6:07

Too Much For Me
v4.5-all
Foreign x Western x EDM x Big Room House x Electro House x Progressive House x Malayalam Pop x Dance Pop
4:03

Freight Inward
v4.5-all
future bass, trap, future bass banger, female belt vocals, chopped vocal hooks, 808 sub-bass, pitched snare rolls, detuned synth plucks, wide supersaw chords, half-time trap groove, club-ready drop, gated plate reverb, parallel compression, sub drop, major key lift, intimate tension, anthem release, 140 BPM
3:23

Freight Inward PT. 2
v4.5-all
future bass, trap, future bass banger, female belt vocals, chopped vocal hooks, 808 sub-bass, pitched snare rolls, detuned synth plucks, wide supersaw chords, half-time trap groove, club-ready drop, gated plate reverb, parallel compression, sub drop, major key lift, intimate tension, anthem release, 140 BPM
3:00

Boys Bouts
v4.5-all
future bass trap, EDM banger, 150 BPM, syncopated trap hats, distorted 808 sub, sawtooth synth stabs, chopped vocal hooks, supersaw lead stack, wide stereo synths, punchy drum bus compression, hard limiter, plate reverb, anthemic release, restless euphoria, drop-driven arrangement
2:47

Backpack Bounce
v4.5-all
EDM x Trap x Pop Rap Banger x Dance Pop x Electropop x Contemporary R&B x Male Pop Rap Banger Vocals x Female Sexy Banger Vocals
4:00

Gopukrishna (House Version)
v4.5-all
trip hop, glitch hop, synthwave, future bass, House, pop banger, EDM Pop, electro House, acid techno, 92 BPM, half-time groove, syncopated kick-snare, stutter edits, granular synth chops, detuned analog bass, wobble sub-bass, gated toms, FM arpeggios, tape wobble, mono drum bus, dark neon mood, nocturnal drift
4:05

Gopukrishna
v4.5-all
trip hop, glitch hop, synthwave, future bass, House, pop banger, EDM Pop, electro House, acid techno, 92 BPM, half-time groove, syncopated kick-snare, stutter edits, granular synth chops, detuned analog bass, wobble sub-bass, gated toms, FM arpeggios, tape wobble, mono drum bus, dark neon mood, nocturnal drift
3:22

Orange Dust KTM Racing
v4.5-all
electropop, avant pop, dance, electronic, trip hop, r&b, Hyperpop, avant-garde, art Pop, techno, 122 BPM, breathy female lead, single synth pulse, sub bass drone, glitch percussion, dry kick, filtered break, mono vocal hook, close mic intimacy, sparse intro, dropless chorus, sudden dynamic lifts, plate reverb, stereo delay, clean limiter, tense nocturnal, club-ready lift
3:43

Thinkin About You
v4.5-all
electropop, synthpop, dance pop, pop banger, deep house, retropop, 124 BPM, four-on-the-floor kick, syncopated bassline, arpeggiated synth lead, stacked analog pads, gated snare accents, vocal chop hooks, glossy supersaw chorus, sidechained sub pulse, stereo delay throws, plate reverb, punchy club mix, bittersweet defiance, late-night release
4:24

Refuse To Be Forgotten
v4.5-all
progressive house, dance pop, 128 BPM, four-on-the-floor kick, sidechain pumping, arpeggiated synth lead, supersaw stack, filtered pad risers, punchy tom fills, stadium snare, vocal chop hooks, male pop vocal, wide stereo mix, plate reverb, 2014s festival build, peak-hour euphoria, defiant release
5:49

progressive house, dance pop, 128 BPM, four-on-the-floor kick, sidechain pumping, arpeggiated synth lead, supersaw stack, filtered pad risers, punchy tom fills, stadium snare, vocal chop hooks, male pop vocal, wide stereo mix, plate reverb, 2014s festival build, peak-hour euphoria, defiant release
2:39

Don't Tell Em
v4.5-all
dubstep, hip hop, trap, r&b, Ratchet music, electronic r&b, west coast hip hop, g-funk, technopop, Pop rap banger, minimal dance, electro-r&b, modern Southern Hip Hop, future bass trap banger, dirty Dubstep, half-time groove, 140 BPM, sub bass wobble, distorted synth stabs, punchy 808s, syncopated snare, turntable scratches, gritty drum bus, tape saturation, mono low end, late-night menace, defiant release
3:46

