3:49
Didgeridoo, surdo, caixa, repinique, tamborim, cuica, agogo, pandeiro, apito, whistle
3:34
electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
2:54
80s dance-rock, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
4:52
Industrial rock with electro-glam and alternative metal undertones, driven by a grinding bassline, minimal distorted guitar riffs, sparse synth textures, and rigid, mechanical drums, The general feel is sleazy, obsessive, and hypnotic, built on repetition and tension rather than melody, creating a slow-burn, provocative atmosphere, Vocal delivery is intimate and confrontational, shifting between breathy, controlled murmurs and sharp, nasal melodic lines, with a theatrical, androgynous vocal profile that sounds detached, seductive, and slightly unhinged, French, English, German, Esperanto, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filt
4:21
French, English, Esperanto, Disco, 80s disco, trumpet, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
2:34
2000s cartoon theme, harmonic pinch, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
3:08
electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage, koto, shakuhachi, shamisen, kayagum, chiptune
4:04
Indie rock, alternative rock, post-punk revival, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
2:22
electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
2:56
electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
4:28
English, French, German, Esperanto, alternative rock, trip-hop, funk rock, and dancehall grooves with a laid-back yet edgy mood, featuring a hypnotic bassline, clean electric guitars, crisp acoustic drums, airy synths, and a rhythmic, half-spoken vocal style, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
3:16
Woman, Electro-glam, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
3:06
Spanish, castanets, classical guitar, bandurria, maracas, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
2:56
electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filters, all layered over a hyper-compressed, sample-saturated mix that feels like a sexy system crash on stage
3:24
Comedy rock with hard rock and classic heavy metal influences, built around chunky distorted guitars, a bouncy bassline, punchy live drums, and occasional theatrical breakdowns, The mood is absurd, playful, and overconfident, leaning into exaggerated bravado and cartoonish chaos with tongue-in-cheek epic energy, Vocals are male, loud, expressive, and theatrical, shifting between mock-serious singing, shout-along choruses, and overacted spoken lines delivered with exaggerated rock-god swagger, French, English, German, Esperanto, electro-punk, digital funk-rock, and glitch-hop mayhem with industrial basslines, slap-guitar riffs, distorted synth arpeggios, and chaotic breakbeat fills; vocals switch between raspy Franglais rap, robotic Esperanto vocoder chants, and screamed gang shouts processed through bitcrush and formant filt