5. Immortals: Ballads, songs
Based on the Immortals (Halhatatlanok) fantasy world stories
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29 songs
3:26
A folk tavern ballad with male vocals opens with intricate acoustic guitar and expressive harp, weaving Renaissance and medieval textures, Verses unfold with flowing melodic lines; subtle hand percussion and warm natural reverb enhance the communal tavern feel, Finale features instrumental interplay
2:40
medivial, romantic ballad, male vocals – lute, harp, portative organ, viola da gamba, rebec, male and female voice, duett, dual layer
3:04
medivial, romantic ballad, male vocals – lute, harp, portative organ, viola da gamba, rebec
4:14
A medieval romantic ballad featuring a gentle dialog between lute and flute, The song begins with a soft lute arpeggio, soon joined by a lyrical flute, Verses alternate male and female vocals, blending in harmony during the chorus, with subtle instrumental interplay and a tender outro
3:42
A medieval romantic ballad featuring a gentle dialog between lute and flute, The song begins with a soft lute arpeggio, soon joined by a lyrical flute, Verses alternate male and female vocals, blending in harmony during the chorus, with subtle instrumental interplay and a tender outro
3:09
A medieval romantic ballad featuring a gentle dialog between lute and flute, The song begins with a soft lute arpeggio, soon joined by a lyrical flute, Verses alternate male and female vocals, blending in harmony during the chorus, with subtle instrumental interplay and a tender outro
3:36
A dark folk ballad unfolds with a plaintive lute melody, sparse rhythmic patterns on hand-played tribal drums, and mournful flute phrases weaving between vocal sections, The medieval atmosphere is heightened by modal harmonies, subtle minor drones, and restrained instrumental interplay
4:18
Traditional Japanese gagaku, ethernal ancient soft quite female vocal, traditional japanes instruments, biwa, wadaiko
2:38
An upbeat Celtic Irish folk dance featuring lively fiddle, bodhrán, and tin whistle, with acoustic guitar and bouzouki driving the rhythm, Uilleann pipes add a new age, ethereal layer, The energy peaks in the middle with percussive claps and tavern-style group stomps, ending joyfully
3:05
funny, parody, fantasy folk, male vocals, acoustic, lute, glute, drums
2:43
fantasy folk, female vocals, acoustic, lute, glute, drums, african, tribal
3:44
3:05
A Celtic folk track with Irish influences, built on acoustic guitar, fiddle, and tin whistle weaving lively melodies, Bodhrán rhythms keep momentum beneath a warm male vocal, Verses focus on gentle picking and subtle harmonies, with dynamic instrumental breaks elevating the arrangement
3:46
The song opens with delicate plucked guzheng and soft pipa accents, setting an intimate acoustic foundation, Warm erhu melodies weave between verses by a clear female voice, The arrangement stays minimal, letting each traditional Chinese instrument offer gentle, expressive lines
3:22
The folk tavern ballad opens with a gentle lute passage, joined by warm male vocals, Harp arpeggios add a delicate texture beneath the melody, while a hand drum anchors the rhythm softly, Flute phrases weave in between verses, bringing lively folk color throughout
3:28
A dark folk ballad with haunting female vocals opens with fingerpicked acoustic guitar and subtle drones from a bowed upright bass, Sparse hand percussion and distant, reverb-heavy harmonies enter for tension, Interludes feature minimal mandolin, keeping an ethereal, moody texture
3:46
Crisp acoustic guitar and harp weave delicate patterns alongside subtle drones of hurdy-gurdy and soft flute melodies, Ethereal, sensual female vocals drift above, enriched by gentle frame drum and dulcimer textures, The arrangement layers gradually, evoking a tranquil, medieval folk ambiance
3:09
Opening with delicate lute arpeggios and airy harp chords, the ballad features melodic interplay between lute and harp, The bagpipe enters for a soaring chorus, infusing medieval color, Intimate verses, rich instrumental countermelodies, and a unison finale evoke bardic tradition
4:39
The track blends medieval folk and country, grounded by lute, mandolin, bodhrán, and upright bass, Verses feature expressive male vocals over acoustic picking, while bridges bring in dulcimer, flute, and clear female lead, The chorus bursts with a harmonious male-female vocal blend over swelling strings
3:35
A lively sea chanty in sailor pub ballad style with rollicking acoustic guitar, accordion, and rhythmic stomps sets the pace, Solo male vocals deliver the verses, while the group joins on boisterous, harmony-rich choruses, Fiddle interludes and handclaps add authentic nautical energy
4:34
#21 The Head (final)
v4.5+
Opens with delicately plucked lyre and subtle pan-flute phrases, establishing a warm acoustic atmosphere, Hand-drum patterns and cittern strums support the verses, while male vocals glide atop, Instrumental interludes feature expressive pan-flute and lyre interplay, creating organic depth
5:24
Solo piano sets the mood with moody, late-night voicings and slow, winding French jazz progressions, Rich left hand chords melt into expressive right hand melodies, invoking a nostalgic, smoky bar atmosphere, Occasional stride and subtle rubato deepen the ambiance
5:17
The medieval ballad features haunting female vocals over a foundation of lute and harp, with gentle accompaniment from recorder and subtle percussion like hand drums or tambourine, Verses are sparse and tender, with instrumental interludes allowing hurdy-gurdy and vielle textures to surface
3:56
Traditional Japanese folk meets Limerick folk, female vocals, only traditional japanese acustic intruments
7:02
Medieval bardic ballad with classical folk elements – female lead vocals, male choral
5:29
medivial, romantic ballad, male vocals – lute, harp, portative organ, viola da gamba, rebec, male and female voice, duett, dual layer
2:04
A quirky satirical children's chant unfolds over crisp acoustic percussion—think handclaps, wood blocks, and frame drums, Male vocals sing in playful rounds, occasionally shifting to off-kilter harmonies and sudden minor key changes, adding an unsettling, eerie texture throughout
2:59
This satirical folk ballad features playful lute picking, bright tin whistle melodies, and lively hand percussion, Verses alternate between female and male vocals, then merge in witty harmonies for the chorus, Instrumental breaks highlight dancing whistles and rhythmic interplay, maintaining a rustic, energetic texture
4:03
Opens with rowdy tavern folk instrumentation—fiddles, accordion, marching snare, and acoustic guitar, quickly joined by driving electric guitars and double-kick drums from the power metal realm, Verses swap male and female vocals, rousing call-and-response choruses, gang chants, and theatrical flair