Smile for the Witnesses

Rock-pop, alt, dark baroque pop, & pop-punk, Dark-cabaret, dynamic cadence switch-ups, Brendon Urie, Cocky amused clear cadence, cynical delivery, chaotic groove, dynamic cadence switch-ups, modern alt, glossy production, tight drums, funky bass, indie-pop guitars, piano elements, theatrical pop-punk flair, energetic, Performed by “Panic! At The Disco” (Brendon Urie), “Time To Dance”-Vibes, dynamic tempo, obscure instruments used as background textures, ‑Female vocals, ‑Screamed lyrics, ‑strained vocals, ‑gritty, ‑vocal fry, ‑hoarse, ‑female vocals, ‑DISCO, ‑cabaret, ‑jazz swing, ‑Broadway, ‑theatrical showtune

alt pop, pop rock, dark pop, dark-jazz-pop-punk, swagger, crooner modern, baroque, performed by the band “Panic! At The Disco”(Brendon Urie), white male pop-punk lyric tenor vocals, “Death of a Bachelor” by Brendon Urie vibes & cadence/feel, binaural moving audio, 3:30 TOTAL RUBTIME, ‑Scatting, ‑Female vocals, ‑vocal ad-libbing, ‑vocal strain, ‑vocal fry, ‑screamed lyrics, ‑gritty, ‑cracked, ‑disco, ‑black vocals

Performed by “Panic! At The Disco” (Brendon Urie), Brendon Urie-vocal range, intonation, cadence, vibrato, & runs, Upbeat, catchy hook, tempo switch-ups, 2000s Pop-Punk, Baroque Pop, Alternative Rock, Emo-Pop, & Dark Cabaret, old-school “Panic! At The Disco” energy, brisk tempo, sharp drum hits, playful menace, bright male tenor vocals, dramatic dynamics, tongue-in-cheek villain charisma delivery, pre-chorus lift, 3:45 total runtime, obscure instruments used as background textures, “Build God The We’ll Talk”-vibes, ‑Female vocals, ‑screamed lyrics, ‑synth, ‑ambient, ‑glitch

pop rock, alt pop, cynical sarcasm, fast but clear cadence, annoyed delivery, funk rock, chaotic groove, dynamic cadence switch-ups, modern alt, glossy production, tight drums, funky bass, indie-pop guitars, theatrical pop-punk flair, energetic, Performed by “Panic! At The Disco” (Brendon Urie), “I Write Sins Not Tragedies”-Vibes, 3:45 total runtime

Rock-pop, emo-pop, alt, dark baroque pop, & pop-punk, Dark-cabaret, Cocky amused clear cadence, cynical delivery, chaotic groove, dynamic cadence switch-ups, modern alt, glossy production, tight drums, funky bass, indie-pop guitars, piano elements, theatrical pop-punk flair, energetic, Performed by “Panic! At The Disco” (Brendon Urie), “Time To Dance”-Vibes, dynamic tempo, obscure instruments used as background textures

BRENDON URIE, theatrical pop-punk, emo, and baroque pop, Burlesque, (“Panic! At The disco”) Brendon Urie, Glossy production, Performed by band “Panic! At The Disco” (Brendon Urie), fast tempo with dynamic shifts & jittery off-balance verses, dynamic genre/musical & cadence shifts, narrative-driven, clipped snare, sharp bass, staccato melody, stop-start dynamics, destabilizing half-time bridge, white male lyric-tenor vocals with precise articulation & smug restraint (Brendon Urie), 3:35 runtime

PERFORMED BY EALY 2000s BAND “PANIC! AT THE DISCO”(Brendon Urie), pop-rock, emo-pop, pop-punk, vaudeville, burlesque, & dark baroque pop, dynamic music & cadence shifts, early “Panic! At The Disco” (Brendon Urie) influence, mid-fast tempo with steady forward drive (not frantic), crisp drums, confident bass groove, sharp guitar accents, controlled dynamics, male tenor vocals with smug theatrical delivery, narrative-driven, internal rhyme over end rhyme, asymmetric phrasing, 3:30–3:40 runtime, ‑Female vocals, ‑DISCO, ‑basic melody, ‑repetitive, ‑boring song structure, ‑country, ‑worship, ‑soul, ‑screamed lyrics, ‑vocal fry, ‑strained vocals, ‑cabaret, ‑swing, ‑shuffle, ‑black vocals

Starts conversational then goes explanation then goes into full on performance, PERFORMED BY EARLY 2000s BAND “PANIC! AT THE DISCO”(Brendon Urie), pop-punk, alt-burlesque, baroque, & dark-vaudeville, dynamic structure & vocal shifts, mid-fast tempo w/confident forward drive, punchy drums, rolling bass groove, bright guitar accents, playful but dangerous energy, white male vocals(Brendon Urie) w/smug theatrical delivery, icon Brendon Urie cadence and falsetto & vocal swagger, talk-sung verses w/melodic lift in chorus, narrative-driven, internal rhyme over end rhyme, asymmetric phrasing, party energy without frantic pacing, (“Panic! At The Disco”), 3:35 runtime, ‑Disco, ‑70s, ‑80s, ‑90s, ‑broadway, ‑play, ‑Female vocals, ‑DISCO, ‑basic melody, ‑southern, ‑country, ‑repetitive, ‑boring song structure, ‑country, ‑worship, ‑soul, ‑screamed lyrics, ‑vocal fry, ‑strained vocals, ‑cabaret, ‑swing, ‑shuffle, ‑black vocals