ODD CIRCUITS

Style: Wub dubstep × monster-core pop; dark→tender→triumphant Tempo/Key: 140 BPM, Fm Groove: Half-time 4/4 kick1 snare3; light triplet fills Bass: Growly Reese + talk-wobble, mono sub; LFO 1/4→1/8T; pickups to downbeats Topline: Bright pop hook; vocoder doubles in chorus; bass call/response in drops Synths: Eerie bell plucks, detuned pads, hopeful saw lead Foley: Chains, heartbeat, breath whooshes ducked to kick Vocal Gender: Male baritone Vox: Dual lanes: Monster baritone false-cord/fry grit, close-mic; oct-down doubler −12st −12dB; formant −1, −3 on roar/teach/change, Clean baritone chest, Ratios V30/70 Pre20/80 Ch10/90 Drop70/30 chops+grunts Br0/100 Final50/50, Ensure growl in verses+drops Form: Intro4 breaths+chains → V16 no kick first4 → Pre8 → Ch16 short phrases → Drop16 wub replies → Post4 “teach me gentle” chop → V2 → Pre → Ch2 → Br8 no bass heartbeat+piano+bells → FinalDrop16 brighter less dist → Outro4 pads+vocal tail Theme: A monster unlearns instincts to live with humans, ‑future bass, ‑synthwave, ‑electro-pop

Chronolith: marble ambient × slow industrial pulse (100 BPM, 4/4, gentle dotted-eighth echo), Percussion: twin clock ticks hard-panned L/R (soft woodblock + metal click); frame-drum heart; rare low taiko on hour strikes; sand shaker like hourglass; tiny chisel taps as fills, Low end: contrabassoon pedal + sine sub swelling under bells, Bells: distant bronze bell in E minor = “big time”; bowed crotales shimmer = “small time”, Harmony: glass harmonica + bowed vibraphone long chords; felted-piano arpeggios; violas/low strings sul tasto, Features: faint Shepard glide; granular dust swirls; short reverse swells, Vocals: calm female alto (G3–C5), close, breathy; verses half-spoken inner monologue; hook legato whispers; soft choir hums on bell hits, Story/Structure: statue POV; ages pass, names flake, Intro wind+bells → Verse ticks/sand → Hook bell ostinato+deep pulse → Bridge museum-night hush → Outro fading loop

Fast-paced psychedelic glitch-punk at 150 BPM with relentless, heavily distorted drum-machine beats and hypnotic looped bass driving the core, Sharp, slashing staccato guitar riffs interlock with a wailing, overdriven theremin hook, Modular synth’s random, stereo-panned blips ping-pong, creating chaotic “trees” in the mix, while rare, expansive analog-pad swells briefly hint at hidden depth—the “forest”—before glitching out, The mix feels claustrophobic, heightened by extreme panning, sudden filter sweeps, and jagged dropouts, Vocals are dry, close, percussive and clipped in verses, urgent with punk grit; choruses occasional shouts punctuate, minimal sustain, each word slicing through the dense soundscape

Neon Carnival Overdrive (174 BPM) — drum’n’bass × carnival samba × industrial glitch, Blast-beat kick/snare pace, samba surdo drums, shakers, cowbell groove, Massive distorted reese bass tearing under syncopated carnival brass riffs, Laser FX, glitch stutters, and metallic crashes like collapsing scaffolding, Bridge drops to crowd claps and a lone whistle before bass slams back, Vocals: fast, playful rhythmic nonsense syllables in jazz scat style, alternating with shouted chant calls and short spoken exclamations, wide stereo panning, Delivery is energetic, percussive, and slightly cheeky, matching the chaos of the beat, Mood: chaotic, euphoric, unstoppable

Cinematic glitch-hop, 112 BPM, Pikasso guitar: glitchy, rhythmic strikes, evoking tiny jumps without childishness—each note restless, like ambition fighting for space, Dark bowed psaltery adds tense cinematic drama, underscoring the hidden struggle behind spectacle, Modular synth textures layered with subtle granular glitches symbolize microscopic chaos, echoing the nervous tension beneath perfection, Percussion: minimalistic digital glitches, tight distorted kicks, sharp metallic FX—heartbeat of small defiance, Vocals: adult, ironic, sophisticated—dry humor exploring tiny circus acts as a metaphor for overlooked brilliance, Mood: subtly humorous, ironically grandiose, mature yet playfully absurd

