Ocarina of Light: Songs of the Eternal Kingdom
Christ-centered cinematic worship inspired by The Legend of Zelda: Ocarina of Time, blending orchestral beauty with timeless adventure.
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22 songs
4:57
100 BPM | Key of F Mixolydian | Inspired by The Legend of Zelda: Ocarina of Time – Kokiri Forest, Light, playful pan flute melody with pizzicato strings and soft harp arpeggios, Gentle hand percussion with wooden clicks and soft shakers, Birds and forest ambience woven subtly into the mix, Maintain looping, circular melodic phrases in F Mixolydian (F–C–Bb–C), Mid-song EDM lift: airy synth plucks layered under flutes for a dreamy, adventurous feel, Bridge: solo pan flute over harp, Final chorus: full flute ensemble + bright pads for a joyful climax
3:24
Christ-centered worship ballad inspired by Zelda’s Great Deku Tree, Mystical, orchestral-folk textures with harp, soft strings, woodwinds, and gentle choir pads, Add faint forest ambience and glowing reverb for a sacred, ancient feel, Tempo ~70 BPM, minor/folk mode, Vocals melodic and reverent, with layered harmonies in the chorus, Lyrics focus on Christ as the eternal refuge and living tree of life, Atmosphere: mystical forest sanctuary filled with His presence
3:46
72 BPM | Key of C Lydian | Inspired by The Legend of Zelda: Ocarina of Time – Fairy Fountain, Harp glissandi and cascading arpeggios, layered with airy synth pads and gentle choir “ahs, ” Occasional bell tones and wind chimes, Harmony in C Lydian (C–D–E–F#–G–A–B) for a magical, heavenly feel, Instrumental intro for 20–30 seconds, then vocals enter soft and ethereal, floating above the texture, Bridge: harp solo with delicate string pads, leading to a lush final chorus
3:26
72 BPM | Key of G Ionian | In the style of The Legend of Zelda: Ocarina of Time – Zelda’s Lullaby, Gentle, reverent ballad with soft harp arpeggios, warm string pads, and a light flute doubling the melody, Vocals clear, tender, and intimate — lead should be forward in the mix with a lullaby-like delivery, supported by soft harmony layers in the chorus, Keep the harmonic simplicity (G–D–C–D) and flowing 6/8 sway, Mid-song lift: strings swell under layered vocals, Bridge: solo flute over harp before returning to a soft, heartfelt final chorus, Cathedral-style reverb, loop-friendly arrangement, clean master
5:59
112 BPM | Key of F Mixolydian | Inspired by The Legend of Zelda: Ocarina of Time – Lost Woods (Saria’s Song), Playful, looping pan flute melody with pizzicato strings and soft harp arpeggios, steady light percussion with wooden clicks and soft shakers, subtle forest ambience (birds, rustling leaves) woven into the mix, Maintain circular, repeating melodic phrases in F Mixolydian (F–C–Bb–C) for a whimsical, quest-like feel, Mid-song EDM lift: airy synth plucks layered under pan flute for a dreamy, adventurous touch, Bridge: solo pan flute over harp with gentle string pads, Final chorus: full flute ensemble + bright pads for a joyful, triumphant climax
3:52
92 BPM | Key of G Mixolydian | Inspired by The Legend of Zelda: Ocarina of Time – Lon Lon Ranch, Gentle acoustic guitar picking with light fiddle leads, upright bass, and brushed snare, Soft pad for warmth, Keep G Mixolydian (G–F–C–G) for a rustic, content feel, Instrumental intro for 20–30 seconds, then vocals enter warmly with a storytelling tone, Bridge: fiddle solo over guitar picking, then return to final chorus with harmony vocals
3:51
92 BPM | Key of D Mixolydian | Inspired by The Legend of Zelda: Ocarina of Time – Kakariko Village, Gentle acoustic guitar picking with soft fiddle lines and light percussion (brushes, woodblock), Birds and village ambience subtly layered, Keep D Mixolydian (D–C–G–D) for a rustic, peaceful tone, Instrumental intro for 20–30 seconds, then vocals enter warmly, Bridge: solo fiddle over soft guitar before returning to final chorus
