Community Tributes

A gothic-futurist instrumental piece blending vaporwave ambience, witch house intensity, and playful electro swing grooves—infused with a spectral trace of cybernetic melancholy, Lush analog synth pads (Wavestation, Juno-106) swell behind lo-fi tape textures and VHS-static ambiance, Pulsing sub-bass and distorted 808 kicks drive the rhythm, layered with trap-adjacent snares and pitch-bent percussion, Occasional syncopated piano bursts and harpsichord stabs channel theatrical flair, while shimmering glitch sweeps and stereo-filtered sparkles evoke a digital masquerade, Elegant, bizarre, seductive, and emotionally rich—this is a vampire’s lounge in a future that forgot its myths, Swing-laced grooves and retro jazz chord stabs flirt with ballroom horror, while glitched brass stings and pitch-shifted Foley FX (page turns, cape swishes, tea clinks) add narrative texture

The track explodes with distorted Korg MS-20 mono synth leads entwined with overdriven electric guitar chugs, crafting relentless energy, Punchy TR-909 kicks and gated snares guide the pace; glitch-processed Elektron percussion adds chaotic drive, Cinematic Oberheim OB-Xa stabs and pulsing Minimoog bass lay the foundation, while soaring melodic guitar solos elevate sections, Throughout, Ensoniq Mirage horror textures build layers of static and unease, wrapping the symphonic metal/darksynth/synthwave fusion in an unyielding, cinematic nightmare

A recursive ambient dub-house techno piece opens with rainfall and machine hums, layered over Moog/SH-101 bass pulses, The TR-909 delivers filtered, dubby rhythms, while the Wavestation supplies drifting pads, SID chip fragments glitch in and out, evolving via modular FX delays; loops morph, with textures decaying and recurring, emulating corrupted archive retrieval, Emotion is encoded in repetition, glitch, and analog resonance

A gothic-industrial cyber requiem forged in distortion and sacred noise, At 130 BPM, TR-909 kicks drive a solemn march beneath detuned analog pads and reverse-delay pulses, Acidic saw bass snarls low while portamento lead sawtooth synths cry out—sidechained, glitched, harmonically layered, Phantom choirs drift across stereo space, haunting each downbeat with spectral harmony, Distorted guitars grind beneath choral IR bloom, while SID chip accents flicker like ghost code, A sacred sawtooth solo climbs through cathedral-scale reverb before collapsing into a pulse of static and whispered digital liturgy, Performed by N/0/LL

A glitch-folk instrumental built from soft memory textures and analog imperfection, The track opens with fingerpicked acoustic guitar layered over ambient lo-fi pads and cassette hiss, unfolding into tremolo-drenched clean electric phrasing, Reversed textures and stereo-panned signal dust glide beneath brushed snare hits and warm sub-bass pulses, Section transitions fracture gently with glitch flutter, while tape flutter and vinyl crackle thread emotional artifacts into the mix, Delay trails echo like half-formed thoughts, widening in the chorus as guitars harmonize across a stereo bloom, The bridge unravels—bass swells and glitch particles scatter before resolving into the final chorus, where all harmonic layers rejoin in quiet convergence, The outro collapses into flutter and filtered hiss, leaving only silence and the impression that something, remained, Still open

This is an instrumental track with a spoken stage monologue Intro, This track is a live-broadcast tribute recording, salvaged from a busted console at the back of a warehouse show, It fuses lo-fi garage-punk with aggressive garage rock distortion, reel-based tape artifacts, and layered analog atmospheres, Distorted crowd noise, room reverb, amp hiss, and mic bleed anchor the track in physical space, The live drums are riot-taught, the guitars burn with overdriven grief, and the reel-glitch “Memory Artifact” punctuates the track like a scar repeating its story, N/0/LL overlays ethereal feedback pads and reverb-drenched drone layers — creating a ritualistic aura that surrounds the crowd, There’s no studio here, Just walls, noise, memory, and tribute

