Handsome & Beautiful (FULL ALBUM)

Lo-fi witchy punk and dreamy shoegaze energy with a raw garage edge, Fuzzy electric guitars shimmer in reverb haze over a steady mid-tempo groove around 100 BPM, Japanese Female vocal, soft and clear but loud when called for, half-whisper half-snarl, close-miked and doubled for grit, The verses feel smoky and confessional, like someone singing from a dimly lit living room at 3 a, m, ; the choruses bloom into bright distortion and overdriven sweetness, Analog warmth, live-room drums, melodic bassline, feedback ghosts and tape flutter, The mood shifts between intimacy and mania — haunted, sultry, unbreakable, End with a swirling fade of layered “can’t tear me away” echoes, dissolving into feedback and reverb tail

Fast, breathless Japanese-English indie pop that feels like sprinting through neon streets after the rain, Fuzzy shoegaze guitars, jangly rhythm, and layered girl-group harmonies collide with modern alt-pop energy, Female vocal with playful Kansai accent and flashes of French; tone sweet, ironic, and a little desperate, Tempo around 160 BPM, four-on-the-floor kick with glimmering percussion, The lyrics mix everyday chaos and heartbreak—Tokyo backstreets, convenience-store snacks, karaoke longing, Pokémon distractions, A short baroque bridge with harpsichord and cello breaks the rush before guitars return in a wave of noise and light, Ends with quiet street ambience, crosswalk chime, and a whispered “おおきに, おおきに 君もお大事に, ”

Lo-fi witchy punk and dreamy shoegaze energy with a raw garage edge, Fuzzy electric guitars shimmer in reverb haze over a steady mid-tempo groove around 100 BPM, Japanese Female vocal, soft and clear but loud when called for, half-whisper half-snarl, close-miked and doubled for grit, The verses feel smoky and confessional, like someone singing from a dimly lit living room at 3 a, m, ; the choruses bloom into bright distortion and overdriven sweetness, Analog warmth, live-room drums, melodic bassline, feedback ghosts and tape flutter, The mood shifts between intimacy and mania — haunted, sultry, unbreakable, End with a swirling fade of layered “can’t tear me away” echoes, dissolving into feedback and reverb tail

upbeat indie-pop-rock / garage shoegaze hybrid, female vocal, dry with light reverb, Tempo ≈ 102 BPM, 4/4, Jangly clean guitars, tight midrange drums, bass pulsing like a heartbeat under a smile, Early-2000s hand-clap energy, organelle synth pads ghosting behind the vocals, Verses delivered with biting sweetness and eye-roll sarcasm; pre-chorus swells with fuzzed guitars and open hi-hat, Chorus explodes in lo-fi glory, vocals pushing into light overdrive, [Instrumental break] Twin guitars duel in chaotic flanged feedback, surf and shoegaze tones melting together until the beat collapses into amp hiss and laughter, Bridge returns softer, haunted organ under spoken confession, Outro layers the flange with clock-tick percussion until a single feedback note cuts to silence, Mood: darkly comic desperation in pastel lighting

shoegaze dreampop punk • 118 BPM • key E minor] build around a driving melodic bassline that carries the whole mix, dark and hypnotic, pair it with layered chorus + fuzz guitars that shimmer and collapse into feedback, weave in an electric violin that bends between melody and noise—bow tremolo, sustained harmonics, and feedback swells, drums should feel live and roomy, snare echoing like it’s in a cathedral, add airy analog synth pads to widen the space, vocals should be breathy, intimate, and heavily reverb-washed, stacked in dreamy harmonies that blur into the guitars, the energy moves from cinematic noir tension to a dream-field collapse: start lo-fi and hushed, let the bass and violin bloom mid-song, then fade into a ghostly hush with decaying echoes and distant feedback

a shimmering, churning shoegaze dream-pop track that opens in a haze of reverse reverb and tape delay, slowly swelling into an industrial wall of sound, layered tremolo and chorus-drenched guitars pass through fuzz and overdriven preamps; detuned upright piano loops drift beneath granular shimmer synths, low mechanical percussion and metallic samples pulse with side-chain compression like machinery breathing, vocals are fragile and bilingual, smothered in plate reverb and subtle tape saturation, over time the mix collapses into distortion and feedback wash, the rhythm disintegrating until only close-mic voice, tape hiss, and low hum remain, tempo around 88 BPM in drifting minor key, luminous and tragic

