Dancing Beats

electronic / italo disco, Arabian rhythm, Main vocal: Androgynous deep female vocals, cool and commanding, Repeating backing vocals

Clean, 1970s autobahn pop, Instruments: bongo drums, standing bass, rhythm guitar, lead sitar, Moog synth, Beat: 8/6, Key: F-major

Clean, British 1960s indie pop, Instruments: drum, bass, rhythm guitar, lead sitar, Whammy bar, Melody guitar (like The Shahows)

Post-2010s Scandinavian-style mellow euro-pop with a vocal-led mix and melodic assertiveness, Female solo voice carries the emotional core, floating confidently above mid-tempo electronic grooves, The vocals are clear, open-chested, and slightly theatrical in delivery — not whispery or neutral, Phrasing is rhythmically precise but not robotic, with subtle melisma or vowel stretching in climactic lines, Harmonies are used strategically for depth, but the lead voice dominates with presence and shape, Instrumentation includes layered synth pads, gated plucks, ambient piano motifs, and sidechained basslines, creating a flowing pulse, Choruses expand with melodic lift and phrasing contrast, This style emphasizes song-as-performance rather than song-as-text — allowing simple lyrics to transform through bold melodic contour and nuanced timbre, Mm-mm, let the melody speak where the words stay still, ‑Avoid weak or anonymous group-style vocals, ‑Exclude overly cheerful delivery, ‑forced optimism, ‑or teenage pop tropes (such as unison clapping choruses or cutesy interjections), ‑Do not use flat vocal phrasing that mirrors the text without interpretation — the melody must always rise above the lyrics, ‑Avoid excessive vocal auto-tune, ‑vocal stutter effects, ‑or robotic timing, ‑No EDM-style drops, ‑aggressive four-on-the-floor beats, ‑or harsh snare-driven transitions, ‑Exclude gospel belting, ‑cinematic string swells, ‑or theatrical orchestration, ‑Do not use male vocals, ‑duet formats, ‑or backing vocals that override the lead, ‑Avoid toy-sounding synths, ‑hyperpop vocal slicing, ‑or saccharine layering typical of early 2000s teen bands

Upbeat, Style 1970s Funky, soulful, uplifting, Brass, Percussion, Electric guitars, Bass

Glamorous late-70s Euro disco with lush strings, synth hooks, dramatic female vocals, and a pulsing four-on-the-floor beat

1980s female-fronted bubblegum pop with synth-driven instrumentation and dancefloor bounce, Lead vocals are playful, mid-range female, often delivered in unison or tight harmony, Call-and-response and chant hooks dominate the chorus, Drum machine rhythms with claps and toms provide steady, upbeat momentum, Bass synth is bouncy and prominent, paired with sugary arpeggiated keys, Occasional disco guitar or slap bass riffs provide sparkle, Lyrics are flirtatious, situational, and candy-colored — treating inconvenience like emotional drama, Chorus repetition is central, aiming for maximal earworm, mmm-hmm! uh-oh! la la POP! snap!, ‑Avoid emotional depth, ‑irony, ‑or metaphor, ‑No acoustic instruments or lo-fi effects, ‑Avoid rock phrasing, ‑harsh tones, ‑or dissonance, ‑No political undertones, ‑genre crossovers, ‑or introspective vocals, ‑Keep tone light, ‑fun, ‑polished, ‑and relentlessly pop, ‑No dub, ‑punk, ‑or funk, ‑Everything is clean, ‑catchy, ‑and dance-ready

1975s pop (Scandinavia) / disco, Classic 4 man band (drums, bass, lead, vocals), Female lead, high energy, afro american vocals (dual)

Clean, British 1980s cloister pop, Instruments: bongo drums, standing bass, rhythm guitar, lead sitar, Moog synth, Beat: 8/6, Key: F-major

Early Synth (MOOG) / Symphonic SynthRock, Long melodic tones

Slow tempo building up to high tempo, Beats on 1 and 3, 1990s Spiritual techno-trance, Native American Chants

Summer song, 1995 Eurodance / EDM

Slow tempo building up to high tempo, 7/4 measure, 1990s Spiritual techno-trance, Native American Chants