A fusion of fast gabber techno and sacred Gregorian chant (~198 BPM), Distorted kickdrum and sharp hi-hats drive a relentless beat—no breaks, no drops, Deep male choir sings in Latin with clean, legato, modal phrasing, The chant is fully integrated with the rhythm—locked to the pulse, not layered above, This is not vocals over beats; it’s a rhythmic union, Electric violin adds glitchy, scratch-texture bridging beat and chant—non-melodic, twisted, Subtle cathedral organ FX shimmer beneath the mix, adding sacred depth, There are no leads, only rhythm, ritual, and fusion, Style: “Chantcore” (a hybrid of gabber, Gregorian chant, and glitch violin), Mood: brutal, hypnotic, sacred, This is a dancefloor liturgy—sweat and spirit as one

Short, hypnotic gqom-inspired groove (123–126 BPM) with African percussion, dry shakers, talking drum, metallic mbira, Waterphone, spring FX, ghostly wind, analog synth pulses, jaw harp, didgeridoo growls, and Aztec death whistle, Male vocals: deep, rough, rhythmic and hypnotic, but not trance or mantra, No extended chanting, each lyric line only once, Mystical, wild, sense of discovery, Total length must be under 2:00, Absolutely no looping or extended instrumental breaks, Treat as a concise song, not as a trance/ritual, ‑EDM, ‑Indie, ‑Trap

Fast industrial techno with a dry, punchy mix, Sharp metal pipe percussion, chain drag effects, hydraulic piston bass, and a rhythmic loop of creaking bed and kitchen drawer FX, Aggressive tempo drives the track, but mariachi trumpet stabs and percussive accordion plucks cut through with bright, offbeat energy, Chopped, stuttered vocal samples echo fragments of everyday domestic life—muffled laughs, quick “good morning, ” mug clinks, whispered inside jokes—layered as rhythm, not lyrics, Dancefloor intensity meets gritty home reality

Compose an intense and energetic instrumental using only layered flute sounds, Use these flutes only: contrabass flute for low pulsing rhythms, bass flute for midrange riffs, alto flute for harmony stabs, concert flute for fast melodic leads, and piccolo for sharp accents, All rhythm should come from breath hits, tongue slaps, overblown notes, and key clicks, Use effects like distortion, delay, st ereo widening, and glitch artifacts to create tension and drive, The final sound should feel raw, rhythmic, and aggressive — like a wind-powered rebellion made of breath and metal, Vocals: Male, Melodic, breath-based singing — calm, controlled, with a chant-like flow, No belting or pop phrasing, The voice should blend with the flutes like wind through metal: smooth, focused, and deliberate, Use light delay and glitch effects to blur the line between voice and instrument, ‑guitar, ‑drums, ‑percussion, ‑vocals, ‑synth, ‑piano, ‑strings, ‑bass guitar, ‑electric guitar, ‑acoustic guitar

Start with upbeat Middle Eastern folk melody: oud riffs, microtonal ornamentation, fast 2-step UK garage shuffle beat with syncopated hi-hats and rolling sub bass, Layer in jaw harp twangs for earthy pulse, Verses feature tight vocal chops with occasional call-and-response in Arabic-style melisma, Vocals energetic, rhythmic, confident, emphasizing consonants and subtle controlled vibrato, Escalate vocal intensity gradually, culminating in fragmented, glitchy vocal articulation at climax, Build intensity with layered darbuka fills, Chorus bursts with bright synth stabs, sharp tambourine hits, and shimmering glass harmonica lines that add eerie crystal overtones, creating ecstatic dance energy, Bridge adds subtle spectral choir pads for tension, Final drop fuses all elements with glitchy vocal FX and reversed cymbals, Overall feel: driving, hypnotic, festive, unexpected groove explosion, Dance, Electronic, Folk

