🪭Gagaku DJ KNEK @ 🇯🇵 Fes🌸Rehearsal Scenes✨🍶

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-NOIR JAPANESE TRADITIONAL GAGAKU-BREAK/DOPE-DUB WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; SWEET-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA DEEP-Jazz/ILLBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis

PERFECT GAGAKU HEAVY Taiko-drum breaks avant-garde JAZZ x EXPERIMENTAL ALT-HIPHOP/IDM-BREAK LIVE EPIC ILLBIENT/BEBOP first, PSYCHEDELIC DEEP-JAZZ/BRASS-ROCK core, MELLOW-Shamisen/MELODIC-Fue COLLAGE-SUITE [TOTAL RUNTIME: 5:55 HARD STOP] NEO-JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT AMAZING JEWELS EVERYWHERE, Virtuoso Shamisen, Technical Shakuhachi Runs Koto Amazing Technique, Master-class Groove, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Glossy Evil Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 4:00 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables]

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Glossy Evil Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 4:00 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑pop chorus, ‑cheesy future trope, ‑neon cliche, ‑cartoon FX

ULTRA-EPIC/BITTERSWEET/MELLOW JAPANESE TRADITIONAL koto-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE [Total Runtime 3:33 Hard STOP] Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Taiko drum, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

ULTRA-EPIC/BITTERSWEET/MELLOW JAPANESE TRADITIONAL koto-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE [Total Runtime 3:33 Hard STOP] Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Taiko drum, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

ULTRA-EPIC/BITTERSWEET/MELLOW JAPANESE TRADITIONAL koto-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE [Total Runtime 3:33 Hard STOP] Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Taiko drum, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive artistic catharsis

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive artistic catharsis, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, TOP QUALITY FOR ALL, total comprehensive artistic catharsis Dark yet not cold quiet yet not lonely simple but total, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde JAZZ first, POST JAPANESE TRADITIONAL DUB/TECHNO core, AMBIENT/FRENCH-ELECTRO WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, TOP QUALITY FOR ALL, total comprehensive artistic catharsis Gorgeous/meticulously designed, exuding genuine power, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde JAZZ first, POST JAPANESE TRADITIONAL DUB/TECHNO core, AMBIENT/FRENCH-ELECTRO WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, TOP QUALITY FOR ALL, total comprehensive artistic catharsis Gorgeous/meticulously designed, exuding genuine power, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

[ULTRA EPIC GAGAKU TRIP-HOP ZEN SUITE LIVE: NEO Japanese traditional POST-CLASSICAL avant-garde JAZZ HYBRID COLLAGE-ART HEAVY BREAKBEATS/BRASS-ROCK, SMOOTH MELLOW ALT-HIPHOP GROOVE NOIR] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic FUE/Rhodes, bittersweet KOTO/SHAMISEN] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical FUE/KOTO SOLOS, DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [VIBE: Unexpected structure; underground GROOVY cinematic‑noir; EVIL modern glossy horns; CLASSICAL, multi-layered; BAD-BOY CHIC, euphonic motifs, Night GROOVES, VERY SENSUAL] [LIVE JAZZ DRUMING]

[ULTRA EPIC GAGAKU TRIP-HOP ZEN SUITE LIVE: NEO Japanese traditional POST-CLASSICAL avant-garde JAZZ HYBRID COLLAGE-ART HEAVY BREAKBEATS/BRASS-ROCK, SMOOTH MELLOW ALT-HIPHOP GROOVE NOIR] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic FUE/Rhodes, bittersweet KOTO/SHAMISEN] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical acoustic-guitar, DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [VIBE: Unexpected structure; underground GROOVY cinematic‑noir; EVIL modern glossy horns; CLASSICAL, multi-layered; BAD-BOY CHIC, euphonic motifs, Night GROOVES, VERY SENSUAL] [LIVE JAZZ DRUMING]

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33]

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33]

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33]

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive artistic catharsis, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, comprehensive neo-artistic catharsis, The enchanting soundscape is like the final dance of a celestial maiden [TOTAL 1:33], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 1:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 1:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 1:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue DEEP-AMBIENT [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL Aesthetics GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT [ULTRA HEAVY POLYRHYTHMIC TAIKO BREAK] Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Complex Time Signatures (7/8, 5/4), Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL [GLOBAL INTENT: instrumental only, no lead vocal, no sung syllables], ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing