AP21

A mid-tempo indie folk-pop track characterized by a blend of acoustic warmth and cinematic rock energy, The song opens with a clean, rhythmic acoustic guitar strumming a repetitive folk-inspired progression in a major key, The female lead vocals are breathy, intimate, and emotive, featuring subtle vibrato and layered harmonies during the build-ups, As the track progresses, it introduces a driving drum kit with a prominent kick and crisp snare, alongside a melodic electric guitar that utilizes delay and reverb for an atmospheric, shimmering effect, A notable bridge features a soaring, distorted electric guitar solo with bluesy bends and high-gain sustain, transitioning into a powerful, anthemic final chorus, The production is polished, with a wide stereo field and a clear balance between the organic folk elements and the expansive rock instrumentation

vocal dynamics starts Pianissimo, the mix slowly builds on a driving filter that crescendos at the end, put on your glasses and sing the lyrics properly

an extreme brutal deathcore track told from the perspective of a cute but unhinged cat, crushing low-tuned guitars and slam breakdowns collide with haunting melodic leads, creating a strange balance of beauty and total destruction, vocals are layered and savage—deep gutturals, feral screams, whispers—interrupted by distorted meows and low purring that act as part of the rhythm and atmosphere, the lyrics are a long, lazy rant about judging the world, hating everything that moves, and dreaming of extinction while doing absolutely nothing, violent, absurd, melodic, and darkly humorous, blending chaos with eerie calm

Country and EDM mix, with big drops at the chorus, Banjos and Trumpets, High pace- between 120-150 BPM

Style: Big room house fused with festival trap—massive builds, explosive drops, and bouncy rhythms for anthemic energy that's dance-floor ready, BPM: Base at 130, varying: slow to 100 in intros/bridges for seductive tension, ramping to 140 in drops for hype, Instruments: Pulsing 808 bass kicks, crisp snares/claps, rolling hi-hats, soaring synth horns for triumph, layered pads for depth, and glitchy effects on transitions, Chord Progression: Am - F - C - G (repeating, with octave jumps in drops for epic lift); minor key verses shift to major in choruses for flirty uplift, Vocals: Older mature male voice—gravelly and charismatic, starting spoken-word seductive whispers (pre-chorus: low, breathy on finger, lickin'), building to powerful belted shouts (chorus: multi-tracked echoes, auto-tune swells), varying pitch with falsetto teases on puns, and rap-style verses for fun energy

Two-step tough guy old school hardcore, hxc, metalcore, screamo, hardcore punk, classic hardcore, old school, breakdowns, melodic hardcore hxc, ACID WORMHOLE WARP SPEED WAVE, DMT GALAXY DJ SCRATCH TURN TABLE TIMEWARP, RETRO DEEP SPACE HOUSE, BIZARRE ALIEN DISCO ELECTRO TECHNO, ACID ASTEROID WAVE, COMET STEP, TRIP SUPERNOVA TRAP, DUBSTARSTEP

Playful meme-trap kicks off with a cheeky mariachi trumpet riff, then drops into a punchy swung trap groove at 150 BPM, Crisp hats jitter with confident swagger; crunchy 808 bass slaps and glides with a lively bounce, Each verse rides dry, close-mic vocals—amused, cocky, tightly rhythmic, Hooks pop with doubled vocals and springy trumpet/guitar stabs for playful spice, Minimal ad-libs, energetic bridge break, upbeat mix with chesty low-end and clean, fearless attitude throughout

Mid-tempo alternative hip-hop/electronic with a woozy, animated feel, Loose, swung drum-machine groove that feels slightly delayed, like timing is slipping but nobody cares, Murky, rubbery synth bass that wobbles subtly in pitch, Detuned analog keys, melodica-style leads, and hazy pads that drift in and out, occasionally warping or cutting off mid-phrase, Glitchy dropouts, tape wobble, and soft distortion to suggest disorientation, Vocals are deadpan and conversational—male lead with a calm, blasé delivery, half-spoken rap with casual melodic phrasing, Lines occasionally stumble, self-correct, or trail off naturally, Background vocals are ghostly, filtered, and distant, like thoughts echoing late, Production feels polished but woozy, playful yet unsettling, Mood is surreal, everyday, and oddly relaxed—like something is very wrong, but it’s treated as just another afternoon

Steve_Vai_Core: Compose an original instrumental rock track evoking 1990–2002 virtuosic melodic electric guitar—hybrid 6/8–4/4 sections, 95–140 BPM; soaring lyrical lead themes, memorable motifs, modal shifts (Mixolydian, Dorian, major pentatonic), expressive legato, two‑hand tapping, tasteful sweep arpeggios, whammy dives, natural harmonics and octave harmonies; arrangement: intro→verse→expansive chorus→long climactic solo→melodic coda; tone: mid‑forward, glassy top, warm tube saturation, tight low end, subtle chorus on cleans, analog delay+plate reverb on leads; production: 8k Hi‑Definition audiophile Atmos 3D surround with precise panning/positioning and crossover matrix prioritizing vocals and guitar, stereo double‑tracked rhythm guitars, hi‑def audiophile drums with brass‑ring cymbals (no hiss), close/overhead mic layering, transient‑preserving compression, surgical EQ to reveal cymbal bell and stick attack, natural room ambience, wide dynamics, final master ~‑6 LUFS, deliver

punk rock, rock, clean, rage rock, punk, live crowded college venue

baroque; downtempo, mathcore | psychedelic soul, [bilateral-layered-prismatic-confessional-duet]