2:24

3:38

2:20

male and female vocals, anthemic, powerful instrumentation, uplifting
3:05

3:54

3:34

(To the tune of “Be Our Guest” from Beauty and the Beast)
4:00

2:32

4:00

Heroes Among Us
v3.5
male and female vocals, anthemic, orchestral and percussive elements, inspiring
3:08

3:16

2:47

3:07

2:07

2:15

2:58

2:29

Velvet Night
v3.5
electronic, with a pulsing bassline and smoky synths, sensual, creating an intimate and hypnotic atmosphere
2:18

3:02

2:34

2:12

quirky with a bouncy rhythm and light acoustic instrumentation; perfect for a youthful and humorous vibe, playful
3:20

Moonlit Hunger
v4.5-all
dark, cinematic, haunting; strings and piano with brooding percussion
4:31

Blood Moon Serenade
v4.5-all
dark pop, electronic, haunting with pulsing bass and eerie synths
3:02

Moonlit Hearts
v4.5-all
romantic, male vocals, piano and strings with subtle percussion, haunting
3:47

Drive It Off the Lot
v4.5-all
electric guitar-driven with a gritty edge, featuring a stomping beat and raw male vocals, rock
3:36

1:30

4:49

2:18

Diesel, Good Boy
v4.5-all
Warm acoustic pop with a touch of country, male vocals, Fingerpicked guitar and soft kick in the verses; chorus opens with strummed guitars, tambourine, and stacked “whoa-oh” gang vocals, Simple bass line and brushed snare keep it bouncy, Bridge drops to just vocal and guitar, then big, open final chorus with ad-libs and dog-bark samples tucked low in the mix
4:41

Rocky, Run Free
v4.5-all
Warm acoustic folk ballad with male vocals; fingerpicked guitar and soft upright bass carry a steady sway, brushed drums easing in on the first chorus, Subtle organ pad in the background for warmth; intimate verse delivery, then a fuller singalong hook with simple harmonies and a bittersweet lift, Leave space for breathy ad-libs and a tender, nostalgic outro
2:39

Paws On The Floor
v4.5-all
Bouncy pop-punk with bright distorted guitars, live drums, and playful synth sprinkles, Verses stay tight and conversational, bass driving the groove; chorus explodes with gang vocals and shout-along hooks, Brief halftime bridge with toms and claps before a final high-energy chorus, Gender-neutral vocals, energetic and wry
2:35

King Thorhorn
v4.5-all
Stomping alt-pop with hip-hop bounce and cinematic horns, Male vocals up front, half-sung half-spoken in the verses; choruses explode with gang shouts, big brass stabs, and distorted bass, Drums hit like a marching army, bridge strips to toms and low brass before a final shout-along hook, male vocals
3:17

Out Of Order In The Best Way
v4.5-all
Warm indie-pop with a quirky groove; dry, close-mic’d male vocals, Verses bounce on lightly swung drums, plucky clean guitar, and rubbery bass, Chorus widens with doubled vocals, airy ooohs, and bright synth bells, Brief middle break strips to drums and claps, then everything slams back in for a big, chantable last hook
3:00

Both Ways, Mostly You
v4.5-all
Indie-pop bounce with tight drums, rubbery bass, and glittery synth pads, Male vocals sit upfront, playful and confessional, with gang shout-backs on the hook, Verses stay lean and rhythmic; chorus widens with stacked harmonies and a bright, euphoric lift, Short bridge strips to claps and bass before a final, bigger-hook reprise, male vocals
3:16

Thunder In My Hide
v4.5-all
Crunchy alt-rock with a stomp-clap pulse and fuzzed-out bass, Verses stay tight and rhythmic with palm-muted guitars and dry male vocals; chorus explodes with shouted gang vocals, open chords, and big tom hits, Brief bridge drops to filtered drums and bass before a final, stacked-vocal return of the hook
4:09

