Music Can Only Wait So Long- Depression Is An Accident By Choice
singer/songwriter
·
20 songs
3:33
Female 2020s Pop Singer-Songwriter, Upbeat Tempo, Crisp Modern Production, 128 BPM, Snappy Percussion, Bright Synth Overlays, Hints of Pop-Punk Guitar, Harmonic Structure:
Intro: [G] [D] [Em7] [Cadd9] (Syncopated)
Verse: [G] [D] [Em7] [Cadd9] (Palm muted, driving rhythm)
Pre-Chorus: [Am7] [C] [G] [D]
Chorus: [G] [D] [Em7] [Cadd9] (Full wall of sound, energetic)
Bridge: [Em] [D] [C] [C] (Atmospheric, building tension)
Outro: [G] [D] [Em7] [Cadd9] (Fading with vocal ad-libs)
4:26
Style: Post-punk, Indie Rock, Swagger, 135 BPM, gritty overdriven bass, angular jangling guitars, Harmonic Structure:
[Intro: Bass drone in Em with feedback]
[Verse 1: Em - G - Am - C | Em - G - Am - C]
[Chorus: G - D - Em - C | G - D - Em - C]
[Verse 2: Em - G - Am - C | Em - G - Am - C]
[Bridge: Am - F - C - G | Am - F - C - G]
[Final Chorus: G - D - Em - C | G - D - Em - C]
[Outro: Em - G - Am - C fade out]
4:31
Style: 2020s Indie Rock, Post-Punk Revival, rhythmic jangly guitars, driving upbeat bassline, conversational vocals with occasional shouted emphasis, 105 BPM, Harmonic Structure:
[Intro: Rhythmic guitar riff over F# major and B major]
[Verse: F# - B - D#m - B | F# - B - D#m - B]
[Chorus: F# - B - D#m - B | F# - B - D#m - B]
[Bridge: D#m - C# - B - B | D#m - C# - B - B]
[Outro: F# - B - D#m - B repeated with ad-libs]
4:44
Style: 2002 Indie Folk, Chamber Pop, Emo-Folk, shaky Conor Oberst style vocals, orchestral swells, acoustic guitar strumming, crashing messy drums, trumpet flourishes, dramatic dynamics, raw and poetic, Harmonic Structure:
[Intro: Fingerpicked acoustic guitar in C with a lone trumpet]
[Verse: C - Am - F - G | C - Am - F - G]
[Chorus: F - G - C - Am | F - G - Am - G]
[Bridge: Am - Em - F - C | Dm - F - G - G7]
[Outro: C - F - G - C (Building into a loud, crashing finale with horns)]
3:27
Style: Sad Indie Folk Pop, Singer-Songwriter, melancholic acoustic guitar, soft piano, intimate dry vocals, slightly lo-fi, 85 BPM, Harmonic Structure:
[Intro: C - G/B - Am - F]
[Verse: C - G/B - Am - F | C - G/B - Am - F]
[Chorus: F - G - C - Am | F - G - C]
[Bridge: Am - G - F - F | Am - G - F - G]
[Outro: C - G/B - Am - F - C]
4:01
Not Down With It
v5.5
[Style: Indie Psychedelic Folk-Pop, Mid-tempo 105BPM, Acoustic guitar foundation with hazy synth textures and crisp, dry drums, Vocals: Conversational, dry, female vocal with an honest, comedic edge, Harmonic Structure: Intro: Am - F - C - G; Verse: Am - C - G - D; Chorus: F - G - C - Am; Bridge: Dm - F - C - G - E7; Outro: Am - G - F - E7 - Am, ]
3:34
[Style: Indie Folk-Rock, Dance-Punk, Spooky Radio, 128BPM, Halloween flair with haunting synth leads, driving funky bassline, and gritty acoustic guitar, Vocals: Dry, conversational, theatrical female voice with a cynical, deadpan delivery, Harmonic Structure: Intro (Bm - G - Em - F#); Verses (Bm - G - Em - F#); Chorus (Bm - D - A - G); Bridge (G - F# - G - F#); Outro (Bm - Bm - G - F# - Bm), ]
3:07
Indie Folk / Singer-Songwriter
**Tempo:** 82 BPM
**Instrumentation:** Grand Piano, Cello, Light Percussion
4:33
Pedestrian Logic
v5.5
[Style Prompt Box]
