🌀V — CHAOS

Experimental ambient sound installation, not a song, No melody, no chorus, no hook, no emotional progression, Very low-frequency drone as the base layer, slightly unstable, like an irregular heartbeat felt more than heard, Distant mechanical hums, degraded industrial textures, subtle distortion, and breath-like white noise, Stereo field intentionally unbalanced to cause spatial disorientation and cognitive fatigue, Intermittent dry percussive intrusions that interrupt attention rather than form rhythm, Spoken narration only, not singing, Natural Korean pronunciation, flat and neutral speech, no emotion, no stylization, no exaggerated phonemes, Clear consonants, short phrasing, low-mid male voice, slightly buried in the mix, Narration must feel like interference, not a message, Atmosphere should feel obstructive, unclear, unresolved, and uncomfortable, This track functions as an album-opening barrier, not entertainment, Dark modern ambient aligned with chaos and perceptual disruption

Aggressive club metal track with strong dance drive and heavy metal weight, Mid–fast tempo around 130 BPM, Intro starts cold and minimal, but tension builds fast with distorted electronic bass and mechanical pulse, Drop hits hard with thick low-end, pounding club-style kick and sharp, overdriven guitars cutting through the mix, This is not pop or EDM, but metal forced into a club rhythm, Female lead vocal front and dry, powerful and commanding, restrained emotion with controlled grit, High notes must pierce through heavy bass and guitars without being washed out, Chorus is repetitive, hypnotic and physical, designed to move bodies while keeping metallic aggression and pressure constant, metal riff drives the groove, not decoration

Powerful female metal vocal with strong authority and physical impact, inspired by the groove and pressure of Down With the Sickness, No screaming, no hysterical breakdown, no madness section, Mid-tempo groove metal around 98–102 BPM, 4/4, Heavy low-tuned guitar riffs with stop-and-go rhythm, tight palm-muted chugs, thick bass locked with kick drum, Drums are punchy, dry, modern, emphasizing weight and groove over speed, Verse vocal is restrained, low, and pressuring, rhythm-focused, Pre-chorus pulls into half-time tension, Chorus hits with short, aggressive belted phrases, maximum power and clarity, Vocal is front, dry, minimal reverb, Emotion is suppressed rage and dominance, intimidating not explosive, Dark industrial metal atmosphere, no sweetness, no pop melody, pure pressure

Dance pop metal cover of “Poison”, Fast, energetic, club-driven pop metal with strong 4/4 groove, 130–135 BPM, Bright distorted guitars with simple repeating riffs, palm-mute verses, open chords in chorus, Punchy kick and snare, tight electronic percussion layered with acoustic drums, Synth bass and electro leads driving the dance feel, Female vocal, clear and powerful, no pansori or traditional tone, straight pop delivery with confident attitude, Chorus is catchy, shout-along friendly, wide and explosive, Minimal grit, clean high notes, open vowels, no muffled sound, Short spoken/rap-like phrasing in verse allowed, Mix focuses on rhythm and excitement, vocals front and clear, minimal reverb, high energy throughout, joyful and bold party atmosphere

1980s new wave / synth-pop inspired by New Order “Blue Monday”, dark dance track, cold analog synth bass riff, dry punchy electronic drums, minimal reverb, mechanical groove, mid-tempo 130 BPM feel, minor key, hypnotic repetition, Female vocal (연희), front-placed vocal, clean but slightly gritty texture, restrained emotion not explosive, controlled high notes cutting through synth and electronic guitar layers, no muffled tone, minimal echo, Mood: stylish emptiness, neon club, dancing while hollow inside, Chorus catchy and repetitive, bridge drops instruments briefly to expose breathing and silence, final chorus adds subtle distortion and lift, Club-optimized electronic balance, bass and kick dominant, sharp hi-hats, cold but emotional atmosphere

Emotional Pop Metal song in G minor, tempo 120 BPM, Powerful female vocal with raspy tone and wide dynamic range, expressing sorrow, anger, and defiance through explosive shouts and melodic strength, Distorted rhythm guitars with heavy palm-mutes, deep bass, tight drums, and cinematic string pads, Dynamic build from tense verse to soaring chorus shouting “Zombie, yeah-yeah-yeah, oh-oh-oh, eh-eh-oh, ya-ya”, Style reference: Evanescence, Within Temptation, Keywords: female rock vocal, pop metal anthem, emotional fire, raspy tone, cinematic mix, strong chorus hook, 120 BPM

Progressive metal with restrained intensity, mid-slow tempo (78–82 BPM), complex rhythmic tension inspired by quiet polyrhythmic structures, Dark, minimal guitar riffs, dry tone, tight bass, controlled drums with off-kilter accents, Female lead vocal “Yeoni” style: forward-placed vocal, minimal reverb, no muffling, controlled grit, restrained emotion with piercing high notes, no screaming, Vocal attitude rooted in traditional Korean discipline, sustained high notes without closing the ending, slight delayed bends, Emotion is endurance, not explosion, Atmosphere is fractured order, suspended collapse, internal noise, No catharsis, no climax burst — tension maintained throughout, (Style keywords: progressive metal, restrained tension, fractured rhythm, minimalism, dark clarity)