Punchy funk slap bass, deep tagelharpa bass drones, analog modular glitches, whip crack percussion, trap hi-hat rolls, thunder tube FX, fast tempo, Male rap vocal with aggressive, rapid-fire delivery, high syllable density, tight machinegun-style flow ("tatatatata"), sharp clipped articulation, dry tone with slight grit, no melodic phrasing, no swing — strict, fast linear rhythm, front-mixed (in-your-face), clear and percussive consonants, controlled breathwork, confident and unapologetic battle style

A high-energy nerdcore track at 105 BPM with a dramatic, space-opera atmosphere and glitch-funk textures, Built on bouncy digital drums, slap-style synth bass, retro sci-fi pads, and fragmented chip sounds, Features layered sound design with distorted UI beeps, 8-bit error tones, XP crash samples, and classic gaming meme FX like the Metal Gear alert or fighting game K, O, callouts, Vocal performance is female, expressive and theatrical — confident, ironic, and rhythmically precise, The mood blends arcade nostalgia with over-the-top galactic flair, Imagine a glitched-out gamer leading a digital rebellion in a broken MMO world, Bold, strange, tightly produced, Lyric-driven, punchy, and built to hit like a corrupted battle anthem

A dramatic funk-pop song with cinematic flair, inspired by "A Good Song Never Dies", The intro is whispered or softly spoken, mysterious and theatrical, The verses are sharp, rhythmic, delivered with sly confidence, The pre-chorus slows down, more emotional, like a confession, The chorus is bold, with swagger and swing – a musical confrontation, The second verse has a darker undertone, more intense but still stylish, The bridge is soft and breathy, almost whispered, The final chorus is the climax – layered vocals, bold brass, and a sense of rhetorical power

A bouncy, high-energy dance-pop song with retro synths and powerful vocals, Inspired by Queen, Daft Punk, and Modern Talking, An empowering anthem about reclaiming your voice after trauma

Glitch-hop / nerdcore rap with boss fight energy, Female adult vocals — sharp, smug, and battle-ready, Text-to-speech echoes, retro weapon FX, cassette rewinds, It sounds like a lobby argument and a power move at once, No strings, Just circuits, sarcasm, and chaos

A modern vintage cabaret pop track at ~90 BPM with brushed swing drums, upright bass featuring playful slides, and jazzy upright piano, Layers of clarinet and muted trumpet stabs blend with toy piano and sparse vintage strings, Expressive female vocals mix singing, spoken lines, and retro harmonies, with whispered asides, Features a bold slap accent on a punchline, surprise kazoo or slide whistle, a key change, comedic silence, and ends with a mock-jingle outro—whistling, celesta, and glass clink

Electro-club track opens with a distorted 4/4 techno kick, metallic sistrum shakers, and driving darbuka/doumbek layers, Deep tagelharpa/synth bass drones pulse beneath hypnotic Phrygian dominant mizmar/shawm leads, Female vocal yodeling (“Ya-hi-yo”) melds with witty verses and Cleopatra references, Pop-hook is a catchy yodel chant, Gong hits accent drops, Breakdown spotlights mizmar improvisation and percussion, Playful, exotic, meme pop–bellydance fusion vibes power a catchy, darkly quirky dancefloor journey

Mechanical washing machine motor spin noise as broken async bass groove (~135 BPM), insect wing flutter layered as syncopated high rhythm with irregular phrasing, machine vibration clicks and metallic can hits as dynamic percussive layer with groove variation, evolving synthetic insect swarm with shifting movement across stereo field, reversed insect chirp stutter with variable timing as signature hook, deep modulated sub bass with dynamic envelope movement (non-sidechain), non-4/4 phrasing with shifting accents, organic scattered insect clicks as transient layer, female vocal, hypnotic, layered, mechanical chant style

Mid-tempo hybrid groove (~112 BPM) blending elastic wobble basslines with tight digital drums (punchy kick, soft claps, rubbery toms), Includes taiko slams and distorted sub-bass accents for weight, Melody-free, rich in rhythmic motion: granular synth textures, warped delay stabs, and micro-glitch details, Voice: dry, precise, slightly amused, Spoken like a glossary, with subtle swagger and perfect rhythm—no drama, just confidence, Emotion: intellectually playful, It feels like dropping rare words on the dancefloor just to watch people nod, Loopable, stylishly strange, and weirdly addictive

