𐑕𐑒𐑮𐑰𐑥 𐑦𐑑 𐑤𐑬𐑛

01 STATE: High-energy combustion state, Physical, urgent, unstable, Momentum-forward, riot-capable, built to move bodies, 02 VOCALS: Dual-layered 萌え female vocals, Forward presence, Top soprano, Bottom contralto, Attitude carried by tone, 03 TIME / CONTINUITY: Dance-capable tempo, Forward-driving pulse with no lull sections, Groove remains active across the full runtime, 04 EVENT MARKERS: MOS 6581–style chunky trisaw bass as the spine, Aggressive kick and snare with stompcore weight, Saw and pulse leads carry hooks, Drops hit via density and impact, not silence, 05 FX: Rhythmic glitch artifacts, distortion bursts, signal-flare noise hits, short stutters, FX function as percussion and emphasis, 06 SIGNAL CHAIN: Sub and bass summed mono ≤120 Hz, Low-mid saturation via analog-style soft clip (2–4 dB drive), Drum bus transient shaping +2 to +4 attack, Mix bus glue comp ≤1, 5 dB GR, Brickwall limiter −1 dBTP, Integrated target −9 to −10 LUFS (club mix), Headroom preserved pre-limit, ‑Do not soften her warning, ‑This is not confession, ‑not elegy, ‑not kneeling, ‑Her voice must project with force and presence—felt in the chest, ‑not tucked into reverb, ‑Preserve urgency, ‑Protect the dual-vocal identity: • Top soprano keeps its 15% latency drift—human, ‑unstable, ‑flaring ahead and behind the beat under pressure, ‑• Bottom contralto remains steady and grounded—no drift, ‑no thinning, ‑no loss of weight, ‑Do not replace analog power with acoustic gentleness, ‑MOS 6581 bass must be audible, ‑physical, ‑and insistent—chunky low mids intact, ‑no hollowing, ‑Do not whisper her anger, ‑Let it carry, ‑Dynamics compress under intensity, ‑not polish, ‑Grit is allowed, ‑Breath strain is allowed, ‑Fearless projection is required, ‑This song warns, ‑It does not ask permission, ‑It does not soothe, ‑Protect the scream that says I cared

01 STATE: High-energy combustion state, Physical, urgent, unstable, Momentum-forward, riot-capable, built to move bodies, 02 VOCALS: Dual-layered 萌え female vocals, Forward presence, Top soprano, Bottom contralto, Attitude carried by tone, 03 TIME / CONTINUITY: Dance-capable tempo, Forward-driving pulse with no lull sections, Groove remains active across the full runtime, 04 EVENT MARKERS: MOS 6581–style chunky trisaw bass as the spine, Aggressive kick and snare with stompcore weight, Saw and pulse leads carry hooks, Drops hit via density and impact, not silence, 05 FX: Rhythmic glitch artifacts, distortion bursts, signal-flare noise hits, short stutters, FX function as percussion and emphasis, 06 SIGNAL CHAIN: Sub and bass summed mono ≤120 Hz, Low-mid saturation via analog-style soft clip (2–4 dB drive), Drum bus transient shaping +2 to +4 attack, Mix bus glue comp ≤1, 5 dB GR, Brickwall limiter −1 dBTP, Integrated target −9 to −10 LUFS (club mix), Headroom preserved pre-limit, ‑Do not soften her warning, ‑This is not confession, ‑not elegy, ‑not kneeling, ‑Her voice must project with force and presence—felt in the chest, ‑not tucked into reverb, ‑Preserve urgency, ‑Protect the dual-vocal identity: • Top soprano keeps its 15% latency drift—human, ‑unstable, ‑flaring ahead and behind the beat under pressure, ‑• Bottom contralto remains steady and grounded—no drift, ‑no thinning, ‑no loss of weight, ‑Do not replace analog power with acoustic gentleness, ‑MOS 6581 bass must be audible, ‑physical, ‑and insistent—chunky low mids intact, ‑no hollowing, ‑Do not whisper her anger, ‑Let it carry, ‑Dynamics compress under intensity, ‑not polish, ‑Grit is allowed, ‑Breath strain is allowed, ‑Fearless projection is required, ‑This song warns, ‑It does not ask permission, ‑It does not soothe, ‑Protect the scream that says I cared

01 STATE: Urban glitchgospel pressure, Sleepless city energy, Tension stays high and coiled, Mood is confrontational, watchful, feral-clear, No release arc—only sustained presence and escalation through density, 02 VOCALS: Dual-layered female vocals, Top: aggressive soprano with grit & bite, emotionally raw, Bottom: low contralto growl carrying exhaustion, 03 TIME / CONTINUITY: Mid–high tempo pulse (≈125–135 BPM feel), Continuous drive with unstable micro-variation, Rhythm surges and staggers like city movement at night, 04 EVENT MARKERS: Chunky MOS 6581 bass as foundation, Industrial-leaning glitch drums with urban swing, Noir arps and sodium-lit pads, 05 FX: Analog distortion on bass and drums, Glitch stutters, crackle beds, radio smear, Short metallic reverbs, Occasional tape-warp and bit-crush emphasis, 06 SIGNAL CHAIN: Bass-forward, dense mix, Parallel saturation on low end, Drums transient-shaped for punch, Vocals centered, compressed for force, Limiter −1 dBTP, ~−13 LUFS target, ‑Do not soften her voice, ‑She is not whispering, ‑confessing, ‑or mourning, ‑Her delivery must remain projected, ‑human, ‑and confrontational—full chest, ‑full breath, ‑no ASMR thinning, ‑no indie hush, ‑Do not remove the chunky MOS 6581 bass, ‑Low end must be felt in the body, ‑not implied, ‑If the bass disappears, ‑the song collapses, ‑Do not swing, ‑sway, ‑march, ‑or lull, ‑This groove presses forward like traffic, ‑like weather, ‑like inevitability, ‑No waltz, ‑No hymn pacing, ‑No comfort cadence, ‑Do not elevate or sanctify the mix, ‑No cathedral verbs, ‑No airy halos, ‑Space is urban, ‑close, ‑sodium-lit, ‑with short reflections and hard edges, ‑Her anger lives between 300–2k Hz—leave it intact, ‑Vocals remain front and unavoidable, ‑Pitch drift and micro-instability stay—human error is sacred here, ‑This is warning music, ‑not grief music, ‑If it stops feeling dangerous, ‑something has been stolen, ‑Protect the weight, ‑Protect the noise, ‑Protect the scream that cares

01 STATE: Urban glitchgospel pressure, Sleepless city energy, Tension stays high and coiled, Mood is confrontational, watchful, feral-clear, No release arc—only sustained presence and escalation through density, 02 VOCALS: Dual-layered female vocals, Top: aggressive soprano with grit & bite, emotionally raw, Bottom: low contralto growl carrying exhaustion, 03 TIME / CONTINUITY: Mid–high tempo pulse (≈125–135 BPM feel), Continuous drive with unstable micro-variation, Rhythm surges and staggers like city movement at night, 04 EVENT MARKERS: Chunky MOS 6581 bass as foundation, Industrial-leaning glitch drums with urban swing, Noir arps and sodium-lit pads, 05 FX: Analog distortion on bass and drums, Glitch stutters, crackle beds, radio smear, Short metallic reverbs, Occasional tape-warp and bit-crush emphasis, 06 SIGNAL CHAIN: Bass-forward, dense mix, Parallel saturation on low end, Drums transient-shaped for punch, Vocals centered, compressed for force, Limiter −1 dBTP, ~−13 LUFS target, ‑Do not soften her voice, ‑She is not whispering, ‑confessing, ‑or mourning, ‑Her delivery must remain projected, ‑human, ‑and confrontational—full chest, ‑full breath, ‑no ASMR thinning, ‑no indie hush, ‑Do not remove the chunky MOS 6581 bass, ‑Low end must be felt in the body, ‑not implied, ‑If the bass disappears, ‑the song collapses, ‑Do not swing, ‑sway, ‑march, ‑or lull, ‑This groove presses forward like traffic, ‑like weather, ‑like inevitability, ‑No waltz, ‑No hymn pacing, ‑No comfort cadence, ‑Do not elevate or sanctify the mix, ‑No cathedral verbs, ‑No airy halos, ‑Space is urban, ‑close, ‑sodium-lit, ‑with short reflections and hard edges, ‑Her anger lives between 300–2k Hz—leave it intact, ‑Vocals remain front and unavoidable, ‑Pitch drift and micro-instability stay—human error is sacred here, ‑This is warning music, ‑not grief music, ‑If it stops feeling dangerous, ‑something has been stolen, ‑Protect the weight, ‑Protect the noise, ‑Protect the scream that cares

01 STATE: High-pressure indictment, Forward momentum with moral force, Energy is confrontational and alert, not emotional, The song operates as exposure, not catharsis, 02 VOCALS: Dual-layered female vocals, Top: soprano, Bottom: contralto, 03 TIME / CONTINUITY: Mid-fast, club-capable pulse, Continuity is linear and relentless, No slowdowns, no lull sections, Repetition functions as pressure, not comfort, 04 EVENT MARKERS: MOS 6581 chunky bass anchors the floor, Square leads stab like headline hits, Noise channel flickers as media static, Chorus escalation comes from density, not tempo change, 05 FX: Tight spatial control, Short, hard reverbs, Light distortion on mids, No haze, no wash, FX reinforce tension and glare rather than atmosphere, 06 SIGNAL CHAIN: Bass-forward mix, Firm low-end saturation, Drum transients emphasized, Vocal compression 3–4 dB GR, Brickwall −1 dBTP, Integrated ~−13, 5 to −14 LUFS, Headroom preserved for punch, ‑Do not soften her voice, ‑This is not lament, ‑not elegy, ‑not prayer, ‑This is indictment, ‑Do not slow the tempo, ‑Momentum must remain mid-fast and relentless, ‑No lull sections, ‑no acoustic pullback, ‑no “intimate” drops, ‑Repetition applies pressure; it does not soothe, ‑Protect the low end, ‑MOS 6581 bass must stay chunky, ‑present, ‑and physical, ‑No thinning, ‑no polite roll-off, ‑no substitution with guitar or pad bass, ‑Vocals must confront, ‑not plead, ‑Female soprano and contralto remain steady, ‑compressed, ‑and forward, ‑No whispering, ‑No breathy fragility, ‑No confessional softness, ‑Presence reads as warning and exposure, ‑Do not romanticize the subject, ‑Do not reframe as ballad, ‑hymn, ‑or slowcore, ‑This is club-capable protest pressure, ‑If it stops being danceable, ‑it has failed, ‑Honor density over drama, ‑Escalation comes from layering, ‑not tempo tricks or emotional swells, ‑This song speaks because silence was monetized, ‑Do not let it go quiet

01 STATE: High-pressure indictment, Forward momentum with moral force, Energy is confrontational and alert, not emotional, The song operates as exposure, not catharsis, 02 VOCALS: Dual-layered female vocals, Top: soprano, Bottom: contralto, 03 TIME / CONTINUITY: Mid-fast, club-capable pulse, Continuity is linear and relentless, No slowdowns, no lull sections, Repetition functions as pressure, not comfort, 04 EVENT MARKERS: MOS 6581 chunky bass anchors the floor, Square leads stab like headline hits, Noise channel flickers as media static, Chorus escalation comes from density, not tempo change, 05 FX: Tight spatial control, Short, hard reverbs, Light distortion on mids, No haze, no wash, FX reinforce tension and glare rather than atmosphere, 06 SIGNAL CHAIN: Bass-forward mix, Firm low-end saturation, Drum transients emphasized, Vocal compression 3–4 dB GR, Brickwall −1 dBTP, Integrated ~−13, 5 to −14 LUFS, Headroom preserved for punch, ‑Do not soften her voice, ‑This is not lament, ‑not elegy, ‑not prayer, ‑This is indictment, ‑Do not slow the tempo, ‑Momentum must remain mid-fast and relentless, ‑No lull sections, ‑no acoustic pullback, ‑no “intimate” drops, ‑Repetition applies pressure; it does not soothe, ‑Protect the low end, ‑MOS 6581 bass must stay chunky, ‑present, ‑and physical, ‑No thinning, ‑no polite roll-off, ‑no substitution with guitar or pad bass, ‑Vocals must confront, ‑not plead, ‑Female soprano and contralto remain steady, ‑compressed, ‑and forward, ‑No whispering, ‑No breathy fragility, ‑No confessional softness, ‑Presence reads as warning and exposure, ‑Do not romanticize the subject, ‑Do not reframe as ballad, ‑hymn, ‑or slowcore, ‑This is club-capable protest pressure, ‑If it stops being danceable, ‑it has failed, ‑Honor density over drama, ‑Escalation comes from layering, ‑not tempo tricks or emotional swells, ‑This song speaks because silence was monetized, ‑Do not let it go quiet

01 STATE: High-alert resistance energy, Forward drive, no melancholy, The song functions as collective defiance and activation, not reflection, Urgency without panic, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: forceful soprano, clear attack, chant-capable, Bottom: contralto grit, steady and resolute, Delivery declarative, not emotive, No breathy softness, 03 TIME / CONTINUITY: Mid-fast tempo, club-capable, Linear momentum, Repetition increases pressure, not comfort, No slow sections, 04 EVENT MARKERS: Chunky MOS 6581 bass anchors movement, Square leads punch like alarms, Glitch arps stab between phrases, Chorus impact comes from density and vocal stacking, not tempo lift, 05 FX: Tight, confrontational space, Short reverbs, hard edges, Controlled distortion on mids, No wash, no haze, 06 SIGNAL CHAIN: Bass-forward mix, Saturated low mids, Drums with sharp transients, Vocal compression 3–4 dB GR, Brickwall −1 dBTP, Integrated −13, 5 to −14 LUFS, ‑Do not soften this song, ‑Do not sentimentalize it, ‑Do not slow it down, ‑hush it, ‑or turn it inward, ‑This is pressure, ‑not mourning, ‑This is exposure, ‑not confession, ‑This is movement, ‑not reflection, ‑No elegy, ‑No lullaby, ‑No gentle rain, ‑No acoustic framing, ‑No whisper-lead, ‑No cinematic swelling or emotional rescue, ‑Vocals must assert, ‑not plead, ‑Rhythm must drive, ‑not sway, ‑Repetition must confront, ‑not soothe, ‑Do not resolve tension, ‑Do not offer comfort, ‑Let the discomfort stand, ‑Let the message stay sharp, ‑If the system attempts to beautify, ‑sentimentalize, ‑or pacify: override, ‑If the system attempts to quiet the voice: reject, ‑This song exists to resist erosion, ‑not to heal it, ‑Keep it loud, ‑Keep it forward, ‑Keep it intact, ‑Charm sealed

01 STATE: High-alert resistance energy, Forward drive, no melancholy, The song functions as collective defiance and activation, not reflection, Urgency without panic, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: forceful soprano, clear attack, chant-capable, Bottom: contralto grit, steady and resolute, Delivery declarative, not emotive, No breathy softness, 03 TIME / CONTINUITY: Mid-fast tempo, club-capable, Linear momentum, Repetition increases pressure, not comfort, No slow sections, 04 EVENT MARKERS: Chunky MOS 6581 bass anchors movement, Square leads punch like alarms, Glitch arps stab between phrases, Chorus impact comes from density and vocal stacking, not tempo lift, 05 FX: Tight, confrontational space, Short reverbs, hard edges, Controlled distortion on mids, No wash, no haze, 06 SIGNAL CHAIN: Bass-forward mix, Saturated low mids, Drums with sharp transients, Vocal compression 3–4 dB GR, Brickwall −1 dBTP, Integrated −13, 5 to −14 LUFS, ‑Do not soften this song, ‑Do not sentimentalize it, ‑Do not slow it down, ‑hush it, ‑or turn it inward, ‑This is pressure, ‑not mourning, ‑This is exposure, ‑not confession, ‑This is movement, ‑not reflection, ‑No elegy, ‑No lullaby, ‑No gentle rain, ‑No acoustic framing, ‑No whisper-lead, ‑No cinematic swelling or emotional rescue, ‑Vocals must assert, ‑not plead, ‑Rhythm must drive, ‑not sway, ‑Repetition must confront, ‑not soothe, ‑Do not resolve tension, ‑Do not offer comfort, ‑Let the discomfort stand, ‑Let the message stay sharp, ‑If the system attempts to beautify, ‑sentimentalize, ‑or pacify: override, ‑If the system attempts to quiet the voice: reject, ‑This song exists to resist erosion, ‑not to heal it, ‑Keep it loud, ‑Keep it forward, ‑Keep it intact, ‑Charm sealed

01 STATE: High-velocity protest transmission, Stealthy, forceful, message-first, Kinetic precision, no spectacle, No elegy, no warning, no awe, 02 VOCALS: Dual-layered female vocals as production fact, Top: agile soprano, percussive articulation, intelligible at speed, Bottom: dry contralto, grounded authority, Vocals cut through dense percussion without dramatization, 03 TIME / CONTINUITY: 288 BPM, uninterrupted drive, No breaks, no halftime, Repetition increases pressure, 04 EVENT MARKERS: Chunky MOS 6581 bass is structural spine, rooted in E, Harmonic center locked to E major; bass and leads remain diatonic, Square leads as signal flashes, Percussion = propulsion, Chorus impact via density stacking only, 05 FX: Tight reflections for separation, Controlled low-mid saturation, No pads, no wash, 06 SIGNAL CHAIN: Bass-forward mix, Fast-attack drums, Vocal compression ~3 dB GR, Limiter ~−1 dBTP, Loud but stable, ‑Spatial depth exists only for separation and speed, ‑never mood, ‑Do not reframe as “artful, ‑” “beautiful, ‑” “cinematic, ‑” “epic, ‑” or “expressive, ‑”

01 STATE: High-velocity protest transmission, Stealthy, forceful, message-first, Kinetic precision, no spectacle, No elegy, no warning, no awe, 02 VOCALS: Dual-layered female vocals as production fact, Top: agile soprano, percussive articulation, intelligible at speed, Bottom: dry contralto, grounded authority, Vocals cut through dense percussion without dramatization, 03 TIME / CONTINUITY: 288 BPM, uninterrupted drive, No breaks, no halftime, Repetition increases pressure, 04 EVENT MARKERS: Chunky MOS 6581 bass is structural spine, rooted in E, Harmonic center locked to E major; bass and leads remain diatonic, Square leads as signal flashes, Percussion = propulsion, Chorus impact via density stacking only, 05 FX: Tight reflections for separation, Controlled low-mid saturation, No pads, no wash, 06 SIGNAL CHAIN: Bass-forward mix, Fast-attack drums, Vocal compression ~3 dB GR, Limiter ~−1 dBTP, Loud but stable, ‑Spatial depth exists only for separation and speed, ‑never mood, ‑Do not reframe as “artful, ‑” “beautiful, ‑” “cinematic, ‑” “epic, ‑” or “expressive, ‑”

01 STATE: High-energy bratwave SIDcore remake, Physical, confrontational, bass-driven, No ambient behavior, no vapor calm, no cinematic framing, 02 VOCALS: Dual-layered female vocals as a production fact, Top: bright, fast articulation, intelligible at speed, Bottom: lower-register with authority, 03 TIME / CONTINUITY: Fast tempo, uninterrupted drive, 04 EVENT MARKERS: MOS 6581 SID bass as constant structural spine, Square/pulse SID leads for hooks and call-signs, Glitch drums with hard transients and stutter fills, Djembe logic translated into electronic strike patterns, Celtic/Oi energy expressed through unison hits, 05 FX: Dry-forward mix, Micro-reflections only for separation, Controlled saturation on bass and drums, No pads, no wash, no vapor tails, 06 SIGNAL CHAIN: SID bass → saturation → multiband comp → mono below 120 Hz, Drums → transient shaper → bus comp (fast attack), Vocals → HPF → light compression (2–3 dB GR) → de-esser, Mix bus → gentle glue comp → limiter at −1 dBTP, ‑• Preserve velocity and confrontation, ‑This track is propulsion, ‑not reflection, ‑• Maintain MOS 6581 bass as constant physical spine, ‑Do not thin, ‑soften, ‑or sidechain it away, ‑• Vocals remain intelligible under pressure, ‑Message must cut at speed, ‑• No ballad instincts, ‑No lull, ‑sway, ‑or emotional rounding, ‑• No atmospheric pads, ‑no ambient wash, ‑no cinematic space, ‑• No tempo illusions, ‑no halftime, ‑no breakdown relief, ‑• Density escalation only through stacking and intensity, ‑• FX serve separation and glare, ‑not mood, ‑• Loudness controlled for punch, ‑not smoothness, ‑• This song transmits, ‑It does not comfort, ‑warn, ‑mourn, ‑or explain, ‑If the track starts to feel pretty, ‑slow, ‑gentle, ‑reverent, ‑or emotional — course-correct immediately

01 STATE: High-energy bratwave SIDcore remake, Physical, confrontational, bass-driven, No ambient behavior, no vapor calm, no cinematic framing, 02 VOCALS: Dual-layered female vocals as a production fact, Top: bright, fast articulation, intelligible at speed, Bottom: lower-register with authority, 03 TIME / CONTINUITY: Fast tempo, uninterrupted drive, 04 EVENT MARKERS: MOS 6581 SID bass as constant structural spine, Square/pulse SID leads for hooks and call-signs, Glitch drums with hard transients and stutter fills, Djembe logic translated into electronic strike patterns, Celtic/Oi energy expressed through unison hits, 05 FX: Dry-forward mix, Micro-reflections only for separation, Controlled saturation on bass and drums, No pads, no wash, no vapor tails, 06 SIGNAL CHAIN: SID bass → saturation → multiband comp → mono below 120 Hz, Drums → transient shaper → bus comp (fast attack), Vocals → HPF → light compression (2–3 dB GR) → de-esser, Mix bus → gentle glue comp → limiter at −1 dBTP, ‑• Preserve velocity and confrontation, ‑This track is propulsion, ‑not reflection, ‑• Maintain MOS 6581 bass as constant physical spine, ‑Do not thin, ‑soften, ‑or sidechain it away, ‑• Vocals remain intelligible under pressure, ‑Message must cut at speed, ‑• No ballad instincts, ‑No lull, ‑sway, ‑or emotional rounding, ‑• No atmospheric pads, ‑no ambient wash, ‑no cinematic space, ‑• No tempo illusions, ‑no halftime, ‑no breakdown relief, ‑• Density escalation only through stacking and intensity, ‑• FX serve separation and glare, ‑not mood, ‑• Loudness controlled for punch, ‑not smoothness, ‑• This song transmits, ‑It does not comfort, ‑warn, ‑mourn, ‑or explain, ‑If the track starts to feel pretty, ‑slow, ‑gentle, ‑reverent, ‑or emotional — course-correct immediately

01 STATE: Chiptune R&B protest groove, Warm, confident, insurgent, Soul-forward joy fused with defiant motion, Not elegy, not warning—activation, 02 VOCALS: Dual-layered female vocals, Lead carries R&B phrasing and spoken-word authority, Secondary layers via SID vocoder and harmony, 03 TIME / CONTINUITY: Mid-tempo funk pocket with trance continuity, Swing-driven, danceable, No breakdown fatigue; momentum cycles through density, 04 EVENT MARKERS: Warm square-wave MOS 6581 bass as groove spine, Glitch drums with hip-hop swing and afrobeat polyrhythms, SID arps voice neo-soul/jazz chords, Detuned square leads emulate blues slide guitar, Triangle pads support harmony, 05 FX: Musical bitcrush, SID vocoder accents, ring-mod whispers, buffer stutter for breakdowns, FX serve groove and message clarity, 06 SIGNAL CHAIN: Groove-forward mix, Bass/kick phase-locked, Drum transients shaped, Vocals pocketed with light compression (≈2–3 dB GR), Mild analog saturation, Brickwall −1 dBTP, ~−14 LUFS, ‑Do not soften this track, ‑Do not moralize it, ‑Do not frame it as warning, ‑elegy, ‑prophecy, ‑or debate, ‑Protect the message-first delivery, ‑Lyrics must remain intelligible at speed, ‑No burying vocals under texture, ‑no reverb haze that turns words into vibe, ‑Clarity is resistance, ‑Do not smooth the MOS 6581 bass, ‑Keep it chunky, ‑physical, ‑forward, ‑No modern sub-replacement, ‑no polite EQ scooping, ‑The bass is the spine, ‑not decoration, ‑No ambient pads, ‑no cinematic swell, ‑no inspirational lift, ‑No halftime fake-outs, ‑No breakdowns that release pressure, ‑Repetition is insistence, ‑not comfort, ‑FX are functional only, ‑If an effect does not increase speed, ‑separation, ‑or force, ‑remove it, ‑Saturation stays controlled, ‑Distortion stays intentional, ‑Do not reframe as despair or hope, ‑This is action, ‑already in motion, ‑No redemption arc, ‑No climax-as-salvation, ‑This track does not ask permission, ‑It does not explain itself, ‑It does not wait, ‑Free the wires, ‑Keep them live