Loba Entre Mundos
v4.5-all
Moody alt-pop with indie rock edge, female vocals, Clean electric guitar with a hint of tremolo, warm bass, and tight, dry drums, Verses stay intimate and close-mic’d, almost spoken; chorus widens with doubled vocals, airy pads, and a gritty lead guitar answering the topline, Bridge strips back to bass, snaps, and reverb-y ad-libs before a final, bigger chorus with stacked harmonies
3:39

Running With My Real Name
v4.5-all
Atmospheric alt-pop with organic drums and airy synth pads, midtempo, Verses stay intimate with close-mic’d vocal and sparse guitar; chorus blooms with wide harmonies, tom-driven groove, and subtle vocal chops, Bridge strips to pulsing bass and reverb-washed pads before a final, lifted chorus
2:37

Buffalo Suit-Up
v4.5-all
Playful electro-pop with bouncy synth bass and tight drums, midtempo, Verses stay close and intimate with dry male vocals, little pluck riffs and finger snaps, Chorus explodes with gang shouts, wide pads, and octave doubles on the hook, Brief spoken-word bridge over stripped beat before final high-energy chorus
3:14

Blue and White ’26
v4.5-all
Upbeat pop-rock anthem with male vocals, bright electric guitars and steady drums; verses start sparse with palm-muted chords and light synth pads, then choruses explode into wide open power chords, gang shouts, and stacked harmonies, Bridge drops to half-time with toms and claps, then final chorus modulates up a half-step for a big, arms-around-shoulders singalong
3:38

Loved By Everybody
v4.5-all
Bright, upbeat pop with male vocals, crisp acoustic guitar strums and warm bass under a snappy drum groove; pre-chorus adds chiming synths and stacked harmonies, chorus explodes with gang vocals and claps, bridge strips to voice and guitar before a final, triumphant hook, male vocals
1:55

Edge of the Morning
v4.5-all
Intimate alt-pop ballad with male vocals, soft piano and airy pads at first, Verse in close-mic confessional tone, heartbeat kick entering on pre-chorus, Chorus lifts with wide drums, subtle bass swells, and stacked harmonies, Bridge strips back to piano and a single harmony, then final chorus blooms with extra ad-libs and a shimmering guitar line for cathartic release
3:34

Edge Of The Balcony
v4.5-all
Sparse piano and low strings under intimate male vocals; verses almost whispered in the lower register, breaths left in, Chorus blooms with airy pads and a distant choir, kick and soft snare easing in as the emotion swells, Final chorus pulls the vocal up an octave with doubled harmonies and a subtle pulse, then strips back to solo voice and lingering reverb on the last line
5:19

Hold My Name
v4.5-all
Slow-building modern gospel ballad with male vocals, piano-led intro, soft organ pads, and a small choir entering on the first chorus, Verses stay intimate and conversational; drums and bass swell in the second chorus, with call-and-response from the choir, Bridge lifts into a key change and big harmonies, then drops back to a fragile final line and a gentle piano cadence, male vocals, gospel
3:23

From Your Dog, With Love
v4.5-all
Warm indie-folk with gentle acoustic guitar and soft brushes on snare; male vocals up close and tender, subtle piano doubles the melody in the chorus, Build from intimate verse into a bright, singalong hook with light “ooh” harmonies and a whistled line in the outro
1:49

All My Little Creatures
v4.5-all
Acoustic pop bounce with warm ukulele, fingerstyle guitar, and light percussion; verses stay intimate and close-mic’d, choruses bloom with group handclaps and stacked harmonies, bright whistles on the outro, male or female vocals playful and heartfelt
3:48

Roots In My Heart
v4.5-all
Warm acoustic folk-pop, fingerpicked guitar with soft shaker and tambourine, gentle upright bass, Female vocals, close and intimate in the verses; chorus widens with light harmonies and wordless oohs, Subtle piano pads bloom in the bridge, then everything tucks back in for a cozy, campfire-ready final hook
4:09

Breath of the Green
v4.5-all
Airy indie-folk feel with fingerpicked acoustic guitar, soft piano pads, and gentle brush percussion, Intimate male vocals up close; verses stay sparse and conversational, chorus blooms with warm harmonies and subtle strings, Build a steady sway, then a small lift in the bridge before a calm, lingering outro




