HellcatNZ - KOTH

psychedelic, experimental electronic, funk

‑excessive reverb wash, ‑muddy mix, ‑compressed dynamics, ‑overly processed vocals, ‑synthetic textures, ‑harsh frequencies, ‑wind tunnel effects

dark rave, dark techno, epic, deep dark progressive house, ethereal female vocals, dark drum n bass

Dark Alt-R&B, Cinematic Space-Opera, Sultry Breathy Female Vocals, Robotic Textures, Transmission Signal Static, 65 BPM, Zero-Gravity Atmosphere, Deep Space Ambience, Dystopian Noir, Industrial Sub-Bass

Genre: Groove Metal / Modern Heavy Tempo: ~95–105 BPM (head-nod stomp) Tuning: Drop C or Drop B Mood: Gritty, defiant, pissed-off resilience Instrumentation & Feel: Thick, palm-muted main riff with syncopated stops Drums: tight kick, dry snare, heavy pocket (no blast beats) Bass locked hard to the kick — weight over flash Minimal leads; texture over solos Vocals: Verses: gritty bark / half-spoken snarl Chorus: full-throated shout, slightly layered Bridge: near-whisper → explode No polish — leave rasp, breath, and cracks Overall Vibe: Bloodied but standing, No hero arc, A warning, not a prayer, ‑female

Gothic Rock, Slowcore, Haunted Vocals, Belting Vocal Fry, Pounding Kick Drums, Distorted Bassline, Slow Sustained Electric Guitar Notes, Pizzicato Violin, Dusty Piano, Quiet-Loud Dynamics, Layered Backing Vocals, Hypnotic, Tormented, Dissonant, Ethereal

Style: (Fragile chamber folk:1, 4), (Hollow female alto:1, 3), 75 BPM, Intimate close-mic vocals, Soft cello, Cinematic atmosphere, Breathless delivery, Minimalist piano, -shouting, -drums, -electronic

Avant-Garde Soul Rock, Cinematic Chamber Pop, Deep Male Baritone, Heavy Orchestral Cello, Melodic Liquid Drum and Bass, Gritty Blues Guitar, 170 BPM but half-time soulful vocal delivery, Incandescent Golden Saturation, Slow Shimmering Pitch-Drift, Majestic and Soothing, ‑female vocals, ‑high-pitched, ‑wailing, ‑bright, ‑pop, ‑thin sound, ‑acoustic guitar, ‑cheerful, ‑frantic, ‑messy, ‑chaotic, ‑low-quality

Contemplative indie folk building to euphoric climax, intimate female vocals, opens with fingerpicked acoustic guitar and low synth drones creating subtle unease, gradually layering brushed drums, cello, and driving percussion through verses, pre-choruses add rhythmic tension with palm-muted guitar, choruses expand with stacked harmonies and swelling strings, bridge strips to vocal and sustained strings only for maximum vulnerability, final chorus explodes with full drums, layered gospel-style vocals (5+ tracks), soaring string sections, anthemic yet organic, dynamic range from whisper to roar, atmospheric reverb on vocals, warm analog compression

Fast-paced noir art-rock, driving motorik bassline, 140 BPM, relentless rhythm, dry female contralto, gritty garage-rock, no vocalizing in intro, staccato delivery, mechanical industrial drums, high-tension, breathless

A dark, cinematic Southern Gothic anthem characterized by a slow, stomping 4/4 beat and heavy blues-rock instrumentation, The track opens with a gritty, distorted electric guitar riff and a resonant, low-frequency kick drum, The vocal performance features a powerful male baritone with a raspy, soulful edge, utilizing dramatic dynamic shifts from intimate verses to soaring, belted choruses with intense vibrato, Instrumentation includes a thick, fuzzy bassline, slide guitar accents, and atmospheric reverb, The harmonic structure is rooted in a minor key blues progression, emphasizing tension and release, Production is polished yet raw, featuring wide stereo imaging for the guitars and a centered, commanding vocal presence with subtle delay and plate reverb, The arrangement builds in intensity with layered vocal harmonies and crashing cymbals during the climactic final chorus

A slow, cinematic dark synth-folk song with space western atmosphere and ambient alt-pop textures, Sparse analog synths, reverbed electric guitar, deep sub-bass pulses, and distant choir pads, Tempo around 60–70 BPM, Intimate, haunted female vocal delivery with breathy phrasing and long reverb tails, Verses feel like drifting through empty galaxies; chorus swells with emotional weight but stays restrained, Mood is lonely, cosmic, devotional, and tender, Production feels like a signal traveling through space, with subtle vinyl crackle and wide stereo reverb, Emotional arc moves from isolation to quiet yearning without resolution

