SP Twisted education

Afro house groove fused with breakbeat and funk energy, 124–126 BPM, 4/4, Deep rounded Afro house kick with solid low-end weight, steady and hypnotic, Layered live-feel percussion: congas, bongos, shakers, wood hits providing constant swing, Subtle breakbeat elements woven in: chopped funk drum hits, ghost notes, swung snare accents used rhythmically rather than full breaks, Bass is warm, rolling, and funky but controlled, locking tightly to the kick with light sidechain, Harmonic content minimal: short stabs, filtered chords, muted funk guitar hits as rhythmic texture, Long DJ-friendly arrangement with extended intro, gradual layering, groove-led energy (no drops), clean outro for mixing, Underground, confident, body-moving, ‑No pop chorus No EDM drops No glossy vocals No talent-show drama No preachy delivery

Afro house groove fused with breakbeat and funk energy, 124–126 BPM, 4/4, Deep rounded Afro house kick with solid low-end weight, steady and hypnotic, Layered live-feel percussion: congas, bongos, shakers, wood hits providing constant swing, Subtle breakbeat elements woven in: chopped funk drum hits, ghost notes, swung snare accents used rhythmically rather than full breaks, Bass is warm, rolling, and funky but controlled, locking tightly to the kick with light sidechain, Harmonic content minimal: short stabs, filtered chords, muted funk guitar hits as rhythmic texture, Long DJ-friendly arrangement with extended intro, gradual layering, groove-led energy (no drops), clean outro for mixing, Underground, confident, body-moving, ‑No pop chorus No EDM drops No glossy vocals No talent-show drama No preachy delivery

Afro house groove fused with breakbeat and funk energy inspired by Krafty Kuts feel, 124–126 BPM, 4/4, Deep, rounded Afro house kick with solid low-end weight, steady and hypnotic, Layered live-feel percussion: congas, bongos, shakers, wood hits providing constant swing, Breakbeat-style drum elements woven in subtly: chopped funk breaks, ghost notes, swung snare hits, used rhythmically rather than as full breaks, Bass is warm and rolling, funky but controlled, locking tightly to the kick with light sidechain, Harmonic content kept minimal: short stabs, filtered chords, or muted guitar funk hits acting as rhythmic texture, Arrangement is DJ-focused and long-form: extended intro, gradual layering, energy driven by groove complexity rather than drops, clean outro for mixing, Overall feel is infectious, rhythmic, underground, body-led — Afro house pulse with breakbeat attitude, no festival theatrics

Afro house groove fused with breakbeat and funk energy inspired by Krafty Kuts feel, 124–126 BPM, 4/4, Deep, rounded Afro house kick with solid low-end weight, steady and hypnotic, Layered live-feel percussion: congas, bongos, shakers, wood hits providing constant swing, Breakbeat-style drum elements woven in subtly: chopped funk breaks, ghost notes, swung snare hits, used rhythmically rather than as full breaks, Bass is warm and rolling, funky but controlled, locking tightly to the kick with light sidechain, Harmonic content kept minimal: short stabs, filtered chords, or muted guitar funk hits acting as rhythmic texture, Arrangement is DJ-focused and long-form: extended intro, gradual layering, energy driven by groove complexity rather than drops, clean outro for mixing, Overall feel is infectious, rhythmic, underground, body-led — Afro house pulse with breakbeat attitude, no festival theatrics

Minimal underground spoken house / electro-dub, 122–124 BPM, 4/4, Dry, functional groove: tight kick, rim-led clap, shuffled hats, sparse percussive accents, Mono rolling bass with pressure, minimal movement, Extremely limited harmonic content — one tone or filtered texture evolving slowly, Vocals are dry, close, documentary, rhythm-first rather than melodic, Long linear arrangement, no drops, no chorus lift, tension built through repetition and subtraction, Feels like a transmission, not a song, futuristic

Minimal underground spoken house / electro-dub, 122–124 BPM, 4/4, Dry, functional groove: tight kick, rim-led clap, shuffled hats, sparse percussive accents, Mono rolling bass with pressure, minimal movement, Extremely limited harmonic content — one tone or filtered texture evolving slowly, Vocals are dry, close, documentary, rhythm-first rather than melodic, Long linear arrangement, no drops, no chorus lift, tension built through repetition and subtraction, Feels like a transmission, not a song, futuristic

Minimal underground spoken house / electro-dub, 122–124 BPM, 4/4, Dry, functional groove: tight kick, rim-led clap, shuffled hats, sparse percussive accents, Mono rolling bass with pressure, minimal movement, Extremely limited harmonic content — one tone or filtered texture evolving slowly, Vocals are dry, close, documentary, rhythm-first rather than melodic, Long linear arrangement, no drops, no chorus lift, tension built through repetition and subtraction, Feels like a transmission, not a song

Minimal underground spoken house / electro-dub, 122–124 BPM, 4/4, Dry, functional groove: tight kick, rim-led clap, shuffled hats, sparse percussive accents, Mono rolling bass with pressure, minimal movement, Extremely limited harmonic content — one tone or filtered texture evolving slowly, Vocals are dry, close, documentary, rhythm-first rather than melodic, Long linear arrangement, no drops, no chorus lift, tension built through repetition and subtraction, Feels like a transmission, not a song, ‑No pop chorus No melodic hooks No sentimentality No overproduction No explanatory tone

Minimal underground spoken house / electro-dub, 122–124 BPM, 4/4, Dry, functional groove: tight kick, rim-led clap, shuffled hats, sparse percussive accents, Mono rolling bass with pressure, minimal movement, Extremely limited harmonic content — one tone or filtered texture evolving slowly, Vocals are dry, close, documentary, rhythm-first rather than melodic, Long linear arrangement, no drops, no chorus lift, tension built through repetition and subtraction, Feels like a transmission, not a song, ‑No pop chorus No melodic hooks No sentimentality No overproduction No explanatory tone

