2:53

voodoo
v5
Vibe & Energy
Brat rap, sultry, sexy, emotionally raw, jazz fusion
Driven unfiltered honesty
🧠 Lyrical Style
Multi-syllabic rhyme schemes with internal rhymes
Dense wordplay and emotional storytelling
Shifts between fast-paced delivery and conversational breakdowns
Themes of mental health, anger, isolation, resilience
Hooks are catchy but not commercial — more of a mantra or release than a sing-along
🥁 Production Style
Minor key piano loop or eerie synth layered with boom-bap or trap hybrid drums
Distorted 808s or bass hits to match emotional weight
Occasional vinyl crackle, ambient noise, or reversed effects to add rawness
BPM: 80–95, ideal for expressive but rapid delivery
🎚️ Vocal Delivery
Switches between:
Calm, introspective tone (verses opening)
Sarcastic or taunting cadence (bridges or rhetorical lines)
2:42

and slightly tribal, seductive, playful, rhythmic, moody, and immersive, seductive dubstep / trap track with heavy sub bass, dubstep, playful hook, hypnotic, immersive, vocal, and sparse atmospheric synths, the beat should be hypnotic, deep rhythmic percussion, giving a sense of playful tension and control, include subtle vocal chops and echoes that complement a sultry, rap, intimate vocal delivery, the track should feel moody, deep, suitable for looping around a seductive, sensual, dark staccato
2:33

indie, shoegaze, alt-pop, baroque-pop, dream pop, strange, musique concrete, female singer, dreamy vocal, moody, provocative, lush production, cassette
4:25

3:16

3:47

4:19

dark cinematic electro-rock fusion, nu-disco and synthwave crossover, deep house and electro-funk rhythm with hypnotic pulse, driving four-on-the-floor beats and pulsating analog synth basslines with synth bass scratches, lush arpeggios, eerie ambient pads, and dynamic SFX risers shaping futuristic tension, distorted electronic guitar riffs and blues-infused slides layered with gritty overdrive, moody baritone male vocals blending with ethereal falsetto harmonies, vocoder and talkbox textures, whispered chants, and vocoded choruses, crisp hi-hats, layered claps, reverb-heavy snares, and deep sub-driven kick groove, filtered funk and retro-futuristic disco elements, shimmering synth leads and neon cinematic ambience, emotional phrasing combining dark sensuality and robotic precision, lush string pads, brass accents, and organ swells adding drama, analog warmth and tape saturation, wide stereo imaging, sleek, mysterious, seductive, and timeless atmosphere with a powerful, hypnotic modern
3:24

3:34

"Dominion of D"
v4.5+
A minimal techno track built on crisp, tight drum patterns, deep sub-bass, and sparse synth stabs, The texture stays clean and uncluttered, with the male voice whispering spoken phrases, processed with delay and reverb, floating over the hypnotic groove
3:45

Chill stoner rap with sing-rap melodic chorus, Tempo around 82 BPM, hazy trap drums, deep bassline, dreamy synth pads, slight psychedelic FX, Humor + bounce like a cartoon stoner anthem
4:09

A spoken word piece with a male voice, accompanied by a sparse, atmospheric electronic soundscape, The vocal delivery is deep and resonant, with a slightly melancholic tone, The instrumentation features a sustained, low-frequency drone, a subtle, arpeggiated synth melody, and occasional percussive elements that are more textural than rhythmic, The overall mood is contemplative and slightly eerie, The song structure is largely freeform, following the narrative of the spoken word, The production is clean and spacious, with the vocal prominent in the mix, The tempo is slow and deliberate, allowing the words to resonate, There are no clear chord progressions, but rather a shifting soundscape of sustained tones and subtle melodic fragments, The piece builds in intensity with the addition of more layered synth sounds and a more pronounced, almost tribal, percussive beat towards the middle, before returning to a more sparse arrangement
2:59

