3:01

Raiju
v5
Dark Trap infused with hypnotic Vedic mantras, Heavy distorted 808 bass, crisp rhythmic hi-hats, and ominous cinematic pads, Ethereal, The repetitive Sanskrit chanting with a deep, echoing reverb effect, Dark, ritualistic, and aggressive atmosphere, Slow tempo 128 BPM, minor key, Occasional industrial metallic foley and haunting melodies in the background, Phonk-style distorted vocals blending with sacred spiritual vibes, Intense, mystical, underground occult, Japanese instrumentation like shakuhachi (bamboo flute) haunting melodies, koto plucks chopped into rhythmic stabs, and taiko drum hits for epic impacts, The vocals are very deep, gritty, male think a processed baritone with reverb/delay, almost spoken-growled in verses Imagine pounding 128 BPM four-on-the-floor deep house kicks layered with breakbeat fills, distorted synth stabs
2:14

[Dark trap beat with spacey synths and heavy 808s], [Confident, melodic vocals with swagger], [wavy af], [Clean mixdown], [perfect sound], [industry trend setter], [professional], [perfect signal processing], [smash hit], [studio hit banger], [beautifully mixed], [perfection], [unforgettable], [#1 billboard hit], [anthem], [nostalgic], [wavy af], [clean af vocals], [studio quality], [mastered], [mixed down perfectly], [uneven mixdown], [excessive compression], [uneven volume], [unprofessional], [amateur], [shitty], [awful], [mediocre], [bad], [pathetic], [weak], [forgettable], [lame], [wack], [horrible], [country], [horrible], [undeserving], [rookie], [newbie], [joke], [excessive white noise], [dirty mix], [unmixed audio], [unprofessional], [poorly mixed], [boring drums], [flat vocals], [no energy], [bad transitions], [generic melody], [poor mastering], [off-key], [clashing instruments], [repetitive structure], [excessive room noise], [ANY tinny sounds], [muffled mix], [uneven volume]
3:00

a high-energy banger: funky melodic verses like Tommy Richman-like, massive repetitive EDM hooks like Calvin Harris-like, with emotional depth and soaring vocals inspired by Rihanna's-like "Stay", Perfect for festivals his sweet spot blends the pulsing, festival-ready energy of Calvin Harris-style EDM (his iconic "This Is What You Came For" sits at 124 BPM, with many of his big drops hovering 124-128) with enough groove for the funky, melodic Tommy Richman vocal ad-libs (which thrive around 130-140 but feel rushed in pure EDM), At 126 BPM Calvin Harris-era mainstream EDM → Bright, anthemic synth leads, huge layered drops, euphoric chord progressions in major key, Tommy Richman-like funky soul/R&B influence → Groovy basslines (think slap bass or funky synth bass), staccato synth stabs, high falsetto ad-libs, and melodic vocal chops, Touches of Rihanna-style emotional delivery in the builds for that vulnerable-yet-empowering contrast before the explosion
4:59

Genre: Hard rock / Alternative metal Performed Live in L/A
aRTISTS: Amy Lee-like vocals with Shaun Morgan-like very deep heavy deep gravely vocals Seether-like KEY: down tuned D minor → F# major (final lift) Electric guitar solo
TEMPO: 94 BPM (half-time feel) tOTAL RUNTIME: 3:30 (tightened for duet intensity)
INSTRUMENTATION: shaun: Lead vox + rhythm guitar (Drop D) Amy Lee: Lead vox + piano (live, no backing track)
dale: Lead guitar (octave harmonies)
john: Bass (slides & octave pedal)
corey: Drums (double-kick
2:32

Hard alternative rock with heavy electronic and industrial influences trip-hop, ambient, and downtempo elements experimental /art rock Pusicfer-like hard rock sound Carina Round-like has if it were preformed with Maynard Keenan-like gritty and deep Vocals with Danny Carey drummer Keenan-like vocals are very distorted effect pedal on the chorus parts
3:54

