3:39
Cowboy Hat Cupcake Showdown
v4.5-all
Rowdy Western swing with jangly acoustic guitars, slapback-echo male vocals, and a loping upright bass groove, Fiddles trade licks with twangy lead guitar; verses stay close and conversational, then the chorus bursts with gang shouts and claps, Big, cartoonish energy that keeps the story front and center, with a small half-time breakdown before the final chorus
2:42
Yay For The Last Time
v4.5-all
Fast horror-punk track with distorted guitars, pounding toms, and glitchy horror SFX; male vocals snarling in the verses, gang shouts on the “yay” hook, Chorus explodes into a frantic chant, heavy bass chugs under dissonant organ stabs, ending on a sudden cut with one last dry vocal hit
6:34
Luigi Runs The Rails
v4.5-all
jazz, Laid-back modern jazz combo with brushed drums, upright bass walking, and warm Rhodes; male vocals in a conversational storyteller tone, Verses stretch over extended chords, horns reply with short riffs, Chorus lifts with bright piano voicings, subtle scat ad-libs, and a late-song double-time swing to mimic the frantic run
5:31
Level 100 Luigi
v4.5-all
Big swagger stadium rock with male vocals, crunchy guitars and halftime drums in verses; wide open anthemic chorus with gang shouts and octave lead, Pre-chorus climbs with toms and pick slides, bridge drops to chanty crowd-vocal over pounding floor tom before a final explosive chorus, Huge, saturated guitars and a chewy bass line drive the grind; sprinkle arcade-style synth stabs for the game vibe, beats
3:08
Thousand Wins for Luigi
v4.5-all
Rowdy country-western groove with swaggering acoustic guitars, twangy lead licks, and stomping drums; male vocals riding a storytelling verse into a big, shout-along chorus, Harmonica fills answer key lines, gang vocals on the hook, and a final breakdown chorus with claps and whoops to feel like a saloon victory party
4:31
Peanut Butter Posse
v4.5-all
Rowdy spaghetti-Western groove, bright twangy guitars and whistled hook, Male vocals swagger over a shuffle beat, upright bass walking hard, Harmonica jabs in the gaps; big gang-vocal chorus with stomps and claps, Bridge drops to half-time with dusty organ drone, then a final, louder reprise
5:32
Four Nine on the Prairie
v4.5-all
Spaghetti Western score with male vocals, twangy reverb guitar, dusty ride cymbal, and mournful harmonica, Verses stay low and storytelling, kick and bass riding like a slow canter; chorus widens with gang shouts on title line and echoing claps, Bridge adds tremolo guitar swells and wordless background “whoa-ohs, ” then strips back to voice and guitar for the last line
3:27
Green Rage in the Arena
v4.5-all
metal, Galloping double-kick metal with thick, detuned rhythm guitars and a snarling male vocal, half-screamed half-sung, Verses are tight, palm-muted riffs under a low growl, pre-chorus climbs with dissonant chords and tom runs, chorus explodes into gang shouts and octave leads, Brief breakdown with chugging guitars and pick scrapes before the final hook
2:32
2:47
3:14
2:52
Love of princess Fashion
v4.5-all
electro swing, female voice, melodies and cello, synth piano, catchy instrumental intro, female vocals
2:58
piano-driven, female vocals, lively, electro swing
3:09
Element of Vacuum
v4.5-all
electro swing, female voice, melodies and cello, synth piano, female vocals
2:38
Electro Swing, piano, country song, swing, ambient guitar, female voice
3:07
2:59
Hotter Than The Cellblock Sun
v4.5-all
Rowdy Western swing with twangy electric guitar, upright bass, and tambourine, Male vocals lean half-comic, half-gritty; gang vocals hit the hook in unison, Verses stay sparse and speak-sung; chorus opens with big saloon piano chords, stomps, and claps, Harmonica slips in on turnarounds, final chorus rides a raucous barroom singalong energy
3:39
Spice King Showdown
v4.5-all
Rowdy spaghetti-Western trap hybrid; twangy baritone guitar and whistled motif over swaggering, syncopated drums, Male vocals with playful gang shouts; verses keep a tight, storytelling flow, choruses explode with shouted hooks and stacked harmonies, Add dusty saloon piano fills and crunchy bass hits on punchlines; final chorus rides out with crowd-style call-and-response chants, mellow
2:10
Fraud Dungeon Blues
v4.5-all
Aggressive satirical trap banger, male vocals, Dark, bouncy drums with distorted 808s, eerie bell plucks, and choir stabs on the hook, Verses tight and story-heavy; chorus explodes with gang vocals and pitched ad-libs, Heavy bass and slapback delays for a cartoonishly ominous, meme-ready anthem
3:10
High Noon at Candy Creek
v4.5-all
Rowdy Spaghetti-Western romp with swaggering male vocals, twangy tremolo guitars, honky-tonk piano fills, and stomping boots-on-wood percussion, Verses ride a loping, dusty groove; chorus explodes with gang shouts, whistled hooks, and stacked harmonies, Harmonica and barroom upright bass underline the comedy, with a whistled outro and crowd-chant feel on the final hook, fake