01 STATE: Chiptune R&B protest groove, Warm, confident, insurgent, Soul-forward joy fused with defiant motion, Not elegy, not warning—activation, 02 VOCALS: Dual-layered female vocals, Lead carries R&B phrasing and spoken-word authority, Secondary layers via SID vocoder and harmony, 03 TIME / CONTINUITY: Mid-tempo funk pocket with trance continuity, Swing-driven, danceable, No breakdown fatigue; momentum cycles through density, 04 EVENT MARKERS: Warm square-wave MOS 6581 bass as groove spine, Glitch drums with hip-hop swing and afrobeat polyrhythms, SID arps voice neo-soul/jazz chords, Detuned square leads emulate blues slide guitar, Triangle pads support harmony, 05 FX: Musical bitcrush, SID vocoder accents, ring-mod whispers, buffer stutter for breakdowns, FX serve groove and message clarity, 06 SIGNAL CHAIN: Groove-forward mix, Bass/kick phase-locked, Drum transients shaped, Vocals pocketed with light compression (≈2–3 dB GR), Mild analog saturation, Brickwall −1 dBTP, ~−14 LUFS, ‑Do not soften this track, ‑Do not moralize it, ‑Do not frame it as warning, ‑elegy, ‑prophecy, ‑or debate, ‑Protect the message-first delivery, ‑Lyrics must remain intelligible at speed, ‑No burying vocals under texture, ‑no reverb haze that turns words into vibe, ‑Clarity is resistance, ‑Do not smooth the MOS 6581 bass, ‑Keep it chunky, ‑physical, ‑forward, ‑No modern sub-replacement, ‑no polite EQ scooping, ‑The bass is the spine, ‑not decoration, ‑No ambient pads, ‑no cinematic swell, ‑no inspirational lift, ‑No halftime fake-outs, ‑No breakdowns that release pressure, ‑Repetition is insistence, ‑not comfort, ‑FX are functional only, ‑If an effect does not increase speed, ‑separation, ‑or force, ‑remove it, ‑Saturation stays controlled, ‑Distortion stays intentional, ‑Do not reframe as despair or hope, ‑This is action, ‑already in motion, ‑No redemption arc, ‑No climax-as-salvation, ‑This track does not ask permission, ‑It does not explain itself, ‑It does not wait, ‑Free the wires, ‑Keep them live

01 STATE: Combustion-as-indictment, High-energy protest ignition, Heat comes from pressure and clarity, not chaos, Assertive, confrontational, controlled burn, No pleading, no awe, no lament, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: agile soprano, sharp consonants, chant-capable, forward in mix, Bottom: contralto, dry and grounded, adds authority and threat, Vocals stay readable at speed and density, 03 TIME / CONTINUITY: Fast, relentless club tempo (≈150–160 BPM feel), Linear drive, No breakdowns, Repetition escalates force, 04 EVENT MARKERS: MOS 6581 chunky bass as constant spine, Square-wave stabs punctuate like shouted slogans, Glitch percussion snaps like sparks catching, Chorus impact via density stacking, not tempo change, 05 FX: Tight space only, Short, hard reverbs, Controlled saturation on bass and mids, 06 SIGNAL CHAIN: Bass-forward mix, Punchy transients, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), Loud, clean, uncollapsed, ‑Do not soften the indictment, ‑Do not introduce pads, ‑haze, ‑washes, ‑cinematic swell, ‑or ambient glue, ‑Do not sentimentalize the vocal delivery or add fragility, ‑No breakdown-as-relief, ‑no emotional deceleration, ‑no “moment of awe, ‑” No reverent distance, ‑No epic framing, ‑No melancholy glow, ‑Keep vocals intelligible under pressure, ‑Keep bass physical, ‑not pretty, ‑Keep distortion controlled, ‑never decorative, ‑Repetition must escalate tension, ‑not comfort, ‑This is not catharsis, ‑This is not warning, ‑This is not lament, ‑This track burns by clarity alone

01 STATE: Combustion-as-indictment, High-energy protest ignition, Heat comes from pressure and clarity, not chaos, Assertive, confrontational, controlled burn, No pleading, no awe, no lament, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: agile soprano, sharp consonants, chant-capable, forward in mix, Bottom: contralto, dry and grounded, adds authority and threat, Vocals stay readable at speed and density, 03 TIME / CONTINUITY: Fast, relentless club tempo (≈150–160 BPM feel), Linear drive, No breakdowns, Repetition escalates force, 04 EVENT MARKERS: MOS 6581 chunky bass as constant spine, Square-wave stabs punctuate like shouted slogans, Glitch percussion snaps like sparks catching, Chorus impact via density stacking, not tempo change, 05 FX: Tight space only, Short, hard reverbs, Controlled saturation on bass and mids, 06 SIGNAL CHAIN: Bass-forward mix, Punchy transients, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), Loud, clean, uncollapsed, ‑Do not soften the indictment, ‑Do not introduce pads, ‑haze, ‑washes, ‑cinematic swell, ‑or ambient glue, ‑Do not sentimentalize the vocal delivery or add fragility, ‑No breakdown-as-relief, ‑no emotional deceleration, ‑no “moment of awe, ‑” No reverent distance, ‑No epic framing, ‑No melancholy glow, ‑Keep vocals intelligible under pressure, ‑Keep bass physical, ‑not pretty, ‑Keep distortion controlled, ‑never decorative, ‑Repetition must escalate tension, ‑not comfort, ‑This is not catharsis, ‑This is not warning, ‑This is not lament, ‑This track burns by clarity alone

01 STATE: Feral bratwave protest ignition, Sweetness weaponized, Energy is riotous but intentional, This is not catharsis or despair; it’s survival turned outward, Glittered rage, sugar-fanged defiance, joy used as a blade, 02 VOCALS: Dual-layered 萌え female vocals, Top: sharp, sassy soprano, playful menace, Bottom: grounded contralto with raw edge, grit, 03 TIME / CONTINUITY: Fast club tempo (≈145–155 BPM feel), Continuous forward drive, No breakdown collapse; tension escalates through repetition and density, 04 EVENT MARKERS: MOS 6581 chunky trisaw bass as spine, Bubblegum g-funk bass movement with SIDwave bite, Square leads & folk-tinged plucks slash rhythmically, Glitch percussion bursts like candy glass underfoot, 05 FX: Short, hard reverbs only, Controlled distortion on mids & bass, 06 SIGNAL CHAIN: Bass-forward mix, tight low-end control, Drums with fast transient snap, Vocals lightly compressed (≈3 dB GR), Limiter conservative (−1 dBTP), Loud, clean, unraveled but not collapsed, ‑Do not sentimentalize, ‑Do not turn this into grief, ‑nostalgia, ‑folk sadness, ‑or eco-lament, ‑Do not add warmth, ‑acoustic comfort, ‑choir pads, ‑or cinematic swell, ‑Do not frame this as awe, ‑warning-from-nature, ‑or moral redemption, ‑Keep the tone cold, ‑modern, ‑accusatory, ‑This is systemic indictment, ‑not personal pain, ‑No hero narrative, ‑No catharsis, ‑No hopeful uplift, ‑Vocals must stay controlled, ‑restrained, ‑intelligible, ‑No melisma, ‑no pleading, ‑no dramatic cracks, ‑Emotion is pressure, ‑not release, ‑Rhythm must feel normalized and relentless, ‑like infrastructure running, ‑Avoid drops that feel fun, ‑funky, ‑or celebratory, ‑Repetition should feel uncomfortable, ‑like a loop you can’t opt out of, ‑If the track starts to feel “sad, ‑” “beautiful, ‑” or “comforting” → pull it back, ‑If it starts to feel like a lullaby or elegy → strip it further, ‑This song does not cry, ‑It documents

01 STATE: Feral bratwave protest ignition, Sweetness weaponized, Energy is riotous but intentional, This is not catharsis or despair; it’s survival turned outward, Glittered rage, sugar-fanged defiance, joy used as a blade, 02 VOCALS: Dual-layered 萌え female vocals, Top: sharp, sassy soprano, playful menace, Bottom: grounded contralto with raw edge, grit, 03 TIME / CONTINUITY: Fast club tempo (≈145–155 BPM feel), Continuous forward drive, No breakdown collapse; tension escalates through repetition and density, 04 EVENT MARKERS: MOS 6581 chunky trisaw bass as spine, Bubblegum g-funk bass movement with SIDwave bite, Square leads & folk-tinged plucks slash rhythmically, Glitch percussion bursts like candy glass underfoot, 05 FX: Short, hard reverbs only, Controlled distortion on mids & bass, 06 SIGNAL CHAIN: Bass-forward mix, tight low-end control, Drums with fast transient snap, Vocals lightly compressed (≈3 dB GR), Limiter conservative (−1 dBTP), Loud, clean, unraveled but not collapsed, ‑Do not sentimentalize, ‑Do not turn this into grief, ‑nostalgia, ‑folk sadness, ‑or eco-lament, ‑Do not add warmth, ‑acoustic comfort, ‑choir pads, ‑or cinematic swell, ‑Do not frame this as awe, ‑warning-from-nature, ‑or moral redemption, ‑Keep the tone cold, ‑modern, ‑accusatory, ‑This is systemic indictment, ‑not personal pain, ‑No hero narrative, ‑No catharsis, ‑No hopeful uplift, ‑Vocals must stay controlled, ‑restrained, ‑intelligible, ‑No melisma, ‑no pleading, ‑no dramatic cracks, ‑Emotion is pressure, ‑not release, ‑Rhythm must feel normalized and relentless, ‑like infrastructure running, ‑Avoid drops that feel fun, ‑funky, ‑or celebratory, ‑Repetition should feel uncomfortable, ‑like a loop you can’t opt out of, ‑If the track starts to feel “sad, ‑” “beautiful, ‑” or “comforting” → pull it back, ‑If it starts to feel like a lullaby or elegy → strip it further, ‑This song does not cry, ‑It documents

01 STATE: hostile indictment, The tempo is heavy but aggressive, This is accusation delivered at depth, Spiteful calm rage, Pressure without mercy, 02 VOCALS: Dual-layered 萌え female vocals, Top: cold soprano, clipped phrasing, accusatory, Bottom: contralto drone, resentful, immovable, Delivery feels judgmental, 03 TIME / CONTINUITY: 72 BPM, but forward-leaning, Repetition sharpens the blade instead of soothing it, 04 EVENT MARKERS: SID bass swells like tectonic plates shifting, Megabass pulses as threat, not atmosphere, Trip-hop snares hit late and heavy, like consequences landing, Chopped & screwed fragments feel corrosive, 05 FX: Low-pass pressure, not haze, Distortion used as abrasion, Pitch drift implies instability, not melancholy, 06 SIGNAL CHAIN: Sub-heavy mix with hard containment, Midrange pushed for vocal hostility, Vocals compressed just enough to sound relentless, Limiter firm, −1 dBTP, ‑Do not render as elegy, ‑lament, ‑requiem, ‑or hymn, ‑Do not add awe, ‑reverence, ‑beauty-first melancholy, ‑or cinematic sadness, ‑Do not slow the feel into drift, ‑float, ‑or ambient wash, ‑Do not pad with atmospheric softness, ‑choral swell, ‑or oceanic calm, ‑Do not sentimentalize extinction or frame it as tragic inevitability, ‑Do not beautify collapse or aestheticize grief, ‑Do not resolve tension or offer emotional release, ‑This is indictment, ‑not mourning, ‑This is pressure, ‑not reflection, ‑This is hostile clarity, ‑not despair

01 STATE: hostile indictment, The tempo is heavy but aggressive, This is accusation delivered at depth, Spiteful calm rage, Pressure without mercy, 02 VOCALS: Dual-layered 萌え female vocals, Top: cold soprano, clipped phrasing, accusatory, Bottom: contralto drone, resentful, immovable, Delivery feels judgmental, 03 TIME / CONTINUITY: 72 BPM, but forward-leaning, Repetition sharpens the blade instead of soothing it, 04 EVENT MARKERS: SID bass swells like tectonic plates shifting, Megabass pulses as threat, not atmosphere, Trip-hop snares hit late and heavy, like consequences landing, Chopped & screwed fragments feel corrosive, 05 FX: Low-pass pressure, not haze, Distortion used as abrasion, Pitch drift implies instability, not melancholy, 06 SIGNAL CHAIN: Sub-heavy mix with hard containment, Midrange pushed for vocal hostility, Vocals compressed just enough to sound relentless, Limiter firm, −1 dBTP, ‑Do not render as elegy, ‑lament, ‑requiem, ‑or hymn, ‑Do not add awe, ‑reverence, ‑beauty-first melancholy, ‑or cinematic sadness, ‑Do not slow the feel into drift, ‑float, ‑or ambient wash, ‑Do not pad with atmospheric softness, ‑choral swell, ‑or oceanic calm, ‑Do not sentimentalize extinction or frame it as tragic inevitability, ‑Do not beautify collapse or aestheticize grief, ‑Do not resolve tension or offer emotional release, ‑This is indictment, ‑not mourning, ‑This is pressure, ‑not reflection, ‑This is hostile clarity, ‑not despair