Dark cinematic alt-pop with deep emotional male vocals, ambient synths, soft piano, and heavy low-end drums, Haunting atmosphere, orchestral swells, layered textures, Poetic, soulful, and ethereal with a stormy, lost-in-thought energy
3:36

Melody In Harmony, Interstellar Atmosphere, Space, Infinite Silence, Cosmos, Solar System, Future Generations, Follow Your Inner Light, Synth Waves, Infinite Love, Peaceful, Light, Soft Ending
2:29

Deep House, melody in harmony, soft tribal elements, handpan elements, peaceful, melody Trance, soft ending
7:29

3:10

future-garage, 120 bpm, B minor, swung 1/16, female-male whisper duet, shimmering supersaw, vinyl crackle, tape-delayed piano, side-chained sub, 35 % weirdness, 75 % style, 65 % audio
3:34

Blue run
v5
Dark Disco minimal / Minimal Techno with abstract hip-hop attitude, 126 BPM, controlled, light, non-aggressive, [DRUMS: deep analog tom-toms driving a steady marching pulse, straight timing, micro-movement, no swing]
[SNARE: dry, sharp, minimal, rigid grid, rare tiny rolls for tension only]
[KICK: restrained, secondary, never four-on-the-floor]
[BASS: pure sinusoidal sub-bass, mono, tight and elastic, pressure over warmth]
[PADS: cold sustained atmospheric pads, minimal harmony, vertical space and distance]
[VOCALS: spoken or softly intoned, dry close-mic, monotone but human, calm and light]
Stable through motion, balanced, precise, built on oscillation rather than groove
1:36

E-Tank Chase
v3.5
Chiptune, retro, snes, magic, wonder, openness, reverb, harmonic, adventure, catchy, upbeat, epic intro, megadrive
1:07

2:53

2:12

3:23

Minimalistic Deep Bass Cinematic Bass, Down Tempo, And Majestic, Healing, Smooth Tribal Elements, Holy Spirit Of Earth, Ethereal Parts, Melody, Chorus In Harmony, Deep House, Tranquil, Ethereal, Soft Ending
3:01

Typ 1 – If and Will, Satz für‘n Müll (first conditional, if-sentence type 1, if-clause, Grammatik)
v5
Avant Garde experimental electronica meets art-pop: syncopated bright synth stabs and punchy layered chords drive the rhythm, layered with crisp, sidechained drums and dynamic polyrhythmic claps, Silky bass underpins airy indie female and indie male duetting vocals, with percussive afrocalipso-reggae-uk-drill accents and bold, club-ready transitions
2:05

Afro beats, fun, pop, inspired by the savana, voices of africa animals, catchy
2:02

שבת
v5
An Israeli Mediterranean pop song about Shabbat, Emotional and uplifting, combining modern pop production with Mediterranean ethnic influences, Instruments: oud, acoustic guitar, soft synths, darbuka, claps, warm bass, Catchy pop chorus with a heartfelt melody, verses that feel intimate and nostalgic, Lyrics in Hebrew, simple, emotional, about Shabbat coming in, family, home, light, peace in the heart, Tempo: mid-upbeat, danceable but emotional, Mood: joyful, touching, hopeful, Style inspired by contemporary Israeli pop with Mediterranean roots
3:24

Ashen’s lines: dark, emotional, controlled anger, slow melodic rap, Female lead: soft, ethereal, melodic, gentle but expressive, Pause after emotional words, slight vocal cracks on lost, sink, fades, cold, Harmonize on choruses, Keep tempo slow to moderate (70–85 BPM), ”
5:17

Afrohouse meets future bass — tribal drums, glitchy synths, cinematic build, Hypnotic, empowering, cosmic, Ethereal vocals, layered harmonies, pulsating low-end, deep soul frequency, Every 4 bars should evolve — drop fractal textures, add vocal glitches, echo trails, and bass modulation
4:54

3:52

mystical, deep male vocal, vocal, light, soundtrack, deep, cinematic, soft ending













