ADVANCED AUTISM - GAMING/TV-SERIES SONG MIX
The title says everything. You have been warned.
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22 songs
4:09
Style / Genre Prompt:
metal, electronic, industrial metal, heavy distorted guitars, aggressive electronic synths, cinematic drums, dark atmosphere
Mood Prompt:
epic, dark, apocalyptic, mechanical, relentless, futuristic
Vocal Prompt:
male harsh robotic vocals, deep growls with occasional distorted chanting
3:06
Energetic mix of metal and synthwave with light dubstep elements, Upbeat major key, driving distorted guitars, heavy drums, neon synth layers, and rave-like drops, Sounds like a chaotic party in a post-apocalyptic wasteland, explosive and euphoric, Vocals should be powerful, energetic, anthemic, and suitable for crowd chanting
4:29
Style Prompt: Epic orchestral metal, inspired by Dark Souls OST, with church choirs, pipe organ, heavy percussion, slow-building strings, and crushing guitar riffs, Mood Prompt: Melancholic, tragic, yet triumphant; the struggle of rising again against impossible odds, Vocal Prompt: Deep male vocals, solemn operatic choirs, layered chants, occasional growls for intensity, clean epic delivery in the chorus
2:15
Title: No Girls Allowed!
Style / Genre Prompt:
comedic nu-metal, chaotic energy, heavy guitars with humorous aggression, tribal chant elements, over-the-top macho parody, dark harmonic backing vocals used satirically
Mood Prompt:
intense but comedic, unhinged parody, exaggerated hatred turned absurd, energetic, exaggerated warrior chants, humorous self-awareness
Vocal Prompt:
aggressive male vocals with comedic delivery, whisper-to-scream transitions, exaggerated macho shouts, harmony layers mocking the seriousness, sudden confused tone in bridge
3:23
Style: hyper-energetic nu-metal fused with upbeat derby-ska; punchy distorted guitars chasing bright ska-horn stabs; chaotic rhythmic breaks; fast punky drums with syncopated reggae-offbeats; playful “race-day” brass, Mood: mischievous, unhinged, victorious; chaotic fun after a derby win; loud, confident, unstoppable energy, Vocals: all-female cast; GoldShip-style unfiltered charisma; shouted hype lines, cheeky spoken breaks, sudden melodic bursts; layered harmonies mimicking stadium chants (but all feminine); no male voices, Instrumentation: distorted guitars, slap-bass riffs, racing snares, festive trumpets/trombones, whistle hits, clattering derby bells, metallic impacts, crowd-like female chant layers used as percussion, Energy: explosive, bouncing, unpredictable; constantly switching between ska sprint, nu-metal stomp, and chaotic breakdowns
3:04
Title: REY DAU! WE HUNT YOU!
Style:
harmonic nu-metal fused with haka rhythms; heavy stomps, tribal drums, distorted guitars, deep male chant harmonies; dramatic brass stabs in pre-chorus and chorus like hunting horns, Mood:
energetic, hunting-focused, primal bravery; the unity and adrenaline of hunters preparing for a wyvern battle; ritualistic haka aggression, Vocals:
deep baritone female voice with rough warrior timbre; haka-style shouts, sharp commands, rhythmic group chants; powerful harmonies in chorus with brass hits, Instruments:
nu-metal base (guitars, bass, heavy drums) mixed with haka stomps, tribal percussion, group chants, and bold brass/posaune hunting-horn accents
3:09
[epic gothic metal opera inspired by Bloodborne — cathedral pipe organs, full orchestra, solemn and terrifying church choir, heavy guitars, orchestral percussion, operatic male/female vocals with growls, male main voice, female voice + male voice in chorus]
5:44
Title: Come to Daddy!