Sound Description: Slow, minimal rhythm track with deep bass emphasis, sparse percussion, limited instrumentation, and restrained use of effects, Focus on repetition, space, and gradual texture changes, Tempo: 70 BPM Feel: Slow, steady, minimal Drums: Simple one-drop style rhythm; snare/rim on 3; kick used sparingly; no fills; no rolls; hi-hats minimal or absent Bass: Deep, sustained bass notes; slow movement; repeating pattern; bass remains throughout Guitar: Short off-beat muted chords; used occasionally; often silent Keys: Very sparse short stabs; no melody; no chord progression Effects: Short delay and reverb used occasionally on individual sounds; silence between elements is intentional Vocals: Spoken and sung lines delivered plainly; no vocal runs; minimal processing Arrangement: Intro with bass and drums → repeated verse sections with minimal changes → brief reduction of elements → return to base pattern → fade or stop Rule: Keep all elements minimal; avoid builds, drops, or d

Sound Description: Slow, minimal rhythm track with deep bass emphasis, sparse percussion, limited instrumentation, and restrained use of effects, Focus on repetition, space, and gradual texture changes, Tempo: 70 BPM Feel: Slow, steady, minimal Drums: Simple one-drop style rhythm; snare/rim on 3; kick used sparingly; no fills; no rolls; hi-hats minimal or absent Bass: Deep, sustained bass notes; slow movement; repeating pattern; bass remains throughout Guitar: Short off-beat muted chords; used occasionally; often silent Keys: Very sparse short stabs; no melody; no chord progression Effects: Short delay and reverb used occasionally on individual sounds; silence between elements is intentional Vocals: Spoken and sung lines delivered plainly; no vocal runs; minimal processing Arrangement: Intro with bass and drums → repeated verse sections with minimal changes → brief reduction of elements → return to base pattern → fade or stop Rule: Keep all elements minimal; avoid builds, drops, or d

Tempo: 94 BPM Groove: Dry UK pop with light ska/indie bounce; relaxed swing; understated, conversational Drums: Short, tight kick with no sub bloom; rim/side-stick on 2 & 4; sparse ghost notes; no fills, no drops Bass: Simple, melodic, repetitive bassline; slightly cheeky; sits mid-low, not dominant Keys: Plucky piano or toy-piano stabs; occasional off-beat organ hit; harmony implied, not lush Synths: Minimal mono synth for ENGINEER lines (cold, flat); warmer pad or subtle vocal double for HUMAN lines Vocals: ENGINEER spoken, flat, restrained, slightly off-grid; minimal reverb; centre-panned HUMAN half-sung, warm, conversational; dry and intimate; no vocal runs Call-and-response feels like a low-key argument in the same room Arrangement: Verse 1 stripped (kick, rim, bass, vocal) Verse 2 add keys Hook adds chantable response but stays restrained Bridge strips back to voice + one element Final hook repeats with no escalation or hero lift Delivery Rules: No over-singing; slight sarcas

Tempo: 94 BPM Groove: Dry UK pop with light ska/indie bounce; relaxed swing; understated, conversational Drums: Short, tight kick with no sub bloom; rim/side-stick on 2 & 4; sparse ghost notes; no fills, no drops Bass: Simple, melodic, repetitive bassline; slightly cheeky; sits mid-low, not dominant Keys: Plucky piano or toy-piano stabs; occasional off-beat organ hit; harmony implied, not lush Synths: Minimal mono synth for ENGINEER lines (cold, flat); warmer pad or subtle vocal double for HUMAN lines Vocals: ENGINEER spoken, flat, restrained, slightly off-grid; minimal reverb; centre-panned HUMAN half-sung, warm, conversational; dry and intimate; no vocal runs Call-and-response feels like a low-key argument in the same room Arrangement: Verse 1 stripped (kick, rim, bass, vocal) Verse 2 add keys Hook adds chantable response but stays restrained Bridge strips back to voice + one element Final hook repeats with no escalation or hero lift Delivery Rules: No over-singing; slight sarcas

Tempo: 94 BPM Groove: Dry UK pop with light ska/indie bounce; relaxed swing; understated, conversational Drums: Short, tight kick with no sub bloom; rim/side-stick on 2 & 4; sparse ghost notes; no fills, no drops Bass: Simple, melodic, repetitive bassline; slightly cheeky; sits mid-low, not dominant Keys: Plucky piano or toy-piano stabs; occasional off-beat organ hit; harmony implied, not lush Synths: Minimal mono synth for ENGINEER lines (cold, flat); warmer pad or subtle vocal double for HUMAN lines Vocals: ENGINEER spoken, flat, restrained, slightly off-grid; minimal reverb; centre-panned HUMAN half-sung, warm, conversational; dry and intimate; no vocal runs Call-and-response feels like a low-key argument in the same room Arrangement: Verse 1 stripped (kick, rim, bass, vocal) Verse 2 add keys Hook adds chantable response but stays restrained Bridge strips back to voice + one element Final hook repeats with no escalation or hero lift Delivery Rules: No over-singing; slight sarcas, ‑No EDM build/drop No American pop phrasing No R&B runs or breathy vocals No cinematic strings No inspirational or therapy tone