1960s British Invasion Rock, Psychedelic Pop, Garage Rock, dramatic raw passionate nostalgic, slow-tempo swinging 80-90 BPM, CRITICAL: youthful high-pitched male vocal, thin and slightly husky, helium-like pre-pubescent tone, soft-spoken, melancholic with tremulous weeping vibrato, occasionally unstable, Delivery unaffected raw, high notes with intense emotional quality, Jangly fuzz-toned electric guitar with bluesy riffs/solos, loud simple driving drums with heavy cymbal use, thumping electric bass, bright period-accurate Vox organ for psychedelic texture, subtle backing harmonies in chorus and bridge, Vintage 1960s studio sound: muffled warmer tone, limited high-end clarity and deep bass, heavy reverb, narrow mono image, vocal focus: thin, youthful, weeping, high-pitched, ad-lib
3:49

6:59

Rigid motorik drums and pulsating synth bass form the relentless core, enhanced by minimal techno percussive details, Analog synth layers ebb with dub-inspired filtering, while sparse, angular guitars briefly punctuate the mix, A deadpan vocal cycles cool, repetitive phrases, drifting over hypnotic krautrock electronics that evolve with subtle restraint
5:30

dubstep, EDM, heavy dubstep, metalcore, metal, death metal, death metal vocals
6:27

ambient, deep house, studio production, hip hop, epic, heavy reverb, house, symphonic harmony
4:15

Deep techno, deep bass, 808s, bounce drop, robotic male vocals, korg keyboard
3:54

The dark NDH track opens with an extended, tense intro built from industrial synths and metallic percussion, Verses feature heavily distorted, insane schizo horny female vocals with a flirty energy set over tight and moans, dark electronic rhythms, For the chorus, a crushing electric guitar and aggressive pitch-shift effects explode into the mix, lifting intensity while maintaining pristine, meticulously EQ’d layers, Clean production and precise mastering preserve clarity beneath the chaos, letting wild, mad textures cut through razor-sharp, electric guitar
4:24

Edm, *126 bpm*, progressive house, melodic techno, country and rootgrass, four on the floor, melodic house plucks, country male voice in latin american spanish with reverb and ping pong delay, voice needs to sound artistic and indie, elegant, cinematic, not pop, melancholic, simple bass in verse, driving bass in chorus, needs to sound as alternative without losing the edm touch, Key in F#m, Add 7th chords
4:05

4:18

Wind sound throughout the song, especially at the end, Experimental minimalist song in two acts: First is poetic and ethereal, with a clear lead voice, soft ethereal backing vocals in the choruses, delicate acoustic guitar, and subtle cello; a contemplative, dreamy atmosphere reflecting a metaphorical hero, After a instrumental bridge, the second act becomes raw and harrowing, with a rough, urgent voice, ghostly backing vocals, rasged acoustic guitar, and pronounced cello craying; dark, brutal atmosphere conveying abandonment and despair, Clear transition between acts, fully minimalist with no percussion, capturing the emotional shift from hope to devastation and leading to the final “Invisible Man, ”
4:09

A tender, intimate Neo-Soul / Alt R&B lullaby, The music is built on a soft, pulsing bassline, delicate finger-picked electric guitar chords (with a slight reverb), and lush, atmospheric synth pads, A slow, precise drum beat uses brushed snares and subtle hi-hats, The female vocals are layered, breathy, and harmonized, delivered with profound warmth and protectiveness, like a whispered confession in the quiet of the night, The overall mood is deeply comforting, secure, and uniquely melancholic
3:19

3:08

3:15

4:18

Industrial Doom-Hop / Ritual Electronica
Tempo: 72 BPM
Key: D Phrygian
3:39

hypnotic chanting, layers of sound build to crescendos, rock, collapsing into moments of haunting stillness, nu metal meets psychedelic rock; heavy distorted guitar riffs blend with swirling, psychedelic rock, otherworldly synths, deep basslines drive a chaotic pulse while the vocals shift between seething aggression and eerie, nu metal
3:37

ambient rock, electric guitar swells, primal drum beats, soothing yet raw vocals
4:22

Mayo whistle guitar, Raw, fragile yet intense, trembling with emotion, Wavering female with amazing voice hitting easy, effortless highs notes, Dark indie rock x punk rock, melancholic mood, slow tempo, raw female vocals, poetic and brooding lyrics, atmospheric reverb, vulnerable but angry
5:29