1960s garage rock, lo-fi production, vintage Fender Twin Reverb amp hum, Gibson SG with Univox Super-Fuzz pedal, dirty overdriven Rickenbacker 4001 bass, Ludwig silver sparkle drum kit, crashing Zildjian cymbals, Farfisa Compact organ, Vox Continental keyboard, Shure SM58 vocal grit, live basement acoustics, rhythmic tambourine, 145 BPM, raw energy, no metal crescendo, crisp enunciation

Genre: Dark Pop, Liquid Industrial, 110 BPM, Style: Reality-bending atmosphere, Solo whirring Pūrerehua textures over a Surgical Reese Sub-Bass heartbeat pulse, Precision-chopped organic stone and wood percussion (Tumutumu) with glitchy stutter edits, Breathy, haunting Kōauau flute melodies weaving through reverb-soaked synth pads, Vocals: Smoky, soulful female vocals, STRICTLY NO AD-LIBS, Intense close-miked ASMR-style delivery in verses; powerful, clean vocal stacking in the chorus for a massive cinematic lift, Production: UK Intelligent DnB sensibilities, Bridge features a Liquid breakdown with minimal drums, distorted Pūtōrino spirit-voices, and digital artifact sound design creating "reality warps, " Ending: Sudden drop to wide stereo field tide sounds, Final dry whisper: "Roots Rest, See me, see you" with infinite reverb tail decay

70s Glam Rock Opera, Multi-Tracked Guitar Harmonies, Orchestral Rock, Analogue Tape Saturation, Radio DJ Sound Collage, Moog Modular Synth, Zany Sound Effects, Theatrical Male Vocals, RP English Accent, Staccato Piano, Stadium Anthemic, Rapid Tempo Changes, Tape Echo, Slide Whistles, Phase Shifting

Opening with ghostly piano and faint heartbeats over a textured ambient noise floor, reverb-heavy guitars gradually enter, layering arpeggios and distant feedback, Verses use swelling bass with raw, breathy female falsetto vocals, shifting to trembling whispers and dynamic crescendos, As tension mounts, guitars grow distorted, drums intensify, and the faint sound of a music box folds into the mix, giving way to sections of broken murmurs and sparse instrumentation, The arrangement cycles between cinematic drops and dense, atmospheric peaks, drawing from progressive post-rock, apocalypse metal, and poetic emo dynamics to evoke transformation and decay, ‑Egyptian Scales, ‑Arabian Tune, ‑Arabian Influence, ‑Arabian Sound, ‑Wind, ‑Shimmering, ‑Hissing, ‑Unclean, ‑Unclear, ‑Cloudy, ‑Static, ‑Droning, ‑Huffing, ‑Vocalizing Intro, ‑Vocalizing, ‑Weak Beats, ‑Weak Bass, ‑Distortion, ‑Gasping, ‑Auto Tune, ‑Screaming Vocals, ‑Screaming, ‑Happy, ‑Upbeat

Dream Pop, Slowcore, Noir, Female Vocals, Clean Electric Guitar, Heavy Reverb, Whisper Vocals, Ambient, Melancholic, Cinematic

Ritual big beat / ethnographic breakbeat, Hybrid of traditional Ghede rite BANDA rhythm and 90s UK big beat, Tempo 98-112 BPM, Rhythmic foundation: live polyrhythmic banda drums — sampled, looped, layered with heavy breakbeat edits, Iron bell and rattle maintain ceremonial pulse over funky, distorted breaks, Structure: call-and-response vocals in Haitian Creole — male ritual chants answered by processed female chorus, Verses sparse with raw drums and distant field recordings (cemetery ambience, wind, ritual laughter), Choruses: filtered loops, massive analogue basslines, treated drum samples chopped as breakbeats, synthetic dub priest FX, filtered vocal stabs, Mood: dark carnivalesque, Death-as-celebration, Crossroads at midnight — voodoo ceremony colliding with abandoned warehouse rave, Baron Samedi's procession through smoke machines and strobes, Sacred and profane intertwined, Drums treated with bit-crushing and spring reverb, Occasional orchestral stabs for epic tension

