Release Jack-Ashinaga

An intense and genre-defying blend of experimental rock, jazz fusion, and glitchy funk, powered by thunderous distorted bass and deep sub-bass textures, The rhythm section is hyperactive and unpredictable, with explosive drumming and constantly shifting grooves, Basslines are aggressive, syncopated, and physically overwhelming, Angular guitars cut through the mix with raw edge, while expressive vocals surge through waves of noise and dissonance, The music is chaotic, alive, and driven by pure sonic energy, ‑[music]

An intense and genre-defying blend of experimental rock, jazz fusion, and glitchy funk, powered by thunderous distorted bass and deep sub-bass textures, The rhythm section is hyperactive and unpredictable, with explosive drumming and constantly shifting grooves, Basslines are aggressive, syncopated, and physically overwhelming, Angular guitars cut through the mix with raw edge, while expressive vocals surge through waves of noise and dissonance, The music is chaotic, alive, and driven by pure sonic energy, ‑[music]

A rule-breaking guitar-centric fusion piece that knows jazz theory but chooses to destroy it, The structure is deliberately unstable — samba grooves dissolve into fractured rhythms, and tight ensemble playing unravels into chaotic collisions, Guitar leads the band not with solos, but with angular, unpredictable attacks, Bass and drums respond with controlled anarchy, Vocals are less about melody and more about rhythmic aggression, often moving in and out of unison, sometimes shouting like another instrument, The performance should feel live, dangerous, and on the verge of collapse — not polished, not polite, Style is not a genre; it's defiance

A vintage 70s soul-funk track with a strong cinematic feel, Starts with a bold, front-mixed conga rhythm and sharp live strings playing rhythmic stabs—no vocals at first, The percussion is loud, dry, and syncopated, After the intro, a thin falsetto male vocal enters, fragile but expressive, Backed by a walking Fender P-bass, wah guitar, Rhodes, Hammond B3, and live drums with a loose, analog breakbeat feel, Horn stabs accent key moments, Warm analog texture recorded through tape, Neve console, and vintage mics, Mid-tempo groove, No quantized drums or synths, Focus on clarity, dynamics, and strong live band energy

Create a sad reggae track performed by a chaotic avant-garde jazz-funk-rock band, Begin with a melancholic intro and beautiful jazz male scat, followed by a section filled with irregular polyrhythms and dense fills, This transitions into vocals that alternate between uplifting and aggressive screams, accompanied by irregular phrases, Include frequent time signature changes, experimental guitar riffs with dissonant harmonies, and an extremely unpredictable song structure, The bassline should be ultra-funky, eccentric, and dominant, guiding the groove in strange directions, The drums should be avant-garde and flashy, utilizing irregular rhythm patterns to deliver a high-tech performance, The vocals blend scat, screams, strange noises, and improvisational expressions, pursuing complete chaos and high energy, When viewed as a whole, the vocals reveal the boundless power of the human spirit

Create a chaotic, avant-garde jazz-funk-rock track, Begin with an explosive, hyper-technical drum solo full of polyrhythms and dense fills, Follow this with aggressive, shouted vocals and erratic phrasing, Include frequent time signature changes, dissonant experimental guitar riffs, and a highly unpredictable song structure, The bassline should be ultra-funky, eccentric, and dominant, driving the groove in bizarre directions, Vocals should mix scatting, shouting, strange noises, and improvised expressions, Embrace full chaos and high energy

[Style] Experimental jazz rock × glitch funk × heavy sub-bass fusion[Intro] Sparse ambient glitch textures, whispered vocals, silence pulses[Verse 1] Tight groove, cryptic lyrics, rhythmic delivery [Chorus] Screamed lines, layered instruments, emotional aggression[Verse 2] Bass-heavy funk groove, more urgency in vocals[Chorus Repeat] Increase harmonic layers and vocal force [Bridge] Peak chaos: glitch cuts, scattered phrases, primal screams, chant-like “auh auh auh” vocals[Solo] Wailing guitar, slapping bass, fractured drums, rhythm deconstruction[Final Chorus] Maximum intensity, vocals clipped and distorted[Outro] Sharp deceleration, ambient fade, spoken word ending[Vocals] Screams, whispers, gasps, glitch stutters, distorted falsetto, tribal-style vocalizations, animalistic performance[Mixing] Raw live feel, dry drums, sharp guitars, wobbling bass, upfront natural-reverb vocals with intentional clipping

Style: experimental pop, jazz rock, glitch funk, heavy bass fusion, sub-bass groove, chaotic rhythm Prompt: An intense and genre-defying blend of experimental rock, jazz fusion, and glitchy funk, powered by thunderous distorted bass and deep sub-bass textures, The rhythm section is hyperactive and unpredictable, with explosive drumming and constantly shifting grooves, Basslines are aggressive, syncopated, and physically overwhelming, Angular guitars cut through the mix with raw edge, while expressive vocals surge through waves of noise and dissonance, The music is chaotic, alive, and driven by pure sonic energy

Create a chaotic, avant-garde jazz-funk-rock track, Begin with an explosive, hyper-technical drum solo full of polyrhythms and dense fills, Follow this with aggressive, shouted vocals and erratic phrasing, Include frequent time signature changes, dissonant experimental guitar riffs, and a highly unpredictable song structure, The bassline should be ultra-funky, eccentric, and dominant, driving the groove in bizarre directions, Vocals should mix scatting, shouting, strange noises, and improvised expressions, Embrace full chaos and high energy

Create a chaotic, avant-garde jazz-funk-rock track, Begin with an explosive, hyper-technical drum solo full of polyrhythms and dense fills, Follow this with aggressive, shouted vocals and erratic phrasing, Include frequent time signature changes, dissonant experimental guitar riffs, and a highly unpredictable song structure, The bassline should be ultra-funky, eccentric, and dominant, driving the groove in bizarre directions, Vocals should mix scatting, shouting, strange noises, and improvised expressions, Embrace full chaos and high energy

high-intensity funk-fusion track, recorded in a studio in São Paulo, Brazil, lasting slightly under four minutes, Driven by explosive, hyper-detailed drumming with rapid-fire fills and dynamic rhythmic shifts, paired with deep, unpredictable funk basslines full of slides, slaps, and tonal chaos, The rhythm section is wild, theatrical, and tightly locked, constantly morphing in groove and energy, Layered with glitchy Moog-style synths, angular brass hits, and unexpected orchestral accents, the track fuses absurd playfulness with brutal technical force, The recording captures the vibrant, live energy of a Brazilian studio session, blending precision with raw spontaneity, Ends with a complete system meltdown

High-energy, experimental fusion of funk, rock, jazz, and hip-hop, The bass and drums are the lead instruments—distorted, percussive, and technically complex, Tight grooves with fast-paced polyrhythms, heavy syncopation, and odd time signatures, Guitar and synths create tension and depth but stay behind the rhythm section, The track includes a chaotic mid-song instrumental solo where the bass and drums take full control, Overall, the sound feels like a live improvisational jam with album-quality production, aggressive energy, heavy bass, sub-bass, and avant-garde sensibilities

Funk-metal meets experimental punk, RATM-inspired, satirical and rhythm-heavy, heavy bass, sub bass

high-energy jazz fusion piece driven by explosive, technically advanced drumming, The drums lead with complex polyrhythms, rapid fills, shifting time signatures, and dynamic phrasing, Supporting instruments—electric bass, keyboards, and horns—add harmonic color and rhythmic interplay while maintaining focus on the drum performance, The overall sound is aggressive, tight, and precision-based, blending complexity with musical momentum