4:34
Gothic metal with alternative metal influences and medieval vibes, slow-tempo atmospheric synths and heavy guitar riffs with extended lute plucks and harp whispers for introspective buildup, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, brooding bass and subtle percussion swelling tension through progressive arcs like Deadmau5's narrative depths but in metal, subtle symphonic elements like medieval lutes, harps, and ethereal choirs for drama evoking forsaken oaths via rising plucks and fade-ins, dark resolute mood with themes of personal quests and inner burdens, melodic hooks with gradual instrumental layers depicting visionary pulls, ‑death metal, ‑screamo, ‑extreme metal
4:39
Gothic metal with alternative metal influences and medieval vibes, slow-tempo atmospheric synths and heavy guitar riffs with extended lute-like acoustic and hurdy-gurdy intros for narrative buildup, powerful female lead vocals that are melodic and soaring like Cristina Scabbia—emotional, operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams in any part, mixed gender vocals with female dominant and male accents only in specified sections, driving bass and subtle percussion building tension through progressive swells like Deadmau5's atmospheric storytelling but in metal form, subtle symphonic elements like medieval choirs, strings, and bagpipe drones in the background for drama and to evoke solitary resolve against shadows, dark and introspective mood with themes of solitary oaths and knightly resolve, melodic hooks with gradual instrumental builds depicting inner conflict
4:37
Gothic metal with alternative metal influences and medieval vibes, fast-tempo heavy guitar riffs and atmospheric synths with extended horn fanfare and violin accents for battle progression, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, aggressive bass and pounding percussion for battle drive with progressive builds mimicking Deadmau5's tension/release via chugging riffs and orchestral hits, subtle symphonic elements like medieval horns, violins, and strings for drama to depict fiery clashes through rising melodies, dark intense mood with themes of fiery beast battles and knightly fury, relentless melodic hooks with chugging riffs, rapid builds, and instrumental solos narrating combat twists, ‑Dragon's Fury
5:02
Gothic metal with alternative metal influences and medieval vibes, slow-tempo atmospheric synths and heavy guitar riffs with extended string quartet and harp layers for emotional narrative, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, gentle bass and percussion for emotional depth with subtle builds like Deadmau5's introspective arcs via harp plucks and violin laments, subtle symphonic elements like medieval strings, harps, and soft choirs for drama to tell tales of compassion through weaving melodies, dark introspective mood with themes of taming cursed creatures, melodic hooks with soft swells and orchestral touches
4:49
Gothic metal with alternative metal influences and medieval vibes, fast-tempo heavy guitar riffs and atmospheric synths with extended horn blasts and violin surges for chaotic progression, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, thundering bass and pounding percussion driving descent with progressive builds like Deadmau5's tension arcs via blasting horns and chugging riffs, subtle symphonic elements like medieval horns, violins, and strings for drama depicting infernal trials through surging melodies, dark harrowing mood with themes of eroding will and primal lures, relentless melodic hooks with rapid instrumental climbs narrating downward spirals, ‑death metal, ‑screamo, ‑extreme metal
5:08
Gothic metal with alternative metal influences and medieval vibes, mid-tempo heavy guitar riffs and atmospheric synths with extended flute windings and shawm echoes for enigmatic progression, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, steady bass and percussion weaving mystery with layered builds like Deadmau5's enigmatic arcs via winding flutes and choir fades, subtle symphonic elements like medieval flutes, shawms, and choirs for drama narrating deceptions through twisting melodies, dark intriguing mood with themes of forbidden knowledge and subtle shifts, melodic hooks with layered winds evoking veiled revelations
5:14
Gothic metal with alternative metal influences and medieval vibes, slow-tempo atmospheric synths and heavy guitar riffs with extended hurdy-gurdy cranks and violin tensions for insidious narrative, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, brooding bass and sparse percussion building unease with slow arcs like Deadmau5's suspenseful rises via cranking hurdy-gurdy and drone layers, subtle symphonic elements like medieval hurdy-gurdy, violins, and choirs for drama evoking warping influences through grinding melodies, dark seductive mood with themes of eroding self and power's grip, melodic hooks with tense flourishes and gradual surges, ‑death metal, ‑screamo, ‑extreme metal
4:12
Gothic metal with alternative metal influences and medieval vibes, slow-tempo atmospheric synths and heavy guitar riffs with extended faint choir harmonies and string bows for reflective narrative, powerful female lead vocals melodic and soaring like Cristina Scabbia—emotional operatic highs and haunting lows—contrasted by male melodic growling verses for duality and intensity without screaming or harsh shouting, no aggressive vocals or screams, mixed gender vocals with female dominant and male accents in specified sections, somber bass and sparse percussion deepening resignation with subtle fades like Deadmau5's introspective closures via bowing strings and choir layers, subtle symphonic elements like medieval choirs, strings, and soft winds for drama telling of life's recap through descending melodies, dark poignant mood with themes of cyclical wisdom and final release, melodic hooks with fading instrumental flourishes, ‑death metal, ‑screamo, ‑extreme metal