A multilingual glitch-funk rap cypher (~110 BPM) with theatrical flair, Each verse is voiced by a different mythic character in English with distinct accent and voice type: • Hades – male, deep regal voice, Greek accent • Siegfried – male, bold and dramatic, German accent • Witch – female, low raspy voice, Eastern European accent • Loki – male, sly mid-baritone, Scandinavian accent • Anansi – male, rhythmic light voice, West African accent • Nasreddin – male, warm baritone, Turkish accent • Seonbi – male, calm soft tenor, Korean accent Chorus: group chant with playful mixed voices, echo on final line, Genre shifts per verse (jazz-hop, afro-funk, orchestral trap, etc), Instruments: glitch drums, slap bass, toy piano, sharpsichord, marimba, nose flute, otamatone, accordion, circus organ, Add FX: hat tosses, magic swirls, teleport swooshes, whispered spells, sly laughs, Mood: funky, chaotic, clever — like a mythic masquerade

Mechanical washing machine motor spin noise as broken async bass groove (~135 BPM), Insect wing flutter as syncopated high rhythm, Machine vibration clicks, metallic can hits, and insect FX form a shifting percussive layer, Whirring carousel motor and creaking metal build tension, Sudden silence, reversed insect chirp stutter as signature hook, Drop: strong mechanical groove, clear hypnotic melody, catchy warped carousel motif, stereo insect swarm, metallic clacks, deep sub bass, Non-4/4 phrasing, shifting accents, groove always driving, Male vocal: cold, mechanical chant, layered and rhythmic, with a memorable chorus, Vibe: Dark, danceable, ecstatic mechanical energy, Song, not noise, Story: A carousel animatron, once adored, is left to rust—until he snaps, breaks free, and turns on those who abandoned him, ‑Pop, ‑Rock, ‑Indie, ‑Acoustic, ‑Folk, ‑Jazz, ‑Blues, ‑Soul, ‑R&B, ‑Funk, ‑Ballad, ‑Singer-Songwriter, ‑Country, ‑Reggae, ‑Latin, ‑Chill, ‑Lo-fi, ‑EDM, ‑Electro-pop, ‑Synth-pop, ‑Disco, ‑Children’s Music, ‑Gospel, ‑Future Bass, ‑Trap, ‑House, ‑Dub, ‑Dubstep, ‑Ambient, ‑Hip-Hop, ‑World, ‑Reggaeton, ‑Dancehall, ‑Motown, ‑Ska, ‑Opera, ‑Classical, ‑Swing, ‑Bossa Nova

At 128 BPM in Am, EDM × Enka × Ragga × Glitch, It opens with shamisen plucks and airy koto accents under a long-tail reverb bed, A filtered four-on-the-floor kick teases in, taiko-inspired toms answer in syncopation, The build layers sidechained pads and a gritty Reese bass pre-drop, Verses feature a dramatic enka vocal line (female timbre), intimate and stretched, Pre-chorus flips to ragga-style hype (tight, percussive phrasing, call-and-response ad-libs), Drops hit with heavy 4×4 kick, syncopated hi-hats, warped disco string chops through granular FX, and glitch-chopped vocal hooks, Bridge strips to acapella enka over distant shamisen + minimal toms, then a fast riser and snare run slam into the final max-energy drop, Vibe: strange but euphoric, festival-ready, ‑Ballad, ‑Folk, ‑Acoustic, ‑Pop, ‑Jazz

At 140 BPM in Dm, cinematic battle theme × hip-hop × trap × jazz-rock, Opens with tense strings, war drums, and distorted synth swells into a sharp cutoff, Verse: hard rap flow over pounding 808 kicks, syncopated hi-hats, and stabbing brass chords, sharp and defiant, Pre-chorus: bassline grows darker with glitchy risers and melodic rap lines pushing tension higher, Chorus: big anthemic hook with soaring vocals, gritty Reese bass, and trap drums, chant-ready and dramatic, Verse 2: tighter flow, glitch percussion and metallic accents cut through, raising intensity, Pre-chorus returns with more urgency, exploding into chorus, Bridge: stripped to eerie pads, reversed taiko hits, and rhythmic scratches before the final surge, Final chorus: all layers collide — orchestral brass, roaring bass, hammering percussion, fierce rap ad-libs — climaxing like an anime fight anthem, relentless and triumphant

