これぞ男！シリーズ

neo soul funk, Minneapolis funk, slap bass groove, tight 16th hi-hat, ghost note snare, muted clavinet left-hand chop, single-note wah guitar cutting, BPM 116, Am7-Dm7 vamp, flat VII G chord drop before chorus resolution, falsetto and chest voice rapid switching, nasal tenor, breathy ad-lib runs, sudden dynamic bursts, dry spoken word break, J Dilla-style drum drop, silent break into kick only into full band, key change +1 semitone after tempo drag, tempo drag BPM 116->96 before key change, tempo up BPM 96->124 after key change, acapella break on punchline

1950s four-part close harmony vocal group, doo-wop swing, 2step, The Four Aces style, mouth harp scat intro riff bum-bum-bum-bum, shuffle swing groove, walking bass, light jazz hi-hat offbeat, dim7 passing chords, II-V-I turnaround, four-voice soprano alto tenor bass blend, call-and-response chorus harmony, bright male quartet, BPM 128 shuffle, spoken whisper breakdown, mouth harp scat outro fade, a little burp, cheerful sustained energy, slightly absurd earnestness, no key change

Spoken Word Intro, Baritone Male Vocal, Mixture Rock Funk, Latin Carnival Fusion, Mambo Groove, Rumba Rhythm, Samba Percussion, Japanese Matsuri Bayashi Break, Taiko Drum Hit, Festival Crowd Energy, Hip-Hop Rapid Fire Rap, Tight 16th Note Flow, Drum and Bass Y2K, Jungle Break, Amen Break Chop, BPM 88 -> 110 -> 172 -> 60, Key Dm -> Fm, Syncopated Brass Section, Dirty Funk Bass, Distorted Guitar Riff, Shamisen Stab, Crowd Shout, Conspiratorial Whisper, Sudden Full Stop, Confession Outro, Festival Horn Fanfare Intro, Reverse Cymbal Crash