128–132 BPM UK breaks driven by chopped funk breaks with heavy swing and human timing, tight punchy kick layered under the break low end, snappy snare with short room tail, loose shuffled hi-hats sitting slightly late, and subtle micro fills every 8–16 bars for DJ cue points; warm rubbery mid-bass with short funky movement and light grit, minimal sidechain so the groove breathes; sparse rhythmic funk stabs from organ, guitar or brass with no long melodies, occasional vinyl stops, reverses and tape drops; vocals treated strictly as percussive elements through repetition, cuts and scratches rather than linear delivery; DJ-first arrangement with a 16–32 bar drum-led intro, restrained groove-focused first drop, filtered mid-section building tension without silence, a dirtier second drop with increased swing, and a long clean outro designed for mixing

128–132 BPM UK breaks driven by chopped funk breaks with heavy swing and human timing, tight punchy kick layered under the break low end, snappy snare with short room tail, loose shuffled hi-hats sitting slightly late, and subtle micro fills every 8–16 bars for DJ cue points; warm rubbery mid-bass with short funky movement and light grit, minimal sidechain so the groove breathes; sparse rhythmic funk stabs from organ, guitar or brass with no long melodies, occasional vinyl stops, reverses and tape drops; vocals treated strictly as percussive elements through repetition, cuts and scratches rather than linear delivery; DJ-first arrangement with a 16–32 bar drum-led intro, restrained groove-focused first drop, filtered mid-section building tension without silence, a dirtier second drop with increased swing, and a long clean outro designed for mixing

128–132 BPM UK breaks driven by chopped funk breaks with heavy swing and human timing, tight punchy kick layered under the break low end, snappy snare with short room tail, loose shuffled hi-hats sitting slightly late, and subtle micro fills every 8–16 bars for DJ cue points; warm rubbery mid-bass with short funky movement and light grit, minimal sidechain so the groove breathes; sparse rhythmic funk stabs from organ, guitar or brass with no long melodies, occasional vinyl stops, reverses and tape drops; vocals treated strictly as percussive elements through repetition, cuts and scratches rather than linear delivery; DJ-first arrangement with a 16–32 bar drum-led intro, restrained groove-focused first drop, filtered mid-section building tension without silence, a dirtier second drop with increased swing, and a long clean outro designed for mixing, ‑❌ House (all forms) ❌ Tech House ❌ Afro / Latin / Tribal ❌ Ibiza / Balearic ❌ EDM drops ❌ Big synth leads ❌ Sung vocals ❌ Cinematic pads or builds

Afro House foundation with underground house & break-funk hints Tempo: 124 BPM Core Groove: Afro house, patient, hypnotic Drums • Deep Afro kick (rounded, restrained, club-weight) • Live conga & djembe loop with subtle timing drift • Shuffled closed hats with funk swing (inspired by Chicago house feel, Derrick Carter energy – groove not copying) • Soft rim / clap ghosts placed off-grid (hint of break-funk phrasing, Krafty Kuts attitude, not breakbeat) • Micro fills every 16 bars (tiny, human, almost felt not heard) Bass • Rolling sub with breathing gaps • Call-and-response with percussion • Gentle ducking only Musical Texture • Single muted guitar or marimba stab (Afro flavour, filtered, repetitive) • Subtle Rhodes / organ air pad (warm underground house glue – Global Underground journey feel) • Vocal phrases used percussively, dry, intimate • Analog FX: tape delay flicks, vinyl nudges, no big sweeps Arrangement • 32-bar DJ intro (perc + bass) • Long central hypnotic, ‑No direct artist imitation • No melodic hooks • No EDM structures • No supersaws or festival synths • No trap or drill hats • No pop vocals • No straight-grid tech house

Afro House foundation with underground house & break-funk hints Tempo: 124 BPM Core Groove: Afro house, patient, hypnotic Drums • Deep Afro kick (rounded, restrained, club-weight) • Live conga & djembe loop with subtle timing drift • Shuffled closed hats with funk swing (inspired by Chicago house feel, Derrick Carter energy – groove not copying) • Soft rim / clap ghosts placed off-grid (hint of break-funk phrasing, Krafty Kuts attitude, not breakbeat) • Micro fills every 16 bars (tiny, human, almost felt not heard) Bass • Rolling sub with breathing gaps • Call-and-response with percussion • Gentle ducking only Musical Texture • Single muted guitar or marimba stab (Afro flavour, filtered, repetitive) • Subtle Rhodes / organ air pad (warm underground house glue – Global Underground journey feel) • Vocal phrases used percussively, dry, intimate • Analog FX: tape delay flicks, vinyl nudges, no big sweeps Arrangement • 32-bar DJ intro (perc + bass) • Long central hypnotic, ‑No direct artist imitation • No melodic hooks • No EDM structures • No supersaws or festival synths • No trap or drill hats • No pop vocals • No straight-grid tech house

Tempo: 124–126 BPM Groove: Afro-house four-on-the-floor foundation with breakbeat swing overlays Drums: • Deep, rounded Afro kick (short tail, no boom, club-tight) • Organic conga + djembe loop (syncopated, human timing, light shuffle) • Shuffled 16th closed hats with breakbeat swing (not straight house) • Snare/clap hybrid hits on off-beats (breaks flavour, low velocity) • Occasional break-style ghost snares and fills every 8–16 bars • Sparse metallic percussion hits with delay throws (DJ spice, not clutter) Bass: • Warm rolling sub following Afro call-and-response rhythm • Sub ducks gently to kick, no aggressive sidechain • Occasional octave jump fills inspired by breakbeat bass phrasing Musical Elements: • Muted Afro guitar stabs or marimba plucks (short, percussive) • Filtered Rhodes or organ chords for groove glue • Minimal vocal chops or chants used rhythmically, not melodically • FX edits: tape stops, vinyl brakes, quick reverses (Krafty Kuts attitude, used spari

