二番煎じ(Cover)

shoegaze ballad, dream pop, Melodic Dubstep, Future Bass, Electronic Pop, Emotional EDM, Melancholic, Atmospheric, Piano, Heavy bass drops, kawaii vocals, Progressive build, analog summing with Dangerous 2-Bus+ [Intro : Ethereal piano intro with atmospheric rain sounds, Shoegaze guitar feedback fading in]

Shibuya-kei, 90s J-Pop, Pizzicato, Fast Breakbeat, Orchestral Hits, Big Band Brass, Chamber Pop, Chic, Kitsch, Upbeat, Retro-Futuristic, Kawaii Female Vocals

Dark Industrial Techno, Hard Techno, Heavy Distorted Kick, Metallic Percussion, Glitchy, Noisy, Cyberpunk, Dystopian Atmosphere, Cold and Mechanical, Experimental, Repetitive and Hypnotic

8-bit chiptune, Lo-fi aesthetic, Epic Boss Battle Theme, JRPG Final Boss, fast-paced, heavy distorted square wave bass, aggressive percussion, nostalgic FM synthesis, energetic arpeggios, dramatic melodic shifts, retro game sound effects, coin sounds, explosion sfx, laser beams, high stakes, intense atmosphere, dark synth, ‑humming “mm” “la-la” wordless vocalise, ‑real instruments, ‑modern pads

160-170 BPM, J-Electro Pop / Dance-Rock hybrid, NOMELON NOLEMON-inspired edgy pop, Future Funk + Nu-Disco + City Pop base, but synths lead everything: bright arpeggiators, sharp staccato plucks, glossy synth strings, bold chord stabs, “wa” flavored hook synth phrases, Four-on-the-floor kick + tight snare/clap, aggressive sidechain pump, crisp hi-hats, glitchy fills, Groovy slap bass (locked with kick), funky cutting guitar as accent (short distorted riffs, not the main), chopped vocal hooks + quick formant chops, digital sparkle SFX, Big anime-ending scale chorus: bittersweet but explosive topline, dense layers, high-energy drop, electro-pop spectacle, Mix: synths forward, bass thick, drums punchy and bright, wide stereo, clean but slightly abrasive edge, Use the provided Japanese lyrics exactly as written

Electro Swing, Vintage Jazz Samples, House Beat, Brass Section, Clarinet, Upbeat, Bouncy

Eurobeat, High Energy, Para Para, Dramatic Synths, Fast Paced, 160 BPM, 90s Avex Style

Grainy cute 8-bit chip tune with game SE as musical accents, BPM 90–110, Rough square-wave lead with bends, noisy arpeggios, hopping triangle bass, hissy noise-hat, crunchy click-snares, Add SE reacting to rhythm: small coin pings, pickup blips, cursor clicks, jump chirps, sparkle save-tone, but never random, Make them short and musical like candy, No real reverb; use fake echo via fast note repeats

Japanese indie pop, witty and slightly surreal, airy kawaii female vocal cool and cute, jazzy extended chords, bossa-ish groove, agile bass, tight drums, playful guitars, subtle synth, MIX: very wet ambient reverb, huge airy space, long shimmering plate + hall reverb, deep stereo field, pronounced echo/delay trails, soft bloom around every instrument, dreamy and floating, keep vocal readable and drums punchy, avoid muddiness, ‑humming, ‑ah-, ‑hum-

Uplifting Trance, Euphoric, Arpeggiator, Ethereal Vocals, Emotional, Epic Build-up, ‑humming, ‑ah-, ‑hum-

Shibuya-kei, 90s J-Pop, Pizzicato Five style, Fast Breakbeat, Orchestral Hits, Big Band Brass, Chamber Pop, Chic, Kitsch, Upbeat, Retro-Futuristic, Female Vocals

shoegaze ballad, dream pop, Melodic Dubstep, Future Bass, Japanese Electronic Pop, Emotional EDM, Melancholic, Atmospheric, Piano, Heavy bass drops, kawaii vocals, Progressive build, analog summing with Dangerous 2-Bus+ [Intro : Ethereal piano intro with atmospheric rain sounds, Shoegaze guitar feedback fading in]

