AI Underground Listening Party 01.30.26

Key of G Major, Tempo 100 BPM, Vocal range B2–D4 with harmonies up to F#4, Male vocal breathy and intimate in verses with soft chest voice, slightly more urgent in pre chorus, emotional and yearning in chorus, fragile in bridge, airy falsetto ad libs in final chorus, Production is dreamy polished and radio ready, Clean electric guitars with chorus delay and reverb wide stereo layers sparse melodic lines not heavy strumming, Warm sub bass and deep modern kick steady pop drums with subtle electronic percussion, Lush synth pads and atmospheric textures filling space, Mix is spacious cinematic and polished with vocals upfront and instruments wide, Mastering target loudness around –9 LUFS with balanced EQ and slight high end sheen for clarity, Overall mood is intimate nostalgic and late night confessional with emotional lift in the choruses, ‑no distorted or heavy rock guitars, ‑no live band demo sound, ‑no raw garage band mix, ‑no acoustic strumming, ‑no shouting or belted vocals, ‑no overly bright EDM synths, ‑no trap hi hats or hip hop beats, ‑no orchestral strings or cinematic film score elements, ‑no lo fi or vintage tape effects, ‑no country or folk instrumentation, ‑no jazz or blues style chords, ‑no auto tune artifacts or robotic vocal effects, ‑no gospel choir or overly dramatic vocal stacks, ‑no crowd noise or live audience sounds, ‑no abrupt fade outs or unfinished demo quality endings, ‑no clipping, ‑no hiss sound

bubbly, idol, catchy, upbeat, japanese lyrics, english lyrics, cute, energetic, sparkly, edm, dark, gritty, crunchy, heavy drop, contrast, kawaii, playful, anison, electro pop, trap influence, sugar rush, neon, festival, glitchy, dramatic, anthem

Gentle male, dark epic, villain theme, traditional, church, violin

minimal techno, D# Locrian, 160bpm, synths, 808s, stripped down melody, eerie, haunting, constant groove, subtle timbral changes, micro-rhythms, subtle modulation, randomized and eerie monotone female vocals

Epic slow-burn psychedelic fuzz rock with punk bite, NOT live concert: no crowd, no stage hype, V5 length priority: long instrumental passages (32–64 bars) and repeated chorus, Droning guitars lead: sustained chords, controlled feedback, harmonics, slow tremolo shimmer, subtle pitch wobble/tape warble; spring reverb on guitar only, Thick midrange fuzz with sharp pick attack when it kicks in, Bass loud and forward, slightly overdriven, melodic; featured bass solo mid-song with slides, bends, double-stops and a repeating motif that mutates (not shreddy), Drums punchy and real with room-mic tail; minimal intro, gradual tom-heavy build, stop-hit + 2–4 bars silence, half-time heavy bridge, then lift back to full-time, Vocals: male, close-mic, dry-forward, slight grit; sparse lines with lots of space, Dynamics: extended drone intro → verse/chorus → long drone break → verse/chorus repeat → stop-hit silence → bass-solo bridge → long drone break → whispered breakdown → final chorus → drone coll

Industrial Acid K-Pop, Deconstructed Club, Hard Techno; BPM 150; Vocal Processing: Heavy Saturation, Glitch Stutter, Pitch-Shifted Ad-libs; Aggressive Breakbeat, TB-303 Acid Bassline, Distorted 808s, Cyberpunk Atmosphere, NO SLOP

Mid-tempo indie pop track with a melancholic yet atmospheric production style, The arrangement features a clean, rhythmic electric guitar playing a repetitive four-chord progression with a slight chorus effect, A prominent, driving bassline provides the harmonic foundation, while the drums consist of a steady, crisp backbeat with a tight snare and subtle hi-hat patterns, The lead vocals are female, characterized by a breathy, ethereal quality with significant reverb and delay, often layered with soft harmonies, The song structure follows a standard verse-chorus-verse-chorus-bridge-chorus format, with an extended instrumental outro featuring a melodic electric guitar solo that uses a warm, overdriven tone, The overall mix is spacious, emphasizing the reverb-soaked vocals and the interplay between the rhythmic guitar and the melodic bass, The tempo is approximately 95 BPM in a 4/4 time signature

Psychedelic 1965(wah modulation, 2Hz);Metal Hi-Def Acoustic guitars, A melancholic TiMRIIT prm TIMT finger picking rock song in a minor key, exclude wind instruments of any kind, The primary instrumentation features an acoustic guitar playing arpeggiated chords and a clean electric guitar providing melodic counterpoints and fills, The acoustic guitar maintains a consistent fingerpicked pattern throughout, creating a flowing, introspective atmosphere, The electric guitar enters with sustained, clean tones, adding a layer of emotional depth, Percussion is minimal, possibly a light drum kit, providing a subtle rhythmic pulse, guitar to take a more prominent melodic role, Production is clean and spacious, with a natural acoustic richness and guitar string details and tones

Dark Pop Punk, Riot Grrrl, Raw Female Vocals, raspy timbre, unique high-larynx texture, vocal fry, sandpaper texture, imperfect and vulnerable phrasing, conversational, Distorted Bass, Heavy Driving Drums, Fast Tempo, intimate dry mix

Female vocaloid voice, Dubstep intro track at 90 BPM with a dark yet restrained and introspective mood, Atmospheric pads and deep sub-bass open the track, with subtle glitch textures and distant echoes, Minimal piano or bell-like synth notes appear slowly, leaving wide spaces, Processed trumpet tones enter softly in the pre-chorus, slow and solemn, filtered and drenched in reverb, acting as a distant inner call rather than a battle fanfare, Light dubstep percussion with muted kicks, soft snares and sparse wobble bass pulses, no aggressive drops, The track should build tension gradually without a full drop, ending unresolved, evoking inner conflict, emotional exhaustion and quiet resilience, like a system powering on while emotions remain unstable