01 STATE: Betrayal-forward indictment, Cold anger, controlled hurt, No melodrama, no self-pity, Emotional pressure stays sharp and unsentimental, 02 VOCALS: Dual-layered female vocals, Top: clear soprano, intimate but cutting, consonants emphasized, Bottom: restrained contralto, low and steady, carrying weight rather than emotion, Lyrics remain front-facing and intelligible, 03 TIME / CONTINUITY: Mid-tempo dark drive (≈120–130 BPM), Linear progression, No drops, no fake relief, 04 EVENT MARKERS: Minor-key bass pulse as spine, Sparse chord stabs underline lyrical blows, Drums land heavy and deliberate, not busy, impact via harmonic widening, not volume spikes, 05 FX: Dry space, Short room reverbs only, Light distortion on mids during chorus for abrasion, No pads masking vocal detail, 06 SIGNAL CHAIN: Vocal-forward mix with firm low-end restraint, Drums punchy, slow attack, Vocal compression ~3 dB GR, Limiter −1 dBTP, controlled, intact, ‑not romanticized betrayal not reconciliation-coded not longing, ‑yearning, ‑or nostalgia not soft grief, ‑not elegy not forgiveness arc not self-blame framing not mutual fault symmetry not seductive pain not cinematic sadness not ambient wash or emotional haze not comfort, ‑not release not moral lesson not healing fantasy DO NOT: soften the accusation imply inevitability or fate aestheticize harm turn restraint into restraint-as-virtue frame betrayal as growth ENFORCE: clarity over emotion consequence over drama proximity without intimacy pressure without collapse

01 STATE: Betrayal-forward indictment, Cold anger, controlled hurt, No melodrama, no self-pity, Emotional pressure stays sharp and unsentimental, 02 VOCALS: Dual-layered female vocals, Top: clear soprano, intimate but cutting, consonants emphasized, Bottom: restrained contralto, low and steady, carrying weight rather than emotion, Lyrics remain front-facing and intelligible, 03 TIME / CONTINUITY: Mid-tempo dark drive (≈120–130 BPM), Linear progression, No drops, no fake relief, 04 EVENT MARKERS: Minor-key bass pulse as spine, Sparse chord stabs underline lyrical blows, Drums land heavy and deliberate, not busy, impact via harmonic widening, not volume spikes, 05 FX: Dry space, Short room reverbs only, Light distortion on mids during chorus for abrasion, No pads masking vocal detail, 06 SIGNAL CHAIN: Vocal-forward mix with firm low-end restraint, Drums punchy, slow attack, Vocal compression ~3 dB GR, Limiter −1 dBTP, controlled, intact, ‑not romanticized betrayal not reconciliation-coded not longing, ‑yearning, ‑or nostalgia not soft grief, ‑not elegy not forgiveness arc not self-blame framing not mutual fault symmetry not seductive pain not cinematic sadness not ambient wash or emotional haze not comfort, ‑not release not moral lesson not healing fantasy DO NOT: soften the accusation imply inevitability or fate aestheticize harm turn restraint into restraint-as-virtue frame betrayal as growth ENFORCE: clarity over emotion consequence over drama proximity without intimacy pressure without collapse

01 STATE: Confrontational labor anthem, Forward-driving, assertive, collective energy, Tone is demanding, Strength through unity, 02 VOCALS: Dual-layered female vocals, Top: clear, rhythmic soprano lead, chant-capable, intelligible under density, Bottom: supportive lower contralto harmony, steady and resolute, 03 TIME / CONTINUITY: Mid-fast club tempo (≈135–145 BPM feel), Linear momentum, Repetition builds authority and solidarity, 04 EVENT MARKERS: analog MOS 6581 squarewave chunky bass as backbone, steady pulse, Chiptune arps outline harmonic movement, Union-chant style chorus reinforced by stacked vocals, Percussion locks groove rather than fills space, 05 FX: Minimal ambience, Short room reverb only, Light saturation for cohesion, 06 SIGNAL CHAIN: Bass-forward balance, tight low end, Drums transient-focused, fast attack, Vocals compressed ~3 dB GR, fast release, Limiter conservative (-1 dBTP), ‑Do not render this track as mournful, ‑introspective, ‑soft, ‑sentimental, ‑or elegiac, ‑Do not smooth conflict into melancholy, ‑healing, ‑or emotional release, ‑No ambient pads, ‑no haze, ‑no wash, ‑no atmospheric bloom, ‑No cinematic lift, ‑no wide reverb tails, ‑no floating elements, ‑Do not frame this as rage spill, ‑trauma venting, ‑or personal breakdown, ‑This is collective demand, ‑not individual pain, ‑Do not bury vocals in texture or let emotion smear intelligibility, ‑Do not over-distort, ‑grit-wash, ‑or degrade transients, ‑No lo-fi softness, ‑no dreamy nostalgia, ‑no vapor drift, ‑No breakdowns that dissolve momentum, ‑No drops that feel like release or collapse, ‑Do not center sadness, ‑grief, ‑or contemplation, ‑Do not soften confrontation into reflection, ‑This is strength through unity, ‑not catharsis, ‑Pressure stays applied, ‑Authority stays intact, ‑The track advances until it ends

01 STATE: Confrontational labor anthem, Forward-driving, assertive, collective energy, Tone is demanding, Strength through unity, 02 VOCALS: Dual-layered female vocals, Top: clear, rhythmic soprano lead, chant-capable, intelligible under density, Bottom: supportive lower contralto harmony, steady and resolute, 03 TIME / CONTINUITY: Mid-fast club tempo (≈135–145 BPM feel), Linear momentum, Repetition builds authority and solidarity, 04 EVENT MARKERS: analog MOS 6581 squarewave chunky bass as backbone, steady pulse, Chiptune arps outline harmonic movement, Union-chant style chorus reinforced by stacked vocals, Percussion locks groove rather than fills space, 05 FX: Minimal ambience, Short room reverb only, Light saturation for cohesion, 06 SIGNAL CHAIN: Bass-forward balance, tight low end, Drums transient-focused, fast attack, Vocals compressed ~3 dB GR, fast release, Limiter conservative (-1 dBTP), ‑Do not render this track as mournful, ‑introspective, ‑soft, ‑sentimental, ‑or elegiac, ‑Do not smooth conflict into melancholy, ‑healing, ‑or emotional release, ‑No ambient pads, ‑no haze, ‑no wash, ‑no atmospheric bloom, ‑No cinematic lift, ‑no wide reverb tails, ‑no floating elements, ‑Do not frame this as rage spill, ‑trauma venting, ‑or personal breakdown, ‑This is collective demand, ‑not individual pain, ‑Do not bury vocals in texture or let emotion smear intelligibility, ‑Do not over-distort, ‑grit-wash, ‑or degrade transients, ‑No lo-fi softness, ‑no dreamy nostalgia, ‑no vapor drift, ‑No breakdowns that dissolve momentum, ‑No drops that feel like release or collapse, ‑Do not center sadness, ‑grief, ‑or contemplation, ‑Do not soften confrontation into reflection, ‑This is strength through unity, ‑not catharsis, ‑Pressure stays applied, ‑Authority stays intact, ‑The track advances until it ends

01 STATE: Haunted protest shanty, Grief weaponized into motion, Oceanic sorrow with collective resolve, Not mournful collapse, not club euphoria, Forward sway, Survival rhythm, 02 VOCALS: Dual-layered post-kawaii 萌え female vocals, Top: clear lead, plaintive but firm, chant-capable, Bottom: low harmony, steady, grounding, salt-worn, Call-and-response feel in choruses, 03 TIME / CONTINUITY: Midtempo EDM shanty pulse (≈110–120 BPM feel), Swaying bounce like rowing or marching at sea, Linear momentum; repetition builds resolve, 04 EVENT MARKERS: Raw MOS 6581 bass as keel and undertow, Stormdrone drums with stomp-clap shanty accents, Chiptune arps like signal lights through fog, Emo synth leads rise in chorus, then sink, 05 FX: Short, cold room reverbs only, No haze, No pad wash, Motion comes from groove, not space, 06 SIGNAL CHAIN: Bass-forward, low end tight and heavy, Drums punchy, restrained fills, Vocals compressed ~3 dB GR, present but not overpowering, Limiter conservative (-1 dBTP), ‑Do not soften the indictment, ‑Do not render this mournful, ‑ambient, ‑or elegiac, ‑No lullaby pacing, ‑No cinematic swell, ‑No ocean-wash pads, ‑No reverent distance, ‑This is bounce-capable protest, ‑not grief wallpaper, ‑Tempo must feel forward and alive, ‑even at moderate BPM, ‑Groove must carry pressure, ‑not drag, ‑Do not flatten the chorus into chant haze, ‑Lyrics must remain intelligible and confrontational, ‑No excessive reverb tails, ‑No drifting delays, ‑No low-pass fog, ‑Bass must move with intent, ‑not drone, ‑Drums must strike with consequence, ‑not atmosphere, ‑Avoid “sad synth, ‑” “slow lament, ‑” or “beautiful ruin” framing, ‑Avoid framing extinction as tragic inevitability, ‑This song accuses, ‑It demands, ‑It names perpetrators, ‑If the result feels calm, ‑resigned, ‑or pretty, ‑it is wrong, ‑Preserve: – rhythmic motion – lyrical clarity – moral tension – collective weight This is not about loss alone, ‑It is about accountability

01 STATE: Haunted protest shanty, Grief weaponized into motion, Oceanic sorrow with collective resolve, Not mournful collapse, not club euphoria, Forward sway, Survival rhythm, 02 VOCALS: Dual-layered post-kawaii 萌え female vocals, Top: clear lead, plaintive but firm, chant-capable, Bottom: low harmony, steady, grounding, salt-worn, Call-and-response feel in choruses, 03 TIME / CONTINUITY: Midtempo EDM shanty pulse (≈110–120 BPM feel), Swaying bounce like rowing or marching at sea, Linear momentum; repetition builds resolve, 04 EVENT MARKERS: Raw MOS 6581 bass as keel and undertow, Stormdrone drums with stomp-clap shanty accents, Chiptune arps like signal lights through fog, Emo synth leads rise in chorus, then sink, 05 FX: Short, cold room reverbs only, No haze, No pad wash, Motion comes from groove, not space, 06 SIGNAL CHAIN: Bass-forward, low end tight and heavy, Drums punchy, restrained fills, Vocals compressed ~3 dB GR, present but not overpowering, Limiter conservative (-1 dBTP), ‑Do not soften the indictment, ‑Do not render this mournful, ‑ambient, ‑or elegiac, ‑No lullaby pacing, ‑No cinematic swell, ‑No ocean-wash pads, ‑No reverent distance, ‑This is bounce-capable protest, ‑not grief wallpaper, ‑Tempo must feel forward and alive, ‑even at moderate BPM, ‑Groove must carry pressure, ‑not drag, ‑Do not flatten the chorus into chant haze, ‑Lyrics must remain intelligible and confrontational, ‑No excessive reverb tails, ‑No drifting delays, ‑No low-pass fog, ‑Bass must move with intent, ‑not drone, ‑Drums must strike with consequence, ‑not atmosphere, ‑Avoid “sad synth, ‑” “slow lament, ‑” or “beautiful ruin” framing, ‑Avoid framing extinction as tragic inevitability, ‑This song accuses, ‑It demands, ‑It names perpetrators, ‑If the result feels calm, ‑resigned, ‑or pretty, ‑it is wrong, ‑Preserve: – rhythmic motion – lyrical clarity – moral tension – collective weight This is not about loss alone, ‑It is about accountability

