tempo with soft frame drums, light wind chimes, and earthy textures (leaves, branches, distant birds), Expressive Armenian duduk and bamboo flutes float in airy modal melodies, French vocals are whispered, chanted and softly spoken — telling of trees, memory, and the heartbeat beneath the bark, The mood is sacred, vegetal, and intimate, as if recording a ritual among moss and roots, Inspired by Hadouk Trio’s acoustic mysticism, with a naturalistic ambient soundscape and poetic stillness

Tribal ethno-jazz trance with syncopated hand percussion, frame drums, and deep hajouj grooves, The rhythm is hypnotic and earthy, inviting dance or ritual movement, Expressive Armenian duduk and low flutes play circular motifs while the French vocals mix spoken-word, chant, and rhythmic glossolalia (“Ta no ya, Ko li sha…”), The mood is ancestral and raw — a ceremony of possession through rhythm, Inspired by Hadouk Trio’s organic groove, with a natural acoustic space, breath-based phrasing, and trance-inducing pulse, Ideal for sacred dance under moonlight

Deep ambient ethno-jazz composition with a slow, solemn tempo, Sparse percussion (stone hits, dry frame drums), low hajouj or bowed bass, and expressive Armenian duduk, The soundscape is raw and grounded, with natural textures like rocks, dust, and wind, French vocals are delivered in a calm, grave tone — spoken and half-sung — evoking memory, silence, and time, Refrains repeat like liturgical mantras (“Elles ne parlent pas… mais elles savent, ”), Inspired by Hadouk Trio’s acoustic spirituality, but more austere and introspective — a stone liturgy, quiet and eternal

A sacred piece of ambient ethno-jazz, centered on breath, silence, and spiritual dissolution, Very slow tempo, Minimal instrumentation: a soft and expressive Armenian duduk, crescendos, deep and resonant drones, and organic air textures, The sparse, whispered French vocals evoke a psalmodic chant, expressing the soul as a breath ("I am breath, nothing but breath…"), The music gradually fades into pure exhalation and absolute emptiness, Inspired by the contemplative dimension of the Hadouk Trio, it incorporates elements of sacred minimalism and ritualistic ambient music, A final passage into nothingness: immaterial, timeless, and primordial