Genre: Native American folk / ceremonial-inspired • Vocal: Warm male voice, gentle and reverent, slightly echoing • Instruments: Soft Lummi-inspired hand drums, flutes, subtle ambient forest sounds • Effects: Light owl calls in background, soft wind, birds chirping • Tempo: Mid-tempo, reflective, uplifting

Female vocals, drone, hypnotic, indie-rock, layered vocals in chorus

soft, whispered, electric, metallic, faint, emotional, drone, acoustic, alto female voice, aggressive

Industrial Metal, 155 BPM, Driving 4/4 straight beat, Aggressive Female Spoken-Rap, Focused Manic Delivery, No ad-libs, Heavy 808s, [Bridge: Sudden Tempo Drop, 60 BPM, Heavy fuzzy distortion, Slow heartbeat kick, Ethereal atmospheric void, Bone-dry ending]

528 Hz Frequency, Deep, Rubbery Sub Bass And staccato Drums Anchor A Blend Of Synth trap, R&B, EBM, Hip Hop, Stutter House, Dirty Pop, And Afrofuturism, Polished Boy Band Harmonies From Male Vocals Glide Atop Lush Pads, Punchy Guitar Riffs, Glitchy Fx, And Metallic Synths, Fusing Energy With Confident, sexy Flair, The Arrangement Should Feel Rebellious And Euphoric—Like A Midnight Dancefloor Baptism Under Strobe Lights, Lean Into Playful Distortion, Sultry Topline Melodies, And A Heavy, Throbbing Rhythm To Channel Uninhibited Desire And Late-Night Ecstasy, Unique, Provocative, Horny And Glossy Production, Ghost Notes, Infectious Beat, Popular Music, Coky Male Vocals, Aggressive Delivery, Reggae, Syncopated Rhythmic Interpolation, High Quality

Gothic, Folk, Djent Opera, Dark Atmosphere, Madness Ballad, With Ethereal, Cracked Male Vocals and Sweeping Orchestral Arrangements

Lo fi textures ride atop raw, driving drum breaks and distorted bass, Gritty guitar riffs slash through snarky edits, while occasional punk shout-backs pepper the verses, Tape hiss and glitch add grain, giving way to a stripped, half-time bridge before crashing into a raucous finale

Minimalist neo-soul / alternative R&B instrumental with a dreamy, hazy atmosphere, Slow-tempo groove with soft rim-knock drums, subtle swing, and warm low-end, Ambient synth pads, airy vocal-like textures, and gentle plucked guitar or Rhodes chords, Spacey reverb, long delays, and a floating, late-night sativa energy, Smooth, hypnotic, and intimate — no aggressive drums or bass, Soft, airy female vocal with a whisper-light delivery, Ethereal tone, breathy harmonies, and gentle falsetto layers, Relaxed phrasing with a floating, meditative cadence, Neo-soul and alternative R&B influence with a calm, hazy, uplifting “sativa” feel, Emotional but restrained, intimate late-night energy, Reverb-heavy vocals that feel spacious and soothing, like floating over water, dreamy floaty intimate hazy sativa energy soft feminine vocal late night R&B ethereal neo-soul

#mys tennis, love is the gentlest of the OCDs, post-indietronica post-instrumental cello revival, classically trained pianist, ambient chaotic baroque, cellist #MySpace

The piece is an instrumental track with a driving, energetic feel, The primary instruments are an electric guitar, playing a clean, slightly overdriven melody, and a drum kit providing a consistent rock beat, The guitar features a prominent wah effect, particularly noticeable in the melodic phrases, The tempo is moderately fast, contributing to the energetic mood, The song structure is simple, with a repeating melodic phrase that evolves slightly with subtle variations in guitar phrasing and wah intensity, The production is clean, with the guitar and drums well-balanced in the mix, There are no chord progressions clearly discernible as the guitar primarily plays single-note melodies and riffs, The key is not explicitly defined through chords but the melodic lines suggest a major tonality, The overall feel is upbeat and suitable for a background track in an action-oriented scene

Aggressive and fast-paced underground hip-hop track featuring a high-energy male rapper with a gritty, rapid-fire delivery, The production is centered around a distorted, fuzzy bassline and a driving boom-bap drum pattern with sharp, snapping snares and crisp hi-hats, A recurring, dissonant four-note synth motif provides a dark, tense atmosphere, The song structure follows a repetitive, high-intensity loop with brief vocal pauses for emphasis, The vocal performance is characterized by complex internal rhyme schemes, rhythmic staccato flows, and occasional layered vocal doubles for impact, The mix is raw and punchy, with the vocals sitting prominently in the center, treated with light saturation and a tight room reverb, The tempo is approximately 95 BPM in a minor key, maintaining a constant sense of urgency and aggression throughout