Tempo: 124–126 BPM Groove: Afro-house four-on-the-floor foundation with breakbeat swing overlays Drums: • Deep, rounded Afro kick (short tail, no boom, club-tight) • Organic conga + djembe loop (syncopated, human timing, light shuffle) • Shuffled 16th closed hats with breakbeat swing (not straight house) • Snare/clap hybrid hits on off-beats (breaks flavour, low velocity) • Occasional break-style ghost snares and fills every 8–16 bars • Sparse metallic percussion hits with delay throws (DJ spice, not clutter) Bass: • Warm rolling sub following Afro call-and-response rhythm • Sub ducks gently to kick, no aggressive sidechain • Occasional octave jump fills inspired by breakbeat bass phrasing Musical Elements: • Muted Afro guitar stabs or marimba plucks (short, percussive) • Filtered Rhodes or organ chords for groove glue • Minimal vocal chops or chants used rhythmically, not melodically • FX edits: tape stops, vinyl brakes, quick reverses (Krafty Kuts attitude, used spari

Tempo: 122–124 BPM Groove: Deep Afro-house with conscious breakbeat attitude Drums & Rhythm • Afro-house kick: warm, rounded, steady • Shuffled percussion: congas, bongos, rim taps • Light broken-beat swing (Krafty Kuts influence) • Hi-hats with subtle swing, not busy • Drop percussion out briefly in bridge Bass • Deep rolling sub, simple 1–2 note motif • Slight movement, no aggressive filter sweeps • Lock tightly with kick Harmony / Texture • Dub-style chord stabs (Black Science Orchestra feel) • Warm pads, slow filter movement • Occasional analog stab hits, restrained Vocals • ENGINEER: male voice, spoken/flat, slightly filtered, dry • HUMAN: warmer voice (male or female), more space/reverb • Clear separation between voices • Chantable hook, not sung melodically Arrangement • Long intro + outro for DJs • One main hook, repeated with energy shifts • Breakdown is emotional, not silent, ‑• No EDM drops • No big-room builds • No pop vocals • No cheesy gospel or choir • No rom-com / cinematic soundtrack feel • No over-processed vocals • No Balkan / Eastern European melodic motifs

Tempo: 122–124 BPM Groove: Deep Afro-house with conscious breakbeat attitude Drums & Rhythm • Afro-house kick: warm, rounded, steady • Shuffled percussion: congas, bongos, rim taps • Light broken-beat swing (Krafty Kuts influence) • Hi-hats with subtle swing, not busy • Drop percussion out briefly in bridge Bass • Deep rolling sub, simple 1–2 note motif • Slight movement, no aggressive filter sweeps • Lock tightly with kick Harmony / Texture • Dub-style chord stabs (Black Science Orchestra feel) • Warm pads, slow filter movement • Occasional analog stab hits, restrained Vocals • ENGINEER: male voice, spoken/flat, slightly filtered, dry • HUMAN: warmer voice (male or female), more space/reverb • Clear separation between voices • Chantable hook, not sung melodically Arrangement • Long intro + outro for DJs • One main hook, repeated with energy shifts • Breakdown is emotional, not silent, ‑• No EDM drops • No big-room builds • No pop vocals • No cheesy gospel or choir • No rom-com / cinematic soundtrack feel • No over-processed vocals • No Balkan / Eastern European melodic motifs

125–128 BPM deep minimal tech house with continuous Black Science Orchestra–style groove, Drums run uninterrupted throughout: steady punchy kick at all times, dry clap, shuffled closed hats, subtle swing, Warm rolling sub bass plays constantly with a simple repeating 1-bar pattern, Minimal filtered chord stab or sustained tone always present to hold musical bed, Vocals are spoken or whispered and sit on top of the groove only; music never drops out for vocals, No breakdowns with silence, no vocal-only sections, Arrangement is loop-driven, hypnotic, steady-state, DJ-tool focused, with energy controlled by filtering and texture, not by removing elements, ‑No vocal-only sections, ‑no silence gaps, ‑no dropouts where drums and bass disappear under vocals, ‑no long ambient breakdowns, ‑no pop song structure, ‑no emotional belting or sung chorus, ‑no glossy radio vocals, ‑no cheesy chord progressions, ‑no EDM festival builds or huge risers, ‑no super-saw leads, ‑no trance arps, ‑no hardstyle, ‑no dubstep drops, ‑no trap kits

125–128 BPM deep minimal tech house with continuous Black Science Orchestra–style groove, Drums run uninterrupted throughout: steady punchy kick at all times, dry clap, shuffled closed hats, subtle swing, Warm rolling sub bass plays constantly with a simple repeating 1-bar pattern, Minimal filtered chord stab or sustained tone always present to hold musical bed, Vocals are spoken or whispered and sit on top of the groove only; music never drops out for vocals, No breakdowns with silence, no vocal-only sections, Arrangement is loop-driven, hypnotic, steady-state, DJ-tool focused, with energy controlled by filtering and texture, not by removing elements, ‑No vocal-only sections, ‑no silence gaps, ‑no dropouts where drums and bass disappear under vocals, ‑no long ambient breakdowns, ‑no pop song structure, ‑no emotional belting or sung chorus, ‑no glossy radio vocals, ‑no cheesy chord progressions, ‑no EDM festival builds or huge risers, ‑no super-saw leads, ‑no trance arps, ‑no hardstyle, ‑no dubstep drops, ‑no trap kits