Heavy Metal / Alternative Metal, dark and brutal emotional metal ballad, Tempo 120 BPM, Key G minor, Powerful female lead vocal with wide range, Verses are low, cold, exhausted, almost emotionless, Pre-chorus builds tension with restrained grit, Chorus explodes with screaming high notes, heavy grit, and raw emotional power, Controlled emotional screams, not growl, Final chorus features sustained high-note belts with layered backing vocals, Ultra-heavy distorted guitars, down-tuned feel (Drop C/B), aggressive palm-mutes and crushing riffs, Deep sub-bass tightly locked to guitars, Hard-hitting drums with double-kick emphasis in chorus and breakdown, Dark industrial impacts and minimal cinematic textures only for tension, Mood: betrayal, rage, no forgiveness, no return, Not sadness but punishment, Chorus must feel like a scream thrown into the void, Vocals dominate the mix, physically heavy and suffocating, Keywords: female heavy metal vocal, extreme emotional metal, gritty high notes

Powerful female vocal pop-metal cover of “그녀와의 이별”, Heavy distorted guitars, punchy 150 BPM double-kick drums, dramatic strings in the background, wide stadium reverb, clean-to-raspy female high-note belting, Emotional intensity, explosive chorus, dynamic transitions from soft verse to full metal chorus, Style references: Dream Theater ballad-metal mood, Keep the original Korean melody structure but express with aggressive metal energy, Add modern metalcore accents, sharp snare, deep bass, shimmering pads, and epic rise-drops, Female vocal tone: powerful, husky, bright resonance, strong vibrato, Overall vibe: cinematic, emotional, cathartic, high-energy pop-metal

Symphonic Gothic Metal Korean rock ballad, tempo around 95–100 BPM, Dark, cinematic atmosphere with deep minor-key orchestral strings, low choir pads, and slow, heavy distorted guitars, Drums are powerful but restrained, emphasizing toms and low kick rather than speed, Female lead vocal is husky, emotional, and commanding, always placed clearly in front of the mix, Vocal volume is dominant, dry and intimate with minimal reverb, no delay tails masking articulation, Instruments must never overpower the vocal, Chorus expands with layered strings and thicker guitars, but vocal remains crystal clear and forward, Bridge drops instrumentation to near silence, spotlighting fragile breathy vocals, then rebuilds tension slowly, Outro fades like city lights turning off at night, Mood is sorrowful, dignified, and resolute, Sung in Korean

Orchestral Metal Ballad, cinematic, emotional, slow build to powerful climax, Tempo ~72 BPM, Key: D minor → F minor modulation in final chorus, Instrumentation Grand piano intro with soft strings Full symphonic orchestra (strings, brass, low choir) Distorted electric guitars enter gradually (clean → heavy) Deep bass, restrained drums that grow into cinematic power Subtle choir layers in chorus for emotional lift Vocal Direction Female lead vocal, warm but restrained in verses, emotionally fragile tone, Explosive yet controlled high notes in chorus, expressive vibrato, no pop phrasing, Final chorus delivers emotional release, not aggression, Atmosphere Melancholy, resilience, quiet strength, healing through pain, No bright pop energy — cinematic sorrow transforming into hope

A Korean trot song with a moderate tempo and a driving rhythm, The instrumentation includes a drum kit providing a standard rock beat, a bass guitar playing a walking bass line, an electric guitar with a clean tone playing melodic fills and chords, and a prominent brass section featuring trumpets and trombones playing unison melodies and harmonies, A synthesizer provides additional melodic layers and pads, The lead male vocal is clear and expressive, utilizing vibrato and occasional melisma, The song features a clear verse-chorus structure with an instrumental break and a bridge, The key is major, contributing to an uplifting feel, Production is clean with a balanced mix, emphasizing the lead vocal and brass

Female lead vocal, extremely clear and dry, No reverb or ambient effects on the voice, Open and bright high notes without harshness, strong presence around 3–6kHz, Vocal sits clearly in front of the mix, never buried by orchestra, Minimal compression on lead vocal, natural dynamics preserved, Orchestral instruments and choir pushed back, reduced overlap with vocal frequencies

A fast, aggressive dark heavy metal reimagining of 멍, Tempo 150–160 BPM, key E minor (or F minor for higher tension), The track opens with rapid double-kick drums, sharp snare hits, and high-energy low-tuned guitar riffs that drive forward without pause, Verses are tight and fast, driven by palm-muted guitars and galloping rhythm, Male vocal starts controlled but tense, mid-range and gritty, like anger held back by force, No softness — everything feels compressed and urgent, Pre-chorus escalates rapidly with rising chord progressions and layered backing vocals, pushing the melody upward, Chorus erupts into explosive high notes, full-throated, strained, and emotional — not clean pop highs, but metal highs pushed to the limit, almost breaking, Sustained screams blended with melodic singing emphasize emotional overload, Drums are relentless, with blast-like fills and aggressive cymbal work, Bass follows the guitar tightly, thick and distorted, Bridge features a brief breakdown for cont

