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Doom Metal, Funeral Doom, THX, Deep hoarse voice, Deep Bass Vocals, Harmonic, Oppressive, Haunting, Dark, Apocalyptic, Heavy Guitars, Deep Bass, Slow Drums, Atmospheric Choirs, 50 to 60 BPM

Doom Metal, Funeral Doom, THX, Deep hoarse voice, Deep Bass Vocals, Harmonic, Oppressive, Haunting, Dark, Apocalyptic, Heavy Guitars, Deep Bass, Slow Drums, Atmospheric Choirs, 50 to 60 BPM

120-140 BPM, Sludge Metal, Hoarse Deep Voice, Electricbass, Electric guitar

Doom Metal, Symphonic Metal, Harmonic, hypnotic, Evolving, 80 to 100 BPM, THX

Death Metal, Anger, Deep Hoarse Vocals, Harmonic, Melodic, THX

Sludge Metal, Clear Diction, Very Deep Vocals, male Vocals, Guttural, Hoarse Voice singer, THX

Deathcore, Midwest screamo, hypnagogic hallucinatory eldritch, Atmospheric Metal, Harmonic, Emotional, 130 BPM, Anthem

Death Metal, Growls, screams, Sombre, agressive, apocalyptique

90s, Doom Metal, Sad, Melodic, Deep Bass, Dual Singer, Male Voice, Female Voice, Electric guitar, Oppressive, Dark, Ironic, Drop A

Doom Metal, Deep Bass, Dual Voices, Male voice, Hoarse Male Voice, Dark, Oppressive, Harmonic

Doom Metal, Deep Bass, Duets Voices, Male voice, Hoarse Male Voice, Gutturale, Dark, Oppressive, Harmonic, Melodic, Clean Vocals, Emotional, 80 BPM, Masterpiece

Studio Recording, 3D Layered A visceral, emotional hybrid merging hypnotic Roots Reggae with brutal Death Metal, rendered with studio-grade clarity and ultra-realistic 3D spatialization, Reggae sections feature warm, round basslines with subtle sub-harmonics, offbeat electric guitar with spring reverb, Nyabinghi drums and rimshot snare with subtle room reflections, and Hammond organ stabs with lush stereo width, Vocals are Jamaican Patois, warm raspy tone, medium dynamics, expressive, with precise slapback and dub-style delays to create depth and movement in the stereo field, Metal sections feature 8-string Drop E guitars with precise low-end definition, downpicked chug riffs, tremolo picking, double-kick drums and blastbeats captured with punchy, high-fidelity stereo imaging, distorted bass with harmonic saturation, and layered dissonant synth pads with 3D panning for atmospheric depth, Vocals are aggressive, guttural growls and layered mid screams, raw and d

Dark, oppressive orchestral metal waltz with deep bowed double bass in D1–G2 range, heavy distorted guitar, and pounding timpani, Slow, menacing build leads to an intense duel between guitar and double bass, ending in crushing final harmony, Cinematic, tense, heavy, and atmospheric, 100% instrumental, no vocals, pure orchestral-metal fusion, ‑voice, ‑vocals

[Style: 70s Roots Reggae | Deep bassline, analog warmth, offbeat rhythm guitar, Hammond organ | Studio recording | 3D layered | Harmonic backing vocals | Dry lead vocal with dub effects on bridge & outro | Spiritual, soulful and empowering mood | Vintage production with vinyl texture | Musical expression as healing and liberation | Inspired by Culture, and Burning Spear | Uplifting and meditative atmosphere | Rich instrumental groove with spoken word elements]

[Genre]: Old School Roots Reggae – 70s/80s [Mood]: Soothing, luminous, introspective [Lead Vocals]: Male vocals in Jamaican Patois (soft, deep, reassuring voice) [Backing Vocals]: Female harmonies in the style of I-Threes on the choruses ("ahh", "irie again", "one love") [Instruments]: Deep, rounded, rootsy bassline Offbeat chop rhythm guitar Hammond organs (bubble) One-drop rootsy drums, soft snare drum Nyabinghi percussion (repeats & heartbeat drum) Some light brass (subtle saxophone/trombone on the bridge) [FX]: Dub echo on some ends of phrases, natural reverb, light forest ambiance in the background (birds, wind), fade dub on the outro [BPM]: 74 [Structure]: Intro / Verse 1 / Chorus / Verse 2 / Chorus / Bridge / Chorus final / Outro Dub, ‑vocals