Afro-influenced acid tech house at 124 BPM, 4/4, hypnotic and patient, designed for extended DJ mixing and long blends, Deep rounded tech-house kick with controlled sub weight, steady and unbroken throughout, Dry tech-house clap layered with rim, minimal reverb, consistent placement, Shuffled closed hi-hats with subtle swing, sparse open-hat accents used only for gentle lift, Constant low-level Afro percussion including conga taps, shakers, and wood textures, evolving slowly through micro-variation and filter movement rather than fills, Warm rolling sub-bass with very limited note movement, lightly side-chained for endurance rather than hooks, Acid mono synth (303-style) used as a pressure layer, low resonance, filter mostly closed, gradual cutoff automation over long phrases, subtle accent movement, never screaming or melodic, Harmonic material kept sparse and repetitive using muted chord stabs or filtered guitar textures acting as rhythmic glue, with slow filter opens and closes, Voc, ‑• No EDM builds or risers • No melodic acid leads or screaming resonance • No big chord progressions • No vocal belting or emotional over-delivery • No fills for excitement — tension only • No pop structure, ‑no hands-in-the-air moments

Afro-influenced tech house built for extended mixing, 124 BPM, 4/4, hypnotic and patient, Deep rounded kick with controlled sub weight, steady and unbroken, Dry tech-house clap layered with rim, shuffled closed hi-hats with subtle swing, minimal open-hat accents used sparingly, Constant low-level Afro percussion (conga taps, shakers, wood textures) evolving slowly through micro-variation rather than fills, Bass is a warm rolling sub pattern with very limited note movement, lightly side-chained, designed for endurance rather than hooks, Harmonic material is sparse and repetitive: muted chord stabs or filtered guitar textures acting as rhythmic glue, occasionally opening and closing filters over long phrases, Vocals treated as rhythmic narrative fragments, slightly recessed, repeated and filtered over time rather than front-led, Arrangement prioritises long intro, extended mid-section with gradual layering, subtle energy lift via percussion density, and a long, clean outro for DJ transit, ‑No song-style verse/chorus structure No acoustic band feel No emotional vocal belting No EDM drops or builds No glossy or pop vocal mix

Afro-influenced tech house built for extended mixing, 124 BPM, 4/4, hypnotic and patient, Deep rounded kick with controlled sub weight, steady and unbroken, Dry tech-house clap layered with rim, shuffled closed hi-hats with subtle swing, minimal open-hat accents used sparingly, Constant low-level Afro percussion (conga taps, shakers, wood textures) evolving slowly through micro-variation rather than fills, Bass is a warm rolling sub pattern with very limited note movement, lightly side-chained, designed for endurance rather than hooks, Harmonic material is sparse and repetitive: muted chord stabs or filtered guitar textures acting as rhythmic glue, occasionally opening and closing filters over long phrases, Vocals treated as rhythmic narrative fragments, slightly recessed, repeated and filtered over time rather than front-led, Arrangement prioritises long intro, extended mid-section with gradual layering, subtle energy lift via percussion density, and a long, clean outro for DJ transit, ‑No song-style verse/chorus structure No acoustic band feel No emotional vocal belting No EDM drops or builds No glossy or pop vocal mix

Afro-house pulse fused with folk-rock storytelling, 92–98 BPM, 4/4, loose and human, slightly behind the beat, Drums are minimal and earthy: deep Afro kick anchoring the groove, soft live-feeling percussion, brushed snare textures, subtle shaker swing — no quantization, natural drift encouraged, Bass is warm and round (upright-style or electric), simple root–fifth movement, gently pushing into later verses without obvious drops, Acoustic steel-string guitar drives the rhythm with a steady folk pulse, repetitive and hypnotic; gritty electric guitar answers vocal lines with short Stones-style fills, never dominating, Keys are sparse upright piano or faint organ tones used only to underline transitions, Vocals are conversational, narrative, imperfect phrasing encouraged; low harmony appears only on the last line of verses, no stacked choirs, Structure avoids a traditional chorus — energy rises through lyric repetition and groove density, not production, Outro strips back to vocal and acou, ‑No quantized drums No modern folk polish No anthem chorus lifts No synths or cinematic builds No metaphor gymnastics No EDM drops

Afro-house pulse fused with folk-rock storytelling, 92–98 BPM, 4/4, loose and human, slightly behind the beat, Drums are minimal and earthy: deep Afro kick anchoring the groove, soft live-feeling percussion, brushed snare textures, subtle shaker swing — no quantization, natural drift encouraged, Bass is warm and round (upright-style or electric), simple root–fifth movement, gently pushing into later verses without obvious drops, Acoustic steel-string guitar drives the rhythm with a steady folk pulse, repetitive and hypnotic; gritty electric guitar answers vocal lines with short Stones-style fills, never dominating, Keys are sparse upright piano or faint organ tones used only to underline transitions, Vocals are conversational, narrative, imperfect phrasing encouraged; low harmony appears only on the last line of verses, no stacked choirs, Structure avoids a traditional chorus — energy rises through lyric repetition and groove density, not production, Outro strips back to vocal and acou, ‑No quantized drums No modern folk polish No anthem chorus lifts No synths or cinematic builds No metaphor gymnastics No EDM drops

Cumbia rhythm fused with Arabic modal instrumentation, 96–100 BPM, minor key with Hijaz / Phrygian dominant colour, Traditional cumbia groove driven by guacharaca scrape, soft congas, hand percussion and low kick with gentle swing, Warm rounded bass following classic cumbia patterns, subtle and hypnotic, Arabic darbuka and riq accents interwoven lightly, never overpowering the groove, Melodic layers include Arabic oud and ney flute answering phrases, with subtle accordion or organ-style pads nodding to Latin cumbia heritage, Sparse harmonic movement built on modal repetition rather than chord changes, Female lead vocal breathy, intimate, emotionally restrained; male voice low and spoken-sung, used sparingly, Chorus relies on vocal texture and melisma rather than lyrical hooks, Arrangement is slow-burn and circular, DJ-friendly, nocturnal, spiritual, and grounded — emotional weight without drama, ‑No pop cumbia No festival brass No EDM drops No glossy autotune No cartoon Latin tropes No lyrical translation