Danza Kuduro
v4.5-all
big room house, edm, hands-up, electronic, reggaeton, kuduro, latin pop, latin anthem, edm club banger, Hardstyle, happy hard-core, big Room, 150-160 BPM, stadium kick, offbeat bass stabs, supersaw lead, trance gate arpeggio, punchy tom fills, snare roll build, drop half-time, call and response chants, mono breakdown, sidechain compression, wide stereo chorus, festival anthem, gut punch hook
4:01

Split the Sky
v4.5-all
technopop, future bass trap, female lead vocals, chopped vocal hooks, wide stereo synths, punchy sub-bass, glitchy drum fills, synth stabs, filtered riser build, drop-centered arrangement, call-and-response chorus, crowd chant hook, glossy top end, wet delay throws, harmonizer stack, 128 BPM, half-time breakdown, euphoric release
4:21

Split the Sky Pt. 2
v4.5-all
technopop, future bass trap, female lead vocals, chopped vocal hooks, wide stereo synths, punchy sub-bass, glitchy drum fills, synth stabs, filtered riser build, drop-centered arrangement, call-and-response chorus, crowd chant hook, glossy top end, wet delay throws, harmonizer stack, 128 BPM, half-time breakdown, euphoric release
2:29

Opp
v4.5-all
liquid drum and bass, phonk, hypertechno, male adventure vocal, sub-heavy bass, breakbeat drums, chopped vocal hooks, detuned synth plucks, glockenspiel arpeggios, distorted 808 slides, sidechain pumping, plate reverb, stereo widening, 92 BPM, swung drum edits, bittersweet nostalgia
3:11

Tidal Neon Drift
v4.5-all
darkwave, chillwave, dance pop, synthwave bassline, tropical house plucks, female romantic vocals, vocoder harmonies, sidechain pumping, glossy synth layers, plate reverb, stereo delay throws, 100 BPM, four-on-the-floor kick, syncopated clap pattern, bittersweet euphoria, neon longing
2:28

Way Way Wat
v4.5-all
electro house, avant rap, female vocal chops, distorted 808 slides, sidechain pumping, detuned synth plucks, wide stereo synths, sub-heavy bass, gated snare lifts, synth brass stabs, filtered breakdowns, dropout builds, four-on-the-floor kick, halftime drop, 92 BPM bounce, stutter edits, festival euphoria
4:05

Happ Part
v4.5-all
festival progressive house, big room house, future bounce, big beat, 128 BPM, four-on-the-floor kick, sidechain pumping, distorted 808 slides, detuned synth plucks, wide supersaw stabs, brass hits, female chant vocals, male ad-libs, crowd chant hooks, arena delay throws, anthem lift, euphoric release
3:01

Happ Part 2
v4.5-all
festival progressive house, big room house, future bounce, big beat, 128 BPM, four-on-the-floor kick, sidechain pumping, distorted 808 slides, detuned synth plucks, wide supersaw stabs, brass hits, female chant vocals, male ad-libs, crowd chant hooks, arena delay throws, anthem lift, euphoric release
3:48

Small Candy Lady
v4.5-all
hyperpop, future bass trap, festival house, 128 BPM, sub-heavy bass, detuned synth plucks, chopped vocal hooks, wide stereo synths, distorted 808 slides, sidechain pumping, gated reverb snare, supersaw lead stack, punchy kick, bright transient design, digital saturation, plate reverb, aggressive lift, euphoric rush
4:12

Glass Line
v4.5-all
festival house, big beat, tropical house, percussionless intro, muted sub pulse, palm-muted guitar chops, steelpan ostinato, marimba plucks, syncopated congas, filtered synth brass, sidechain pumping, wide stereo synths, tape saturation, plate reverb, airy female lead, projected male ad libs, 92 BPM, halftime drop, bittersweet euphoria
3:01

Plus Ninety One
v4.5-all
moombahton, tropical house, Bollywood EDM, female filmi vocals, male soundtrack chants, tabla fills, dhol percussion, synth brass stabs, plucked sitar motifs, sub-heavy bass, sidechain pumping, stereo delay throws, plate reverb, 100 BPM, dembow groove, festival lift, romantic urgency, neon celebration
3:33

big room house, electro house, big beat, 128 BPM, four-on-the-floor kick, offbeat synth stabs, sub-heavy bass, distorted 808 slides, male emo rap vocal, female pop vocal hooks, chopped vocal hooks, sidechain pumping, arena snare rolls, festival build-up, drop call-and-response, widescreen synth lead, stereo drum layering, 2018s EDM sheen, euphoric release
4:11

