3:54

Burn It All Away
v4.5-all
metal, aggressive, distorted guitars, heavy metal, growling male vocals, pounding double bass drums
3:37

metal, heavy, aggressive; driven by drop d guitars and relentless double bass drumming, razor-sharp riffs and a thunderous low-end dominate the mix, with snarling male vocals delivering raw power, occasional dissonant chords and minor melodic passages heighten the tension
3:08

Tomorrow Never Comes
v4.5-all
dissonant riffs, metal, aggressive, hardcore, guttural male vocals with layered screams and growls for texture, heavy double-kick drums, hardcore metal
2:59

medium speed groove metal, funk, groove metal, syncopated drum patterns, with atmospheric breakdowns for contrast, heavy palm-muted riffs, deep growling vocals
5:28

Smashed dreams
v4.5-all
dynamic shifts between blistering speed and atmospheric tension, heavy double-kick drumming, male vocals, technical metal, metal, light, sporadic vocals for dramatic emphasis, intricate guitar riffing
3:19

Rise of the Forgotten
v4.5-all
chaotic yet precise, world, pounding double bass, blistering speed metal with galloping riffs, and shrieking leads, aggressive male vocals with guttural growls in the verses and soaring screams in the chorus, explosive energy, metal, drop d tuning
4:17

Fallen From the Line
v4.5-all
double-kick drum fury, technical heavy metal, male vocals, metal, relentless, aggressive; shredding guitar riffs, and guttural male vocals
2:44

funk, Groove-heavy death metal with chugging drop-D guitars, palm-muted syncopation, and relentless double-kick patterns, Verses ride mid-tempo stomp riffs; chorus opens to a wide, chantable hook with layered gang vocals, Breakdowns hit with dissonant bends, pinched squeals, and a grinding low-end wall, Male vocals alternate guttural growls and barked shouts; bass locks to the kick with snarling distortion, groove metal, groovy
2:54

modern groove metal with a 2000s metalcore edge—syncopated, funk, and screaming verses transitioning to clean, heavy riffs with palm-muted chugs, groove metal, metalcore, sharp double-kick patterns, melodic choruses, layered breakdowns with dissonant chords and aggressive dynamics, female vocals shifting between guttural growls and soaring cleans
3:58

Native animosity
v4.5-all
deep male vocals with growls and screams, syncopated rhythms, heavy guitars, deep, relentless blastbeats intertwined with groovy breakdowns, aggressive yet groovy, metal, djent metalcore, groovy, djent, atmospheric ambient layers for contrast
2:50

groove metal, funk, laid-back groove metal, deep bass, gritty male vocals, heavy syncopated riffs, with a chill yet intense vibe
3:12

metal, gangster heavy metal, with layers of synth adding ominous textures, gritty and relentless, metalcore, aggressive; deep male vocals with snarling growls and occasional melodic screams, double bass pedal dominates breakdowns, synth-laden
3:47

atmospheric synths, r&b and metal fusion, r&b, and crushing guitars, male vocals alternating between clean melodies and guttural screams, distorted choruses; rich basslines, smooth yet heavy; soulful, crooning verses contrasted with roaring, metal
4:19

metal, heavy, guttural male vocals, thunderous bass, dark, double-kick drums, crushing; distorted guitars, eerie atmospheric synths for texture
3:14

chugging riffs, modern groove death metal, death metal, funk, thunderous double bass, and atmospheric synths to evoke cosmic vastness, layered growls with clean harmonies, heavy
3:34

chugging riffs, modern groove death metal, death metal, funk, thunderous double bass, and atmospheric synths to evoke cosmic vastness, layered growls with clean harmonies, heavy
2:44

pounding drums, heavy, and growling male vocals that build tension; occasional eerie clean guitar melodies for contrast, aggressive, funk, groove metal, modern groove metal, syncopated riffs with chugging guitars
4:39

Stand strong
v4.5-all
heavy and aggressive, male vocals, drop d tuning, funk, metalcore, power metalcore, groove metal
4:19

Fallen From the Line
v4.5-all
double-kick drum fury, technical heavy metal, male vocals, metal, relentless, aggressive; shredding guitar riffs, and guttural male vocals
3:40

Reignite the Abyss
v4.5-all
metalcore, aggressive with groove metal breakdown, heavy, male vocals, groove metal, funk
3:32

Tax Reaper
v4.5-all
and relentless double bass drumming, male guttural vocals lead the charge, alternating with shouted backing vocals for added intensity, groovy, metal, aggressive, metalcore with punchy guitar riffs, heavy breakdowns
2:34

metal, Crushing modern metalcore: drop-tuned guitars chugging and sliding, double-kick bursts under screamed verses and a huge sung hook, Verses stay tight and syncopated; chorus opens with wide, dissonant chords and octave leads, Layer harsh and clean male vocals, with a mid-song breakdown that dips into half-time and feedback squeals before the final chorus hits, melancholy
3:01

metal, Modern death metal with dropped-tuned 7-strings, blast beats, and a snarling wall of guitars, Male vocals switch between guttural lows and shredding highs; chorus opens up with shouted gang vocals and a crushing halftime groove, Kick and bass lock tight for a stomping breakdown, with dissonant tremolo leads and abrupt stops for vocal punches, death metal
3:02

funk, Modern groove death metal with 7-string guitars in drop tuning, palm-muted chugs locking to a staggered kick and snarling bass, Verses ride syncopated riffs and low growls; chorus opens with mid-range screams, gang vocals, and a wide, dissonant lead melody, Brutal yet catchy, with tight stops, pinch harmonics, and a breakdown that feels like the floor dropping out, Male vocals, death metal
3:14

Cutting All Ties
v4.5-all
Groovy modern metalcore: down-tuned, syncopated riffs locked to a bouncy drum groove, sharp start-stop rhythms and pinch harmonics, Verses ride a tight pocket with screamed male vocals and sparse guitar stabs; choruses open with soaring melodic hooks and layered gang shouts, Brief ambient break in the bridge, then a crushing, palm‑muted breakdown to finish hard, groovy, metalcore
3:16

Would Ya Look At That
v4.5-all
metal, Modern death metal with a blend of old-school grit: down-tuned tremolo guitars, blast beats shifting into half-time stomps, guttural male vocals with occasional high shrieks, Verses feel like a relentless charge; chorus opens into a mid-tempo, crowd-chant groove, Thick bass locks to the kick, overheads bright on the cymbals, guitars thick and slightly scooped, vocal pushed forward and dry for aggression, death metal
