2:41

contemporary jazz, progressive, bassoon, violoncello, irregular rhythm, accelerando, harpsichord, minor tone, airy kawaii high tone JP female vox, vocaloid, digital chorus
3:47

Style: Weird strange, Dark-Carnival rock, Minor-key
Tempo: 80 BPM → 140 BPM accelerando at chorus
Palette: toy-piano, pump-organ, accordion tremolo, muted brass, marching-snare, calliope, fairground crowd SFX
Lead Vocal: female kawaii jp whisper vox, vocaloid, digital chorus
Hook: dissonant circus organ riff, clock-tick percussion, sudden tape-slow at bridge
Mood Tags: tragic showtime claustrophobia yearning gothic steam-circus
Mix/FX: spring-reverb on organ, vinyl crackle, Doppler pan of crowd noise, final roar morphs into low-pass filter sweep
Lyrics Language: Japanese 90 % + a few carnivalesque English shouts (“Step right up!” “Encore of Emptiness!”)
Structure: Intro – Verse – Pre-Ch – Chorus – Verse – Pre-Ch – Chorus – Bridge (spoken vocoder) – Drop – Final Chorus – Outro
3:26

檸檬 (Lemon)
v4.5
avant-garde, Dark math-rock, 5/4 + 7/8 mixed meters, 165 BPM, Kawaii jp female whisper vox, vocaloid, overtone digital chorus
Twin tapping guitars / dissonant octave riffs, tight slap bass, restless polyrhythmic drums with sudden half-time drops, Field-recorded Kyoto back-alley ambience, faint shop-clock chimes, Minor key (Em) with fleeting Lydian flashes, Mood: claustrophobic, decadent, yet tinged with citrus brightness—as a ticking, golden bomb, Master with crisp transients, roomy drums, and a hint of tape saturation
3:29

Dark fantasy, Armenian chant, Dissonance, retardant, 70 BPM in 6/8, key = D minor → F minor modulation, low taiko for heartbeat, whispered pads & reverse‐reverb piano, main vocal: deep, breathy Japanese female vocaloid
sub vocal: genderless robotic whisper panned L–R for call-and-response, sound design: fluttering pink noise to mimic falling petals, mix: wide, wet, with sudden gated silences, mood: unsettling, dreamlike, gothic; final section sinks into empty reverb emphasizing loneliness
2:54

mysterious, experimental, acoustic, experimental, distorted piano
airy kawaii high tone JP female vox chopped
3:43

Title: Dogra Magra – ChaKaPoKo Nocturne
Style / Mood:
- Avant-garde strange, gothic, decadent & unsettling, retardant, accel
- Dense, cinematic sound design, japanese taiko and cheap cymbals
- Dissonant chamber strings, bowed cymbals, glitchy tape loops
- Driving “チャカポコチャカポコ” wood-block motif (pitch-shifted, panned, periodically bit-crushed)
- Irregular meters (13/8 → 5/4 → 7/8) and frequent key changes (D Phrygian → F Locrian → C# minor)
- Vocals: vocaloid, whispered jp kawaii layered with reversed snippets and distant choir pads
- Atmosphere of a fever dream inside a psychiatric ward at midnight
4:37

dreamy, chant, silent, serenity, sacred drone, 100 BPM
Key: C-minor, ritardando
Vocal : Vocaloid, overdub, digital chorus, kawaii jp Female vox
Instruments: pipe organ drone, grand piano, harpsichord
Background: soft vinyl crackle, faint space wind
Cathedral-style choir repeating “Hallelujah, Hallelujah” with long reverb tails
Structure:
Intro → Verse 1 → Chorus (Hallelujah) → Verse 2 → Chorus → Bridge (spoken-word whisper) → Final Chorus → Outro (piano solo & choir fade)
Lyric language: Japanese (minimal English only in “Hallelujah”)
3:11

experimental, 160bpm, dynamic key-change, decadent rock, 3/4 waltz, progressive, jp kawaii female vox, vocaloid, dark, desperate, manic, post-punk, industrial rock, shoegaze elements
2:34

microtonal, atonal, avant-garde, harmonics, chamber, dynamic key-change, A melancholic and mysterious waltz, syncopation, celesta, jp kawaii female Vocaloid voice, multiple digital chorus, Tempo 3/4, 60–70 BPM, ritardando, rallentando
3:47

digital chorus, avant-garde, very experimental, polyrhythm, syncopation, irregular rhythm, dynamic key change, ritardando, rallentando, accellando, accelerando
bpm: 100
key: E minor
jp kawaii whisper female vox, vocaloid
- charango
- accordion
- bongos
- fretless bass with chorus
- melotron choirs & strings
3:35

experimental, Free improvisation, arabic, ritardando, rallentando, sitar, darbuka, microtone, syncopation, digital chorus, Happy roots-reggae at 88 BPM with subtle melancholy, Japanese kawaii high tone whisper female vox chopped, Vocaloid, off-beat
5:43

羅生門 (Rashomon)
v4.5
dissonant, 3/4 weird waltz, Slow-tempo (≈ 55 BPM) gothic gregorian chant orchestral track blending traditional Japanese instruments and choral layers, deep taiko, heartbeat-like pulse, Harmony: low-register pipe organ drones, subtly detuned for unease; sustained strings in parallel fourths, Melody: shakuhachi leads answered by shimmering 13-string koto arpeggios drenched in long echo
Vocals: vocaloid, female kawaii jp whisper vox, chopped
Atmosphere: thunder-roll field-recordings, distant raven caws, raindrops on stone, Mix: dark, cavernous reverb, screaming vocals, syncopated