4:10

NEBELKIND
v4.5-all
Opening with atmospheric synths and subtle distorted guitars, the tempo sits at 128–134 BPM, Heavy, mythical guitar riffs emerge, building tension, Drums are broad and marching, adding majesty, with occasional double bass bursts, Layered male and female vocals sing in haunting harmonies, enriching the earthy, mystical mood as the arrangement swells and recedes like fog, balancing power metal’s heft with atmospheric black metal’s enigmatic textures
4:35

Der Ruf des Erlkönigs
v4.5-all
At 165–175 BPM, this dark, forest horror metal track launches with relentless double bass and stormy gallop riffs on guitar, tremolo picking summoning a spectral woodland mood, Wild, accented snares drive the hunt; vocals—male and female—deliver menacing lines with force and melody, Layered forest ambience and ghostly, reverb-heavy backing voices weave a cavernous, fog-drenched atmosphere throughout
6:14

Blutwald
v4.5-all
At 85 BPM, the song summons dense toms and forest sounds—crackling branches, raven caws—beneath a sustained, guttural drone, Monolithic guitar riffs join with primal percussion, Male and female voices chant melodic incantations; choruses swell with deeper toms and spectral harmonies, keeping everything dominantly occult and ancient
6:05

🜂Wotans Krone🜁
v4.5-all
Set at 148–158 BPM, this powerful power metal track surges with thick, epic guitar power chords and relentless double bass drums, accented by bold marching toms and abundant crash cymbals, Heroic male and female vocals duet over deep horns and airy orchestral pads, forging a sublime, divine texture
5:11

RAGNARÖKS FUROR (ÜBERMENSCH)
v4.5-all
210–220 BPM, nonstop adrenaline
A mixture of power metal, melodic death, and thrash
Zero breaks, zero rest
The song is a continuous storm, Drums: double bass, so deep and brutal that it can break walls
Guitars: hard, aggressive riffs, loud, mythical
Vocals: male and female, sung, not screamed, heroic, menacing
Chorus effect in the background: broad, but angry
4:33

A slow power metal ballad at 75 BPM, led by brooding clean electric and acoustic guitars with folk modes, Sparse, present drums—no double kick—accentuate the solemn groove, Verses weave male and female vocals in mournful harmony, The epic chorus swells with layered guitars and subtle choral pads, evoking the dark, seductive atmosphere of moonlit water
4:23

NIBELUNGENSCHMIED
v4.5-all
Opening with colossal, earth-rattling guitar riffs and deep, resonant toms in a brooding half-time rhythm at 110 BPM, this power metal song fuses power metal drive with earthy folk textures, Dynamic dual male-female vocals, sung raw and powerful, soar over a cavernous reverb-soaked mix, evoking unstoppable momentum
4:34

DER LETZTE HELD VON ASGARD
v4.5-all
180 BPM, driving, energetic
Mix of power metal, Viking metal, epic choirs
Drums: Lots of double bass, but never chaotic, clear, heroic drive
Guitar: galloping distorted guitar riffs, hard aggressive, heroic
Guitar solo: Nordic scales
Lots of bendings + fast alternate picking
Ends in a unison riff with the rhythm guitar
Vocals: Male and female, sung not screamed, heroic, loud