112 BPM, Dm, Halloween Swing × Theatrical Jazz Funk × Dark Cabaret, Groove: upright bass walking with percussive snaps, brushed kit on swing triplets, ride bell shimmer, snare flams; Brass: muted trumpet growls, trombone slides, sax riffs with tongue flutter; Keys: honky-tonk piano + haunted pipe organ chords + clavinet pops; Guitar: semi-hollow jazz comp with slapback echo; Strings: shrieking gliss and spooky pizzicato; FX: ghostly laughter, crowd gasps, toy xylophone, creaking doors, theremin wails; Vox: duet between a suave vampire (velvety baritone with dramatic flair) and a banshee ghost (sultry mezzo soprano with haunting timbre), performed in vaudeville style with playful banter, mock horror and comic timing; Form: intro whisper + piano → verse swing riff → chorus brass explosion → bridge organ solo + crowd chant → final duet → carnival fade; Theme: a vampire and a banshee lament that humans no longer fear them — a satirical Halloween anthem where screams turned into selfies

124 BPM · Dm · Progressive Trance × Dubstep × Reggae-Techno Fusion, 124 BPM · Dm · Progressive Trance × Dubstep × Reggae-Techno Fusion Opens with ambient pads, vinyl static, and breathy risers → four-on-the-floor kick side-chained to sub + “wub-wub” bass, Syncopated reggae stabs add bounce while lush trance arps swirl in stereo, A steady shishi-odoshi bamboo click marks the pulse every 2 bars, warm and organic, An Aztec death whistle answers each bass wobble, cutting through the mix with ghostly “shvvii-shvvii” tones — slightly pitched and modulated like a living synth, The whistle becomes a rhythmic counterpoint to the bass, weaving between drops and fills, Midway, whVocal: confident male baritone — calm but driven, clear diction, meditative fire beneath restraint; phrasing deliberate, determined, quietly intense, Ends on slow pads and fading whistle echo with final bamboo clack in silence, Emotion: focused pursuit of happiness — discipline meeting desire, patience balanced by motion

88 BPM, Em — Ambient Trap House / Organic Groove / Playful Urban Folklore Fusion, Groove: crisp hi-hat shuffle with deep 808 glide, lazy swing; clap-echo ghosts and bamboo taps shape rhythm, Bass: oktobas gives resonant sub slides 1→♭7, Melodic: hulusi drifts in airy pentatonic motifs, pitch-bent like tanuki laughter, Perc: jaw harp syncopated pluck-bounce vs 808s; Sundrum adds hand-hit warmth and skin bloom, Harmony: Ceramorchestra pads — fragile, slightly detuned, floating behind beat, FX: rustling leaves, city hum, pawsteps, bottle rattle, cat hiss, Vocal: low male whisper-rap, close-mic, dry, rhythmic like footsteps; breathy, mocking, half-smile delivery, Mood: sly and mischievous — a streetwise tanuki slinking through bamboo and back alleys, stealing small things and beats beneath the moon

180 BPM, Em — Chaotic K-Metal / Otamatone Death Pop / Carnival Horror Fusion, Groove: double-kick Mapex Armory kit with rototom fills and crashing cymbals; toy percussion and metal hits cut through, Guitars: baritone dual-track fuzz, tremolo dives like mad laughter, Bass: distorted pick tone through fuzz → octave doubler locked to kick, Keys/Synths: bright K-pop arps vs honky-tonk piano stabs, circus-organ bursts, FX: Otamatone lead melody, cuckoo-whistle hooks, reversed child giggles, Breakdown: glitch vocal chops and toy drums panned L↔R, Vox: dual persona — “Child Alice” (high cute) vs “Mad Alice” (low growl) in call-and-response, Mood: sugar-sweet mania × fairytale psychosis, Mix: drums/bass center, guitars wide, Otamatone front, 4 s plate reverb on vocals, sidechain pump for chaotic pulse, Emotions: Child Alice vs Mad Alice, Trapped in delusion for self-protection, Stuck in madness that becomes a willing prison, ‑metalcore, ‑deathcore, ‑nu metal, ‑pop rock, ‑emo, ‑lo-fi, ‑acoustic, ‑folk, ‑jazz, ‑orchestral, ‑cinematic