Bleach On My Hoodie
v4.5-all
big room house, electro house, big beat, 128 BPM, four-on-the-floor kick, offbeat synth stabs, sub-heavy bass, distorted 808 slides, male emo rap vocal, female pop vocal hooks, chopped vocal hooks, sidechain pumping, arena snare rolls, festival build-up, drop call-and-response, widescreen synth lead, stereo drum layering, 2018s EDM sheen, euphoric release
4:03

Gone Too Long
v4.5-all
A high-energy, modern pop-rock anthem characterized by a driving 4/4 beat at 124 BPM, The track features a prominent, syncopated electric bassline with a gritty, overdriven tone that provides the melodic foundation, Layered over this are crisp, processed drums with a punchy snare and shimmering hi-hats, The arrangement incorporates bright, rhythmic electric guitar stabs and atmospheric synthesizer pads that swell during transitions, The male lead vocal is powerful and soulful, utilizing a wide range from a gritty chest voice to a soaring, clean head voice with subtle reverb and delay, The song structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, with the choruses featuring dense vocal harmonies and an explosive, anthemic feel, The key is B minor, utilizing a common i-VI-III-VII progression in the chorus for a dramatic, uplifting effect
3:15

We Are Going
v4.5-all
melodic dubstep, future bass trap, female vocals, 140 BPM half-time, detuned synth plucks, sub-heavy bass, wide stereo synths, sidechain pumping, glossy top end, pitched vocal chops, quarter-note snare, halftime drop, restrained intro, explosive chorus, defiant ache, late-night release
4:29

We Are Going PT. 2
v4.5-all
melodic dubstep, future bass trap, female vocals, 140 BPM half-time, detuned synth plucks, sub-heavy bass, wide stereo synths, sidechain pumping, glossy top end, pitched vocal chops, quarter-note snare, halftime drop, restrained intro, explosive chorus, defiant ache, late-night release
2:14

Late Fee
v4.5-all
big room house, melodic dubstep, 140 BPM half-time, trap drum grid, four-on-the-floor kick, syncopated snare fills, male trap rap vocals, chopped vocal hooks, distorted 808 slides, sub-heavy bass, wide stereo synths, sidechain pumping, bright lead stabs, arena clap stack, festival drop, swaggering energy, post-chorus lift, modern compression, glossy top end
4:09

Saltwood House
v4.5-all
electropop, future bass trap, 128 BPM, syncopated kick pattern, chopped vocal hooks, male electropop lead, female pop harmonies, detuned synth plucks, sub-heavy bass, wide stereo synths, sidechain pumping, glockenspiel arpeggios, punchy snare claps, filtered risers, anthemic, daredevil energy
4:21

Photo on Mantel
v4.5-all
techno, trap, big room house, 128 BPM, hardstyle kick, gated snare, distorted 808 slides, metallic synth stabs, arpeggiated supersaw lead, sub-heavy bass, chopped vocal hooks, call and response chants, sidechain pumping, tape saturation, stadium delay, festival drop, midnight adrenaline, antagonist energy
4:16

Assembly Line
v4.5-all
future bass, electropop, 128 BPM, female belt vocals, chopped vocal hooks, detuned synth plucks, sub-heavy 808 bass, sidechain pumping, wide stereo synths, punchy clap stack, trap hi-hat rolls, half-time drop, pre-chorus lift, festival-scale chorus, tension-free build, gated snare, glossy top-end, modern club mix
3:58

Doorway in June
v4.5-all
progressive house, alternative dance, 124 BPM, female indie pop vocals, punchy kick, muted bassline, arpeggiated synth lead, chopped vocal hooks, stereo pluck stabs, live drum break, filtered riser build, sidechain pumping, plate reverb, wide chorus synths, breakdown drop contrast, call and response, bittersweet nostalgia, festival lift
4:03

Doorway in June PT. 2
v4.5-all
progressive house, alternative dance, 124 BPM, female indie pop vocals, punchy kick, muted bassline, arpeggiated synth lead, chopped vocal hooks, stereo pluck stabs, live drum break, filtered riser build, sidechain pumping, plate reverb, wide chorus synths, breakdown drop contrast, call and response, bittersweet nostalgia, festival lift
3:19

