2:05

2:54

2:36

alternative rock, 1970, Punk, tape, pop punk, female singer, synth, idie, distorted guitars, girl punk band
2:17

indie rock, alternative rock, garage punk, immediate in-your-face presence, energetic, ‘raw sneer’ vocal delivery
2:38

2:35

3:03

Alternative Rock, Grunge-Inspired Ballad, Post-Grunge, Emotive Vocals, Distorted Guitar Layers, Melancholic Atmosphere, Vulnerable Lyricism, Slow-Build Dynamics, Introspective Themes, Raw Emotion
3:39

uk Scottish, Scottish accent vocals male vocals, Indie Rock, Post-Hardcore, Sass, Post-Hardcore, Pop Punk, Math art pop, male vocalist, fun, chaotic complex transitioning into laid back intricate melodies with beautiful guitar and back again, quirky, energetic, melodic, blend of feels and styles, atmospheric moments, heavy moments, beautiful moments Alternative Rock, Power Pop, Emo, Noise Pop, lonely, love, self-hatred, anxious, raw, male vocalist, longing, passionate, noisy, melodic, sad, melancholic, anthemic, bittersweet, energetic, quirky, heavy, rhythmic
6:09

uk Scottish, Scottish accent vocals male vocals, Indie Rock, Post-Hardcore, Sass, Post-Hardcore, Pop Punk, Math art pop, male vocalist, fun, chaotic complex transitioning into laid back intricate melodies with beautiful guitar and back again, quirky, energetic, melodic, blend of feels and styles, atmospheric moments, heavy moments, beautiful moments Alternative Rock, Power Pop, Emo, Noise Pop, lonely, love, self-hatred, anxious, raw, male vocalist, longing, passionate, noisy, melodic, sad, melancholic, anthemic, bittersweet, energetic, quirky, heavy, rhythmic
4:15

4:14

4:09

2:16

2:40

2:06

Raw 1977 UK punk at 160bpm: bright single-coil guitar intro, edgy distortion; bass grinds 8ths; boxy snare-driven drums; tight hi-hat; vocals bone dry with sneering delivery; gang shouts on the chorus; verses use three manic chords with minimal harmony; chaotic spoken interludes; sarcastic deadpan outro; no polish, tense and absurd comedic energy; exportable chant style; mix bass-forward; guitars stiff and wiry; no digital sheen; keep it stupid & punk; deliver like a bored teenager in a panel tower kitchen fighting a fly; chorus hits fast with dry gang vocals; outro spoken with contempt
7:59

3:59

Neo-punk, hard fast, melancholic, lyrical, emotional, mathcore, indie, jungle, crunk, garage rock, 2000's punk, boy band, industrial punk, alternative pop rock, gothic symphonic metal
1:41

3:44

new metal, industrial, angry, screaming male vocals, heavy percussion, dual lead guitars
3:50

psychedelic Post Punk, Funky fuzz bass riff, slow shuffle drums, synth lead, drawn out raspy male vocals
2:29

Raw 1977 UK punk at 165bpm, dry guitars, single-coil bite, snare-forward drums, bass grinding straight 8ths, vocals sneering and half-spoken, sarcastic delivery, no polish, Song about first romantic fiasko after a concert: sweaty narrator holds a cold hand, realizes there's no chemistry, releases her hand before she says “let’s be friends, ” Humor, no melodrama, just awkward bodily truth, Structure: short intro, 2 short verses, 1 punchy chorus, 1 spoken bridge, 1 final chorus, abrupt outro, Sonic vibe: Dead Kennedys meets Buzzcocks, dry gang shouts on the chorus, guitars bone-dry, zero reverb, bass forward, Tone: cynical, self-deprecating, funny, honest, No heartbreak, no whining, no sentiment, Export-ready chant style, Ending is abrupt with one spoken line: "Fiasko number one, "
1:59

rock, playful yet intense tone, distorted guitars with a chaotic drumbeat, raw
3:02

[Is_MAX_MODE: MAX](MAX)
[QUALITY: MAX](MAX)
A Trap infused Hip Hop Club track characterized by a fusion of trap and future bass elements, The piece features a prominent, syncopated synth lead with a metallic, plucking quality that drives the main melody, The percussion is built around a crisp, snapping snare on the backbeat, rapid-fire hi-hat rolls, and a deep, resonant 808 kick drum that provides a heavy low-end foundation, Atmospheric vocal chops are processed with heavy reverb and delay, acting as melodic textures rather than lyrical content, The structure follows a build-up and drop format, utilizing rising white noise sweeps and accelerating percussion to create tension, The mix is polished and wide, with side-chain compression on the synths to allow the kick drum to punch through clearly, The tempo is approximately 120 BPM, maintaining a driving, rhythmic intensity throughout
4:14

alt-pop, emo trap, pop punk, grunge, punk, 140bpm, no mood-based tempo shift, Open with immediate full force, max volume, instant attack, First beat: crushing collision of distorted 808 kick, snapping snare, and a sudden, explosive vocal crack, [Intro] aggressive slap guitar rhythm, heavily distorted, instantly swelling dissonant detuned analog pad, no soft piano intro, [Drums] dominant distorted 808 sub-bass groove, heavy trap hi-hats, snapping clap rhythm, unstable glitch fills, [Bass] deep sub-bass, heavy and warm, sidechain with kick, [Guitar] sharp slap rhythms, tremolo walls, overdrive punch in chorus, dreamy washed layers in bridge and final, [Piano] cinematic, hard attack, imperfect and slightly detuned in bridge and break, [FX] reversed delays, detuned pads, whisper echoes, tape hiss, vinyl crackle, breath left in, short moments of silence, [Female lead vocals] very hard raspy, husky, breathy, strong vibrato, raw, trembling, frantic, whisper-to-explosive, voice must crack






