Indie rock shoegaze dream pop lo-fi with expressive youthful male lead vocals hitting vulnerable falsetto emotional highs, Warm fuzzy guitar walls layered with ethereal syrupy male harmonies and breathy intimate moments, Atmospheric dreamy soundscape mixing bedroom lo-fi closeness with bigger professional production depth, Moody introspective lyrics delivered in lulling vulnerable tones soaring to sharp emotive falsetto crescendos, Vintage tape warmth, fuzz distortion, heavy reverb for floating hazy feel, Influences blend Slow Pulp's fuzzy intimacy, bright jangly chiming guitars with bittersweet melodic hooks and noisy shoegaze walls reinterpreted through lush indie pop structures (airy ethereal male vocals, wistful coastal-tinged melancholy, catchy emotional sophistication), and breathy intimate soft male vocals with airy high-end clarity and emotional rawness over stark yet colorfully embellished arrangements featuring muffled fuzzy distorted warmth, tightly tracked vocal doubles, sl, ‑harsh aggressive punk, ‑screamed distorted vocals, ‑loud chaotic noise, ‑upbeat poppy cheerful, ‑overly clean glossy production, ‑mainstream pop polish, ‑heavy electronic synths, ‑synthetic artificial tones, ‑fast hyperactive tempo, ‑male falsetto dominant

[high-energy pop-rock anthem, 128 BPM, driving 4/4, rhythmic acoustic strumming intro that slams into distorted electric guitars, punchy bassline, compressed modern drums with a huge snare, stadium-ready chorus, wide layered vocal harmonies, soaring male tenor with head-voice lift on chorus, subtle synth pads with sidechain pump, gated reverb on snare, short intro (under 8 seconds), chorus hits early, post-chorus crowd chant “NOT TONIGHT” with gang vocals, signature 2-bar lead guitar hook after each chorus, bridge drops to half-time then explodes into final chorus, glossy modern radio mix], ‑trap hats, ‑EDM build-drop, ‑dubstep, ‑lo-fi/muffled mix, ‑long intro, ‑overly busy synth leads

Minimalist neo-soul / alternative R&B instrumental with a dreamy, hazy atmosphere, Slow-tempo groove with soft rim-knock drums, subtle swing, and warm low-end, Ambient synth pads, airy vocal-like textures, and gentle plucked guitar or Rhodes chords, Spacey reverb, long delays, and a floating, late-night sativa energy, Smooth, hypnotic, and intimate — no aggressive drums or bass, Soft, airy female vocal with a whisper-light delivery, Ethereal tone, breathy harmonies, and gentle falsetto layers, Relaxed phrasing with a floating, meditative cadence, Neo-soul and alternative R&B influence with a calm, hazy, uplifting “sativa” feel, Emotional but restrained, intimate late-night energy, Reverb-heavy vocals that feel spacious and soothing, like floating over water, dreamy floaty intimate hazy sativa energy soft feminine vocal late night R&B ethereal neo-soul

166 BPM, minor, bouncy street J-hip hop × tense shadow-rap, Drums: punchy kick + crisp snare/clap, straight driving 1/16 hats (no swing), tight rolls, stop-time hits; Perc: street stomp/clap accents + small clicky rim ticks, light break flicks (short, not jazzy); Bass: bouncy 808 short notes + playful slides, sidechained, groove-forward (not dark drones); Hook: bold chant-along loop (2-bar), call-and-response, hype shouts; Lead: bright detuned synth-pluck riff (simple, sticky), no chords/pads; Texture: very faint thin “shadow” layer (narrow-band hum) only in background, barely audible; Vox FX: chopped syllable stutters + quick vinyl cuts/micro-rewinds; Bridge: 4–8 bar drop to drums+bass+chant then snap back; Mix: clean, loud, modern, danceable, zero jazz feel

Dark comedy rap, dual narrators, emotional male vocals vs cold technical rap, trap production, heavy 808s, clever wordplay, autocorrect concept, contrasting deliveries, 140 BPM

