5:49

百奇夜行【シンフォニックver】
v4.5+
Create a mind-shattering fusion of symphonic death metal, progressive technical death metal, Japanese kayōkyoku, church hymns, and grindcore, Vocals are delivered like a raving madman: guttural growls, savage gatorals, mixed voice screams, piercing whistle register, sky-high falsettos, and massive layered choirs, all pushed aggressively to the front of the mix, Guitar solos are hyper-progressive, virtuosic, and melodic, played on down-tuned guitars drenched in thick distortion; pan guitars hard left and right for a massive stereo spread, Bass is slapped with extreme distortion and aggression, Drums feature relentless blast beats and hyper-tense double-kick patterns, Tempo shifts violently between blistering speeds and crawling slowness, with frequent key changes and modulations, Overall vibe: chaotic, violent, blasphemous, and unhinged, [symphonic death metal] [progressive technical death metal] [grindcore] [kayōkyoku] [hymn] [extreme vocals] [blast beats] [down-tuned guitars] [slap ba
4:03

深夜テンションデス
v4.5+
A high-energy fusion of garage rock, blues, rockabilly, and Japanese kayokyoku (enka-style melodies), featuring a raspy-voiced middle-aged male vocalist with heavy vibrato, screams, and shouts, Dual distorted electric guitars with twangy leads, high-speed cutting riffs, and harmonized twin-guitar interplay, Slap-happy choppy bass lines, intense high-tension drumming with fast fills and crashes, Bluesy harmonica solos weaving through, Catchy group choruses backing the lead, Mix pushes raw, upfront raspy vocals forward with ASMR-like intimate closeness and texture, Fast tempo around 170-180 BPM, with sudden breakdowns into half-time grooves before exploding back, Raw, gritty, lo-fi garage vibe, [garage rock blues rockabilly kayokyoku fusion, raspy male vocal, vibrato scream shout, distorted twin guitars, fast cutting, choppy bass, harmonica, high-tension drums, chorus, upfront vocal mix, ASMR intimacy, fast tempo, breakdowns]
4:59

永遠 verII
v4.5+
A fusion of avant-garde piano jazz, experimental hip-hop, and progressive metal, Male vocalist with a sexy, raspy voice, heavy vibrato, layered chorus harmonies, and intense shouts, Progressive piano riffs, experimental turntable scratches, glitch effects, twin guitars trading riffs, and avant-garde guitar solos, Fast tempo, vocal-forward mix with punchy drums and dense instrumentation
6:28

疑念
v4.5+
Create a song that fuses doom metal, visual-kei, Japanese kayōkyoku, progressive metal, and opera, The vocals feature an eerie, deep male voice delivering a mix of guttural growls, screams, shouts, and mechanically processed vocal effects for a haunting, otherworldly sound, Include a low-pitched male chorus for added depth and atmosphere, The instrumentation centers around heavy, mournful guitar phrases and a melancholic piano melody, with intricate progressive guitar solos, The tempo is slow and deliberate, incorporating dramatic key changes (modulations) to enhance emotional intensity, Infuse elements of death electronica with dark, atmospheric synths, The lyrical themes should evoke hatred, sorrow, and murderous intent, creating a brooding, intense, and tragic mood
5:10

ボク認知症
v4.5+
Prompt: Create an experimental song that fuses hardcore punk, avant-garde death metal, hip-hop, musical theater, and opera, The lead vocalist is a male with an elderly voice, using strong vibrato, incorporating beatboxing, a cappella sections, layered chorus harmonies, rap, guttural growls, and death metal screams, The vocal mix is prominent and upfront, The sound is immersive and three-dimensional, featuring low, heavy, distorted guitars, accordion, saxophone, piano, theremin, and violin, with a drum and bass rhythm section, Include tempo changes, key modulations, and turntable scratching, The tempo is mid-paced, with an experimental techno influence
4:09