Modern alternative metal / metalcore; gritty, powerful female vocal with slight rasp; emotional yet aggressive, Tempo/Key: 140 BPM, F minor (Drop C# guitar tuning), Band Setup: 2x hard-panned rhythm guitars (tight palm-mutes, open chords in pre/chorus), lead guitar with lyrical bends, deep bass with parallel distortion, modern punchy drums (double-kick in chorus/bridge), subtle ambient pads for depth, Vocal: Chest-voice belting, controlled rasp on peaks, optional short fry screams only in the breakdown, No autotune; natural compression; short plate reverb + 1/8 slap delay, Keywords: perseverance, cold wind, withered branch, last petal, vow to bloom; anthemic, cinematic, uplifting-through-struggle, Tight low end; kick 60–80 Hz focus; guitars scooped low-mid mud 250–350 Hz; vocals forward around 2–4 kH; bus glue on drums

A powerful female rock ballad in Korean, 100 BPM, sung in the style of Seomoon Tak, Emotional yet explosive vocals with wide dynamic range, raspy high notes, and deep chest voice, Arrangement blends electric guitar riffs, heavy bass, dynamic drums, and soaring string layers, Verses begin with a tense, dark atmosphere with clean guitar and pads, then build into a dramatic pre-chorus, The chorus explodes with power chords, double kick drums, and full orchestration, evoking passion and struggle, Bridge introduces a haunting quiet moment with echoing vocals and reverb, followed by a climactic final chorus, Epic, cinematic rock sound with intensity and raw emotion, expressing resistance, sacrifice, and destiny, Lyrics: (광주로 행진하라 가사)

Korean high-energy metal dance cover of “순정” by Koyote, Genre: modern dance metal with industrial elements, 4/4 time, fast and driving tempo, Verses are stripped and open, focusing on tight rhythmic guitars with space between riffs, allowing the groove to breathe, Bass is clean but powerful, pushing forward without muddiness, Drums are punchy and bright, four-on-the-floor with clear kick definition and open hi-hats for forward motion, Rap sections are short, cold spoken lines—rhythm-tight, minimal, creating momentum rather than density, Vocals are clear, upfront, and cutting, with controlled grit and no muffled tone, Chorus explodes wide and open with soaring octave guitar leads and lifted dynamics, creating a refreshing, fast-moving release, Overall mood is sharp, fast, and liberating—cool, confident, and exhilarating rather than heavy or oppressive

Korean orchestral metal rock in E minor, 120 BPM, 4/4, The singer performs the provided Korean lyrics verbatim with a powerful yet tender female voice — clear head tone, soft vibrato, and intimate close-mic breath, The intro begins with felt piano, faint wind textures, and a soft temple bell fading into silence, Piano and legato strings carry the verse with koto-like plucks, no drums, only tension and restraint, A low mixed choir (“oo / ah”) and rising cello lift the pre-chorus, leading into a wide, cinematic chorus of full strings, taiko, timpani, and glimmering celesta accents, Clean guitars and a subtle udu pulse color the second verse, brass pads bloom beneath the reprise, The bridge drops to whisper — “산 자들아…” — then the final chorus returns with thicker choir and layered vocals, The outro fades with piano and the last echo of “증언하리…, ” dissolving into wind, Lush hall reverb and plate warmth shape a dynamic, uncompressed mix, No EDM hats, no distortion — only clarity, emotion

Female vocal, powerful and open-throated Chest-driven vocal, full resonance Very clear tone, NO muffled sound, NO haze High notes are strong, sustained, and clean Controlled grit allowed, but clarity first Vocal cuts through everything — always front and loud Not whispery, not breathy, not soft Emotion / Delivery Confident, forward, unhesitating Emotion through power and conviction, not sadness No over-dramatization, no crying tone Feels like standing and singing, not collapsing Mix / Sound (CRITICAL) Dry vocal or very short room reverb only No long tails, no dreamy reverb Remove low-mid mud completely Boost vocal presence and intelligibility Instruments pulled back when vocal enters Music / Backing Strong rhythmic backing Drums solid and tight Bass supportive, not dominant Harmony simple, never covering vocal Overall Goal The listener remembers the voice, not the genre A song that feels refreshing, open, and powerful “Finally, I can breathe when she sings”

Industrial rock, very slow tempo (≈75–80 BPM), minimal and exhausted atmosphere, Sparse distorted guitar, low-frequency noise, distant mechanical hum, almost no percussion, Two vocalists only, Vocal 1 (male) is the main narrative: dry, intimate, fragile, spoken-like Korean vocal, emotionally restrained, no climax, no dramatic lift, Vocal 2 (female) enters briefly and sparsely with low to mid register, muted tone, shadow-like presence, never overpowering Vocal 1, no high notes, no grit emphasis, No chorus, no harmony, no epic build, Emotion is post-collapse confession, not release, Ending fades unresolved into silence, leaving emotional residue rather than closure