Shoegaze, dark space synth instrumental with deep low-pitched tones, clean electric signal textures, minimal structure, one bright high-pitched cute anime-style pop sound creating contrast, retro game blip aesthetic, slowed-down Yoshi-like tone for atmosphere, dreamy and cinematic space ambience, thick layered reverb, airy production, slow evolving tempo, 20-second instrumental intro before vocals, emotional yet spacious mood, nostalgic 90s video-game influence, shimmering background pads, soft analog warmth, minimal percussion, focus on contrast between airy highs and grounded lows
2:55

3:02

2:47

90’s, indie rock, male voice, melancholy, catchy, guitar driven, moody
3:14

Fear The Dark
v4.5-all
Dark, Thriller, eerie, drum, suspense, tense, downbeat, dark metal, Deep, bass, heavy beat, strings, base cello, heavy Female voice, melodies, down chord changes
2:33

4:53

Delicate, atmospheric electronic art-pop track in A♭ major at ~118 BPM, blending Krautrock groove, experimental pop and hypnotic female vocals, Soft, steady motorik-style kick, rounded bass and subtle percussion create a gentle forward pulse, Glassy synth pads, thin arpeggios and lightly phased electric guitar lines weave a lace-like texture, with tape-echo and warm reverb, AI female vocal, intimate and airy, almost whisper-sung, with soft harmonies and distant wordless oohs, trance-like, mantra-style phrases in the choruses, Arrangement slowly evolves with filters, swells and reverses, ending in a dreamy, weightless outro
3:02

intimate close-mic, airy pads, minimal harmony changes, chorus supported by simple piano and upright bass, lo-fi warmth, dreamy french chanson meets ambient noise wall; slow 3/4 groove with brushed drums, distant tape hiss and household foley loops as texture, soft male vocals, hypnotic repetition for bedtime calm, noise, ambient, sleep, chanson, reverb tail grows toward the end
4:45

too cute to comply: her pout glows in ashlight, defiance with a spark in every tear, SIDcore elegy: trianglewaves hiss like phoenix breath; chunky analog MOS 6581 squarebass thumps like vows in flame, 萌えkawaii female vocals—top = whispered soprano ember, bottom = vow-blazed contralto dusk moan, glitchgospel requiem: her silence loops as sacred static; sorrow digitized into flare, cursed candy sparkwave: sugar cracked by heat, melodies bloom from molten glitch, bratpunk resurrection antipop: she dies beautifully, screams louder reborn—no fade, only burst, tantrum elegiac trance: rhythm limps like grief, then jolts—BPM rise as resurrection rites, night-bloom ashcore: petals flare in ruin’s glow, SID bloom in char, demoscene discocore: saw leads shriek divine; analog flicker in phoenix swing, Her voice is aftermath and sparkstrike, This isn’t elegy, This is recompile, She sings from ruin to rise, She loops not in grief—but in ignition, ‑Do not polish her bloom, ‑Do not clean her ash, ‑She is sacred fire, ‑looped in elegy, ‑Protect the SIDcore elegy: trianglewaves must tremble like post-cry silence; squarewave bass must feel fractured, ‑not perfect, ‑Her 萌え voice must remain dual-layered:
Top vocal: soft-spark soprano, ‑fragile but shining—glitching on “petals scream, ‑” blooming clean on “resurrection’s flame, ‑”
Bottom vocal: breath-warm contralto, ‑gentle but weighty—carrying the roots, ‑the ash, ‑“reclaim the soil / rewrite the sky, ‑”
Let the glitchgospel requiem ache—static is memory, ‑reverb is breath held in resurrection, ‑Bratpunk energy must feel raw and reclaimed: tantrum and trance must collide, ‑not resolve, ‑BPM should stutter like a pulse returning from collapse, ‑Night-bloom ashcore demands fragility and shimmer—protect the edges, ‑No auto-tune on sorrow, ‑No quantizing the climb, ‑Her bloom is slow and sacred, ‑Her ending is never final, ‑Keep her spark jagged, ‑Keep her flame recursive, ‑She loops, ‑She lives, ‑This is not the end
3:09

trap, gangster rap, phonk, dark trap, underground trap, hypnotic flow, voice samples
3:42