人間という汚れた獣 act3
v4.5+
A high-energy fusion of crust hardcore, noisecore, dark electronica, and kayōkyoku, centered on a vicious female vocalist delivering guttural growls, piercing screams, layered choral harmonies, and aggressive shouts—mix the vocals aggressively forward and dominant in the stereo field, Dual distorted guitars panned hard left and right for intense twin-guitar interplay with crushing riffs and feedback chaos; slamming distorted bass locking in with hyper-tense, blast-beat-driven drums at a relentless fast tempo (180-220 BPM), Inject erratic glitches, dark progressive piano lines with sudden modulations and key changes, all in pristine high-fidelity production
3:09

閉経
v4.5+
A high-octane fusion of garage rock, kayōkyoku, hardcore punk, rockabilly, and blues, Insane male vocalist with spit-fire delivery, raw shouts, piercing screams, and guttural snarls, Heavily distorted bass and distortion-drenched guitars with hyper-speed cutting riffs, Mix pushes vocals and bass upfront, aggressive and in-your-face, Relentless high-tension drums at blistering fast tempo, Add frantic harmonica wails and chaotic tambourine shakes, ASMR triggers: intense mouth sounds, aggressive breathing, spit-flecked snarls, and visceral vocal fry, Raw, unhinged energy like a deranged street preacher on amphetamines
4:26

煩悩
v4.5+
A hyper-fused experimental track blending classical piano waltz, digital hardcore aggression, concerto-scale orchestration, glitch artifacts, frenetic breakbeats, breakcore chaos, experimental techno pulses, and idol J-pop vocal hooks, Tempo: Ultra-high-speed 220–280 BPM with constant polyrhythmic shifts and irregular time signatures (7/8 → 11/16 → 5/4 → 9/8), Harmony: Relentless dissonant clusters, microtonal pitch bends, and atonal piano stabs clashing against saccharine idol melodies
5:02

どろり
v4.5+
A haunting fusion of silent experimental minimalism, crushing doom metal, traditional Japanese kabuki theater elements, and intense poetry reading, Emotionless male vocals deliver spoken-word poetry in a cold, detached monotone, layered with kabuki-inspired dramatic shouts, deep guttural growls, and piercing shrieks, The first half to mid-section is almost completely silent with sparse, echoing taiko drum hits and subtle atmospheric drones, building unbearable tension—no other instruments until the explosive second half erupts into fast-tempo doom metal riffs with crushing guitars, thunderous drums, and relentless aggression, Vocals pushed aggressively to the front of the mix, raw and dominant, Ultra-high production quality, crystal-clear audio, professional mastering, immersive sound design, Slow tempo in the silent/minimal front-mid (around 50-60 BPM), accelerating to fast doom metal blast in the back half (140+ BPM), [doom metal, kabuki, poetry slam, extreme vocals, atmospheric, hig
5:06

サイレンが鳴り響く
v4.5+
Hardcore punk fused with sludge metal, grindcore and dirty delta blues, raw aggressive sound, mid-tempo to fast (180-210 BPM), heavy down-tuned guitars and bass (Drop B or lower), crushing distorted twin-guitar attack with sharp cutting riffs and dissonant leads, hyper-tense blast beats and d-beat drumming, thick sludgy low-end, occasional siren-like guitar noise and feedback, extreme vocal-forward mix, middle-aged male vocalist with gravelly, smoky, weathered voice, spitting lyrics aggressively, mixture of hoarse shouting, guttural growls, grindcore shrieks, experimental throat-singing tones and tortured howls, bluesy pained delivery mixed with pure rage, very upfront and dry vocals, no reverb on voice, high-fidelity production, dark, violent, nihilistic atmosphere, sounds like Eyehategod meets Napalm Death meets early Melvins meets R, L, Burnside on amphetamines
3:51