Style:
nu-metal fused with 1950s underwater jazz; heavy industrial drums, deep distorted bass, drill-like metallic growls, and shimmering vintage string chords; eerie submerged ambience, Mood:
dark, tragic, unstoppable; deep-sea pressure and rusted rage; protective but monstrous; sorrowful heroism wrapped in steel, Vocals:
very deep baritone with diver-helmet effect; calm, slow, heavy breath; sudden drill-like howls when enraged; emotional but muted like underwater; occasional soft humming echo, Instruments:
distorted guitars, pounding toms, 1950s jazz strings, muted brass, underwater piano hits, drill-synth scrapes, leaking-pipe reverb; rising tension like Rapture collapsing
4:54
Title: An Evening With Sander Cohen
Style:
nu-metal fused with manic 1940s big-band theatrics; blaring brass, discordant swing rhythms, violently hammered piano, frantic woodwinds; sudden mood-swings between elegant gala and chaotic breakdown, Mood:
grandiose, seductive, unhinged; theatrical insanity, narcissistic brilliance, predatory glamour; constant tension between spotlight beauty and murderous mania, Vocals:
expressive male baritone voice shifting between dramatic stage whisper, seductive croon, and explosive manic shouting; unstable cadence; occasional unsettling laughter, Instruments:
distorted guitars, pounding drums, jazz brass hits, frantic swing sax, wobbling psychotic piano, spotlight reverb; abrupt dynamic changes
4:19
Title: Gahr-Ûk Thraak
Style:
nu-metal fused with tribal war drums, heavy low toms, ram-like impacts, metallic scrapes; rhythmic stomps like marching Uruk-hai; dark, mud-soaked battlefield ambience, Mood:
brutal, unstoppable, primal; the relentless advance of an engineered warbreed; tension rising from forges to siege, Vocals:
deep guttural male growls; harsh Uruk-Hai phonetics—clicks, roars, snarls; rhythmic war-chant phrasing; no clear language, only battle sounds, Instruments:
distorted guitars, pounding war drums, iron anvil hits, horn blasts, siege-ram booms, wind howls; nu-metal breakdowns mimicking the march to Helm’s Deep
2:18
Title: Gnar!
Style:
nu-metal fused with Victorian street theatrics and primal jungle drums; playful percussive bells for small Gnar, heavy distorted riffs and pounding toms for Mega Gnar; rhythmic tension like Jekyll & Hyde, Mood:
dual, chaotic, cute-but-terrifying; rapid swings between innocence and fury; magical, wild, unpredictable, Vocals:
two voices:
1) high, playful childlike tone for verses (small Gnar), light and bouncy;
2) deep roaring male monster voice for chorus (Mega Gnar), aggressive and harsh;
all lyrics made of Gnar’s voicelines only, Instruments:
distorted nu-metal guitars, Victorian alley piano plinks, jungle drums, metallic hits, rising tension rhythms; explosive breaks when Mega Gnar appears
4:58
Title: Drag Them Down
Style:
epic storm-driven nu-metal mixed with hard-struck, tempestuous piano (keys hit like waves smashing hulls); JoJo-style metallic woodwinds; fast, slicing saxophone riffs flowing in rising crests; aggressive rhythmic surges, Mood:
relentless, tidal, towering; the crushing pressure of the deep mixed with the violence of a storm above; theatrical, cold, unstoppable momentum, Vocals:
deep baritone with diver-helmet metallic resonance; heavy, commanding delivery; slight rasp; dramatic low growls; includes Nautilus humming (“♪ Ba-da-dee, ba-da-do, ba-da-doo… ♪”) with rhythmic pulse, Instruments:
storm-hammered piano, distorted nu-metal guitars, pounding toms, tidal sub-bass, metallic woodwind stabs, fast wave-like saxophone runs, underwater impacts, dark harmonic cho
3:39
Title: I AM THE GODDAMN HERO!!
Style:
nu-metal with space-age swing and Roaring Twenties flair; punchy but spacious grooves, allowing pauses and swagger; riffs breathe between lines, Mood:
confident, smug, theatrical; controlled arrogance with comedic timing, like a villain enjoying the spotlight, Vocals:
male voice with relaxed pacing and clear phrasing; verses delivered slower with intentional pauses and a lot of sarcasm; choruses bold and declarative, not rushed; occasional spoken-word emphasis, he is a complete showman, he makes fun of the opposition, Instruments:
nu-metal guitars with space between hits, swing brass accents, jazzy piano stabs, steady drums, subtle synth sparkle; rhythmic breaks for breath and punchlines
3:56
Title: A Man Chooses, Style:
nu-metal fused with cinematic big-band; heavy guitars meet dramatic brass, slow-burning piano hits, and orchestral swells, Mood:
commanding, self-assured, ideological; controlled fury and unwavering conviction from beginning to end, Vocals:
male baritone, confident and authoritative; sarcastic calm in verses, powerful declaration in choruses; measured pacing, absolute control, Instruments:
nu-metal riffs, big-band brass stabs, cinematic strings, deep drums, ominous piano accents; dramatic pauses to emphasize authority
3:16
Title: Would You Kindly?
