作曲

rock, electric, high energy, female vocals, Aggressive, Fast tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Female Vocals, Cinematic Military Rock Emotional But Restrained No Narration, No Radio Voice Focus On Human Resolve

Female Vocals, Cinematic Military Rock Emotional But Restrained No Narration, No Radio Voice Focus On Human Resolve

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Rock, Electric, High Energy, Female Vocals, Aggressive, Fast Tempo

Female Vocal, Japanese Pop Ballad with Light Comedy Tone, Mid-tempo (~96 BPM), Warm Piano and Soft Acoustic Guitar, Playful but slightly awkward phrasing, Clear, expressive female vocal with small dynamic swings, Emotional shifts between panic and self-deprecating humor, Clean mix, intimate atmosphere

Female Vocal, Japanese Pop Ballad with Light Comedy Tone, Mid-tempo (~96 BPM), Warm Piano and Soft Acoustic Guitar, Playful but slightly awkward phrasing, Clear, expressive female vocal with small dynamic swings, Emotional shifts between panic and self-deprecating humor, Clean mix, intimate atmosphere

Male Vocal, Calm, slightly husky male voice, Very intimate, close-mic delivery, Mid-slow tempo, Minimal arrangement: soft piano, muted electric guitar, subtle ambient pads, Sparse instrumentation with intentional silence between phrases, Low dynamics, no big chorus lift, Breath and pauses are part of the rhythm, Emotion is restrained, inward, and unresolved, Modern Japanese ballad, realistic and understated, No heroism, No dramatic climax, No choir, No orchestral swell, No heavy drums, No electronic drops, A song of hesitation and inner monologue, Set in a quiet room after a phone call, Staying still, thinking, not moving forward

female vocal, third-person observer perspective, calm and reflective mood, gentle and restrained emotion, quiet warmth, subtle frustration without tension, mid-tempo (BPM 105–115), soft piano, light acoustic guitar, minimal bass, brushed drums, low dynamics, understated chorus, night café atmosphere, after-conversation walk, non-intrusive storytelling, no emotional climax, unresolved ending, fade out Exclude styles： dramatic vocals, aggressive emotion, high-energy pop, EDM, heavy rock, epic orchestral, theatrical expression, strong climax, narrative resolution

Jazz, Double Bass, Grand Piano, Drummer, Boozy Jazz, Female Vocals [Sing as you like, ]

Kagoshima Dialect, man narrator, spoken word, minimal, slow tempo, natural pause, no singing [male vocals]

Japanese Pop / Light March / Commuter Theme Minimal, upbeat instrumental with restrained energy Steady mid-tempo rhythm, slightly mechanical feel Piano as main driver, light bass and simple percussion No orchestral swell, no emotional climax Vocal melody is dry, spoken-singing style Flat dynamics, no dramatic push Comical but not cartoonish Feels like moving forward without motivation Ends abruptly, no resolution

Japanese Pop / Fast Narrative Song Fast and steady tempo, No tempo changes, Rhythm-driven composition, Minimal but tight arrangement: piano, light percussion, simple bass, No dramatic build-ups, no drops, Female vocal, Natural, slightly hurried delivery, Mix of singing and spoken-style phrasing, Short spoken phrases should stand out clearly, Lyrics are dense and continuous, The song should feel rushed and slightly anxious, No emotional exaggeration, Ending should suddenly feel empty and flat, No big resolution

Fast-paced Japanese pop with spoken-word integration, High BPM (135–150 BPM), steady tempo, no tempo changes, Female vocal with a calm, neutral tone, Soft but clear articulation, light and agile delivery, Avoid power singing; no belting, Vocals should feel matter-of-fact, slightly dry, and conversational, even when melodic, Spoken lines blend naturally into melody, as if thinking out loud while moving fast, Minimal vibrato, tight phrasing, precise consonants, Rhythm-forward arrangement: • Light, quick drums • Clean, repetitive rhythmic patterns • Subtle bass pulse emphasizing forward motion • Sparse, bright harmonic backing Despite the fast tempo, emotional temperature stays flat and restrained, No dramatic lift in the chorus — keep the same emotional distance throughout, Mood: Detached, observational, lightly ironic, A sense of harmless rush and quiet misalignment, not anxiety, Avoid: • Aggressive or masculine vocal tone • Emotional swells • Strong rock attitude • Sentim