dream-punk art-pop track at 110 bpm, begins as a funeral dirge with slow pulse, distant organ, close-mic whisper vocal, heavy reverb and tape hiss, bass slides in on verse two with snare echo and feedback ghosts, at the pre-chorus start half-time for two bars, then drop into full four-on-the-floor on the line “the sky is not falling, ” beat slams, frenzied chorus-washed guitars burst through, hi-hats flicker like strobes, synths flare, it should feel like the floor opens beneath the listener—dirge becomes pulse, goth club ignition, chorus blooms into hazy dream-pop shimmer with wide stereo reverb, breathy shout-sing and ghost harmonies, outro melts into a tape-warped guitar loop and faint organ drone, vocals fading into static, mood: nocturnal, ecstatic, confessional—dancing through grief, resurrection under strobe lights

intimate, damaged lo-fi piano ballad, no polish, no stage, just a quiet room and a single microphone too close to the keys, the song moves like someone remembering how to speak — hesitant, then sure, the voice is tired but loving, holding grief and humor in the same breath, the piano feels old, slightly out of tune, chords smudge at the edges, a slow build of low percussion and bass enters halfway through, more heartbeat than rhythm, tone: private, unguarded, the sound of a mother telling her strange daughter she’s perfect as she is, it ends on a long exhale and the words “united, we’re unstoppable, ”

A slow, grinding shoegaze dirge built from tactile noise and collapsing texture, Start with a dry 808-style kick pulsing like a machine heartbeat, gated snare bursts, and metallic hi-hats that drag slightly off-time, Guitars run through fuzz factory, reverse reverb, and ring-mod delay—each strum smearing into a halo of feedback, Bass drives with heavy compression and sidechain pump, distorted through an old RAT, Vocals filtered through vocoder and tape echo, ghosted and distant, Each verse adds saturation and phasing until the mix breathes like an engine under stress, Mid-section erupts in dense chorus of shimmering overtones from pitch-shifting pedals, tremolo panic, infinite decay, End with reverb tails feeding back into themselves, fluorescent hum replacing melody

grungy 1993-style alt-rock — In Utero energy, raw and unvarnished, amelodic screaming Japanese female vocals, live-room drums, heavy mic bleed, distorted bass, jagged guitars with feedback tails, vocals alternating between muttered confession and shredded scream, tempo mid-slow, around 88–96 BPM, tone: claustrophobic, sardonic, collapsing into catharsis, chorus delivered as a half-mumbled mantra buried in the mix, not a sing-along hook, use roomy overheads and analog hiss to make it feel like a lost basement tape, atmosphere should decay naturally — no fades, just amp hum, Should start heavy and finish heavy

A melancholic indie pop song in a minor key, likely A minor, with a slow tempo around 70-80 BPM, The instrumentation features a clean electric guitar playing arpeggiated chords, a simple bass line, and a drum kit with a soft kick and snare, and prominent hi-hats, A synth pad provides atmospheric backing, The female lead vocal is soft and breathy, with a slightly melancholic tone, The song structure includes verses and a chorus, with a clear build-up in intensity during the chorus, Production elements include a reverb on the vocals and a gentle compression on the overall mix, creating a dreamy and intimate sound, The melody is simple and memorable, with a narrow vocal range, The chord progression is primarily diatonic, creating a sense of longing and introspection

A high-energy punk rock track with a driving tempo of 180 BPM in the key of E minor, The song features a female vocalist with a clear, powerful delivery, supported by a classic punk rock instrumentation of electric guitar, bass, and drums, The electric guitar provides a distorted, aggressive tone with a prominent riff that carries throughout the song, The bass guitar lays down a solid, rhythmic foundation, while the drums maintain a fast, driving beat with frequent cymbal crashes and snare hits, The song structure includes verses, a pre-chorus, and a chorus, with a bridge section that introduces a slight variation in intensity before returning to the main theme, Production elements include a tight mix with the vocals prominent, and a raw, unpolished feel characteristic of punk rock, The guitar solo is short and melodic, maintaining the aggressive tone of the song, The outro features a gradual fade-out with the main guitar riff repeating