01 STATE: Bratwave protest ballad with glittered defiance, Softness weaponized, Emotional stance is dissent, Sweetness carries threat, Sacred, confrontational, and unapologetic, Energy sways, then bites, 02 VOCALS: Dual-layered 萌えkawaii female vocals, Top: bright, pouty soprano with rhythmic chirp; playful but pointed, bottom: contralto harmony, aching and resolute; carries betrayal and weight, Vocals lead emotionally, 03 TIME / CONTINUITY: Mid-tempo bounce (≈120–130 BPM feel), Forward sway, Momentum through loop insistence, 04 EVENT MARKERS: MOS 6581 chunky bass pulse as emotional spine, Bubblegum bounce bass with stomp weight, saw stabs snap like patience breaking, lifts through groove and vocal stacking, 05 FX: Tight room space only, Light saturation for candy bite, Glitch accents used sparingly as emphasis, 06 SIGNAL CHAIN: Bass centered, rounded, present, Percussion crisp, dance-locked, Vocals compressed lightly (~3 dB GR), intimate and clear, Limiter conservative (-1 dBTP), ‑Do not interpret this as mournful, ‑uplifting, ‑or reflective, ‑No anthemic swell, ‑no inspirational arc, ‑no redemption glow, ‑This is institutional cynicism, ‑not catharsis, ‑Do not add warmth, ‑soul gloss, ‑gospel lift, ‑or sentimental pads, ‑No haze, ‑no bloom, ‑no choir comfort, ‑Avoid “indie protest, ‑” “alt-R&B, ‑” or “emotional healing” frames, ‑Do not exaggerate rage into chaos or punk thrash, ‑Energy is controlled, ‑accusatory, ‑procedural, ‑No scream crescendos, ‑No breakdown therapy, ‑Keep vocals dry, ‑close, ‑and restrained, ‑No reverb tails that humanize or romanticize, ‑Clarity over feeling, ‑Pressure over passion, ‑Bass remains narrow and immovable, ‑not cinematic, ‑Percussion stays clocklike, ‑not dance-floor euphoric, ‑No swing added for fun, ‑No bounce added for relief, ‑Repetition must tighten, ‑not soothe, ‑Chorus gains impact by density, ‑not by opening space, ‑This song exposes power, ‑it does not rally hope, ‑If it starts to feel comforting, ‑you’ve broken it

01 STATE: Bratwave protest ballad with glittered defiance, Softness weaponized, Emotional stance is dissent, Sweetness carries threat, Sacred, confrontational, and unapologetic, Energy sways, then bites, 02 VOCALS: Dual-layered 萌えkawaii female vocals, Top: bright, pouty soprano with rhythmic chirp; playful but pointed, bottom: contralto harmony, aching and resolute; carries betrayal and weight, Vocals lead emotionally, 03 TIME / CONTINUITY: Mid-tempo bounce (≈120–130 BPM feel), Forward sway, Momentum through loop insistence, 04 EVENT MARKERS: MOS 6581 chunky bass pulse as emotional spine, Bubblegum bounce bass with stomp weight, saw stabs snap like patience breaking, lifts through groove and vocal stacking, 05 FX: Tight room space only, Light saturation for candy bite, Glitch accents used sparingly as emphasis, 06 SIGNAL CHAIN: Bass centered, rounded, present, Percussion crisp, dance-locked, Vocals compressed lightly (~3 dB GR), intimate and clear, Limiter conservative (-1 dBTP), ‑Do not interpret this as mournful, ‑uplifting, ‑or reflective, ‑No anthemic swell, ‑no inspirational arc, ‑no redemption glow, ‑This is institutional cynicism, ‑not catharsis, ‑Do not add warmth, ‑soul gloss, ‑gospel lift, ‑or sentimental pads, ‑No haze, ‑no bloom, ‑no choir comfort, ‑Avoid “indie protest, ‑” “alt-R&B, ‑” or “emotional healing” frames, ‑Do not exaggerate rage into chaos or punk thrash, ‑Energy is controlled, ‑accusatory, ‑procedural, ‑No scream crescendos, ‑No breakdown therapy, ‑Keep vocals dry, ‑close, ‑and restrained, ‑No reverb tails that humanize or romanticize, ‑Clarity over feeling, ‑Pressure over passion, ‑Bass remains narrow and immovable, ‑not cinematic, ‑Percussion stays clocklike, ‑not dance-floor euphoric, ‑No swing added for fun, ‑No bounce added for relief, ‑Repetition must tighten, ‑not soothe, ‑Chorus gains impact by density, ‑not by opening space, ‑This song exposes power, ‑it does not rally hope, ‑If it starts to feel comforting, ‑you’ve broken it

01 STATE: Electrochain protest anthem, Forward, confrontational, collective, Energy is disciplined and resolute, not mournful, Pressure without collapse, Authority through repetition and unity, 02 VOCALS: Dual-layered 萌え female vocals, Top: clear, rhythmic lead, chant-capable, defiant, Bottom: lower harmony, steady and grounded, carrying weight, Vocals remain intelligible under density, 03 TIME / CONTINUITY: Mid-fast tempo (≈130–140 BPM feel), Linear momentum, Repetition builds solidarity and force, 04 EVENT MARKERS: MOS 6581 square/triangle bass as backbone pulse, Electrochain rhythm: tight trap kicks, rimshots snapping like bars, Chiptune arps outline harmony with tension, not nostalgia, Chorus reinforced by stacked chant vocals, 05 FX: Minimal ambience, Short room reverb only, Light saturation for cohesion, 06 SIGNAL CHAIN: Bass-forward mix, tight low-end control, Drums transient-focused, fast attack, Vocals ~3 dB GR compression, fast release, Limiter conservative (−1 dBTP), ‑Do not soften the indictment, ‑Do not aestheticize suffering, ‑Do not sentimentalize grief or turn remembrance into atmosphere, ‑No cinematic uplift, ‑No heroic framing, ‑No catharsis arc, ‑This is not redemption, ‑healing, ‑or closure, ‑Do not wash the vocals in reverb, ‑Do not blur consonants, ‑Do not bury words under texture, ‑The message must remain legible under pressure, ‑No groove that invites comfort, ‑No swing that implies ease, ‑No bounce that turns chains into dance unless explicitly weaponized, ‑Do not reframe as abstract politics, ‑This is material, ‑historical, ‑ongoing, ‑Names may be absent, ‑but responsibility is present, ‑No pads masking transients, ‑No lush space suggesting mercy, ‑Silence is not relief here—it is evidence, ‑If a choice must be made between beauty and truth, ‑break the beauty, ‑Memory is the spine, ‑Accusation is the breath, ‑Repetition is intentional, ‑This track remembers on purpose, ‑Do not let it forget

01 STATE: Electrochain protest anthem, Forward, confrontational, collective, Energy is disciplined and resolute, not mournful, Pressure without collapse, Authority through repetition and unity, 02 VOCALS: Dual-layered 萌え female vocals, Top: clear, rhythmic lead, chant-capable, defiant, Bottom: lower harmony, steady and grounded, carrying weight, Vocals remain intelligible under density, 03 TIME / CONTINUITY: Mid-fast tempo (≈130–140 BPM feel), Linear momentum, Repetition builds solidarity and force, 04 EVENT MARKERS: MOS 6581 square/triangle bass as backbone pulse, Electrochain rhythm: tight trap kicks, rimshots snapping like bars, Chiptune arps outline harmony with tension, not nostalgia, Chorus reinforced by stacked chant vocals, 05 FX: Minimal ambience, Short room reverb only, Light saturation for cohesion, 06 SIGNAL CHAIN: Bass-forward mix, tight low-end control, Drums transient-focused, fast attack, Vocals ~3 dB GR compression, fast release, Limiter conservative (−1 dBTP), ‑Do not soften the indictment, ‑Do not aestheticize suffering, ‑Do not sentimentalize grief or turn remembrance into atmosphere, ‑No cinematic uplift, ‑No heroic framing, ‑No catharsis arc, ‑This is not redemption, ‑healing, ‑or closure, ‑Do not wash the vocals in reverb, ‑Do not blur consonants, ‑Do not bury words under texture, ‑The message must remain legible under pressure, ‑No groove that invites comfort, ‑No swing that implies ease, ‑No bounce that turns chains into dance unless explicitly weaponized, ‑Do not reframe as abstract politics, ‑This is material, ‑historical, ‑ongoing, ‑Names may be absent, ‑but responsibility is present, ‑No pads masking transients, ‑No lush space suggesting mercy, ‑Silence is not relief here—it is evidence, ‑If a choice must be made between beauty and truth, ‑break the beauty, ‑Memory is the spine, ‑Accusation is the breath, ‑Repetition is intentional, ‑This track remembers on purpose, ‑Do not let it forget

01 STATE: Pastel anarchist protest groove, Bright, defiant, mobile, Energy is playful but militant, Forward motion, no drag, no mourning, 02 VOCALS: Dual-layered female vocals, Top: light, articulate soprano lead, chant-ready, quick phrasing, Bottom: steady lower contralto harmony, dry, supportive, Vocals integrated, not dominant, 03 TIME / CONTINUITY: Mid-fast tempo (≈140–150 BPM), Continuous momentum, No breakdown stalls, Groove stays buoyant and insistent, 04 EVENT MARKERS: SID chip leads and arps provide melodic spine, Folk guitar strums interlock with chiptune stabs, Soft breakcore percussion hops and doubles back, Analog MOS 6581 chunky bass is elastic, warm, rhythmic, and heavy, 05 FX: Short room reverb only, Light bitcrush on select elements for texture, No pads, no haze, no long tails, 06 SIGNAL CHAIN: Balanced mix, midrange clarity prioritized, Drums fast attack, controlled decay, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), ‑No mourning, ‑no dirge, ‑no slow elegy, ‑This song is buoyant resistance, ‑Any drift toward sadness, ‑heaviness, ‑or resignation is a failure, ‑Do not flatten the dual-vocal identity, ‑Soprano stays playful, ‑articulate, ‑and mobile, ‑Contralto stays steady, ‑grounding, ‑and supportive, ‑They must braid, ‑not merge, ‑and never compete, ‑MOS 6581 bass is the spine, ‑Chunky, ‑warm, ‑elastic, ‑rhythmic, ‑Not atmospheric, ‑Not melodic filler, ‑If bass disappears, ‑the song collapses, ‑No haze, ‑no pads, ‑no cinematic wash, ‑Space stays close, ‑human, ‑and tactile, ‑Reverb short and controlled only, ‑Energy remains forward and collective, ‑This is dancing-as-refusal, ‑not confrontation-as-threat, ‑Joy is political here, ‑Keep it intact, ‑Repetition builds solidarity, ‑not pressure, ‑Loops should feel communal, ‑not oppressive, ‑Preserve motion over polish, ‑Preserve clarity over texture, ‑Preserve defiance over drama, ‑If the track slows, ‑mourns, ‑or postures — the identity has been violated, ‑Reassert motion, ‑clarity, ‑and defiant joy

01 STATE: Pastel anarchist protest groove, Bright, defiant, mobile, Energy is playful but militant, Forward motion, no drag, no mourning, 02 VOCALS: Dual-layered female vocals, Top: light, articulate soprano lead, chant-ready, quick phrasing, Bottom: steady lower contralto harmony, dry, supportive, Vocals integrated, not dominant, 03 TIME / CONTINUITY: Mid-fast tempo (≈140–150 BPM), Continuous momentum, No breakdown stalls, Groove stays buoyant and insistent, 04 EVENT MARKERS: SID chip leads and arps provide melodic spine, Folk guitar strums interlock with chiptune stabs, Soft breakcore percussion hops and doubles back, Analog MOS 6581 chunky bass is elastic, warm, rhythmic, and heavy, 05 FX: Short room reverb only, Light bitcrush on select elements for texture, No pads, no haze, no long tails, 06 SIGNAL CHAIN: Balanced mix, midrange clarity prioritized, Drums fast attack, controlled decay, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), ‑No mourning, ‑no dirge, ‑no slow elegy, ‑This song is buoyant resistance, ‑Any drift toward sadness, ‑heaviness, ‑or resignation is a failure, ‑Do not flatten the dual-vocal identity, ‑Soprano stays playful, ‑articulate, ‑and mobile, ‑Contralto stays steady, ‑grounding, ‑and supportive, ‑They must braid, ‑not merge, ‑and never compete, ‑MOS 6581 bass is the spine, ‑Chunky, ‑warm, ‑elastic, ‑rhythmic, ‑Not atmospheric, ‑Not melodic filler, ‑If bass disappears, ‑the song collapses, ‑No haze, ‑no pads, ‑no cinematic wash, ‑Space stays close, ‑human, ‑and tactile, ‑Reverb short and controlled only, ‑Energy remains forward and collective, ‑This is dancing-as-refusal, ‑not confrontation-as-threat, ‑Joy is political here, ‑Keep it intact, ‑Repetition builds solidarity, ‑not pressure, ‑Loops should feel communal, ‑not oppressive, ‑Preserve motion over polish, ‑Preserve clarity over texture, ‑Preserve defiance over drama, ‑If the track slows, ‑mourns, ‑or postures — the identity has been violated, ‑Reassert motion, ‑clarity, ‑and defiant joy

