5:20

acoustic, metal drums, unpredictable, emotional beats, costeña, dramatic pop, ambient textures, synth, soaring female vocals, post rock, contra bass, low tempo, uk bass, distortion guitar, metal, hardcore rock, lament, reggae, electronic, down tempo, k-pop, light-hearted, hip hop, baritone, dissonant, otacore, dark synth, djent turntable funk, 80's, semba, big beat, grime boom bap, synth melodies, sound art, back vocals, funk carioca, comedy rock, industrial noise, funky guitar, afrobeat, reggaeton lento, danse, electronic guitar, rock, диско, country, lo-fi, ambient acoustic guitar, explosive drops, emotional pop, indie/alternative, haunting male vocals, hurt, memphis soul, mysticism, epic-cello, major key, london, native american chants, male baritone vocal, accordian, hand claps, funk, electronic, k-pop, classical, metal, 128 bpm, sexy vocals, gentle melody, acoustic ballad, slow build-up, spain, multilayered, enchanted, spooky
2:00

Clash Royale is dead
v4.5-all
over seasoned, flow between beats, Jamaican old man vocals, steady beat
2:24

2:44

Vexy ragebaiter
v4.5-all
Upbeat and energetic electro-swing track featuring a fusion of 1920s big band jazz and modern electronic dance music, The arrangement is driven by a bouncy four-on-the-floor kick drum and a syncopated swing rhythm, A prominent brass section consisting of trumpets and saxophones provides staccato hits and a catchy, melodic hook, The bassline is a thick, synthesized sub-bass that follows the swing groove, The vocals are delivered by a high-energy male singer with a theatrical, slightly nasal quality, utilizing rapid-fire delivery and expressive inflections, The song structure follows a standard pop format with a clear verse-chorus transition, punctuated by high-pitched vocal shouts and rhythmic handclaps, Production is polished with crisp high-end, heavy compression on the drums, and a wide stereo field for the brass layers, The tempo is approximately 125 BPM in a major key
1:50

rocks up my ah
v4.5-all
Upbeat and energetic electro-swing track featuring a fusion of 1920s big band jazz and modern electronic dance music, The arrangement is driven by a bouncy four-on-the-floor kick drum and a syncopated swing rhythm, A prominent brass section consisting of trumpets and saxophones provides staccato hits and a catchy, melodic hook, The bassline is a thick, synthesized sub-bass that follows the swing groove, The vocals are delivered by a high-energy male singer with a theatrical, slightly nasal quality, utilizing rapid-fire delivery and expressive inflections, The song structure follows a standard pop format with a clear verse-chorus transition, punctuated by high-pitched vocal shouts and rhythmic handclaps, Production is polished with crisp high-end, heavy compression on the drums, and a wide stereo field for the brass layers, The tempo is approximately 125 BPM in a major key
2:35

The shower (Hyperbaiter diss)
v4.5-all
electro-swing, protest anthem, 168 BPM, big-band brass stabs, walking upright bass, swing ride cymbal, muted trumpet riffs, clarinet counterline, glockenspiel hooks, 808 kick layer, punchy snare crack, tape saturation, mono room reverb, call-and-response chants, rapid-fire delivery, high-pitched lead vocals, playful defiance, propulsive swing groove