Japanese pop with spoken-word driven structure, Tempo is unspecified — allow natural variation, Female vocal, close-mic’d and intimate, Talk-sung delivery with frequent spoken lines, Emotionally restrained, dry, and observational, Minimal vibrato, no belting, clear consonants, Spoken and sung lines should blur together, as if thoughts are being processed in real time, Prefer talk-sung melody over rap when possible, If tempo becomes fast, keep phrasing melodic rather than percussive, Rap-like delivery is allowed only when melody cannot be sustained, Arrangement should remain minimal and flexible: • Simple rhythmic foundation • Bass supporting motion without urgency • Sparse harmonic elements • Space and silence are intentional The chorus is not a climax, It functions as a statement, not an emotional peak, Maintain a consistent emotional temperature throughout, Mood: Everyday, neutral, slightly detached, A quiet misalignment between movement and meaning, Avoid: • Aggressive r

Japanese Pop / Narrative Song Tempo starts fast and gradually slows down across the song, Minimal instrumentation: piano, light percussion, simple bass, No flashy arrangement, focus on rhythm and vocal phrasing, Female vocal, Clear, natural voice, Emotion comes from tempo and timing, not vocal power, One repeated phrase only, One short break allowed, Ending should feel deflated and quiet, not resolved, Mood: Comical but slightly anxious, Relatable daily-life tension, Not dramatic, not ironic, Tempo gradually slows down after the first chorus

Fast-paced Japanese pop with spoken-word integration, High BPM (135–150 BPM), steady tempo, no tempo changes, Female vocal with a calm, neutral tone, Soft but clear articulation, light and agile delivery, Avoid power singing; no belting, Vocals should feel matter-of-fact, slightly dry, and conversational, even when melodic, Spoken lines blend naturally into melody, as if thinking out loud while moving fast, Minimal vibrato, tight phrasing, precise consonants, Rhythm-forward arrangement: • Light, quick drums • Clean, repetitive rhythmic patterns • Subtle bass pulse emphasizing forward motion • Sparse, bright harmonic backing Despite the fast tempo, emotional temperature stays flat and restrained, No dramatic lift in the chorus — keep the same emotional distance throughout, Mood: Detached, observational, lightly ironic, A sense of harmless rush and quiet misalignment, not anxiety, Avoid: • Aggressive or masculine vocal tone • Emotional swells • Strong rock attitude • Sentim

Lightweight march-based daily scene music with comedic timing, inspired by classical Turkish march–like drive, Tempo 144–156 BPM, strict and unwavering pulse, no tempo changes, Music maintains continuous forward motion; time never stops, Rhythm is bright, crisp, and mechanical, creating playful pressure rather than excitement, Overall tone is brisk, controlled, and lightly relentless, never dramatic or emotional, Instrumentation is minimal and precise, Piano and bright light mallet tones carry a fast, articulate march pattern, Simple bass reinforces pulse without groove or swing, Percussion is minimal and restrained, no fills, no buildup, Female spoken voice only, Normal conversational distance throughout, Whispered delivery occurs only at the final line, Vocals are spoken only, no melodic singing, Delivery is flat, natural, and understated; lines feel incidental, like overheard thoughts, Dessert name listings function rhythmically, almost percussive, Words are treated as sound and

Cute and soft J-Pop with a calm, low-temperature feel, BPM 96, Gentle, melodic female vocal; sweet but not energetic, Subtle groove with minimal bounce, relaxed 4/4, Simple, memorable melody that lets the lyrics breathe, Japanese lyrics with casual Miyazaki dialect accents, emphasizing their cute sound and rhythm, Overall mood is cute, slightly shy, and introspective rather than upbeat, Includes brief spoken lines and a clean cut ending without a long outro

Japanese pop ballad, tempo 80 BPM, key A major, Young female vocal with soft, shy, intimate tone, Natural Miyazaki dialect pronunciation, Lyrics must be sung entirely in Japanese, Verses minimal: gentle piano chords and very light warm pad only, Rhythm must be stable and clearly felt before the Pre-Chorus so the listener senses the 80 BPM pulse, Gradually build harmonic tension toward the end of the Pre-Chorus using a strong dominant chord (E or E7), At the final word of the Pre-Chorus, perform a hard stop, Instantly cut all instruments and vocals to digital zero (−∞ dB), No fade out, No sustain, No reverb tail, No delay tail, No ambience, No resonance, Silence must contain zero audio data, Insert exactly 2 beats of complete silence at 80 BPM (approximately 1, 5 seconds), After the silence, insert a whispered spoken line, The whisper must be very soft, close-mic, intimate, almost breath-level, No music under the whisper, After the whisper ends, start the Chorus cleanly on the downbeat w