When You’re Not Around
v4.5-all
future bass trap, dance pop, big beat, 92 BPM, sidechain pumping, distorted 808 slides, detuned synth plucks, chopped vocal hooks, sub-heavy bass, glitch percussion fills, filtered risers, stereo delay, plate reverb, 2020s club mix, sparse intro, huge drop, call and response, bittersweet euphoria
3:26

Fall Through My Door
v4.5-all
melodic drum and bass, 174 BPM, liquid bassline, piano riff ostinato, detuned synth plucks, brushed breakbeats, ghost-note snare, sub-heavy bass, filtered pad chords, sidechain pumping, plate reverb, crisp transient mix, bittersweet anticipation, urgent lift, halftime bridge, syncopated drum rolls
3:14

Hinges And Hay
v4.5-all
dance pop, tropical house, inspired EDM, male folk vocals, 104 BPM, syncopated kick pattern, offbeat piano stabs, steel-string guitar chops, marimba hook, palm-muted bassline, sidechain pumping, glossy plate reverb, crisp clap layers, festival drop, singalong uplift
4:15

Sleeves In The Wind
v4.5-all
electropop, future bass, 128 BPM, syncopated half-time, female vocal chops, chopped vocal hooks, detuned synth plucks, sub-heavy bass, distorted 808 slides, sidechain pumping, supersaw leads, gated snare fills, metallic claps, stereo risers, glossy compression, widened chorus, noir euphoria, late-night rush
3:15

No Money
v4.5-all
Dance pop x Progressive House x Dance x Electronic x EDM x Electropop x Female Kid Vocals
4:21

Seet The World
v4.5-all
progressive house, dance pop, 128 BPM, four-on-the-floor kick, offbeat bass stabs, arpeggiated synth lead, sawtooth supersaw stack, chopped vocal hooks, sidechain pumping, plate reverb, crisp clap, festival build, euphoric lift, bittersweet triumph, call and response, synth riser, sub-heavy bass, stereo synth layers
3:37

Driftglass Room
v4.5-all
progressive house, dance pop, 124 BPM, female vocal chops, sidechain pumping, detuned synth plucks, arpeggiated supersaw leads, sub-heavy bass, four on the floor kick, gated reverb snare, filtered pad intro, festival drop, call and response hooks, dark allure, possessive intensity
2:57

Man Parasite
v4.5-all
pop house, dance pop, slap house groove, 123 BPM, A sharp minor, male lead vocals, whispered intro, rhythmic spoken verse, chant hook repetition, syncopated pre chorus, sidechain pumping, distorted 808 slides, sub-heavy bass, four-on-the-floor kick, filtered synth stabs, tropical percussion accents, drop break contrast, build and release, nightlife regret
3:01

Back To You
v4.5-all
pop, electropop, dance pop, 94 BPM, male lead vocals, female harmony hooks, octave unison chorus, chopped vocal stabs, synth bass pulse, arpeggiated plucks, layered supersaw chorus, gated snare, syncopated kick pattern, sidechain pumping, delay throws, plate reverb, bittersweet ache, trapped release
3:56

Ur Alive
v4.5-all
melodic house, melodic dubstep, future bass, female lead vocals, stacked harmonies, call-and-response hooks, half-time drop, four-on-the-floor kick, sidechain pumping, wide stereo synths, detuned synth plucks, sub-heavy bass, 95 BPM bounce, summer euphoria, bittersweet uplift, sparse breakdowns, silence breaks, festival drop, plate reverb, crisp transient punch
3:01

Five Hours
v4.5-all
electro house, progressive house, 128 BPM, male vocal hooks, chant chorus, five-string banjo, bucket percussion, bowed banjo, pub singalong, four-on-the-floor kick, offbeat bass stab, syncopated claps, sidechain pumping, bathroom reverb, room mic bleed, festival build-up, euphoric release, gritty live energy
2:28

Anymore
v4.5-all
K-pop electro pop, future bass pop, 92 BPM, English Korean hooks, female lead vocals, male harmony vocals, chopped vocal hooks, detuned synth plucks, sub-heavy bass, sidechain pumping, gated snare build, reverse crash risers, four bar pre chorus, festival drop, glossy top end, 2016s club sheen, bittersweet longing