何度も言うが子供に未来など無い
v4.5+
Chaotic hardcore, mathcore, traditional Japanese enka, Detroit techno, and dramatic opera fusion, extreme genre collision, high energy chaotic masterpiece, fast tempo 190-220 BPM, constant modulation and sudden key changes, down-tuned 7-string guitars in Drop G, twin guitar chaos with dissonant mathcore riffs and progressive technical solos, heavily distorted aggressive bass guitar, hyper-aggressive blast beats and double bass drumming, vintage electronic organ with swirling Leslie speaker, turntable scratching and glitchy techno elements, powerful desperate raspy male vocal upfront in the mix, heavy vibrato like old enka singer, switching between guttural growls, guttural screams, high-pitched chaotic hardcore shouts, pig squeals, fry screams and sudden operatic tenor belting, extreme dynamic vocal performance, lyrics about heartbreak, drunken despair, urban decay and yakuza life in Japanese and English, wall of sound production, loud and clear vocal-forward mix, crystal-clear high-fi
7:02

浄化
v4.5+
Apocalyptic fusion of crushing doom metal, symphonic metal, Latin requiem, Gregorian hymns, dramatic Japanese enka/kayōkyoku melodies, and operatic vocals, Middle-aged male baritone: extremely deep and powerful, heavy dramatic vibrato, seamless mixed voice, soaring operatic high tenor notes and screams — vocals aggressively pushed to the very front of the mix, Massive cathedral choir + Latin chants blended with lush Japanese-style backing chorus harmonies, Ultra-heavy Drop A (or lower) down-tuned guitars with crushing riffs and twin melodic leads, detuned rumbling bass, highly technical drums with slow doom grooves and sudden blast-beat sections, Pipe organ, tolling church bells, haunting music box melodies, minor-key enka-style pentatonic phrases woven into the riffs, Tempo: crushing slow doom (40-50 BPM) → explosive high-speed symphonic sections (160-180 BPM) with dramatic key changes and modulations, Huge, wide, cathedral-sized reverb, ultra-cinematic and emot
5:14

お母さんとボクの子どもたち
v4.5+
[Doom Metal, Visual Kei, Death Metal, Dark Kayokyoku, Death EDM, Dark Electronica fusion]
Aggressive male vocals upfront in the mix: quirky intense delivery with heavy layered choruses, guttural death growls, high-pitched whistle register screams, ferocious shouts, Vocals dominate everything, Low-tuned crushing heavy guitar riffs with massive distortion, intricate arpeggios, progressive twin guitar harmonies and mind-bending solos, haunting pipe organ swells underneath, Relentless aggressive bass drum patterns blending blast beats and slow pounding doom rhythms, Fast-paced sections at 180-200 BPM exploding into slow crushing 60-80 BPM breakdowns, Frequent key changes, dynamic tempo shifts between hyper-speed and dragging slowness, ASMR whispers and intimate vocal close-ups contrasting brutal aggression, Dark electronica synth atmospheres, death EDM drops with wobbling sub-bass, Japanese visual kei glam-drama flair mixed with ominous kayokyoku melancholy, Structure: Epic progressi
5:24

愛を探して三千里
v4.5+
Create a high-energy, genre-fusion track combining high-speed techno, avant-garde garage rock, avant-garde blues, Japanese kayokyoku, and visual kei, The song features a seductive male vocal with strong vibrato, incorporating shouts, growls, gutturals, and screams, backed by lush, layered choruses, The vocal mix is upfront with a 3D sound effect, Instrumentation includes heavily distorted guitars, progressive guitar solos, and kayokyoku-inspired melodic guitar solos, The drums are unconventional and complex, blending hardcore techno rhythms with a fast tempo, The track includes frequent key changes (modulations) and intense breakdowns, The overall vibe is dynamic, experimental, and emotionally charged, with a bold, theatrical energy
3:54

漂白
v4.5+
A high-energy fusion of chaotic hardcore, digital hardcore, hard drum and bass, death metal, and grindcore, The track features a powerful male vocal lead with intense vibrato, guttural growls, aggressive shouts, and low-pitched male rap, mixed prominently in the foreground, The instrumentation includes heavily distorted guitars, melodic guitar lines, and aggressive, fast-paced drums, Incorporate experimental techno elements for a futuristic edge, The tempo is extremely fast, with dynamic key changes and complex time signature shifts to maintain unpredictability and intensity, The overall mix emphasizes the vocals, with a raw, chaotic, and immersive soundscape that balances melody and aggression