Classic AABA Jazz Standard, 32-Bar Form, Mid-Slow Tempo (78–82 BPM), Major Key, Warm Acoustic Piano, Soft Upright Bass Walking, Very Light Brush Drums, Minimal Arrangement, Intimate Female Vocal, Narrow Range, Controlled Flat Delivery, No Dynamic Crescendo, Primary Emotional Movement Achieved Through Deliberate Vocal Distance Progression (Closer A1, Slightly Forward A2, Noticeably Recessed Bridge, Most Distant Final A, Slightly Closer Spoken Outro), Natural Room Reverb, Clear Depth Perception, No Vocal Dominance Over Arrangement

Kawaii Rap Track, 145 BPM, Bright Major Key, Playful Bounce Groove, Not Heavy Hip-Hop, Light Kick, Snappy Snare, Bright Hi-Hats, Cute Pluck Or Bell Accent, Minimal Bass, Not Deep Or Aggressive, Female Vocal: Cute, Playful, Slightly Teasing, Fast Rhythmic Rap Flow, Light Laughs Allowed, Male Vocal (Final Only): Lower, Calm, Slightly Tired, Short Pause Before Final Word, No Jazz Feel, No Dark Trap Atmosphere, Keep It Light And Playful

Japanese Bright Pop, 124 Bpm, Key A Major, Light, Youthful, Slightly Shy Romantic Mood, Not Ballad, Not Hip-Hop, Not EDM, Instrumentation: Clean Piano With Rhythmic Bounce, Soft Warm Electric Bass (Simple Root Notes), Light Kick, Soft Snare, Gentle Hi-Hats, Add Subtle Bell Or Cute Pluck In Chorus Only, No Heavy Sub, No Trap, No Drops, Groove: Mid-Tempo 4/4 With Gentle Forward Motion, Keep Verses Spacious For Clear Hakata Dialect, Stable Pulse, Slight Lift Into Chorus, Female Vocal (Young, Hakata Dialect): Cute, Natural, Slightly Smiling, Breath-Forward, Soft Consonants, Not Dramatic, Shy But Brave, Clear “けん / っちゃん / とよ”, Spoken Line: Very Soft, Close-Mic, “…ちょっと待って, 今, 言うけん” Half-Beat Pause After “言うけん” Before Chorus On Downbeat, No Reverb Under Spoken, Chorus: Slight Energy Lift, Light Airy Harmony, Sweet, Not Overpowering, Overall: Forward-Looking Confession Song, Cute But Not Childish, Light, Warm, Hopeful

Tempo: 80 Bpm Meter: 4/4（Strict, Grounded, No Swing） No Tempo Changes, Orchestration Low Strings (Cello, Viola) Dominant With Sustained Legato Lines, Double Bass Deep But Controlled, French Horns Dark And Restrained, Trumpets Minimal And Distant, Timpani Sparse, Used Only For Structural Emphasis, No Snare, Xylophone (Key Element) Low-To-Mid Register Only, Soft Wooden Tone, Never Metallic, Steady Eighth-Note Pulse, Heartbeat-Like, Three-Note Unresolved Motif Repeated Subtly Beneath Harmony, Never Takes Full Melody, Briefly Exposed During Bridge For Tension, Then Returns Under Strings, Harmony Minor-Based (D Minor Or E Minor), Dense But Clear Voicings, Relative Major Appears Briefly, Then Recedes, Final Cadence Does Not Fully Resolve Into Bright Major, Choir Mixed Choir (Satb), Blended And Restrained, Not Declarative, Not Heroic, Inner Conviction Rather Than Proclamation, Long Sustained Vowels, Dark Tone, Emotion Quiet Resilience, Historical Weight Without Aggression, A Flame T

Neo-Classical Cinematic Heroic Score – Female Vocal Release Version, Tempo 80 BPM, 4/4 Strict, Grounded, No tempo changes, Female Vocal: Clear and powerful, Verses in controlled mid register with restrained tone, Pre-chorus gradually increases intensity, Full high-register release across the entire chorus, Sustained notes, controlled vibrato, emotional projection forward without screaming, Orchestration: Low strings (cello, viola) dominant in verses with sustained legato, Double bass deep and steady, French horns dark and supportive, Trumpets distant in verses, rise forward in chorus only, Full brass reinforcement during chorus, Timpani strong at structural entries, No snare, Xylophone: Low-to-mid register only, Soft wooden tone, Steady eighth-note pulse like a heartbeat, Three-note unresolved motif under the harmony, Continues beneath the chorus to maintain tension, Harmony: Minor-based foundation (D minor or E minor), Gradual lift toward chorus using suspended tones and added ni