Core Crumb foundation escalates into experimental transcendent territory, Starts with clear hypnotic psych-pop (ethereal vocals, groovy rhythm, retro keyboards, psychedelic atmosphere), Gradually introduces progressively complex/disorienting elements correlating with emotional escalation (clarity → mesmerization → disorientation → naked witnessing → acceptance), Verses feature clean psych-pop (clear ethereal vocals, steady groove, spacious synth, observational delivery), Pre-Chorus introduces layering: groove solidifies, synth densifies, psychedelic intensifies, Seduction entering—beauty becoming irresistible, Chorus explodes into sensory immersion: Ambient psychedelia surrounding groove (field recordings, reversed elements), glitch introduces disorientation (micro-glitches, time-shifts, stutters), dark jazz adds menace (minor-keys, sax), shoegaze wall-of-sound creates density/surround, vaporwave distortion suggests decay (tape saturation), ethereal vocals become operatic, multiple lay, ‑Avoid polished or clean production, ‑avoid removing psychedelic foundation, ‑avoid losing ethereal vocal quality as emotional anchor, ‑avoid conventional song structure, ‑avoid losing emotional escalation pattern (clarity → mesmerization → disorientation → witnessing → acceptance), ‑avoid losing hypnotic psych-pop foundation, ‑avoid removing ambient psychedelia layering, ‑avoid removing glitch elements (should feel intentional, ‑not accidental), ‑avoid losing dark jazz undertones and minor-key menace, ‑avoid removing shoegaze wall-of-sound in chorus (should feel surrounded/overwhelmed), ‑avoid softening vulnerable quality despite experimental production, ‑avoid losing vaporwave distortion/decay sounds, ‑avoid removing industrial minimalism in bridge (should feel devastatingly stripped), ‑avoid losing hypnagogic disorientation, ‑avoid conventional vocal delivery (ethereal should feel dream-like throughout), ‑avoid removing layered vocals in final chorus (internal multiplicity audible), ‑avoid losing Aut

Glitchy drum & bass at 172 BPM, male vocals, Airy pads tuned to shifting solfeggio tones under sharp, syncopated drums and a morphing reese bass, Verses stay intimate and slightly spoken, with granular delays and filtered ambience; chorus blooms wide with layered vocoder harmonies and sidechained chords, FX sweeps and reversed vocal chops create an avant-garde, slightly psychedelic arc that still lands on a cathartic, club-ready hook, drum and bass

A mid-tempo, atmospheric indie pop track with psychedelic and progressive rock influences, set in a 4/4 time signature at approximately 110 BPM, The arrangement features a lush, layered production style characterized by shimmering electric guitars with heavy reverb and delay, a driving yet melodic bassline, and a crisp drum kit with a prominent snare, The song opens with a clean, arpeggiated guitar motif that sets a dreamy, ethereal tone, The vocals are delivered by a smooth, tenor male voice, often layered with harmonies and processed with subtle chorus and spatial effects to enhance the celestial theme, The structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, with dynamic shifts between the airy, introspective verses and the more anthemic, rhythmically dense choruses, Synthesizer pads provide a warm, expansive backdrop, while occasional lead guitar flourishes add melodic counterpoints, The mix is wide and immersive, emphasizing a sense of vastness and cosmic wonder

Modern UK rap track with upbeat bounce, clean punchy drums, elastic bassline, bright melodic plucks, and club-ready swing, Male UK vocal with confident, playful delivery, Catchy chant-style hook built for replay, Verses should feel slick, rhythmic, and conversational with natural swagger, Overall vibe: Friday night freedom, good mood, no stress, modern radio-ready energy

Future Zouk Béton, heavy electronic dance beat, syncopated basslines, neon tropical synths, fast-paced rhythmic drive, festive, high energy, professional mix, cutting-edge sound design, percussive vocal chops, energetic, High-energy Zouk Béton, Kizomba, Antillean Caribbean dance, heavy synth bassline, rhythmic Ka drums, bright tropical synths, fast-paced, celebratory, festive, crisp production, male vocals, French West Indies vibe, The experimental feel good anthem track opens with experimental dubstep riddim: deep wobbly bass, fierce subs, crisp kick-clap, and restless hi-hats, 12/8 heavy triplet swing groove, Cool Crèole confident vocals intertwine over a polyrhythmic futuristic hip hop pulse, Subtle dark reverbs, tape warmth, gentle FX layer with glockenspiel, symphonic sweeps, and airy electronic fusion for a cinematic, anthemic feel, sweeping sounds, viral pop, melodic tech house, Mood is careless, charismatic, good feeling, futuristic cumbia, dembow, attitude, 808 bass