Embers To Ashes Songs
Songs by my original, fictional Hellaverse band, Embers To Ashes. Consisting of Ember Quinn (guitar/vocals), Larry (drums), Agnes (bass), and Olympio (synths/keyboard)
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17 songs
3:08
2:33
3:33
3:06
3:19
2:45
2:57
2:29
2:43
2:59
3:20
3:04
2:16
driven by punchy drums, punk, crunchy lead guitar riffs, grooving basslines, raw, rock, and soaring synth textures that add emotional depth, pop-punk, female vocals, pop
1:59
driving rhythm with female vocals; lead guitar riffs cutting through a heavy bassline; punchy drums driving the pace; synths adding bright, rock, soaring layers, female vocals, empowering, pop, punk, pop-punk
3:24
rock, High-energy pop-punk with female vocals; tight, overdriven rhythm guitar and a melodic lead line weaving around the topline, punchy bass locked to an upbeat kit, and bright synth pads swelling in the choruses, Verses stay half-time and intimate with palm mutes and sparse keys; pre-chorus builds with climbing lead guitar; chorus hits full-speed with gang vocals on key phrases, Bridge drops to toms, bass, and shimmering synth before a final double-time chorus and guitar outro, pop, punk, female vocals
3:52
rock, Anthemic pop-punk with female vocals, overdriven rhythm guitars locked tight to a punchy drum kit and melodic bass, Verses stay lean with palm-muted crunch and subtle synth pads; pre-chorus tension builds with tom runs and rising keys, Chorus hits wide and huge with stacked gang shouts and bright lead lines, Bridge drops to half-time, synth arpeggios and reverb-soaked leads, then explodes into an epic shred guitar solo that lifts straight into a final, biggest-chorus outro, pop, female vocals, punk
2:57
rock, High-energy pop-punk with female vocals, crunchy guitars locked tight to an aggressive drum groove, bright overdriven bass, and fizzy synth hooks that answer the lead vocal, Verses stay lean and punchy, drums riding the hi-hat with choked crashes; choruses explode with gang shouts, octave leads, and wide synth pads, Middle-eight drops to half-time with filtered vocals, then slams back into a double-time outro chorus and big tom fills for a final yell-along ending, female vocals, punk, pop