3:06
95 BPM | Key of G Mixolydian | Inspired by The Legend of Zelda: Ocarina of Time – Goron City, Warm, rhythmic folk-orchestral blend: marimba and acoustic bass groove, strummed acoustic guitar, light bongos and hand drums, and playful bassoon or clarinet doubling the melody, Keep modal color (G–D–C–D) for a grounded, friendly feel, Vocals enter at 10s with confident, upbeat tone, forward in the mix but naturally integrated with the groove, Choruses have harmony stacks to lift over the steady percussion, Mid-song break: marimba and bass solo under humming vocals, returning to a joyful, vocal-led final chorus
3:34
120 BPM | Key of D Dorian | Inspired by The Legend of Zelda: Ocarina of Time – Windmill Hut / Song of Storms, Spiraling, waltz-like orchestral arrangement: accordion or organ lead doubled by violin, steady 3/4 rhythm on snare and kick, plucked strings, and light tambourine hits, Maintain modal shape (Dm–F–C–Dm) for a slightly dark but driving mood, Vocals enter at 8s, confident and forward in the mix, matching the cyclical motion of the melody, Choruses feature layered harmonies to soar over the repeating instrumental motif, Mid-song bridge: solo accordion/violin over deep string pads, returning to a strong, vocal-led final chorus
4:00
78 BPM | Key of D Dorian | Inspired by The Legend of Zelda: Ocarina of Time – Forest Temple, Start with echoing marimba patterns and low woodwind countermelodies, layered with airy female choir sustains, Sparse, resonant percussion every few measures, Wind ambience softly in the background, Keep modal harmony (Dm–C–Bb–A) for mysterious, ethereal forest mood, Instrumental intro for 20–30 seconds, then lead vocal enters warm and resonant, gradually joined by layered harmonies in the chorus, Bridge: solo flute over marimba echoes and distant wind, then return to a strong final chorus with full choir
3:46
Tribal-inspired worship anthem in the style of the Fire Temple from Zelda, Deep taiko and frame drums with steady, pulsing hand percussion, Low male choir drones and airy female vocals with reverent delivery — no yelling, no harsh vocals, Haunting wooden flutes, metallic shakers, and distant gongs for atmosphere, Tempo around 72 BPM, minor mode, dramatic but sacred, Cathedral-like reverb inside a vast stone chamber, giving a fiery temple atmosphere
3:14
100 BPM | Key of C Ionian | Inspired by The Legend of Zelda: Ocarina of Time – Sun’s Song, Warm orchestral-sample arrangement with harp and acoustic guitar arpeggios, bright flute lead, shimmering strings, and bell chimes for sparkle, Light percussion — tambourine, snare brushes, and cymbal swells — adds gentle motion, Keep harmony (C–G–F–G) for an uplifting, radiant feel, Vocals enter at 8s with a joyful, open tone, forward in the mix, Choruses feature 2–3 part harmonies to expand the light-filled mood, Mid-song bridge: flute solo over harp and soft humming vocals, returning to a radiant, vocal-led final chorus
4:45
66 BPM | Key of C Aeolian | Inspired by The Legend of Zelda: Ocarina of Time – Ice Cavern, Cold, shimmering orchestral-electronic hybrid: celesta and glockenspiel melodies over sustained icy string pads, soft low choir for depth, and occasional high-pitched chimes like breaking ice, Light percussion — deep taiko hits and soft wind effects — to add drama, Keep harmonic shape (Cm–Ab–Bb–G) for a haunting, frozen mood, Vocals enter at 10s with clear, ethereal tone, forward in the mix, Choruses have layered harmonies for a “frozen cathedral” feel, Mid-song bridge: celesta solo over airy pads with humming vocals, building back to a full, grand final chorus
3:02