Style:
nu-metal fused with big-band swagger and industrial machine rhythms; early sections feel like a worker’s march with brass accents, evolving into cold, calculated industrial beats, Mood:
manipulative, smug, increasingly predatory; friendly deception turning into gleeful domination, Vocals:
male voice, dripping with sarcasm and confidence; warm and encouraging at first, growing sharper and crueler; final sections openly mocking and amused, Instruments:
nu-metal guitars, punchy drums, big-band brass stabs, conveyor-belt percussion, mechanical clanks, synth pulses; tempo tightens as Fontaine’s mask drops
4:14
A tight 3-minute nu-metal/Slavic western hybrid starts with downtuned guitar riffs, driving bass, and galloping drums set against acoustic western guitar and whistling leads, Hurdy-gurdy and tagelharpa add a biting melodic edge, interwoven with Slavic flute, War drum hits punctuate heavy nu-metal choruses, Rough baritone vocals deliver verses with dry wit, gritting through choruses full of battle-scarred emotion, The overall sound is rugged, windswept, and cinematic, fusing playful, dusty steppe moods with energetic metal energy
4:42
Genre: nu-metal with harmony elements fused with decaying 1940s big band atmosphere
Length: ~3 minutes
Mood: militant, cinematic, southern storyteller confidence, rising intensity
Instrumentation: heavy downtuned guitars, punchy industrial drums, deep bass, distorted brass section, broken jazz trumpets, upright piano hits, ambient underwater reverb, metallic percussion
Rhythm: marching combat groove in verses, explosive nu-metal chorus, swinging but corrupted big band accents
Vocals: confident southern male baritone narrator (Augustus Sinclair style), charismatic, slightly theatrical, controlled grit in chorus
Backing vocals: low male gang chants in chorus (“Topside!”)
Atmosphere: flooded art deco halls, cracking chandeliers, echoing drill impacts
Theme: Subject Delta marching through Rapture to reclaim Eleanor; defiance against Sofia Lamb
Energy: aggressive but emotional, fatherly resolve beneath mechanical brutality
3:49
Genre: nu-metal fused with party rock anthem energy
Length: ~3 minutes
Mood: energetic, heroic, humorous, emotional undertone
Instrumentation: heavy downtuned guitars, punchy bass, bouncy drums, arena-style gang vocals in chorus, slight industrial texture
Rhythm: elastic groove, springy feel in verses, explosive sing-along chorus
Vocals: deep, echoing monstrous male voice, friendly but powerful, slight reverb as if speaking from sewer tunnels
Backing vocals: crowd chants shouting “Let’s bounce!”
Theme: Zac protecting Zaun between the lanes, balancing humor and heartfelt justice
Energy: high, bouncy, stadium-ready
4:50
Genre: nu-metal with harmony elements fused with decaying 1940s big band atmosphere
Length: ~3 minutes
Mood: militant, cinematic, southern storyteller confidence, rising intensity
Instrumentation: heavy downtuned guitars, punchy industrial drums, deep bass, distorted brass section, broken jazz trumpets, upright piano hits, ambient underwater reverb, metallic percussion
Rhythm: marching combat groove in verses, explosive nu-metal chorus, swinging but corrupted big band accents
Lead Vocals: female voice, cold, clinical, psychologically dominant, emotionally restrained
Contrast: calm analytical verses vs explosive brass-driven choruses
Backing: low choir chanting “We” and “Family”
Atmosphere: dark, decaying underwater carnival in Rapture
Energy: restrained tension erupting into grand authoritarian big band climax
Production: cinematic, wide brass bursts, eerie reverb, controlled vocal presence
4:50
Relentless downtuned guitars lock with punishing industrial percussion and metallic hits, underpinned by pounding war drums and menacing synth drones, Verses march with slow, crushing precision, erupting into explosive, militaristic choruses, A brutal breakdown ignites a charging, apocalyptic finale, with the ultra-deep, warrior-like vocals—rolling R’s and cavernous resonance—commanding the battlefield with unstoppable, undead energy
3:22
The track kicks off with warped carnival organ and low banjo licks, quickly joined by grinding nu-metal guitars and a swampy, distorted bass, Drums hit with a muddy, stomping groove, pushed by rattling chain percussion and eerie slide guitar bends, Verses are thick with foggy ambience, unsettling samples, and twisted blues licks, while the deep male vocals—swathed in a sinister southern drawl—slink and cackle between taunts, Choruses erupt with sludge-heavy riffs, manic laughter rising above the cacophony, The bridge warps into theatrical villain mode, layering carnival sounds and frenzied guitar licks before dropping back into the stalking, taunting groove for a grotesque finish
5:02
Opens with harpsichord arpeggios weaving through tense strings and pipe organ in an elegant 3/4 waltz, underscored by deep, chugging nu-metal guitars, Orchestral hits punctuate each phrase, The dominant female vocal glides seductively, then surges into commanding fury as rhythm shifts into pounding, syncopated metal riffs, Atmosphere crescendos—carnival motifs and string glissandi echo through vast, haunted halls, The final section explodes with precise drum grooves, anguished organ, and escalating string cascades, fusing gothic horror with dark, theatrical power