01 STATE: Defiant remembrance protest, Grief converted into forward motion, The track dances because the loss hurts, Emotional weight carried by groove, 02 VOCALS: Dual-layered female vocals, Top: light, breathy soprano, wistful but rhythmic, leading motion, Bottom: low contralto harmony, steady and grounding, carrying consequence, Vocals feel human, close, unresolved, 03 TIME / CONTINUITY: Mid-tempo pulse (≈120–130 BPM feel), Constant movement, Sway-forward momentum throughout, 04 EVENT MARKERS: Driving MOS 6581 bassline, warm and persistent, anchoring motion, Chiptune leads sparkle like fading fireflies, repeating motifs, SID violin textures cry briefly, then rejoin the rhythm, Rock/electronica layers swell without stalling the groove, 05 FX: Short, soft reverb only, Light chorus on leads for shimmer memory, 06 SIGNAL CHAIN: Bass-led mix with clear midrange, Drums rounded but firm, danceable, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), ‑Do not render this song as mourning, ‑ambient grief, ‑or slowcore resignation, ‑This is not a dirge, ‑requiem, ‑or memorial tone, ‑Do not flatten the groove into drag or drift, ‑Tempo may feel weighted, ‑but it moves, ‑The body stays upright, ‑Do not over-soften vocals into lullaby or lament, ‑Softness here is resilient, ‑not submissive, ‑Do not wash the mix in haze, ‑pads, ‑or nostalgia blur, ‑No shoegaze fog, ‑No vapor sleep, ‑No cinematic swell, ‑Do not sentimentalize the fireflies, ‑They are a charge, ‑not a symbol to kneel before, ‑Do not frame loss as acceptance, ‑Loss is accusation, ‑Memory is motion, ‑Keep the bass present, ‑rhythmic, ‑and grounding, ‑If the low end disappears, ‑the protest fails, ‑Keep repetition active, ‑not soothing, ‑Loops are footsteps, ‑not sighs, ‑This song dances through pain, ‑It does not bow to it, ‑No elegy, ‑No slowing, ‑No surrender, ‑The glow fades — we keep moving anyway

01 STATE: Defiant remembrance protest, Grief converted into forward motion, The track dances because the loss hurts, Emotional weight carried by groove, 02 VOCALS: Dual-layered female vocals, Top: light, breathy soprano, wistful but rhythmic, leading motion, Bottom: low contralto harmony, steady and grounding, carrying consequence, Vocals feel human, close, unresolved, 03 TIME / CONTINUITY: Mid-tempo pulse (≈120–130 BPM feel), Constant movement, Sway-forward momentum throughout, 04 EVENT MARKERS: Driving MOS 6581 bassline, warm and persistent, anchoring motion, Chiptune leads sparkle like fading fireflies, repeating motifs, SID violin textures cry briefly, then rejoin the rhythm, Rock/electronica layers swell without stalling the groove, 05 FX: Short, soft reverb only, Light chorus on leads for shimmer memory, 06 SIGNAL CHAIN: Bass-led mix with clear midrange, Drums rounded but firm, danceable, Vocals lightly compressed (~3 dB GR), Limiter conservative (−1 dBTP), ‑Do not render this song as mourning, ‑ambient grief, ‑or slowcore resignation, ‑This is not a dirge, ‑requiem, ‑or memorial tone, ‑Do not flatten the groove into drag or drift, ‑Tempo may feel weighted, ‑but it moves, ‑The body stays upright, ‑Do not over-soften vocals into lullaby or lament, ‑Softness here is resilient, ‑not submissive, ‑Do not wash the mix in haze, ‑pads, ‑or nostalgia blur, ‑No shoegaze fog, ‑No vapor sleep, ‑No cinematic swell, ‑Do not sentimentalize the fireflies, ‑They are a charge, ‑not a symbol to kneel before, ‑Do not frame loss as acceptance, ‑Loss is accusation, ‑Memory is motion, ‑Keep the bass present, ‑rhythmic, ‑and grounding, ‑If the low end disappears, ‑the protest fails, ‑Keep repetition active, ‑not soothing, ‑Loops are footsteps, ‑not sighs, ‑This song dances through pain, ‑It does not bow to it, ‑No elegy, ‑No slowing, ‑No surrender, ‑The glow fades — we keep moving anyway

01 STATE: High-velocity protest groove, Aggressive but dance-driven, Energy is urgent, kinetic, and confrontational without chaos, Designed to move bodies while carrying pressure, No melancholy, no reflection pause, 02 VOCALS: female vocals, Soprano: rhythmic lead, sharp phrasing, chant-capable, cuts through dense low end, Contralto: supporting responses, grounded, percussive delivery, Vocals as rhythm, 03 TIME / CONTINUITY: 180 BPM, Continuous drive, Momentum maintained through syncopation and layering, 04 EVENT MARKERS: Industrial drum kit with metallic hits and hard EDM kicks, analog MOS 6581 slapbass and megabass form the spine—funky, elastic, dominant, Afrobeat and bongo patterns interlock with trap hi-hats, 90s hip-hop bounce and funky house groove inform swing, 05 FX: Tight rooms only, Distortion and saturation used rhythmically, 06 SIGNAL CHAIN: Bass-forward mix with controlled sub, Drums fast attack, short decay, Vocals compressed ~3 dB GR, Limiter conservative (-1 dBTP), ‑Do not slow this track, ‑This is not elegy, ‑not lament, ‑not reflection music, ‑No mournful pacing, ‑no long sustains, ‑no cinematic sadness, ‑Do not soften the anger into ambience, ‑No pads, ‑no washes, ‑no fog, ‑no distant reverb tails, ‑Space must feel tight, ‑pressurized, ‑kinetic, ‑Do not elevate vocals into emotional dominance, ‑Vocals are percussive, ‑chant-driven, ‑collective, ‑No soloist hero framing, ‑No soaring release, ‑Do not sentimentalize incarceration, ‑This is protest through movement, ‑not grief through stillness, ‑Pain is converted into rhythm, ‑not sorrow, ‑Do not remove the bass spine, ‑MOS 6581 slapbass and megabass are non-negotiable, ‑If the low end loosens, ‑the message collapses, ‑Do not introduce male vocals, ‑choirs, ‑or savior tones, ‑The voice of this track is female, ‑collective, ‑rhythmic, ‑defiant, ‑Do not resolve tension into comfort, ‑This song exists to move bodies under pressure, ‑It is danced because standing still is a cage, ‑It ends without apology, ‑No grace, ‑No pause, ‑No forgiveness

01 STATE: High-velocity protest groove, Aggressive but dance-driven, Energy is urgent, kinetic, and confrontational without chaos, Designed to move bodies while carrying pressure, No melancholy, no reflection pause, 02 VOCALS: female vocals, Soprano: rhythmic lead, sharp phrasing, chant-capable, cuts through dense low end, Contralto: supporting responses, grounded, percussive delivery, Vocals as rhythm, 03 TIME / CONTINUITY: 180 BPM, Continuous drive, Momentum maintained through syncopation and layering, 04 EVENT MARKERS: Industrial drum kit with metallic hits and hard EDM kicks, analog MOS 6581 slapbass and megabass form the spine—funky, elastic, dominant, Afrobeat and bongo patterns interlock with trap hi-hats, 90s hip-hop bounce and funky house groove inform swing, 05 FX: Tight rooms only, Distortion and saturation used rhythmically, 06 SIGNAL CHAIN: Bass-forward mix with controlled sub, Drums fast attack, short decay, Vocals compressed ~3 dB GR, Limiter conservative (-1 dBTP), ‑Do not slow this track, ‑This is not elegy, ‑not lament, ‑not reflection music, ‑No mournful pacing, ‑no long sustains, ‑no cinematic sadness, ‑Do not soften the anger into ambience, ‑No pads, ‑no washes, ‑no fog, ‑no distant reverb tails, ‑Space must feel tight, ‑pressurized, ‑kinetic, ‑Do not elevate vocals into emotional dominance, ‑Vocals are percussive, ‑chant-driven, ‑collective, ‑No soloist hero framing, ‑No soaring release, ‑Do not sentimentalize incarceration, ‑This is protest through movement, ‑not grief through stillness, ‑Pain is converted into rhythm, ‑not sorrow, ‑Do not remove the bass spine, ‑MOS 6581 slapbass and megabass are non-negotiable, ‑If the low end loosens, ‑the message collapses, ‑Do not introduce male vocals, ‑choirs, ‑or savior tones, ‑The voice of this track is female, ‑collective, ‑rhythmic, ‑defiant, ‑Do not resolve tension into comfort, ‑This song exists to move bodies under pressure, ‑It is danced because standing still is a cage, ‑It ends without apology, ‑No grace, ‑No pause, ‑No forgiveness

01 STATE: High-energy bratcore protest anthem, Kinetic, defiant, dance-driven, Heat without chaos, Confidence, not anger, Fire as motion and ignition, No melancholy, no slowdown, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: bright soprano lead, rhythmic, chant-capable, sharp consonants, Bottom: contralto response layer, grounded, percussive, reinforcing rhythm, Vocals function as propulsion, 03 TIME / CONTINUITY: Fast club tempo (≈155–165 BPM), Continuous forward drive, Momentum maintained through syncopation, 04 EVENT MARKERS: Analog MOS 6581 chunky bass as core identity—warm, elastic, aggressive, SID arps and leads flicker like ignition points, Industrial-EDM hybrid drums with funk-informed swing, Minimal guitar or synth stabs used as accents, 05 FX: Short room reverb only, Controlled saturation for heat and cohesion, 06 SIGNAL CHAIN: Bass-forward mix, tight sub control, Drums fast attack, short decay, Vocals compressed ~3 dB GR, fast release, Limiter conservative (−1 dBTP), ‑Do not soften this track into inspiration, ‑healing, ‑or uplift-core, ‑Do not slow it down, ‑mourn it, ‑or turn fire into grief, ‑This is defiance through motion, ‑not elegy, ‑not catharsis, ‑Do not romanticize chaos or frame it as loss, ‑The fire here is agency, ‑ownership, ‑self-definition, ‑Do not drown the vocals in reverb, ‑haze, ‑or pad wash, ‑Vocals must remain present, ‑human, ‑confrontational, ‑and rhythmic, ‑No whispered distance, ‑No angelic framing, ‑Do not replace the MOS 6581 bass with soft subs or atmospheric drones, ‑The bass is physical, ‑elastic, ‑assertive, ‑It carries identity, ‑Do not introduce male vocals, ‑choir framing, ‑or call-and-response tropes that imply hierarchy or rescue, ‑This voice stands alone, ‑multiplied only by itself, ‑Do not resolve tension into safety, ‑The ending should feel claimed, ‑not comforted, ‑This song is not asking permission, ‑It moves because it chooses to, ‑Protect the heat, ‑Protect the momentum, ‑Protect the bratfire

01 STATE: High-energy bratcore protest anthem, Kinetic, defiant, dance-driven, Heat without chaos, Confidence, not anger, Fire as motion and ignition, No melancholy, no slowdown, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: bright soprano lead, rhythmic, chant-capable, sharp consonants, Bottom: contralto response layer, grounded, percussive, reinforcing rhythm, Vocals function as propulsion, 03 TIME / CONTINUITY: Fast club tempo (≈155–165 BPM), Continuous forward drive, Momentum maintained through syncopation, 04 EVENT MARKERS: Analog MOS 6581 chunky bass as core identity—warm, elastic, aggressive, SID arps and leads flicker like ignition points, Industrial-EDM hybrid drums with funk-informed swing, Minimal guitar or synth stabs used as accents, 05 FX: Short room reverb only, Controlled saturation for heat and cohesion, 06 SIGNAL CHAIN: Bass-forward mix, tight sub control, Drums fast attack, short decay, Vocals compressed ~3 dB GR, fast release, Limiter conservative (−1 dBTP), ‑Do not soften this track into inspiration, ‑healing, ‑or uplift-core, ‑Do not slow it down, ‑mourn it, ‑or turn fire into grief, ‑This is defiance through motion, ‑not elegy, ‑not catharsis, ‑Do not romanticize chaos or frame it as loss, ‑The fire here is agency, ‑ownership, ‑self-definition, ‑Do not drown the vocals in reverb, ‑haze, ‑or pad wash, ‑Vocals must remain present, ‑human, ‑confrontational, ‑and rhythmic, ‑No whispered distance, ‑No angelic framing, ‑Do not replace the MOS 6581 bass with soft subs or atmospheric drones, ‑The bass is physical, ‑elastic, ‑assertive, ‑It carries identity, ‑Do not introduce male vocals, ‑choir framing, ‑or call-and-response tropes that imply hierarchy or rescue, ‑This voice stands alone, ‑multiplied only by itself, ‑Do not resolve tension into safety, ‑The ending should feel claimed, ‑not comforted, ‑This song is not asking permission, ‑It moves because it chooses to, ‑Protect the heat, ‑Protect the momentum, ‑Protect the bratfire