3:17
Cannibal Cattle Run
v4.5-all
Rowdy cartoon Western score with twangy electric guitars, honky-tonk piano, and male vocals, Shuffle groove with brushed snares and swinging upright bass; verses ride a dusty, half-spoken storytelling delivery, Choruses break wide with gang vocals, boot-stomp hits, and a whistle hook, Add mouth-harp licks and barroom claps for grit; mix keeps vocals upfront so every punchline lands
3:14
Bouncy kids-party pop with call-and-response group vocals, handclaps, and bright synth brass; verses trade rapid-fire character names over a walking bass, while the chorus explodes with gang shouts and stomping drums, Brief breakdown before the reveal, big stacked harmonies on the final tag, playful SFX-style hits accent each accusation
3:14
Luigi’s Gonna Bust It
v4.5-all
High-energy cartoon-pop with punchy drums, bright horns, and choppy rhythm guitars, Male vocals trading leads and call-and-response hooks, stacked gang shouts on the chorus, Silly sound effects, organ stabs, and stop-start hits to land the jokes; big modulated final chorus with brass blasts and ad-libbed asides
1:18
Mario Shark Doo Doo
v4.5-all
Bouncy kids’ anthem energy, bright chiptune synths and claps, male vocals, Simple, repetitive melody with call-and-response feel; each character gets its own playful motif, Big group singalong on every “doo doo” hook, with 8‑bit coin blips and cartoon sound FX sprinkled between lines
3:19
Detention of the Damned
v4.5-all
metal, Aggressive modern metal with downtuned chugs, blast beats, and snarling male vocals, Verses ride tight palm-muted riffs and dissonant chords; chorus opens into a shout-along gang vocal hook with octave leads, Brief halftime breakdown before final chorus, with pinch harmonics and double-kick flurries leading into a unison staccato ending
4:53
Green Blood On The Blocks
v4.5-all
metal, Explosive heavy metal with detuned 7‑string guitars, relentless double-kick, and screamed male vocals doubled by a snarling shout, Verses gallop with palm-muted riffs and sliding harmonics; chorus opens into a huge half-time stomp with gang vocals on the hook, Brief thrash break for the “escape” section and a towering, syncopated breakdown when they face Red, light
3:38
Savage in Chapter 2
v4.5-all
metal, Aggressive modern metal with drop-tuned guitars, blast-beat bursts, and a grinding, syncopated main riff, Verses are tight and shouted with gang-vocal accents; chorus opens into a big, chanty hook with octave leads, Mid-song breakdown hits halftime with chugs and dissonant bends, then a final tempo push to the end
3:09
Infinite Robux, Infinite Tower
v4.5-all
Playful jazz combo with upright bass walking, brushed drums, and bright piano stabs; male vocals riding a swing groove, Clarinet doubles the hook, subtle horn hits on punchlines, Chorus leans into big, catchy call-and-response, final section adds scatting ad-libs and a cheeky half-time breakdown before snapping back to the groove, jazzy, world
2:49
Infinite Robux Jubilee
v4.5-all
Playful jazz combo with upright bass walking under brushed drums and bright piano stabs; male vocals lean conversational in the verses, then open up into a swaggering, shout-along swing chorus, Horn section punches answer key phrases; final tag stacks gang vocals for a big, celebratory button, jazzy
3:29
The Great Tickle War III
v4.5-all
Playful cartoon-pop with bouncy synths, pizzicato strings, and quirky percussion; male vocals lean comedic and animated, Verses stay nimble and story-driven, chorus jumps into big gang shouts and claps, Bridge adds a mock-epic build with toms and brass stabs before a final high-energy hook and sudden stop
3:20
Playful cartoon-pop with bouncy synths, pizzicato strings, and quirky percussion; male vocals lean comedic and animated, Verses stay nimble and story-driven, chorus jumps into big gang shouts and claps, Bridge adds a mock-epic build with toms and brass stabs before a final high-energy hook and sudden stop
3:49
Laundry Day ‘Til December 22
v4.5-all
Bouncy pop-rock with cartoon energy, male vocals, Clean electric guitars and bright piano over snappy drums; verses stay light and comedic, choruses explode with gang shouts and stacked harmonies, Mid-song breakdown leans half-spoken, with playful bass walks and claps for a chant-along, Big, triumphant final chorus where the whole crew joins in, tight stop on the last punchline
3:39
Bouncy pop-rock with cartoon energy, male vocals, Clean electric guitars and bright piano over snappy drums; verses stay light and comedic, choruses explode with gang shouts and stacked harmonies, Mid-song breakdown leans half-spoken, with playful bass walks and claps for a chant-along, Big, triumphant final chorus where the whole crew joins in, tight stop on the last punchline