Cumbia rhythm fused with Arabic modal instrumentation, 96–100 BPM, minor key with Hijaz / Phrygian dominant colour, Traditional cumbia groove driven by guacharaca scrape, soft congas, hand percussion and low kick with gentle swing, Warm rounded bass following classic cumbia patterns, subtle and hypnotic, Arabic darbuka and riq accents interwoven lightly, never overpowering the groove, Melodic layers include Arabic oud and ney flute answering phrases, with subtle accordion or organ-style pads nodding to Latin cumbia heritage, Sparse harmonic movement built on modal repetition rather than chord changes, Female lead vocal breathy, intimate, emotionally restrained; male voice low and spoken-sung, used sparingly, Chorus relies on vocal texture and melisma rather than lyrical hooks, Arrangement is slow-burn and circular, DJ-friendly, nocturnal, spiritual, and grounded — emotional weight without drama, ‑No pop cumbia No festival brass No EDM drops No glossy autotune No cartoon Latin tropes No lyrical translation

Afro House fused with Anatolian and Arabic modal influences, 122–124 BPM, D minor with Hijaz / Phrygian dominant colour, Deep rounded Afro-house kick with hypnotic low-end, lightly side-chained warm sub bass following rhythm not melody, Shuffled Afro percussion (congas, low toms) with subtle Arabic darbuka accents, restrained groove designed for late-night movement rather than drops, Sparse harmonic movement built on modal drones, Turkish saz / bağlama-style plucked motifs answer the vocals, supported by Arabic oud-like phrases used melodically, not ornamentally, Minimal chord changes, trance-like repetition, Female lead vocal breathy, intimate, modal phrasing; male voice low, spoken-sung, sparse, Chorus relies on vocal texture and melisma rather than lyrics, Long DJ-friendly intro, slow-burn arrangement, spiritual and underground tone, no peak-time theatrics, ‑No EDM builds or drops No pop vocal phrasing No festival energy No glossy autotune No lyrical translation

Afro House fused with Anatolian and Arabic modal influences, 122–124 BPM, D minor with Hijaz / Phrygian dominant colour, Deep rounded Afro-house kick with hypnotic low-end, lightly side-chained warm sub bass following rhythm not melody, Shuffled Afro percussion (congas, low toms) with subtle Arabic darbuka accents, restrained groove designed for late-night movement rather than drops, Sparse harmonic movement built on modal drones, Turkish saz / bağlama-style plucked motifs answer the vocals, supported by Arabic oud-like phrases used melodically, not ornamentally, Minimal chord changes, trance-like repetition, Female lead vocal breathy, intimate, modal phrasing; male voice low, spoken-sung, sparse, Chorus relies on vocal texture and melisma rather than lyrics, Long DJ-friendly intro, slow-burn arrangement, spiritual and underground tone, no peak-time theatrics, ‑No EDM builds or drops No pop vocal phrasing No festival energy No glossy autotune No lyrical translation

Genre: Latin Folk / Contemporary Singer-Songwriter Tempo: 68 BPM Time Signature: 4/4 Instrumentation: • Nylon-string acoustic guitar (soft arpeggios, gentle strums) • Warm pizzicato double bass (round, intimate low end) • Subtle percussion: muted handclaps, light brushed textures • Strings (cello + violin) enter only from second chorus onward • Melancholic flugelhorn featured in the bridge as melodic response Production: Minimal, organic, analog-feeling production, Short natural room reverb, no long tails, no gloss, Space between notes is intentional, Vocals: Warm, intimate female Spanish lead, breathy and close-mic’d, Delicate phrasing, soft dynamics, emotionally expressive but restrained, Male English voice low, gentle, supportive — never dominant, Emotional Tone: Nostalgia, tenderness, vulnerability, Quiet strength, love held through distance and loss, ‑No pop vocal delivery No belting No autotune artifacts No EDM, ‑no synths No dramatic crescendos No theatrical phrasing

Genre: Latin Folk / Contemporary Singer-Songwriter Tempo: 68 BPM Time Signature: 4/4 Instrumentation: • Nylon-string acoustic guitar (soft arpeggios, gentle strums) • Warm pizzicato double bass (round, intimate low end) • Subtle percussion: muted handclaps, light brushed textures • Strings (cello + violin) enter only from second chorus onward • Melancholic flugelhorn featured in the bridge as melodic response Production: Minimal, organic, analog-feeling production, Short natural room reverb, no long tails, no gloss, Space between notes is intentional, Vocals: Warm, intimate female Spanish lead, breathy and close-mic’d, Delicate phrasing, soft dynamics, emotionally expressive but restrained, Male English voice low, gentle, supportive — never dominant, Emotional Tone: Nostalgia, tenderness, vulnerability, Quiet strength, love held through distance and loss, ‑No pop vocal delivery No belting No autotune artifacts No EDM, ‑no synths No dramatic crescendos No theatrical phrasing

Acoustic / Folk-Rock, E minor, 72 BPM, Female lead Spanish vocal with emotive vibrato; male English voice slightly lower, intimate, restrained, Verses minimal: Gibson J45 acoustic + soft fretless bass + light piano, Pre-chorus adds cello swell and subtle palmas, Chorus opens with folk violin harmonies, cello, and warm female choir, Bridge strips to Spanish guitar, breathy vocal, increased vibrato, natural reverb, Final chorus full ensemble: violin, cello, harmonised female choir, restrained Telecaster swells, cajón pulse, Mediterranean / Andalusian tone, emotional but controlled, no pop theatrics, ‑No pop sheen No EDM elements No autotune artifacts No melodrama / musical theatre No modern chart vocal phrasing

Acoustic / Folk-Rock, E minor, 72 BPM, Female lead Spanish vocal with emotive vibrato; male English voice slightly lower, intimate, restrained, Verses minimal: Gibson J45 acoustic + soft fretless bass + light piano, Pre-chorus adds cello swell and subtle palmas, Chorus opens with folk violin harmonies, cello, and warm female choir, Bridge strips to Spanish guitar, breathy vocal, increased vibrato, natural reverb, Final chorus full ensemble: violin, cello, harmonised female choir, restrained Telecaster swells, cajón pulse, Mediterranean / Andalusian tone, emotional but controlled, no pop theatrics, ‑No pop sheen No EDM elements No autotune artifacts No melodrama / musical theatre No modern chart vocal phrasing

125 BPM, 4/4, The groove communicates assured forward motion — not urgency, not struggle, Drums are tight and economical: a short, controlled kick with no sub bloom, creating confidence through restraint, Claps are dry and precise, reinforcing structure rather than excitement, Hi-hats shuffle with swing to imply movement and time passing, never rushing, The bass is repetitive and grounding, acting as an anchor rather than a melody, It loops with intention, suggesting stability, discipline, and clarity, No bass runs, no emotional lifts — just consistency, Chord stabs are minimal and filtered, appearing briefly to signal awareness, then disappearing, They never resolve dramatically; they hint, then step back, This avoids melancholy while maintaining depth, Percussion is subtle and human: light conga taps, wood textures, shakers — used sparingly to suggest life inside the system, not chaos, FX are functional only: gentle filter sweeps and noise lifts every 16 bars to mark time and prog, ‑No EDM drops • No emotional breakdowns • No supersaws • No gospel / choir • No hype builds or shouting

124–126 BPM, minor key with warm lift, Four-to-the-floor Afro-house kick (rounded, not punchy), rolling conga + djembe percussion loop with subtle swing, off-beat shakers, occasional rim/cross-stick accents, Sub-bass replaces slap bass: elastic, melodic, side-chained lightly to kick, Rhodes evolves into filtered chord stabs with movement; clean funk guitar becomes muted rhythmic chops tucked low, Analog synth stabs simplified into call-and-response with vocal phrases, Drums breathe: drops remove kick not groove, Chorus stays bass-led and hook-forward, Vocals confident, close, slightly dry; short delays on last words only, Bridge strips to percussion + pad swell, rebuild with bass re-entry, Optional UK garage crossover: swap straight hats for swung 2-step shuffle in breakdown, keep kick 4x4 on return, Energy: uplifting, warm, late-night club not peak-hour rave, ‑• Big-room EDM builds • Hyper-compressed drums • FM slap bass nostalgia • Over-sung pop belting • Festival drops or supersaws • American cheerleader energy

123–124 BPM Afro-house foundation with UK underground garage swing, built for heads not festivals; harmonic base uses Andalusian Phrygian cadence (i–♭VII–♭VI–V) voiced as deep, dusty minor chords; intro opens with soft palmas (hand claps), muted flamenco guitar harmonics, low cello drone, vinyl air, and brushed shakers; groove entry brings a warm, rounded Afro kick, swung UKG hats, subtle ghost claps, and Fender bass following the root without showboating; verses stay restrained with call-and-response violin phrases, banjo ghost plucks, and minimal chord stabs; pre-chorus drops kick weight slightly while flamenco arpeggios and cello accents build tension; chorus hits with full but controlled Afro percussion (bongos + congas), wide string stabs, rolling bass, and garage shuffle — lift without peak-time cheese; bridge strips back to palmas, guitar, and breath before final return, designed to feel timeless in a record shop and warm on a system, ‑EDM drops, ‑no supersaws, ‑no pop piano, ‑no big-room compression, ‑no cinematic trailer strings, ‑no gospel choirs, ‑no trap drums, ‑no tourist flamenco clichés, ‑no American cheerleader energy, ‑no shiny vocal FX

Afro house, 122–124 BPM, dark tribal groove with Detroit minimal attitude, Heavy rounded kick, off-grid percussion, muted toms, shakers drifting behind the beat, Bass is thick, elastic, slightly detuned, short and punchy, Sparse stabs, filtered organ or Rhodes, long dub delays, Vocals: male lead, monotone, half-spoken, exaggerated pauses, awkward emphasis, chopped timing, formant-shifted doubles, pitched-down whispers, occasional call-and-response fragments, Voices feel odd, intimate, slightly uncomfortable in a good way, Arrangement stays stripped and repetitive, built for tension and sweat, ‑No US EDM energy • No comedy voices

Afro house, 122–124 BPM, dark tribal groove with Detroit minimal attitude, Heavy rounded kick, off-grid percussion, muted toms, shakers drifting behind the beat, Bass is thick, elastic, slightly detuned, short and punchy, Sparse stabs, filtered organ or Rhodes, long dub delays, Vocals: male lead, monotone, half-spoken, exaggerated pauses, awkward emphasis, chopped timing, formant-shifted doubles, pitched-down whispers, occasional call-and-response fragments, Voices feel odd, intimate, slightly uncomfortable in a good way, Arrangement stays stripped and repetitive, built for tension and sweat, ‑No US EDM energy • No comedy voices

