broken bones (1650 Psalter vI)

haunting orchestral 90s indie rock with a raw, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, Loose but driving rhythm section—busy orchestral double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no synths, no metal, include cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, Loose but driving rhythm section—busy orchestral double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no synths, no metal, include cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano, include church congregation backing vocals where appropriate

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, Loose but driving rhythm section—busy orchestral double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no synths, no metal, include cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano, include church congregation backing vocals

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, Loose but driving rhythm section—busy orchestral double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no synths, no metal, include cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano, include church congregation backing vocals

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all acoustic, Loose but driving rhythm section—busy orchestral double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, with backing vocals like a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Lyrics feel fragmented, ironic, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no synths, no metal, include cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all instruments must be acoustic, Loose but driving rhythm section—busy orchestra double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, with backing vocals of a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super catchy, tense and scrappy, No pop polish, no synths, no metal, add cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all instruments must be acoustic, Loose but driving rhythm section—busy orchestra double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, with backing vocals of a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super catchy, tense and scrappy, No pop polish, no synths, no metal, add cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all instruments must be acoustic, Loose but driving rhythm section—busy orchestra double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, with backing vocals of a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super catchy, tense and scrappy, No pop polish, no synths, no metal, add cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all instruments must be acoustic, Loose but driving rhythm section—busy orchestra double bass, and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, with backing vocals of a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super catchy, tense and scrappy, No pop polish, no synths, no metal, add cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano

Deeply haunting yet catchy orchestral 90s indie rock with a raw, melancholy, slanted feel, Angular, slightly dissonant acoustic guitars with jangly strumming and sudden bursts of chaotic energy, absolutely no electric instruments, all instruments must be acoustic, Loose but driving rhythm section—busy orchestra double bass played with a bow and punchy, imperfect drums that feel played live, not locked to a grid, Male low baritone vocals delivered half-sung, half-shouted with dry, detached doleful attitude and bursts of melancholic urgency, group backing vocals like a church congregation, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive orchestral choruses, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super catchy, tense and scrappy, No pop polish, no synths, no metal, add cello, violin, viol, timpani drum, bassoon, bass clarinet, flutes, xylophone and grand piano