Instrumental Metal

chill metal, metal, paganini and bach as modern guitarists, focus music

chill metal, classical influences, intricate guitar work, light distortion, ambient atmosphere, instrumental, metal

chill metal, classical influences, intricate guitar work, light distortion, ambient atmosphere, instrumental, metal

instrumental, metal, chill metal, layered with ambient textures and subtle percussion, intricate guitar melodies, classical influences

metal, chill metal, atmospheric synth pads, neo-classical fusion with intricate guitar work, and dynamic drum patterns; focus on harmonic minor scales, instrumental, and counterpoint melodies reminiscent of baroque compositions, arpeggios

instrumental, neoclassical metal; intricate guitar leads with a baroque-inspired structure, layered clean and distorted tones weave together, metal, chill, supported by a subdued bassline and soft double-kick drums, occasional violin-like guitar sweeps add a hauntingly classical touch

chill metal, metal, paganini and bach as modern guitarists, focus music

instrumental, metal, modern paganini, male vocals, chill

instrumental, metal, modern paganini, male vocals, chill

chill metal, metal, paganini and bach as modern guitarists, focus music

metal, traditional japanese influence, male vocals, power metal, shamisen-driven with soaring guitars and thunderous drums

metal, traditional japanese influence, male vocals, power metal, shamisen-driven with soaring guitars and thunderous drums

metal, traditional japanese influence, male vocals, power metal, shamisen-driven with soaring guitars and thunderous drums

metal, traditional japanese influence, male vocals, power metal, shamisen-driven with soaring guitars and thunderous drums

metal, traditional japanese influence, male vocals, power metal, shamisen-driven with soaring guitars and thunderous drums

metal, Bluegrass-metal collision with male vocals: detuned banjo shredding in tandem with palm-muted guitars, double-time blast beats under a stomping, four-on-the-floor kick feel, Verses stay tight and syncopated, a walking upright bass locks with the snare; chorus opens into gang vocals, sustained power chords, and fiddle harmonies that scream like a second lead guitar, Occasional half-time breakdown with choked cymbals and chromatic banjo runs, then whip back to full-speed chaos, beats, bluegrass

metal, Bossa nova guitar over syncopated Brazilian percussion that slowly coils into dense, detuned metal riffs; verse rides a lilting groove with soft male vocals, chorus slams into half-time chugs and gang shouts, breakdown drops to tom-heavy, polyrhythmic mayhem with screamed backing layers and sudden clean-jazz chords cutting through, bossa nova

Crushing djent guitars interlock with bright, plucked koto riffs; syncopated polymeters slam under tight male vocals, Verses stay angular and tense, palm-muted chugs and sparse taiko-style toms; chorus widens with open chords, reverb-drenched koto arpeggios, and shouted gang responses, Bridge drops to glitchy, chopped koto over sub drones before a final oversized riff stacks harmonies and screams, djent

metal, Doom metal wall of down-tuned guitars and dragging toms wrapped around a lonely, reverbed grand piano; male vocals in a mournful baritone that grow into a ragged roar, Tempo lurches between suspended half-time and surging double-time; piano carries the core melody, guitars mirror it in dissonant harmonies, Big, decaying crashes on section changes; sparse bass in verses, cavernous low-end and stacked octave vocals in the chorus, doom metal

metal, Blistering neoclassical shred metal: twin harmonized leads, tremolo-picked arpeggios, blast‑ready drums that shift into halftime grooves, and tight palm-muted rhythms, Male vocals snarling in the verses, soaring and melodic on the hook, Short tapped solo section that erupts in a sweep-picked climax, then cuts back to a punchy, chantable chorus, neoclassical

metal, Blistering symphonic metal with virtuoso lead violin trading lines with down-tuned rhythm guitars; double-kick surges under baroque-inspired riffs, Dynamics swing from whispery pizzicato and bowed tremolo into towering full-band hits, Male vocals soar from intimate mid-range to ringing high notes; choirs and stacked harmonies swell in the chorus while strings and guitars lock into tight, intricate runs, violin, dramatic

Slow-evolving oceanic doom piece; clean, glassy guitars awash in deep reverb and delay over sub-bass swells, Whale-song textures and filtered field recordings pulse like distant engines while djent-style low-tuned guitars enter in staggered polyrhythms that mimic sonar sweeps, Long ambient passages hinge on sparse toms and shimmering pads, then erupt into crushing, down-tempo riffs and tectonic kick patterns; mix emphasizes cavernous space and pressure, with sudden dynamic blooms for cathartic climaxes, djent, low, clean, deep, ambient

Chamber rock fusion: solo male vocals over a slow, stately groove, Clean, singing lead guitar with wide vibrato and long delays trades phrases with a small string ensemble and harpsichord-style keys, Verses feel intimate and close-miked; chorus blooms with stacked harmonies and soaring bends, Reverb-lush mix, tastefully dramatic swells, gentle timpani and warm bass underpinning a lyrical, through-composed guitar feature between sections

Slow-build cinematic rock ballad, male vocals, Opens with solo piano echoing a somber classical motif, joined by spacious Gilmour-esque lead guitar with long, bending notes and rich sustain, Drums enter halfway with a wide, roomy kit and warm bass, lifting into a soaring, reverb-washed chorus, Bridge swells on layered guitar harmonies and string pads, then resolves to a quiet piano-and-guitar outro that leaves air around the final vocal line