Japanese Pop, Ethereal female vocals, Whispering airy voice, Emotional, Cinematic Piano Ballad, Strings, Gradual buildup, Dramatic, Melancholic but hopeful, High fidelity, 80bpm

Kawaii Female Vocal, J-Rock, Anisong, High Energy, Fast-paced, Orchestral Strings, Dramatic Piano, Fast Drumming, Electric Guitar Riffs, Emotional and Powerful, 140 BPM, Catchy Melodic Hooks

Pop Reggae, Lovers Rock, Upbeat, Sunny, Female Vocals, Melodic, Summer Vibe, Brass Section

Gabber, Early Hardcore, Distorted Kick Drum, High Speed, Aggressive, Rave, Industrial, Rotterdam Style

Jawaiian, Island Reggae, Hawaiian Contemporary, Ukulele, Acoustic Guitar, Surf vibe, Ocean breeze, Relaxed, Happy, Organic, Soft percussion, Sunny, Peaceful, Use the provided Japanese lyrics exactly as written, ‑Piano

Shamisen used sparingly with single-note accents and short melodic fills before transitions, No constant strumming, Shakuhachi provides airy long tones in intro and subtle counter-melody in chorus and outro, shoegaze ballad, dream pop, Melodic Dubstep, Future Bass, Japanese Electronic Pop, Emotional EDM, Melancholic, Shamisen, Atmospheric, Piano, Heavy bass drops, kawaii vocals, Progressive build, analog summing with Dangerous 2-Bus+

Extremely heavy vinyl crackle, intense surface noise, 1900s phonograph style, narrow bandwidth, telephone filter, mid-range focus, no bass, no treble, distorted horn sound, lo-fi, warped pitch, dusty, scratching needle, antique mono recording

1920s haunting opera, distressed soprano vocals, extremely heavy vinyl crackle, narrow bandwidth, telephone filter, mid-range focus, muffled audio, warped pitch, dusty gramophone, scratchy mono recording, antique aesthetic, mechanical skipping, atmospheric hiss

Lovers Rock, Smooth, Mellow, Romantic, Soulful, Soft Rocksteady, Sweet, Chill, Groovy, City Pop vibe, Use the provided Japanese lyrics exactly as written

Aggressive 三味線 Riff, Industrial Rock, Nu Metal, Electronic Rock, Breakbeat, Trance Synths, Heavy Distorted Guitars, Aggressive Male Vocals, Melodic Chorus, Glitch effects, 2000s Hybrid

Slow emotional Japanese piano ballad, BPM 68–78, Soft warm solo piano with sorrowful rubato, like holding back tears, Airy soft Male vocal, breathy, slightly trembling, close-mic, raw, no tuning feel, no electronic effects, Strings should slowly appear and swell with sadness, supporting but never overpowering, No drums, no synth leads, no bright sounds, Optional very soft pad only at the peak, Final chorus should swell with deeper piano and wide strings, then fade into quiet solo piano, Use the lyrics exactly as written

Style: Industrial rock / shock rock, 90s alternative metal attitude, grimy glam swagger, mechanical drum loop + live kit layer, sludgy down-tuned guitars, distorted bass, noisy synth drones, harsh feedback textures, creepy carnival/cabaret undertone, verse: tense and minimal, chorus: huge and anthemic, breakdown: stomping half-time, unsettling whispers and gang shouts, cold cinematic atmosphere Mix / Production: Punchy dry drums, tight gated room reverb, aggressive midrange guitars, saturated vocal distortion on accents, parallel compression, subtle tape grit, industrial noise bursts as transitions, wide chorus with thick doubles, mono verse then explode to wide stereo in chorus Vocal direction: Androgynous sneer + theatrical menace, close-mic, occasional spoken-word whispers, shouted hook lines in chorus, call-and-response gang vox, eerie backing harmonies (minor key), provocative confident delivery (not melodic pop)