1960s Psychedelic Pop, The Zombies style, Mellotron, breathy male vocal harmonies, intricate walking bassline, 110bpm, Harmonic Structure: Intro (Cm7 - F7 - Bbmaj7 - G7alt), Verse (Cm7 - F7 - Bbmaj7 - Ebmaj7 - Dm7b5 - G7), Chorus (A - C#m - D - Dm - A - F#m - Bm7 - E7), Bridge (Fm7 - Bb7 - Ebmaj7 - Abmaj7 - Dbmaj7 - G7sus4), Outro (A - C#m - D - Dm - A - Fmaj7 - A), Instrumentation: Wurlitzer piano, crisp drums, lush reverb, harpsichord flourishes
2:11
Indie singer-songwriter, raw solo acoustic guitar, emotional finale ballad, fingerpicking, slow tempo, psychedelic pop
Harmonic Structure: Intro (D - Bm7 - Gadd9 - D), Verse (D - Bm7 - Gadd9 - Asus4), Chorus (Em7 - D/F# - G - A), Outro (Gadd9 - D - Gadd9 - D)
4:34
The Meadowlands
v5.5
Heartland radio, indie rock, pop, Piano-driven, 1970s New Jersey Sound, Melodic Harmonica, Soulful Hammond Organ, Epic Saxophone Outro, 115 BPM, Passionate, raspy vocals, Dynamic shifts from intimate verses to a soaring, stadium-sized chorus, Ending with a slow, nostalgic, sad fade-out, ] studio performance (no audience sounds)
3:46
Lo-fi Acoustic Indie-Folk, Melancholic, Intimate, Elliott Smith style double-tracked vocals, fingerpicked acoustic guitar with slight fret noise, soft melancholic piano, very subtle tambourine, 88 BPM, Clear, dry vocal mix, Harmonic structure: Verse (C - E7 - Am - Am/G - F - G), Chorus (F - G - C - E7 - Am - F - Fm - C), Bridge (Am - G - F - E7), ]
4:23
[Style: Melodramatic Indie Folk-Rock, Emo-Folk, Starts with a fragile, shaky acoustic guitar and intimate vocals, Gradually adds mournful piano and weeping cellos, Mid-song explosion into a massive Art-Rock wall of sound: distorted electric guitars, crashing orchestral drums, and brass, Max drama, building to a chaotic, cathartic crescendo, 120 BPM, ]
1:58
Twee Indie Folk-Pop, Whimsical, Upbeat, Acoustic, Ukulele, glockenspiel, light brushed snare, upright bass, Female vocals, sweet but with a sharp, ironic delivery, Harmonic map: Intro (C - G - Am - F), Verse (C - G - Am - F), Chorus (F - C - G - C), Bridge (Am - E7 - F - C), Outro (C - G - Am - F - C), ]
3:49
indie rock meets sinister glam, Art Rock harmonic map intro am g f e verses am c g d chorus c g am f bridge d f c g e7
3:52
indie rock meets sinister glam, Art Rock harmonic map intro am g f e verses am c g d chorus c g am f bridge d f c g e7
3:46
Avoiding Poison
v5.5
Melodic Art Pop, Psychedelic Indie, Baroque Pop, Bubbly Twee with Ironic Sarcasm, Flute melodies, Mellotron string sounds, clean arpeggiated electric guitar, and a steady, danceable drumbeat that transitions during the bridge, Female lead vocals, clear, witty, with occasional ironic emphasis, Harmonic map: Intro (C - G - Am - Fmaj7), Verse (C - Em - Am - F), Chorus (F - C - G - C), Bridge (F - G - Am - G - F), Outro (C - G - Am - F - C), ]
4:00
[Style: Epic Melodic Orchestral, Glam Rock, Female-led Hyperpop, Starts with a somber, cinematic FF-style piano and strings, Explodes into a Bowie-esque 70s rock groove with heavy glitz, Shifts into high-speed, glitchy hyperpop for the chorus, Massive, tragic operatic ending, ]
4:37
Studio Ghibli Finale, Emotional Classically-Infused Acoustic Guitar, Fingerstyle Strumming, Bittersweet Melodic Folk, Orchestral Swell, love
4:11
Fast-paced lyrical hip-hop, urban fantasy melodrama, cinematic boom-bap, album closer, Moody piano loops, heavy sub-bass, aggressive but emotional delivery, Detailed harmonic map: Intro (Cm - Ab - Eb - Bb), Verses (Cm - Ab - Eb - Bb), Interludes (Fm - Cm - G - Cm), Outro (Cm - G - Cm), ]