Bluebeard

Retro soul, Female alto/contralto vocal, powerful, expressive, full-bodied, emotionally raw, Medium tempo, ~100 BPM, straight 4/4 groove, strong backbeat, Major/minor key mixture (Dm7 / G7 / C7 typical) for that soulful tension and lift, Full rhythm section: upright bass, drums (backbeat accent), piano, electric guitar (clean, rhythmic comping), brass section (trumpets, saxophones), optional organ for warmth, Energetic, live-club feel with audience vibe; raw, imperfect, expressive, Groove drives the body while lyrics carry emotion and attitude

Smoky female vocal, Dry vintage soul drums, Soft round kick, dusty short snare, rimshot, warm shaker, Laid-back behind-the-beat groove, Analog tape feel, lo-fi, no modern punch, no electronic or trap drums

Experimental lofi-fi Art pop indie-electro pop, Emo, rock, edm, trippy, Create a track inspired by 'Clint Eastwood': a laid-back trip-hop/hip-hop beat with a catchy bassline, chill electronic synths, subtle reggae influences, atmospheric soundscapes, and a smooth rap/rap-rock vocal style, Moody, slightly psychedelic vibe, perfect for a modern, animated urban feel, Include rhythmic percussion, ambient textures, and melodic hooks reminiscent of 2000s alternative grooves

A surreal alternative rock song in the style of the song Jane B, mixed with Radiohead, Gentle, naive verses with acoustic guitar and soft vocals, suddenly shifting into darker, tense sections with distorted bass and unsettling harmonies, Experimental structure with abrupt transitions, ironic cheerful moments, and melancholic introspection, Lyrics are abstract, political, and poetic, questioning civilization, human rights, hypocrisy, and power, Mood: uneasy, intelligent, emotional, subtly rebellious, Tempo changes, unexpected breaks, minimal but expressive production

French alternative pop, melancholic electro carniva, art rock, post garage beat, lo-fi, female and male voices, restrained tempo, cold synths, social criticism, modern and introspective mood

Rap français genre, Instrue trap mélodique, beat simple et efficace, basse lourde, Flow parlé-chanté, refrain accrocheur répété, Ambiance sombre et provocatrice, Portrait critique d’une icône française, Face A / Face B, Refrain slogan : « Initials BB, nous voilà… »

Slow, intimate acoustic ballad, Sparse arrangement with soft acoustic guitar, subtle piano chords, distant synth pads, and very light ambient textures, Tempo slow (around 60 BPM), Minor key, Mood is solemn, fragile, and deeply human, Male vocal, low register, breathy and restrained, almost spoken at times, conveying vulnerability, dignity, and quiet resilience, Lyrics are reflective and understated, dealing with isolation, memory, injustice, and inner strength, avoiding dramatics or grand gestures, No big chorus, more like a continuous emotional confession, Cinematic, nocturnal atmosphere, minimalist production, lots of space and silence between notes

Hypnotic rock intro with tribal-inspired percussion, congas, bongos, and handclaps, Groove-based bass subtly follows the rhythm, creating tension, Light, open-chord electric guitar in the background, Male vocals spoken/half-sung, storytelling style, slightly detached and charismatic, Raw analog warmth, minimal production, live-band feel, Gradual build-up: percussions first, then bass, then guitar, then vocals

Minimal indie post-punk, clean but slightly gritty electric guitars, tight, repetitive downstroke guitar riffs, dry, punchy drum groove with simple kick-snare pattern, steady tempo, relaxed but driving, bass guitar locked with the drums, groovy and repetitive, no fills, no flash, creates a laid-back but forward-moving pulse, verses stay very minimal, one main guitar riff, muted strings, short notes, lots of space between hits, subtle imperfections for human feel, choruses add only slight intensity, second guitar layer with octave or higher voicing, no big explosions, just more presence, bridge strips back to drums and bass, guitar comes back gradually with variation of the main riff, outro repeats the core groove until fade-out, feels endless, casual, effortless, overall mood: cool, restrained, hypnotic, urban, not dark, not aggressive, just controlled energy and attitude

Song starts with a solo drum intro: slow, steady swamp groove, Minimal kick and snare pattern, closed hi-hat, no fills, no cymbal crashes, Hypnotic and repetitive, dark bayou mood, After the drum intro, a tremolo electric guitar enters with a simple repeating blues riff, Single-note pattern, raw blues tone, hypnotic and minimal, No guitar solo at the intro, Swampy 1968s blues psycjdelic rock in the style of "Oh Susie Q" 1968, Earthy bass line, simple drums, raw analog sound, Female lead vocal with a raw, explosive blues-rock delivery inspired by late 1960s soul and psychedelic blues, Gritty, raspy voice with emotional cracks, wild dynamic shifts between soft vulnerable lines and sudden powerful screams, Uncontrolled but musical, expressive vibrato, blues bends, vocal growls and moans, Improvised feel, slightly off-the-beat phrasing, intense emotional performance, Riff-driven song, minimal structure, vintage 1968 energy

piano, violon, hautbois, clarinette, female vocals douce claire

Intro guitar bass 6 chords, genre gothic soft, A gentle fade-in introduces a warm indie pop texture with layered guitars and subtle synth accents, Light percussion drives the verses, while choruses swell with driving drums, melodic bass, and intricate guitar lines, A brief instrumental bridge adds depth before an uplifting final chorus

Intro: muffled lo-fi drums only, dead snare and damped kick, slow hypnotic beat, After 4–8 bars, a distorted bass guitar riff fades in — low, repetitive, oppressive, No chords yet, Just drums and bass, tension building in a claustrophobic space, Bass: slightly out of tune, overcompressed, mono, Occasionally hits the same note twice like a mistake, Feedback creeps in before guitars arrive, Style: British alternative rock meets experimental indie electro, Blur / Oasis attitude with lo-fi grunge textures, Mood: restrained anger, bitter, intimate, defiant, Tempo: mid-tempo (90–105 BPM), slightly dragging groove, Key: minor with jazzy chord extensions, Instrumentation: lo-fi electric guitars (slightly out of tune), fuzzy bass, dry breakbeat drums, analog synth pads, subtle industrial noise, tape saturation, Vocals: male British voice, half-spoken half-sung, tired but cutting, occasional falsetto cracks