70 BPM | Key of D Lydian | Inspired by The Legend of Zelda: Ocarina of Time – Water Temple, Start with soft harp arpeggios and shimmering pads, layered with choir ahs and distant water droplet percussion, Gentle string swells in the background, Modal harmony in D Lydian (D–E–F#–G#–A–B–C#), Instrumental intro for 20–30 seconds, then vocals enter smooth and flowing, matching the water’s movement, Bridge: ocarina solo over harp and strings before returning to a rich final chorus
4:14
Dark ambient Christ-centered worship anthem inspired by Zelda’s Shadow Temple, Deep drones, low strings, and sparse percussion (echoing toms, soft taiko) with eerie metallic textures (bells, chimes), Add subtle ambient pads and distant reverb for mystery, Vocals must remain melodic, clear, and reverent — no shouting, yelling, or harsh delivery, Lead vocal intimate but strong, with gentle harmonies in the chorus only, Tempo ~65 BPM, Phrygian/minor mode, Atmosphere: a shadowed cathedral cavern where Christ’s light breaks the darkness
3:52
Bold, percussive worship anthem inspired by Zelda’s Gerudo Fortress, Driving tribal percussion with djembes, frame drums, and shakers, layered with nylon guitar, oud, and rhythmic strings, Tempo ~95 BPM, minor/Dorian mode for desert feel, Vocals confident, melodic, and worshipful — no shouting, yelling, or harsh delivery, Harmonies in the chorus for power, but keep verses more intimate, Add subtle desert wind ambience and handclap accents for fortress energy, Lyrics Christ-centered, celebrating His strength and victory
5:12
84 BPM | Key of E Phrygian Dominant | Inspired by The Legend of Zelda: Ocarina of Time – Spirit Temple, Begin with deep frame drums and low drone in E, layered with oud or nylon-string guitar plucks, airy female vocal pads, and faint shakers, Occasional hand-clap accents, Modal melody in E Phrygian Dominant (E–F–G#–A–B–C–D), Instrumental intro for 20–30 seconds, then lead vocal enters with warm, resonant tone, Bridge: solo duduk or ocarina over sustained strings and light percussion, Final chorus adds full choir harmonies with bright cymbal swells
3:49
Epic orchestral worship anthem inspired by Zelda’s Final Battle at Ganondorf’s Castle, Huge strings, bold brass, pounding timpani and taiko, layered with choir pads and electric guitar accents for intensity, Tempo ~78 BPM, minor/Ionian mix for a triumphant heroic sound, Vocals powerful but melodic and worshipful — no shouting or harsh delivery, Stacked harmonies in the chorus for victorious impact, Atmosphere: cinematic, dramatic, the battle of darkness and light, ending in eternal triumph in Christ
3:08
Cinematic orchestral worship ballad inspired by Zelda’s Ending Theme / Credits Music, Lush strings, flowing harp, brass swells, woodwinds, and triumphant timpani with a gentle rhythmic pulse, Tempo ~70 BPM, major/Ionian mode for radiant, hopeful sound, Vocals warm, clear, and reverent — no shouting or harshness, Add layered harmonies in the chorus for a sense of community and eternity, Atmosphere: sweeping, emotional, closing anthem of eternal worship in heaven’s city, the New Jerusalem
4:04
Trance + Progressive House + Celtic/Folk + Reggae + Math Rock | Vocal-Driven & Cinematic
Open with delicate harp arps and ambient piano under subtle reggae off-beat guitar stabs, moving into clear, emotional male lead vocals with lush harmonies upfront in the mix, Verses blend vocal-driven storytelling with Celtic fiddle and flute lines over reggae bass grooves and light house percussion, Build with trance arps, sidechained pads, and intricate math rock guitar riffs weaving in odd subdivisions, swelling behind the vocals, Chorus bursts into euphoric supersaws and pulsing prog-house groove, with soaring vocal hooks dominant while Celtic instruments and math rock guitars create counterpoint, Breakdown strips to solo vocal + harp, then surges into a luminous finale: layered choirs, radiant synths, reggae groove in the rhythm, and math rock guitar interplay — spiritual, mythic, festival-ready