Monumental Slavic-Style Choral-Orchestral Anthem (Abstract, Non-Specific Tradition), Tempo 78 BPM, strict and unwavering, no tempo changes, Full orchestra foregrounded with broad strings, layered low brass, French horn stacks, controlled timpani, Dense midrange harmonic clustering, tightly packed inner voices, No swing, no syncopation, no modern elements, Large mixed choir only (expanded SATB with divisi), No solo voices, No featured sections, Choir operates as a unified architectural mass, Close harmonic voicings, sustained legato lines, vowel-heavy phrasing, softened consonants, Frequent octave doubling and inner motion for thickness, No silence breaks, Continuous structure, Authority through weight and collective resonance, not aggression, Ending: brief structural thinning before final sustained chord (no triumphant lift)

Grand Dark Gothic Orchestral, 152 BPM, D Minor, Female Vocal (cute tone, bright articulation, emotionally restrained, almost doll-like), Massive Pipe Organ, Low Strings (Cello / Contrabass), Timpani, Deep Taiko-Style Hits, Sub Bass Rumble, Layered Gothic Choir Pads (Latin vowel texture, no clear words), Heavy Reverb Cathedral Space, Rhythm: Steady, ceremonial, slightly bouncing but weighty, Verses moderately dense; Pre-Chorus builds with rising strings, Chorus expands with full organ + choir swell, Break section briefly drops percussion, leaving organ and whisper-like top melody, Male Final Section: Low, dry, calm voice with long tail reverb entering after full instrumental drop, Tempo remains steady but arrangement thins dramatically, Mood: Sacred, ominous, theatrical, ritualistic, elegant but unsettling, Contrast between cute vocal tone and monumental dark instrumentation, Exclude: EDM Drops, Trap Beats, Pop-Punk Guitars, Jazz Harmony, Comedy Tone, Light Pop Shine

Japanese Cinematic Orchestral Pop Ballad, 88 Bpm, A Minor, Female Vocal, Close-Mic, Transparent, Mostly Straight Tone, Minimal Vibrato, Vocal Front, Intimate, Very Dry With Only Light Reverb, Orchestra Wide And Distant: Soft Legato Strings, Warm Non-Heroic Horns, Light Woodwinds, Subtle Harp, No March Rhythm Or Aggressive Trailer Hits, Very Thin Female Choir (Ah / Oo, No Lyrics), Only In Final Chorus And Fading Into Outro, Always Under The Lead Vocal, Cinematic But Controlled, Dynamic Arc: Intro / Verse Soft, Pre-Chorus Slight Lift, First Chorus Medium, Bridge Darker And Tense, Final Chorus Strongest Emotional Peak With Richer Chords And More Active High Strings, Drums Subtle; In Final Chorus Only Slightly Stronger Snare, Toms And Gentle Cymbal Swells, Short Pause Before Final Chorus, Then One Spoken Line From Lyrics (“…怖い, それでも──立つ, ”) Extremely Close And Almost Dry, Ending Resolves Gently With Add9 Feeling, Dissolving Outro, No Hard Stop, Mood: Quiet Resistance, Self-Affirmation

Japanese cinematic orchestral ballad, 6/8, 84 bpm, G major with brief E minor shadows, Female diva vocal, close-mic, intimate and transparent; vocal always front, mostly straight tone, vibrato only on key long notes, Piano arpeggio as a quiet constant bed, Orchestra wide but restrained: legato strings with gradual crescendos, warm soft French horns (not heroic), light woodwinds (flute/oboe), subtle harp, Gentle cinematic support: low string pads, distant timpani only for structural emphasis, soft cymbal swells, Very subtle airy choir “Ah/Oo” only in final chorus/outro (no lyrics), Bridge grows darker with low strings + distant bell tone, Short break before spoken line; spoken extremely close and almost dry, Final chorus becomes wider through orchestral bloom and harmony (not volume), Ending resolves gently with warm add9 feel, dissolving outro, no hard stop