136 BPM, E minor — Dance-Pop × Chanson × Leftfield × Grindcore Fusion, Explosive hybrid built on live-kit blast-beats and deep sidechained club kick; bass: saturated analog sub + reactive mid growl; guitars: detuned Mesa stack with brief feedback swells, raw room bleed; synths: Moog-style leads with filter drive, granular pad tails, no chiptune tones; piano & accordion bring chanson flair with cabaret voicings, occasional brushed-string stabs; vocals alternate between intimate spoken-word verses and layered pop-shout choruses; glitch fills and tape stops cut between sections; FX: amp hum, reversed breaths, metallic risers, vinyl hiss; structure: grind burst → spoken chanson bridge → glitch collapse → dance-pop hook → tempo-crash outro; mood: theatrical × chaotic × seductive — a Paris cabaret wired to a basement moshpit; mix: drums wide, vocals center, warmth over precision, ‑chiptune, ‑bubblegum pop, ‑lo-fi hip hop

At 118 BPM in E minor, this electro-pop × alt-funk banger blends digital swagger with tribal pulse, A Moog Sub 37 bass growls over a LinnDrum kit and ceramic udu drum hits echoing like hollow heartbeats, Muted Jazzmaster stabs and shimmering Prophet-5 pads paint a humid city-night groove, Vocoder shards chant “Lollygag / Hullabaloo” through glitch-cut reverb tails, Verses slide on finger-snaps, percussive udu pops, and half-rapped vocals full of lazy defiance, Pre-chorus filters down to breathy harmonies before the hook explodes: TB-303 squelch, DX7 chords, talk-box basslines, and crowd-chant euphoria, Vibe: hypnotic, mischievous, tactile — electric chaos grounded in clay and groove

96 BPM, F minor — Funky Trap × Viral Hip-Hop × Sick-Day Swagger, Drums: heavy punchy kick, thick chest-hit low end, crisp maple-snare with slapback, swung hi-hats with dry shaker ghosts, muted rim “tock” taps for groove, Bass: warm sub-bounce, dark analog glide, tight low-end pulses inspired by “I don’t feel good but I’m still walking”; rhythmic cough-like dips (sub only, no high pitch), Synths: moody detuned keys, deep FM plucks, filtered chords, soft raspy pads (like breathing through a scarf), subtle wobble-lead buried low, Odd Instrument: mellow baritone sax stabs (processed, dusty, badass), FX: low cough-reverb hits, bed-creak foley, vapor warmth, subtle tissue-crumple in low frequencies (not high-pitched), morning-room ambience, Vibe: gritty, head-nod, “I’m dying but this still slaps”, adult humor, sick-but-swaggy energy, Structure: tired intro → beat drop → swagger sick-day verses → catchy hook → grumpy bridge → triumphant recovery outro

104 BPM, D minor — layered air-column ensemble led by flutes with all rhythm from beatbox, Low flutes pulse on the root and minor third in steady eighths with occasional chromatic dips, Mid flutes use short detached notes around the second, flat fifth and minor seventh with irregular groupings (3+3+2, 5+3), Upper flutes add narrow vibrato on the fourth and minor sixth plus quick descending fragments, Highest flutes give fast semitone pivots, flutter ornaments and brief grace turns, Beatbox provides every pulse: closed-mouth taps, inward clicks, dry pops, alternating tap chains and rolling tongue bursts matching flute subdivisions, Added textures: hollow-tube resonance, breath friction, soft room flutter, Form: sustained opening → subdivided build → accent-group section → clustered final cadence, ‑pop, ‑pop-rock, ‑EDM, ‑hyperpop, ‑synthwave, ‑funk, ‑orchestral, ‑folk, ‑acoustic