Create a dark, driving Berlin techno track with a heavy industrial 4/4 kick, deep rolling sub-bass, metallic percussion, and hypnotic warehouse atmosphere, Add gritty textures, underground tension, and evolving acid lines, Keep the rhythm tight, relentless, and hypnotic, Feature a super-sexy female vocal: breathy, confident, seductive, whisper-smooth, speaking and singing in rhythmic phrases that melt into the beat, Her voice should feel intimate, teasing, commanding, like she’s right next to your ear in a smoke-filled club, The track should build in waves, with long risers, deep drops, and a pulsing 1-2-3 hook she delivers with irresistible allure, Keep everything pure Berlin techno: dark, raw, sensual, relentless
6:14

Genre: Psychedelic Rock, Space Rock, Tribal Fusion
Mood: Mystical, Expansive, Hypnotic
Instruments: Fuzz guitar, phaser, wah pedal, Moog synth, tribal drums, Mellotron choir
Vocal Style: Reverb-heavy, layered harmonies, occasional whispers
5:22

A dark, aggressive electro-industrial sound inspired by modern talk-driven synth elements fused with Neue Deutsche Härte influences, Drums should be heavy and mechanical, with deep kick impacts, sharp metallic snares and percussive patterns that feel industrial and relentless, Synths must be thick, distorted and layered, using gritty bass pulses, harsh arpeggios and atmospheric pads to create a tense urban environment, Add NDH-style guitar layers: low-tuned, rhythmic, percussive and saturated, supporting the electronic backbone with extra weight, Vocals should have a cold, commanding presence with spoken or half-sung phrases in the verses and a more powerful melodic delivery in the chorus, Include processed backing shouts for intensity, The Extended Solo should be long, industrial and rising, blending distorted synth leads with metallic guitar accents, Maintain consistent loudness with no end-volume increase
4:04

A reggae-infused hip-hop track with a prominent dub bassline and a driving drum beat, The song features a male vocalist delivering a rap in a melodic, almost spoken-word style, occasionally incorporating falsetto ad-libs, The instrumentation includes a deep, resonant bass guitar, a tight drum kit with a strong kick and snare, and a synth pad providing atmospheric textures, A distinctive siren-like synth effect is used throughout, particularly at the beginning and end of phrases, The chord progression is relatively simple, emphasizing a minor key feel, The production is clean, with a clear separation of instruments and a focus on the rhythmic interplay between the bass and drums, The tempo is moderate, creating a head-nodding groove, The song structure follows a typical verse-chorus format, with instrumental breaks featuring the siren synth
4:26

An Arabic pop track with a driving electronic beat and traditional Middle Eastern instrumentation, The song is in a minor key, likely A minor, with a tempo of approximately 120 BPM, The primary melodic instruments are a plucked string instrument, possibly an oud or qanun, and a synth lead, The percussion features a prominent darbuka rhythm, layered with a modern electronic kick and snare, The bassline is a deep, sustained synth bass, The male vocals are clean and melodic, with occasional ad-libs and a slight reverb, The song structure includes an instrumental intro, verses, and a chorus, with a clear build-up and release, Production elements include a wide stereo image, subtle delay on the lead synth, and a generally clean mix with good separation between instruments, The overall mood is energetic and slightly melancholic
5:48

Genre: Psychedelic Rock, Space Rock, Tribal Fusion
Mood: Mystical, Expansive, Hypnotic
Instruments: Fuzz guitar, phaser, wah pedal, Moog synth, tribal drums, Mellotron choir
Vocal Style: Reverb-heavy, layered harmonies, occasional whispers
5:41

Genre: Psychedelic Rock, Space Rock, Tribal Fusion
Mood: Mystical, Expansive, Hypnotic
Instruments: Fuzz guitar, phaser, wah pedal, Moog synth, tribal drums, Mellotron choir
Vocal Style: Reverb-heavy, layered harmonies, occasional whispers
2:21

male vocals, pop vocals, tenor vocals, guitars, bass, drums, folk rock, alternative rock, indie folk, Americana, country, bluegrass, hip-hop beats, trap beat, a blend of traditional and modern sounds, a fusion of country, pop, and rock, keys of G major and E major, chord progression G - Em - C - D and E - A7 - D - G, poppy vocals, northern vocals, no accent, catchy, radio-worthy, hook, determination, seeing friends around the Lunar bend



