126 BPM Afro-Tech House / Deep House with strong London underground swing, Heavy but clean 4/4 kick with occasional ghost hits for movement, loose shuffled hats with open hat at bar ends, continuous swung shaker driving momentum, Off-grid Afro congas and rim patterns create groove tension, airy but tight clap layered subtly, Warm rolling sub bass with syncopated movement, never aggressive, Minimal stabs and textures only, groove-first, DJ-functional, Male vocal leads rhythmically with confident delivery, female vocal used for hook reinforcement and echoes, Arrangement builds gradually with micro-fills every 4–8 bars, no EDM drops, no cinematic builds, late-night Fabric-style pressure, ‑• No named artists or venues • No manifesto / lecture tone • No big-room drops • No pop gloss • No cinematic FX

123–124 BPM Afro House / Deep House crossover with subtle flamenco flavour, Deep rounded kick, warm rolling off-beat sub bass, smooth human swing, Clean Afro-influenced percussion with conga, rim and light hand drums, never busy, Flamenco-style nylon guitar phrases used rhythmically, short and percussive, not melodic solos, Occasional muted guitar stabs answering the groove, Minimal minor-key chord textures, warm and restrained, Male vocal as rhythmic lead, female vocal as hook response and harmony, Arrangement stays hypnotic and dance-focused with gradual energy changes, no drops, no pop builds, no EDM effects, Club-ready, elegant, late-night feel, ‑• No named artists • No lecture / classroom tone • No pop hooks • No EDM drops • No cinematic builds

124–125 BPM Afro House / Tech House crossover, Deep rounded club kick with warm rolling off-beat sub bass, subtle human swing, Minimal tribal percussion layers (conga, rim, wood hits) for groove and movement, never busy, Short minor-key chord stabs, warm and restrained, no melodic leads, Funk-influenced micro drum fills and shuffle for late-night club pressure, Vocals used sparingly as rhythmic texture only, low-ego, non-pop, Arrangement stays hypnotic and functional with gradual energy shifts, no drops, no cinematic builds, no big hooks, Adult, underground, DJ-friendly groove, ‑• No named artists or venues • No “in the style of” • No EDM drops • No pop vocals • No cinematic soundtrack feel

* Traditional Drums & Shakers: Digital samples of congas, bongos, djembes, talking drums, shekeres, and claves provide an authentic, "organic" feel, * Electronic Percussion: Drum machines like the Roland TR-909 are used for standard house elements such as kicks, snares, and hi-hats, adding punch and consistency to the mix, Melodic Elements & Synths Melodies and atmosphere are often created using a mix of sampled organic instruments and synthesizers:  * Marimbas & Kalimbas: warm, percussive and plucked tones, are foundational for melodic loops and arpeggios, * Synthesizers: Analog-style VSTs are essential for creating deep sub-bass lines, warm pads, and ethereal leads, * u-he Diva * Xfer Serum * Arturia Analog Lab * Native Instruments Massive X * Spectrasonics Omnisphere 2, techno classic London house music

* Traditional Drums & Shakers: Digital samples of congas, bongos, djembes, talking drums, shekeres, and claves provide an authentic, "organic" feel, * Electronic Percussion: Drum machines like the Roland TR-909 are used for standard house elements such as kicks, snares, and hi-hats, adding punch and consistency to the mix, Melodic Elements & Synths Melodies and atmosphere are often created using a mix of sampled organic instruments and synthesizers:  * Marimbas & Kalimbas: warm, percussive and plucked tones, are foundational for melodic loops and arpeggios, * Synthesizers: Analog-style VSTs are essential for creating deep sub-bass lines, warm pads, and ethereal leads, * u-he Diva * Xfer Serum * Arturia Analog Lab * Native Instruments Massive X * Spectrasonics Omnisphere 2, techno classic London house music

Tempo: 123 BPM (slightly slower = clearer vocals) Feel: Afro house first, reggaeton only as shadow Intro • Soft Afro kick • Sub swell (no bassline yet) • Air pad + noise Verse Groove • Kick + muted sub • Shaker only (no hats yet) • Very light log drum (every 2 bars) Chorus • Add off-beat hat • Sub becomes rolling (single note) • Log drum answers vocal (don’t compete) Verse 2 • Add rim / wood hit • Keep bass identical (consistency matters) Break • Kick out • Pad + whisper loop • Filter sweep only Final Chorus • Full groove returns • Extra percussion layer (quiet) • No fills, no drops Outro • Kick + shaker • Delay tail • DJ-safe fade, ‑• No fast rap phrasing • No stacked harmonies • No choir / gospel tones • No aggressive reggaeton snare • No melodic bass runs • No busy fills

Tempo: 110 BPM Time: 4/4 Feel: Swung breakbeat, steady head-nod Rule: ONE groove from start to end — no drops, no breaks Bars 1–8 (Intro / Establish) Kick + snare break, vinyl crackle, low bass note every 2 bars, Male voice only, spoken/half-rapped, No female yet, Bars 9–40 (Main Body – Call & Response) Same beat continues unchanged, Structure repeats every 4 bars: • Bars 1–3: Male delivers full lines (clear, unbroken sentences) • Bar 4: Female answers with short phrase only (3–6 words max) This pattern repeats for the entire song, No overlaps, No harmonies, Female never starts a verse — only responds, Bars 41–56 (Lift – Energy Without Change) Beat stays identical, Add subtle funk stab or filtered noise rise, Same 3-bar male / 1-bar female structure, Bars 57–64 (Outro) Beat strips naturally (no stop), Male final line on bar 61–62, Female last response on bar 64, End clean, That’s it, No sections, No drops, No tricks