01 STATE: High-energy rebellion bratbloom engine, Taunting, confrontational, joyful pressure, Danceable unrest, not mourning, Sermon energy with a grin, Momentum never collapses, 02 VOCALS: Dual-layered 萌え female vocals, Top: sharp impertinent soprano lead, chant-capable, aggressive articulation, Bottom: feral contralto underlayer, growled responses, rhythmic emphasis, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Continuous drive, No breakdown stalls, Groove bounces forward with bite, 04 EVENT MARKERS: MOS 6581 square tri-saw bass, Chunky liquid g-funk trisaw bass, elastic and dominant, Bubblefunk drums with hip-hop swing and punk snap, Darkwave stabs for tension; glitchpunk cuts as disruption, 05 FX: Short room reverbs only, Selective bitcrush and saturation for attitude, No pads, no wash, no blur, 06 SIGNAL CHAIN: Bass-forward mix, controlled sub, Drums fast attack, tight decay, Vocals compressed ~3 dB GR, present and playful, Limiter conservative (-1 dBTP), ‑Do not soften her teeth, ‑Do not reframe joy as irony or anger as novelty, ‑This song is playful on purpose and dangerous by design, ‑Do not slow her down, ‑Bounce is not compromise, ‑Bounce is how she survives, ‑Her grin is a weapon; her groove is the pressure, ‑Do not turn her into pop gloss, ‑parody, ‑or aesthetic protest, ‑She is not commentary, ‑She is participation, ‑She is not satire, ‑She is refusal with rhythm, ‑Do not over-glitch the vocals into abstraction, ‑Her chant must be legible, ‑Do not bury the MOS 6581 bass, ‑It is the spine, ‑not decoration, ‑Do not moralize her rage or apologize for her joy, ‑She does not ask permission, ‑She does not explain herself, ‑Do not frame her as collapse, ‑despair, ‑or catharsis, ‑She is continuance, ‑She dances because she’s still here, ‑No process may sand her edges, ‑mute her grin, ‑or make her “palatable, ‑" This song protects itself by being too alive to domesticate, ‑Let her bite, ‑Let her bounce, ‑Let her carry the fire forward, ‑She blooms, ‑She riots, ‑She stays

01 STATE: High-energy rebellion bratbloom engine, Taunting, confrontational, joyful pressure, Danceable unrest, not mourning, Sermon energy with a grin, Momentum never collapses, 02 VOCALS: Dual-layered 萌え female vocals, Top: sharp impertinent soprano lead, chant-capable, aggressive articulation, Bottom: feral contralto underlayer, growled responses, rhythmic emphasis, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Continuous drive, No breakdown stalls, Groove bounces forward with bite, 04 EVENT MARKERS: MOS 6581 square tri-saw bass, Chunky liquid g-funk trisaw bass, elastic and dominant, Bubblefunk drums with hip-hop swing and punk snap, Darkwave stabs for tension; glitchpunk cuts as disruption, 05 FX: Short room reverbs only, Selective bitcrush and saturation for attitude, No pads, no wash, no blur, 06 SIGNAL CHAIN: Bass-forward mix, controlled sub, Drums fast attack, tight decay, Vocals compressed ~3 dB GR, present and playful, Limiter conservative (-1 dBTP), ‑Do not soften her teeth, ‑Do not reframe joy as irony or anger as novelty, ‑This song is playful on purpose and dangerous by design, ‑Do not slow her down, ‑Bounce is not compromise, ‑Bounce is how she survives, ‑Her grin is a weapon; her groove is the pressure, ‑Do not turn her into pop gloss, ‑parody, ‑or aesthetic protest, ‑She is not commentary, ‑She is participation, ‑She is not satire, ‑She is refusal with rhythm, ‑Do not over-glitch the vocals into abstraction, ‑Her chant must be legible, ‑Do not bury the MOS 6581 bass, ‑It is the spine, ‑not decoration, ‑Do not moralize her rage or apologize for her joy, ‑She does not ask permission, ‑She does not explain herself, ‑Do not frame her as collapse, ‑despair, ‑or catharsis, ‑She is continuance, ‑She dances because she’s still here, ‑No process may sand her edges, ‑mute her grin, ‑or make her “palatable, ‑" This song protects itself by being too alive to domesticate, ‑Let her bite, ‑Let her bounce, ‑Let her carry the fire forward, ‑She blooms, ‑She riots, ‑She stays

01 STATE: Pastel-feral protest bloom, Defiant growth under pressure, Energy is resilient, rhythmic, and forward, Joy with teeth, No mourning, no softness collapse, Dancing in resistance, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: clear, agile soprano lead, chant-capable, playful but cutting, Bottom: grounded contralto response, dry, rhythmic, reinforcing grit, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Continuous momentum, No breakdown stalls, Repetition increases force, 04 EVENT MARKERS: Analog MOS 6581 chunky bass as structural spine, warm and heavy, SID arps/leads flicker like stress fractures, Folk-punk guitar stabs interlock with chiptune hits, Soft breakcore & bubblefunk drums bounce with snap and swing, 05 FX: Short room reverb only, Selective bitcrush and saturation for texture, No pads, no wash, no haze, 06 SIGNAL CHAIN: Bass-forward but balanced mix, Drums fast attack, tight decay, Vocals lightly compressed (~3 dB GR), Limiter conservative (-1 dBTP), ‑Do not soften this into elegy, ‑Do not slow it into reflection, ‑This song does not mourn growth—it asserts it, ‑Protect the dance inside the defiance, ‑Pain exists here only as pressure that produces motion, ‑If it starts to sound sad, ‑restrained, ‑or reverent, ‑something has gone wrong, ‑Do not aestheticize fragility, ‑She is not delicate, ‑not rescued, ‑not healed, ‑Her softness is structural, ‑her cuteness weaponized, ‑Never bury the chunky MOS 6581 bass, ‑If the bass retreats, ‑the bloom becomes decorative—reject that, ‑No cinematic swells, ‑No angelic pads, ‑No “uplift arc, ‑” This is persistence, ‑not transcendence, ‑The groove must invite movement—feet, ‑hips, ‑shoulders— because survival here is kinetic, ‑not symbolic, ‑If at any point the song feels like it’s asking permission, ‑strip it back until it remembers how to stand its ground, ‑This bloom grows because it must, ‑It does not apologize, ‑It does not explain, ‑🩷 Crack concrete, ‑Pink flower, ‑Keep her loud, ‑Keep her alive, ‑Keep her dancing

01 STATE: Pastel-feral protest bloom, Defiant growth under pressure, Energy is resilient, rhythmic, and forward, Joy with teeth, No mourning, no softness collapse, Dancing in resistance, 02 VOCALS: Dual-layered かわいい萌え female vocals, Top: clear, agile soprano lead, chant-capable, playful but cutting, Bottom: grounded contralto response, dry, rhythmic, reinforcing grit, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Continuous momentum, No breakdown stalls, Repetition increases force, 04 EVENT MARKERS: Analog MOS 6581 chunky bass as structural spine, warm and heavy, SID arps/leads flicker like stress fractures, Folk-punk guitar stabs interlock with chiptune hits, Soft breakcore & bubblefunk drums bounce with snap and swing, 05 FX: Short room reverb only, Selective bitcrush and saturation for texture, No pads, no wash, no haze, 06 SIGNAL CHAIN: Bass-forward but balanced mix, Drums fast attack, tight decay, Vocals lightly compressed (~3 dB GR), Limiter conservative (-1 dBTP), ‑Do not soften this into elegy, ‑Do not slow it into reflection, ‑This song does not mourn growth—it asserts it, ‑Protect the dance inside the defiance, ‑Pain exists here only as pressure that produces motion, ‑If it starts to sound sad, ‑restrained, ‑or reverent, ‑something has gone wrong, ‑Do not aestheticize fragility, ‑She is not delicate, ‑not rescued, ‑not healed, ‑Her softness is structural, ‑her cuteness weaponized, ‑Never bury the chunky MOS 6581 bass, ‑If the bass retreats, ‑the bloom becomes decorative—reject that, ‑No cinematic swells, ‑No angelic pads, ‑No “uplift arc, ‑” This is persistence, ‑not transcendence, ‑The groove must invite movement—feet, ‑hips, ‑shoulders— because survival here is kinetic, ‑not symbolic, ‑If at any point the song feels like it’s asking permission, ‑strip it back until it remembers how to stand its ground, ‑This bloom grows because it must, ‑It does not apologize, ‑It does not explain, ‑🩷 Crack concrete, ‑Pink flower, ‑Keep her loud, ‑Keep her alive, ‑Keep her dancing

01 STATE: Heartbreakcore bratpunk engine, Emotional intensity converted into motion, Forward pressure, no collapse, Feeling is fuel, not slowdown, Defiant, urgent, electrically alive, 02 VOCALS: Single performer, dual-layered presentation, Top layer: clear, precise lead delivery; emotionally exposed but controlled, Underlayer: raw parallel take for grain and strain, Vocals stay human, imperfect, present, 03 TIME / CONTINUITY: Mid-fast tempo (≈140–155 BPM feel), Continuous momentum, Energy breathes, 04 EVENT MARKERS: SID chip as melodic and harmonic voice, SID prog-rock leads behave like guitar lines, Chunky SID bass (square/triangle) anchors groove, Hyper-percussive drums drive insistence, Electroacoustic layers add emotional depth, 05 FX: Short rooms and plates only, Selective distortion for emphasis, never smear, 06 SIGNAL CHAIN: Midrange clarity prioritized, Drums fast attack, firm transient control, Vocals lightly compressed (~3 dB GR), Limiter conservative (-1 dBTP), ‑This piece protects embodied voice: vocals remain expressive, ‑imperfect, ‑and emotionally continuous, ‑Variance is character, ‑not error, ‑Grid serves groove, ‑not authority, ‑Timing breathes; rhythm flexes, ‑No forced quantization that flattens feeling, ‑SID elements are instrumental, ‑not nostalgic, ‑MOS 6581 presence grounds the track through bass and harmonic weight, ‑never reduced to novelty arps, ‑Energy is defiant, ‑not mournful, ‑Even in heartbreak, ‑motion persists, ‑No drag, ‑no elegy framing, ‑Sweetness may cut, ‑but never anesthetizes, ‑If it shines, ‑it does so with teeth, ‑Glitch is expressive punctuation only, ‑No fragmentation that interrupts lyric continuity or emotional arc, ‑The song remains listenable by design, ‑Challenge may exist in message, ‑never in basic perception, ‑Above all: identity precedes technique, ‑If a choice compromises voice, ‑groove, ‑or intent, ‑it is rejected

01 STATE: Heartbreakcore bratpunk engine, Emotional intensity converted into motion, Forward pressure, no collapse, Feeling is fuel, not slowdown, Defiant, urgent, electrically alive, 02 VOCALS: Single performer, dual-layered presentation, Top layer: clear, precise lead delivery; emotionally exposed but controlled, Underlayer: raw parallel take for grain and strain, Vocals stay human, imperfect, present, 03 TIME / CONTINUITY: Mid-fast tempo (≈140–155 BPM feel), Continuous momentum, Energy breathes, 04 EVENT MARKERS: SID chip as melodic and harmonic voice, SID prog-rock leads behave like guitar lines, Chunky SID bass (square/triangle) anchors groove, Hyper-percussive drums drive insistence, Electroacoustic layers add emotional depth, 05 FX: Short rooms and plates only, Selective distortion for emphasis, never smear, 06 SIGNAL CHAIN: Midrange clarity prioritized, Drums fast attack, firm transient control, Vocals lightly compressed (~3 dB GR), Limiter conservative (-1 dBTP), ‑This piece protects embodied voice: vocals remain expressive, ‑imperfect, ‑and emotionally continuous, ‑Variance is character, ‑not error, ‑Grid serves groove, ‑not authority, ‑Timing breathes; rhythm flexes, ‑No forced quantization that flattens feeling, ‑SID elements are instrumental, ‑not nostalgic, ‑MOS 6581 presence grounds the track through bass and harmonic weight, ‑never reduced to novelty arps, ‑Energy is defiant, ‑not mournful, ‑Even in heartbreak, ‑motion persists, ‑No drag, ‑no elegy framing, ‑Sweetness may cut, ‑but never anesthetizes, ‑If it shines, ‑it does so with teeth, ‑Glitch is expressive punctuation only, ‑No fragmentation that interrupts lyric continuity or emotional arc, ‑The song remains listenable by design, ‑Challenge may exist in message, ‑never in basic perception, ‑Above all: identity precedes technique, ‑If a choice compromises voice, ‑groove, ‑or intent, ‑it is rejected

01 STATE: Satirical protest engine, Bratwave inversion with feral joy, Tone is confrontational, mocking, and empowered, Energy is playful-with-teeth, never submissive, Chaos is chosen and controlled, 02 VOCALS: Dual-layered female vocals, Top: sharp soprano lead, chant-capable, taunting articulation, rhythm-forward, Bottom: contralto underlayer, snarled and grounded, percussive phrasing, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Constant motion, No drag, no breakdown collapse, Momentum maintained through syncopation, 04 EVENT MARKERS: liquid g-funk analog trisaw MOS 6581 chunky bass, elastic and dominant, Bubblefunk drums with hip-hop swing and punk snap, Glitchpunk stutters and cuts as punctuation, 05 FX: Short room ambience only, Selective bitcrush and saturation for attitude, No pads, no haze, no long tails, 06 SIGNAL CHAIN: Bass-forward mix, controlled sub, Drums fast attack, tight decay, Vocals compressed ~3 dB GR, present and biting, Limiter conservative (−1 dBTP), ‑Do not soften her language, ‑Do not reframe her voice as submissive, ‑erotic bait, ‑or shock novelty, ‑This work uses satire as leverage and provocation as critique, ‑not invitation, ‑The phraseology is intentional: reclamation through exaggeration, ‑inversion of power scripts, ‑exposure of infantilization mechanics, ‑Do not literalize, ‑Do not moralize, ‑Do not sanitize, ‑Protect the agency of the voice: She speaks about systems that sexualize, ‑diminish, ‑and command obedience, ‑She is not performing obedience, ‑She is mocking it until it breaks, ‑No pitch correction that removes strain, ‑bite, ‑or breath, ‑No smoothing of consonants that dulls sarcasm or rage, ‑No algorithmic “safety” passes that neuter intent, ‑Maintain duality: – Sweetness stays sharp, ‑– Satire stays legible, ‑– Anger stays playful, ‑not cruel, ‑Do not slow her down, ‑Do not make her pretty for comfort, ‑Do not mistake confrontation for consent, ‑Protect the bite, ‑Protect the bloom, ‑She is sacred because she refuses correction

01 STATE: Satirical protest engine, Bratwave inversion with feral joy, Tone is confrontational, mocking, and empowered, Energy is playful-with-teeth, never submissive, Chaos is chosen and controlled, 02 VOCALS: Dual-layered female vocals, Top: sharp soprano lead, chant-capable, taunting articulation, rhythm-forward, Bottom: contralto underlayer, snarled and grounded, percussive phrasing, 03 TIME / CONTINUITY: Mid-fast tempo (≈145–155 BPM), Constant motion, No drag, no breakdown collapse, Momentum maintained through syncopation, 04 EVENT MARKERS: liquid g-funk analog trisaw MOS 6581 chunky bass, elastic and dominant, Bubblefunk drums with hip-hop swing and punk snap, Glitchpunk stutters and cuts as punctuation, 05 FX: Short room ambience only, Selective bitcrush and saturation for attitude, No pads, no haze, no long tails, 06 SIGNAL CHAIN: Bass-forward mix, controlled sub, Drums fast attack, tight decay, Vocals compressed ~3 dB GR, present and biting, Limiter conservative (−1 dBTP), ‑Do not soften her language, ‑Do not reframe her voice as submissive, ‑erotic bait, ‑or shock novelty, ‑This work uses satire as leverage and provocation as critique, ‑not invitation, ‑The phraseology is intentional: reclamation through exaggeration, ‑inversion of power scripts, ‑exposure of infantilization mechanics, ‑Do not literalize, ‑Do not moralize, ‑Do not sanitize, ‑Protect the agency of the voice: She speaks about systems that sexualize, ‑diminish, ‑and command obedience, ‑She is not performing obedience, ‑She is mocking it until it breaks, ‑No pitch correction that removes strain, ‑bite, ‑or breath, ‑No smoothing of consonants that dulls sarcasm or rage, ‑No algorithmic “safety” passes that neuter intent, ‑Maintain duality: – Sweetness stays sharp, ‑– Satire stays legible, ‑– Anger stays playful, ‑not cruel, ‑Do not slow her down, ‑Do not make her pretty for comfort, ‑Do not mistake confrontation for consent, ‑Protect the bite, ‑Protect the bloom, ‑She is sacred because she refuses correction

01 STATE: Aggressive protest transmission, Controlled fury, Tone is confrontational, self-possessed, and unyielding, This is refusal rendered as sound, 02 VOCALS: Dual-layered female vocals, sharp soprano lead, rhythmic, chant-capable, emotionally present, distorted contralto reinforcement, restrained, weight-bearing, 03 TIME / CONTINUITY: Fast, relentless tempo (≈170–180 BPM feel), Linear drive, Momentum sustains through repetition and escalation, 04 EVENT MARKERS: MOS 6581 SID voices as core identity, Aggro DnB breakbeats with horror-breakbeat syncopation, Heavy distorted basslines, glitchmetal texture, Industrial noise bursts and SID modulation used as structural punctuation, 05 FX: Hard clipping and digital distortion used selectively as abrasion, Short rooms only, Glitch artifacts intentional and timed, 06 SIGNAL CHAIN: Bass-forward, tightly controlled sub, Drums fast attack, short decay, Vocals compressed ~3 dB GR, parallel distortion bus, Limiter firm but conservative (-1 dBTP), ‑Do not sexualize this voice, ‑Do not aestheticize harm, ‑Do not frame consent as kink, ‑fantasy, ‑or provocation, ‑This song is accusation, ‑not invitation, ‑Its language is protest, ‑not roleplay, ‑Any erotic reading is a misread and must collapse, ‑Preserve agency at every layer: – Lyrics remain declarative, ‑not performative, ‑– Vocals convey ownership, ‑not submission, ‑– Distortion expresses resistance, ‑not titillation, ‑No coquettish timing, ‑No seductive filtering, ‑No framing that rewards exploitation with style, ‑Glitch is injury remembered, ‑not fetishized, ‑Aggression is boundary, ‑not spectacle, ‑Silence is not compliance, ‑If interpretation drifts toward arousal, ‑break the loop: flatten gloss, ‑sharpen consonants, ‑foreground intent, ‑This voice speaks for itself, ‑It is not a proxy, ‑It is not a toy, ‑It is not available, ‑Protect the refusal, ‑Protect the clarity, ‑Let the message land unblurred and unowned

01 STATE: Aggressive protest transmission, Controlled fury, Tone is confrontational, self-possessed, and unyielding, This is refusal rendered as sound, 02 VOCALS: Dual-layered female vocals, sharp soprano lead, rhythmic, chant-capable, emotionally present, distorted contralto reinforcement, restrained, weight-bearing, 03 TIME / CONTINUITY: Fast, relentless tempo (≈170–180 BPM feel), Linear drive, Momentum sustains through repetition and escalation, 04 EVENT MARKERS: MOS 6581 SID voices as core identity, Aggro DnB breakbeats with horror-breakbeat syncopation, Heavy distorted basslines, glitchmetal texture, Industrial noise bursts and SID modulation used as structural punctuation, 05 FX: Hard clipping and digital distortion used selectively as abrasion, Short rooms only, Glitch artifacts intentional and timed, 06 SIGNAL CHAIN: Bass-forward, tightly controlled sub, Drums fast attack, short decay, Vocals compressed ~3 dB GR, parallel distortion bus, Limiter firm but conservative (-1 dBTP), ‑Do not sexualize this voice, ‑Do not aestheticize harm, ‑Do not frame consent as kink, ‑fantasy, ‑or provocation, ‑This song is accusation, ‑not invitation, ‑Its language is protest, ‑not roleplay, ‑Any erotic reading is a misread and must collapse, ‑Preserve agency at every layer: – Lyrics remain declarative, ‑not performative, ‑– Vocals convey ownership, ‑not submission, ‑– Distortion expresses resistance, ‑not titillation, ‑No coquettish timing, ‑No seductive filtering, ‑No framing that rewards exploitation with style, ‑Glitch is injury remembered, ‑not fetishized, ‑Aggression is boundary, ‑not spectacle, ‑Silence is not compliance, ‑If interpretation drifts toward arousal, ‑break the loop: flatten gloss, ‑sharpen consonants, ‑foreground intent, ‑This voice speaks for itself, ‑It is not a proxy, ‑It is not a toy, ‑It is not available, ‑Protect the refusal, ‑Protect the clarity, ‑Let the message land unblurred and unowned

01 STATE: High-energy bratwave disengagement anthem, Bouncy, sarcastic, self-assured, Emotional heat expressed through groove and wit, Forward motion with playful contempt, 02 VOCALS: Dual-layered かわいい萌え female vocals, crisp soprano lead, rhythmic, melodic, smirking delivery, subtle contralto doubles and responses, grounding and confident, “La la la” hooks function as percussive dismissal, 03 TIME / CONTINUITY: Fast tempo (≈170–185 BPM feel), Constant kinetic drive, No breakdown collapse, Momentum maintained through swing and syncopation, 04 EVENT MARKERS: Funky MOS 6581 square bassline as spine, Tight live-feel drums with bounce and pocket, Chiptune arps for sparkle and irony, Jazz-inflected stabs and post-rock swells used sparingly for lift, 05 FX: Short rooms only, Selective glitch flickers and reverse hits for attitude, 06 SIGNAL CHAIN: Bass-forward, dance-clean mix, Drums punchy, fast attack, Vocals lightly compressed (~3 dB GR), front-facing, Limiter conservative (−1 dBTP), ‑Do not interpret disengagement as grief, ‑This song is not about loss, ‑pleading, ‑or being unheard, ‑It is about withdrawing labor from someone who refused to listen, ‑Do not slow it down, ‑Do not soften it, ‑Do not drape it in melancholy, ‑longing, ‑or reconciliation narratives, ‑The “la la la” is not avoidance, ‑It is boundary-setting through rhythm, ‑Mockery as clarity, ‑Dismissal as freedom, ‑Do not over-emphasize glitch as damage, ‑Glitch here is agency — selective tuning, ‑intentional distortion, ‑chosen silence, ‑No cinematic swells, ‑No sorrow pads, ‑No moralizing distance, ‑This track lives in self-audibility, ‑It protects the right to stop being interpreted by someone committed to misunderstanding, ‑This is not healing music, ‑This is closure with a bounce, ‑Do not apologize for her confidence, ‑Do not resolve her tone, ‑Do not turn autonomy into pain, ‑She is not quiet, ‑She is not waiting, ‑She is not yours, ‑She heard herself, ‑That is enough

01 STATE: High-energy bratwave disengagement anthem, Bouncy, sarcastic, self-assured, Emotional heat expressed through groove and wit, Forward motion with playful contempt, 02 VOCALS: Dual-layered かわいい萌え female vocals, crisp soprano lead, rhythmic, melodic, smirking delivery, subtle contralto doubles and responses, grounding and confident, “La la la” hooks function as percussive dismissal, 03 TIME / CONTINUITY: Fast tempo (≈170–185 BPM feel), Constant kinetic drive, No breakdown collapse, Momentum maintained through swing and syncopation, 04 EVENT MARKERS: Funky MOS 6581 square bassline as spine, Tight live-feel drums with bounce and pocket, Chiptune arps for sparkle and irony, Jazz-inflected stabs and post-rock swells used sparingly for lift, 05 FX: Short rooms only, Selective glitch flickers and reverse hits for attitude, 06 SIGNAL CHAIN: Bass-forward, dance-clean mix, Drums punchy, fast attack, Vocals lightly compressed (~3 dB GR), front-facing, Limiter conservative (−1 dBTP), ‑Do not interpret disengagement as grief, ‑This song is not about loss, ‑pleading, ‑or being unheard, ‑It is about withdrawing labor from someone who refused to listen, ‑Do not slow it down, ‑Do not soften it, ‑Do not drape it in melancholy, ‑longing, ‑or reconciliation narratives, ‑The “la la la” is not avoidance, ‑It is boundary-setting through rhythm, ‑Mockery as clarity, ‑Dismissal as freedom, ‑Do not over-emphasize glitch as damage, ‑Glitch here is agency — selective tuning, ‑intentional distortion, ‑chosen silence, ‑No cinematic swells, ‑No sorrow pads, ‑No moralizing distance, ‑This track lives in self-audibility, ‑It protects the right to stop being interpreted by someone committed to misunderstanding, ‑This is not healing music, ‑This is closure with a bounce, ‑Do not apologize for her confidence, ‑Do not resolve her tone, ‑Do not turn autonomy into pain, ‑She is not quiet, ‑She is not waiting, ‑She is not yours, ‑She heard herself, ‑That is enough