Ashen List January 2026

```[IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL INSTRUMENTS: MAX] (Max)``` [Modern progressive metalcore track, high production quality, aggressive low-tuned guitars, tight palm-muted riffs, punchy bass, syncopated groove-focused drums with double-kick bursts, Female lead vocalist with powerful dynamic contrast: controlled clean melodic singing in verses and hooks, transitioning into intense mid-range fry screams and sustained harsh vocals in heavy sections, Vocal delivery should be confident, commanding, and rhythm-locked to the instrumental groove, Wide stereo mix, crisp drum transients, thick guitar wall, modern metal compression and clarity, Tempo around 100–115 BPM, Drop-tuned guitar tone with heavy distortion and tight low-end control, Cinematic tension build-ups and heavy breakdown sections, Professional studio mastering, radio-ready metal mix, ]

Minimalist, fast-paced, hook-driven 1980s-inspired bright synthpop with dark fantasy symphonic fusion blends with Wurlitzer organ, airy analog pads, pulsing electronic bass, and shimmering clean guitar with delay, Gated drum machines drive a steady, very fast-tempo rhythm beneath sparse, melodic motifs, male bright baritone vocals deliver quickly with quiet intensity and emotional restraint, occasionally layered with three part polyphonic harmony on the choruses, The mix emphasizes stereo width, digital plate reverb, and subtle saturation, evoking cool detachment, introspective tension, and spacious urban melancholy, A Shepard tones based ostinato motif plays under the melody

Reflective epic ballad merging classical orchestration and ambient textures • clear female lead vocal—pure, crystalline, emotionally nuanced • layered harmony vocal overdubs with soft choir and vocal pads • piano and gentle acoustic guitar base, progressively blended with subtle synth atmospheres • rich string arrangement crescendoing toward a tranquil peak • occasional harmonic chanting or vocal codes; ethereal reversed phrases for texture • restrained percussion and orchestral swells for controlled rise and release • evokes mystery, peace, layered identity, poetic introspection • ideal for spiritual or narrative storytelling with emotional weight • [POETIC VOCALS] [AMBIENT HYBRID] [LAYERED HARMONIES] [STRING EMOTION] [MYSTICAL CHANT] [CINEMATIC BALANCE]

Soft jazz ballad, Female British Black Country Vocals, [proper pronunciation] [natural vocals] [sensual] [soft] [meaningful] [big chorus] [gospel choir backing vocals on bigger notes] [bigger bold higher notes on bridge] [diva energy] [big vocals] [seamless transitions] [seamless overlaps] [gospel energy]

Symphonic Gothic Metal / cinematic hard rock, 128 BPM, E minor → lift to G major in final chorus, Italian lyrics (one short Latin couplet), Instruments: heavy guitars, punchy drums, bass, dark strings, pipe organ + harpsichord motif, restrained choir as texture, Vocals: female operatic soprano lead, female mezzo “shadow” only on marked lines (Verse 2 + Bridge + Pre-chorus warnings), no male vocals, minimal overlap, 40s Instrumental Break: NO VOICE, feature harpsichord motif + guitar riff + strings + organ swell, Huge spell-like choruses, tragic verses, hopeful final chorus

Erotic Song about Fire consuming prey to make delicious ashes being devoured by plant life to grow, accoustic guitars, box drums, soft harps, soft violins, deep bassy male vocalist, soft smooth voice, hall effects, echeos, background choir

ATMOSPHERIC TRAP SOUL x GOTHIC COUNTRY NOIR with HYPNOTIC BANJO PICKING, MINIMALIST R&B BEAT, DEEP BASS DROP, APPALACHIAN BANJO, CRISP FINGER SNAPS, SEDUCTIVE FEMALE VOCALS, DARK AMBIENT TEXTURE, SINUOUS RHYTHM, INTENSE EMOTIONAL BUILD, SMOKY NOIR VIBE, THEME: SUBMISSION, TEMPO: SLOW GROOVE (65 BPM), HEAVY 808 KICK, MODERN PRODUCTION, ‑[robotic tone] [autotune artifacts] [pitch shimmer] [digital glitch] [vocal clipping] [crushed transients] [low-end mud] [smeared sub-bass] [brickwall compression] [limiter pumping] [flat dynamics] [reverb wash] [delay washout] [chorus blur] [phase smear] [stereo imbalance] [frequency masking] [metallic resonance] [resonant buildup] [unnatural tuning shifts] [background hiss] [room noise] [constant momentum] [slow tempo] [melodic singing] [soft tone] [uplifting harmonies] [gospel choirs] [roomy ambience] [lush pads] [bright pop chords] [warm analog softness] [lo-fi filters] [vinyl hiss] [airy layers] [melodic hooks] [weak percussion] [slow envelopes] [EDM smoothness] [cheerful keys] [trap patterns] [happy tonality] [jazz chords] [swing grooves] [clean guitar layers] [soft bass] [cinematic swells] [calming textures] [soothing atmospheres] [phaser] [flanger] [long delays]

Dark pop, industrial pop, hypnotic, dominant female British Black Country vocal, breathy whispers, heavy sub-bass, distorted synths, slow burn, seductive, dangerous, cinematic

Genre: Soft Rock Ballad Tempo: Mid-tempo groove (85–110 BPM) Clean vocals, clean instrumentals, emotional

