ADVANCED AUTISM - GAMING/TV-SERIES SONG MIX
The title says everything. You have been warned.
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15 songs
4:09
Style / Genre Prompt:
metal, electronic, industrial metal, heavy distorted guitars, aggressive electronic synths, cinematic drums, dark atmosphere
Mood Prompt:
epic, dark, apocalyptic, mechanical, relentless, futuristic
Vocal Prompt:
male harsh robotic vocals, deep growls with occasional distorted chanting
3:06
Energetic mix of metal and synthwave with light dubstep elements, Upbeat major key, driving distorted guitars, heavy drums, neon synth layers, and rave-like drops, Sounds like a chaotic party in a post-apocalyptic wasteland, explosive and euphoric, Vocals should be powerful, energetic, anthemic, and suitable for crowd chanting
4:29
Style Prompt: Epic orchestral metal, inspired by Dark Souls OST, with church choirs, pipe organ, heavy percussion, slow-building strings, and crushing guitar riffs, Mood Prompt: Melancholic, tragic, yet triumphant; the struggle of rising again against impossible odds, Vocal Prompt: Deep male vocals, solemn operatic choirs, layered chants, occasional growls for intensity, clean epic delivery in the chorus
2:15
Title: No Girls Allowed!
Style / Genre Prompt:
comedic nu-metal, chaotic energy, heavy guitars with humorous aggression, tribal chant elements, over-the-top macho parody, dark harmonic backing vocals used satirically
Mood Prompt:
intense but comedic, unhinged parody, exaggerated hatred turned absurd, energetic, exaggerated warrior chants, humorous self-awareness
Vocal Prompt:
aggressive male vocals with comedic delivery, whisper-to-scream transitions, exaggerated macho shouts, harmony layers mocking the seriousness, sudden confused tone in bridge
3:23
Style: hyper-energetic nu-metal fused with upbeat derby-ska; punchy distorted guitars chasing bright ska-horn stabs; chaotic rhythmic breaks; fast punky drums with syncopated reggae-offbeats; playful “race-day” brass, Mood: mischievous, unhinged, victorious; chaotic fun after a derby win; loud, confident, unstoppable energy, Vocals: all-female cast; GoldShip-style unfiltered charisma; shouted hype lines, cheeky spoken breaks, sudden melodic bursts; layered harmonies mimicking stadium chants (but all feminine); no male voices, Instrumentation: distorted guitars, slap-bass riffs, racing snares, festive trumpets/trombones, whistle hits, clattering derby bells, metallic impacts, crowd-like female chant layers used as percussion, Energy: explosive, bouncing, unpredictable; constantly switching between ska sprint, nu-metal stomp, and chaotic breakdowns
3:04
Title: REY DAU! WE HUNT YOU!
Style:
harmonic nu-metal fused with haka rhythms; heavy stomps, tribal drums, distorted guitars, deep male chant harmonies; dramatic brass stabs in pre-chorus and chorus like hunting horns, Mood:
energetic, hunting-focused, primal bravery; the unity and adrenaline of hunters preparing for a wyvern battle; ritualistic haka aggression, Vocals:
deep baritone female voice with rough warrior timbre; haka-style shouts, sharp commands, rhythmic group chants; powerful harmonies in chorus with brass hits, Instruments:
nu-metal base (guitars, bass, heavy drums) mixed with haka stomps, tribal percussion, group chants, and bold brass/posaune hunting-horn accents
3:09
[epic gothic metal opera inspired by Bloodborne — cathedral pipe organs, full orchestra, solemn and terrifying church choir, heavy guitars, orchestral percussion, operatic male/female vocals with growls, male main voice, female voice + male voice in chorus]
5:44
Title: Come to Daddy!