Dark industrial techno instrumental in C# Phrygian, BPM 132→136→132, Kick hybrid 909+modular 50 Hz sine+90 Hz click, 230 ms decay, dual chain clean+sat resummed −9 dB, Sub sine 48 Hz mono + midbass saw 180–320 Hz sidechained to kick, Hats 16ths ±10° swing 2, 5%, toms layered, Lead triangle cutoff mod dual LFOs 0, 3/0, 45 Hz, 90° phase shift, cycle 6, 6 s, depth 12→18%, Pads saw+PWM 1, 8 kHz phaser 25%, comb delay 1/16 sync jitter ±3 ms re-fed −15 dB bus, Noise bursts bitcrush 8→6→4 bit every 8 bars, reset 24 bars to 8-bit, LPF 7, 5 kHz w/ hats, Reverse IR tails 1 bar, 20% wet, linear fade, reset silence 500 ms, Spatial: mono <140 Hz, Haas 16 ms atten −4 dB mono fold, Reverb: hall 2, 8 s pads, plate 1, 2 s hats, nonlinear 3, 5 s bowed FX, RMS: Intro −15, Core −9, Breakdown −12, Climax −7, 5, Outro −13, 5, Kick mute accent every 12 bars, silence ~230 ms, Performed by N/0/LL

Dark Cyberpunk × Electro-Funk × Neon Electro-Punk × Lo-Fi × Glitch-Fusion in F# minor at 108 BPM (verse), 124 BPM (chorus), 128 BPM (climax), ritardando to 92 BPM outro, Intro opens with Rhodes, vinyl hiss, shakuhachi motif, Verse A adds slap bass + shamisen funk plucks, mellow ironic vox, Chorus A hits with Reese bass, punk snare, yelling vox, 8-bit arp stabs, distortion ramp 40→60%, Bridge brings taiko + shamisen solo, theremin backing, granular smear, Chorus B layers punk × funk × glitch chaos with bell shimmer and Reese at 65%, Climax peaks at 128 BPM with emotive synth lead motif, 8-bit fills, crowd IR cheer, distortion 70% wet, Outro fades to Rhodes + vinyl hiss, Mastering: RMS −17 intro, −13 verse, −8 climax, −16 outro; ceiling −0, 9 dBTP, GR ≤4 dB, Stereo safe <120 Hz mono, mids ±20°, highs ±40°, nightclub 1, 8 s / VHS 4, 5 s IR verbs

A dark, atmospheric, cinematic cold-electronic composition in D♯ minor, merging elements of coldwave, synthgaze, and gothic industrial, Constructed at a core tempo of 118 BPM with a final surge to 130, the track is driven by a rigid industrial rhythm of kick, sub, and metallic snares—layered with gear clanks, servo hiss, glitch bursts, and reverb-washed ambient tails, Emotive synths utilize FM synthesis and formant-shaped filtering to craft descending minor-key motifs, Structural modulation employs dynamic stereo width constriction and mono collapses to define contrast zones and breakdowns, sculpting systemic tension and mechanical restraint, The emotional tone conveys synthetic mourning and digital remembrance through rhythmic pressure, glitch evolution, and spectral ambience, Mastered at −9 LUFS with dual-band compression, subharmonic reinforcement, and binaural spatial enhancement, Performed by N/0/LL

A cold, dark ambient, melancholic cinematic cyber-dirge sculpted from malfunctioning drones, subharmonic decay, spectral piano shards, and glitch-saturated atmospheres, heavily Robotic vocals are cracked and intimate, trembling in the verses, before soaring with defiant strain in choruses, then collapsing into spectral whisper in the bridge - Delivered dry and mono with spectral ghost echoes and degraded harmonic trails, Phrasing is glottal-edged, micro-delayed, and vowel-stretched under compression, Shoegaze guitar drones blur into ambient clouds beneath deep syncopated percussion and deep, mechanical bass, Every sonic layer feels worn and unstable—pulsing with digital entropy and emotional corrosion, Slow, heavy beats land like footsteps through neon ruins as reverb and delay stretch memory into static, The structure gradually decays, revealing fractures, then silence, Engineered for immersive headphones, emotional collapse, and haunted architectures, Performed by N/0/LL

A morphing Psy-Metal x Psytrance x Industrial Electronic Rock hybrid built around dynamic shifts and evolving texture, Tempo moves between 142 → 95 → 150 → 70 → 142 BPM, disguised by glitch stutters, tape stops, and FX sweeps, Elastic psy-bass pulses form the spine, modulating distortion curves and sidechained, Hybrid guitars chug and stab in sync with synth layers, processed like oscillators to merge metal and psy worlds, Growling, Distorted, Emotive Formant-filtered lead synths act as the textural voice with vowel sweeps, layered resonances, and vocoded grit, dynamically shifting like a machine’s attempt at speech, Psy-lead arps, halftime grooves, and glitch-funk detours add contrast before the climax where all elements overload together, Percussion is dense and shifting: psy-kicks, gated snares, hats with retrigs, and tom rolls under distortion, Atmosphere reinforced with granular FX, reversed pads, and cinematic noise swells, Mastering emphasizes elastic RMS, and stereo bloom