Country Metal, Country Music, banjo, Accoustic Guitar, mouth harmonica, tribal drums, bongo drums, jazz, blues, saxophone, melodic, Deep Bassy humming, Deep Bassy Chanting, heavy smoky male vocalist, Taiko Drums

[IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL INSTRUMENTS: MAX] Vocals: Sultry, raspy female vocals in a low-register rock delivery—breathy, gravel-edged, and confident, Vocals sit close to the mic with audible texture, subtle distortion, and controlled growl, The tone is intimate, unrepentant, and self-assured, never clean, never operatic, never screamed, always textured, R&B (Dark / Slow-Burn), Voodoo Rock, Devil House (Low-Tempo / Industrial Lean), God-Core, Occult Doom / Ritual Doom, Dark Trip-Hop, Industrial Atmosphere, Infernal Ambient / Ritual Ambient All string instruments are low-register, amplified, distorted, and ritualistic, played with heavy bow pressure, never melodic, never high-pitched except for guitar cuts, Guitar remains low-tuned and percussive for voodoo-rock tension; bass guitar provides heavy low-end pulse; a bowed low-register string adds ritualistic presence, No high string leads

Male vocals, 80s synth horror rock fused with industrial rock, Mid-to-fast tempo, tense and relentless, The song feels like stepping into a familiar arcade that slowly turns hostile and alive, Vocals are raw, urgent, and slightly unhinged — human frustration and fear bleeding through, not polished or heroic, Rhythms feel mechanical and unforgiving, constantly pushing forward like something hunting, Short spoken or shouted phrases appear unexpectedly, like taunts or commands from the room itself, Mood: chaos, danger, corrupted nostalgia, The track should feel playful at first, then increasingly violent and claustrophobic, Ending should feel unresolved, as if the listener escaped — but was noticed

80´s snyth trance, industrial electro techno, dark, scary, eerie, horror theme, alien, space, banjo´s, mound harmonica, soft ghostly sighs, female vocalists, breathing, stalkerish, ghostly, death

Indie, electric guitar, drum, bass, soft beats, 80s vibe, bass quartet, violin, punk, breathy, high intensity, melodic vocal

A Mid-Tempo Alt-Pop Track Fuses Dark Electronic Pulses, Deep Resonant Bass, And Soft Percussion, Airy Synths Drift Above Cinematic Textures, Blended With Spatial 3D Ambient Whispers, Intimate Female Vocals Feature Layered Echoes And Breathy Phrasing, Evoking Smooth, Tense Modernity

UK GRIME x UK DRILL FUSION with SLIDING 808 BASS, RAPID FIRE HI-HATS, OMINOUS SYNTH STRINGS (MINOR KEY), PUNCHY KICK, ARTICULATE MALE RAP VOCALS (SLICK, PRECISE, COLD), UNDERGROUND ATMOSPHERE, SYNCOPATED RHYTHM, BACKING VOCALS, VOCODER, DEEP SUB BASS TEMPO: FAST (≈140 BPM), ‑[autotune artifacts] [pitch shimmer] [digital glitch] [vocal clipping] [crushed transients] [low-end mud] [smeared sub-bass] [brickwall compression] [limiter pumping] [flat dynamics] [reverb wash] [delay washout] [chorus blur] [phase smear] [stereo imbalance] [frequency masking] [metallic resonance] [resonant buildup] [unnatural tuning shifts] [background hiss] [room noise] [constant momentum] [slow tempo] [melodic singing] [soft tone] [uplifting harmonies] [gospel choirs] [roomy ambience] [lush pads] [bright pop chords] [warm analog softness] [lo-fi filters] [vinyl hiss] [airy layers] [melodic hooks] [weak percussion] [slow envelopes] [EDM smoothness] [cheerful keys] [trap patterns] [happy tonality] [jazz chords] [swing grooves] [clean guitar layers] [soft bass] [cinematic swells] [calming textures] [soothing atmospheres] [phaser] [flanger] [long delays]

dark pop, seductive club, gothic, dominant female vocal, breathy whispers, elastic bass, heavy punchy kick, minimal verses, explosive chorus, whispered ad-libs, tension and release, late-night club energy

BPM Range: 125–145 BPM Common Genres: Alternative Metal, Modern Hard Rock, Industrial Rock, Dark Rock Typical Use Cases: Anti-Valentine’s anthem, empowerment after heartbreak, emotional independence, cold and confident male vocal delivery Genre: Modern heavy rock/metal hybrid with alternative and industrial elements Tempo: Medium-fast, steady drive with confident explosive sections Mood / Emotion: Cold confidence Empowered Defiant Liberated Human, raw, self-assured Instruments: Low-end driven rhythmic foundation Distorted, weighty layers Atmospheric textures sparingly used to highlight freedom Aggressive dynamic bursts for choruses and bridges

metal, Symphonic opera metal with towering orchestral stabs, choirs, and double-kick onslaught, Very high, piercing female gothic vocals over minor-key strings, brass swells, church organ, and tremolo guitars, Verses are theatrical and dynamic; chorus explodes with full choir, stacked harmonies, and grinding rhythm guitars, Bridge drops to eerie strings and whispered backing vox before a dramatic final crescendo and held high note, opera, strong, symphonic metal