After the party 2/8/26

Heavy Industrial Hip-Hop, Cyberpunk aesthetic, 90 BPM, Gritty, metallic boom-bap drums with a distorted 808 bassline, Layered with atmospheric synthesizer pads and glitchy digital artifacts, Technical, rapid-fire delivery with a dark, commanding tone, High energy, aggressive 'ghost in the machine' vibe with heavy compression and sharp vocal clarity

[108 BPM], [Cinematic Orchestral Industrial], [Aggressive Staccato Low Brass], [Ominous Rising Orchestral Horns], [Intricate Baroque Harpsichord Arpeggios], [Thunderous Booming Timpani], [Aggressive Rhythmic Rap], [Breathy Intimate Singing], [Ethereal Vocals], [1-2-3-4 Cadence], [Theatrical Noir], [Systemic Overload], [Cinematic String Swell], [Ethereal Synth Pad]

Create a genre-blending track combining trap house, bass house, and nu metal, The beat is built on heavy 808s, sidechained low end, rolling hi-hats, and a club-style groove, fused with aggressive nu metal guitar riffs, Use an ESP electric guitar in Drop D tuning with tight palm-muted chugs and short rhythmic stabs, keeping the tone dry and gritty with no ambient effects, Drums include a Pearl acoustic kit layered with trap percussion, featuring a punchy kick, tight snare, and minimal cymbals, Vocals are female, melancholic, and low-register with a relaxed, stoned delivery, The performance feels calm, zoned-out, and confident, using breathy phrasing, subtle vocal fry, and occasional half-spoken lines, The emotion is private and unbothered, focused on vibing alone, gaming, and staying in your own space while telling others to stay out of your zone

a gentle song built from discordant, twitchy pieces that refuse to stay put, like a punk rock lullaby cutting through the din of digital noise, Played poorly on a beat up half step detuned acoustic guitar, Sung with the intimacy and ache of human history by a female alto singer with punk rock in her soul and angel's in her throat, This is the final message from a woman who wishes the world to be better than how she found it, keep the instruments raw, percussion should be wooden sticks on a overturned plastic bucket, no strings, This is just intimate and weird, no pop sheen

This deathcore track opens with explosive guttural screams and crushing, distorted 808s under relentless, overdriven kicks, Machine-gun drums, industrial noise, and cavernous reverb intensify the brutal, texture-focused assault, ‑glitch

[Style: synthpop, chromatic, Weirdcore, brass, turntablism, big band] [Mood: Playful, Absurd, Mischievous] [Energy: Bouncy, Hyper, Elastic] [Beat: 130 BPM] [vocal: young high-pitch tenor, cheeky, sarcastic] Quirky pop track with weirdcore humor and futurebass bounce, iconic “womp womp” style brass hits, Playful mockery, cartoonish but polished, Emphasize expressive drops, elastic bass movement

Soulful gospel choir, bright rhythmic ukulele strumming, prominent syncopated cowbell, vocal banter and ad-libs, handclaps, foot stomps, lush 8-part vocal harmonies, high-energy crescendo, joyous soul-fusion, megaphone vocal textures, communal and celebratory atmosphere, acoustic folk-soul hybrid