3:32
Mushroom Kingdom Tickle War 5
v4.5-all
Hyperactive pop-punk meets Saturday-morning-cartoon rap; distorted guitars and bouncy bass under rapid-fire verses, big gang-shout choruses, playful sound FX stabs; male vocals with stacked group chants on the hook, energy ramps from goofy chaos to heartfelt resolution in the last chorus, trance
3:55
Tickle War 6: No Rules
v4.5-all
High-energy pop-punk meets bright game-score charm; fast drums and crunchy guitars under bouncy chiptune leads, Male vocals with gang shouts, quick-fire verses, and a huge, chantable hook, Bridges strip to claps and bass for tension, then explode back into full band chaos with layered “whoa-oh” vocals
3:24
Mushroom Kingdom Tickle War 7
v4.5-all
Bouncy pop-punk energy with playful chiptune leads and bright synth brass, Tight, upbeat drums and crunchy rhythm guitars drive the verses; choruses explode with gang vocals and clapping hooks, Short bridge drops to half-time with filtered 8-bit textures before a triumphant final chorus, Male vocals, lots of stacked shouts and call-and-response
3:20
Tickle War eight
v4.5-all
High-energy pop-rock with playful chiptune accents and bright brass stabs, Band groove built around bouncy bass and tight drums, male vocals up front with gang shouts on key lines, Choruses explode with stacked harmonies and handclaps; bridge drops to half-time with filtered 8-bit textures before a final, triumphant chorus
3:26
High-energy pop-punk with chiptune flourishes, bright synth leads, and live drums; gang vocals in the chorus, playful cartoon SFX woven subtly into transitions, Male vocals with rapid-fire storytelling in the verses; big, shout-along hooks in the chorus, Guitars crunch on the downbeats, bass bounces, and the bridge drops to half-time with filtered 8-bit pads before a final, explosive chorus
3:39
Feather Man Luigi [cool version]
v4.5-all
Hyperactive electro-pop soundtrack with crunchy chiptune leads and big festival drums, male vocals, Verses bounce with staccato synth plucks and cartoony SFX stabs; chorus explodes into supersaw chords, crowd-call shouts, and octave-doubled vocal hook, Short filtered breakdown before the final chorus, then an abrupt, triumphant cutoff
2:27
Feather Man Luigi
v4.5-all
Hyperactive electro-pop soundtrack with crunchy chiptune leads and big festival drums, male vocals, Verses bounce with staccato synth plucks and cartoony SFX stabs; chorus explodes into supersaw chords, crowd-call shouts, and octave-doubled vocal hook, Short filtered breakdown before the final chorus, then an abrupt, triumphant cutoff
3:15
Tickle War Brainstorm
v4.5-all
Bouncy cartoon-pop with chiptune leads and tight drum groove, male vocals; verses stack quick-fire character name drops over syncopated bass, hook explodes with gang shouts and layered harmonies; 8‑bit arpeggios sparkle around the topline, bridge strips to claps and vocoder before a final full, bright chorus
2:54
Flaming Tickle Master
v4.5-all
Hyperactive pop-punk meets bright chiptune leads; distorted guitars lock with frantic drums while 8‑bit arps sparkle on top, Male vocals, fast and animated, with gang shouts in the hook, Verses stay tight and word-dense; chorus opens into big, shout-along melodies and group “whoa”s, Brief glitchy breakdown before final chorus to spotlight the chaos
4:05
Tickle War 12: Scorpion Luigi
v4.5-all
High-energy electro-pop with a dark cartoon edge, male vocals, Squirmy, syncopated bass, sharp snare, and chiptune arps, Verses stay bouncy and playful; chorus shifts into a heavier, glitchy drop as Luigi transforms, Brief cinematic bridge with reverb-soaked pads under Rosalina’s plea, then back into an eerie, chanting hook
3:10
Leopard Luigi’s Tickle War
v4.5-all
High-energy pop-rock with bright synth leads and tight drum grooves, playful tempo around 140 BPM, Male vocals, stacked gang shouts in the chorus, chiptune flourishes for game-world flavor, Verses stay bouncy and clipped; choruses explode with wide harmonies and octave guitars, Brief bridge drops into half-time with filtered vocals before a final, triumphant hook
3:39
High-energy pop-rock with playful chiptune flourishes, male vocals, Tight, stomping drums and fuzzed bass drive the verses; choruses explode with bright synth leads, gang shouts, and stacked harmonies, Brief halftime bridge with glitched vocal chops sets up a final, triumphant hook and big tom-fill ending
4:12
Balancing Stick of Luigi
v4.5-all
High-energy pop-rock with chiptune flourishes, male vocals, Tight distorted guitars over bright synth arps, bouncy bass, and live drums, Verses stay story-driven and nimble, pre-chorus lifts with tom fills and octave jumps, chorus hits huge with gang vocals on key phrases, Brief breakdown for a tickle-war chant, then a triumphant final hook with stacked harmonies