Style:
nu-metal fused with 1950s underwater jazz; heavy industrial drums, deep distorted bass, drill-like metallic growls, and shimmering vintage string chords; eerie submerged ambience, Mood:
dark, tragic, unstoppable; deep-sea pressure and rusted rage; protective but monstrous; sorrowful heroism wrapped in steel, Vocals:
very deep baritone with diver-helmet effect; calm, slow, heavy breath; sudden drill-like howls when enraged; emotional but muted like underwater; occasional soft humming echo, Instruments:
distorted guitars, pounding toms, 1950s jazz strings, muted brass, underwater piano hits, drill-synth scrapes, leaking-pipe reverb; rising tension like Rapture collapsing
4:54
Title: An Evening With Sander Cohen
Style:
nu-metal fused with manic 1940s big-band theatrics; blaring brass, discordant swing rhythms, violently hammered piano, frantic woodwinds; sudden mood-swings between elegant gala and chaotic breakdown, Mood:
grandiose, seductive, unhinged; theatrical insanity, narcissistic brilliance, predatory glamour; constant tension between spotlight beauty and murderous mania, Vocals:
expressive male baritone voice shifting between dramatic stage whisper, seductive croon, and explosive manic shouting; unstable cadence; occasional unsettling laughter, Instruments:
distorted guitars, pounding drums, jazz brass hits, frantic swing sax, wobbling psychotic piano, spotlight reverb; abrupt dynamic changes
4:19
Title: Gahr-Ûk Thraak
Style:
nu-metal fused with tribal war drums, heavy low toms, ram-like impacts, metallic scrapes; rhythmic stomps like marching Uruk-hai; dark, mud-soaked battlefield ambience, Mood:
brutal, unstoppable, primal; the relentless advance of an engineered warbreed; tension rising from forges to siege, Vocals:
deep guttural male growls; harsh Uruk-Hai phonetics—clicks, roars, snarls; rhythmic war-chant phrasing; no clear language, only battle sounds, Instruments:
distorted guitars, pounding war drums, iron anvil hits, horn blasts, siege-ram booms, wind howls; nu-metal breakdowns mimicking the march to Helm’s Deep
2:18
Title: Gnar!
Style:
nu-metal fused with Victorian street theatrics and primal jungle drums; playful percussive bells for small Gnar, heavy distorted riffs and pounding toms for Mega Gnar; rhythmic tension like Jekyll & Hyde, Mood:
dual, chaotic, cute-but-terrifying; rapid swings between innocence and fury; magical, wild, unpredictable, Vocals:
two voices:
1) high, playful childlike tone for verses (small Gnar), light and bouncy;
2) deep roaring male monster voice for chorus (Mega Gnar), aggressive and harsh;
all lyrics made of Gnar’s voicelines only, Instruments:
distorted nu-metal guitars, Victorian alley piano plinks, jungle drums, metallic hits, rising tension rhythms; explosive breaks when Mega Gnar appears
4:58
Title: Drag Them Down
Style:
epic storm-driven nu-metal mixed with hard-struck, tempestuous piano (keys hit like waves smashing hulls); JoJo-style metallic woodwinds; fast, slicing saxophone riffs flowing in rising crests; aggressive rhythmic surges, Mood:
relentless, tidal, towering; the crushing pressure of the deep mixed with the violence of a storm above; theatrical, cold, unstoppable momentum, Vocals:
deep baritone with diver-helmet metallic resonance; heavy, commanding delivery; slight rasp; dramatic low growls; includes Nautilus humming (“♪ Ba-da-dee, ba-da-do, ba-da-doo… ♪”) with rhythmic pulse, Instruments:
storm-hammered piano, distorted nu-metal guitars, pounding toms, tidal sub-bass, metallic woodwind stabs, fast wave-like saxophone runs, underwater impacts, dark harmonic cho
3:39
Title: I AM THE GODDAMN HERO!!
Style:
nu-metal with space-age swing and Roaring Twenties flair; punchy but spacious grooves, allowing pauses and swagger; riffs breathe between lines, Mood:
confident, smug, theatrical; controlled arrogance with comedic timing, like a villain enjoying the spotlight, Vocals:
male voice with relaxed pacing and clear phrasing; verses delivered slower with intentional pauses and a lot of sarcasm; choruses bold and declarative, not rushed; occasional spoken-word emphasis, he is a complete showman, he makes fun of the opposition, Instruments:
nu-metal guitars with space between hits, swing brass accents, jazzy piano stabs, steady drums, subtle synth sparkle; rhythmic breaks for breath and punchlines
3:56
Title: A Man Chooses, Style:
nu-metal fused with cinematic big-band; heavy guitars meet dramatic brass, slow-burning piano hits, and orchestral swells, Mood:
commanding, self-assured, ideological; controlled fury and unwavering conviction from beginning to end, Vocals:
male baritone, confident and authoritative; sarcastic calm in verses, powerful declaration in choruses; measured pacing, absolute control, Instruments:
nu-metal riffs, big-band brass stabs, cinematic strings, deep drums, ominous piano accents; dramatic pauses to emphasize authority
3:16
Title: Would You Kindly?
Style:
nu-metal fused with big-band swagger and industrial machine rhythms; early sections feel like a worker’s march with brass accents, evolving into cold, calculated industrial beats, Mood:
manipulative, smug, increasingly predatory; friendly deception turning into gleeful domination, Vocals:
male voice, dripping with sarcasm and confidence; warm and encouraging at first, growing sharper and crueler; final sections openly mocking and amused, Instruments:
nu-metal guitars, punchy drums, big-band brass stabs, conveyor-belt percussion, mechanical clanks, synth pulses; tempo tightens as Fontaine’s mask drops