My TOP 10 of 2025

ambient synthscape, eerie immersion, subsonic bass, fluid reverb, deep synth echoes, memory drift, sci-fi atmosphere, no drums, Vocal chops, Use Extend file Rhythm Copy Music and Copy Voice

Classical Piano Arpeggio × Chill Progressive House, Main melody must be a classical concert grand piano playing continuous flowing arpeggios (1/16 broken chords, legato phrasing, smooth dynamics, natural pedal), No pop piano riffs, No staccato EDM piano chords, The piano must remain the MAIN and CONSTANT lead in all sections, including drops, Under the piano: deep warm progressive house bass, clean sub, gentle but clear sidechain pump, Minimal progressive groove, steady and hypnotic, Atmospheric pads with slow evolution, subtle shimmer layers, minimal harmonic movement, Build-ups use filtered piano arpeggios, gradual low-pass automation, light noise risers, Drops keep the SAME piano arpeggio unchanged; energy comes only from rhythm, bass, and stereo width — no new lead melodies, Vocal: FEMALE LEAD ONLY, Clean, intimate, modern female vocal; calm confidence, breathy onset, smooth phrasing, controlled dynamics, No male vocal, No duets, Female vocal chops used very sparingly as atmosph

Urban Dirty/Bass House 127 BPM × MENA flavor, Dual bass (mono sub + mid “talking” wub, LFO 1/8→1/16, formant/comb, pitch slides & octave jumps); darbuka/bendir layers; oud/kanun/ney hook; organ/metal stabs; 1-beat silence pre-drops; short tape-stop, Male baritone/tenor with slight grit; doubled chorus + low 5th; chops: (ey)(ya)(oh)(hey)(mmm), Bass-forward; pads HPF 200–240 Hz; sub mono <120 Hz

Progressive Techno House and Melodic Techno hybrid with Hip-Hop groove influence, 110 BPM in A minor, Female lead (mezzo-soprano, range A3–E5) delivers an emotional yet powerful club anthem about freedom and control, Voice is clear, expressive, slightly breathy on highs, with bright shimmer and confident tone, Harmonies include high 3rd and subtle octave-down layers for depth, FX chain: large hall reverb (pre-delay 30 ms), stereo delay (1/4 dotted), gentle chorus widen, formant lift +1, 5 semi for ad-libs, filtered reverb tails, Rap verses by second artist are tight, dry, and rhythm-driven with low-mid punch, Instrumental: deep 4/4 kick, analog sidechained bass, lush evolving pads, melodic pluck lead, offbeat hats, and percussive groove, Energy map: ambient intro+melodic chorus → groove drop → rap verse → bridge → euphoric final chorus, Wide stereo field, centered vocals, hypnotic atmosphere, emotional empowerment vibe, late-night club aesthetic

New Beat, Electro House, Pop-Rap, EDM Russian Clean Female Voice, Dark, Emotional, Synth Pads, Deep Bass, Drum, vocal chops

Uplifting trance with euphoric festival energy, emotional vocal trance atmosphere and progressive trance layering, Punchy 4x4 kick, rolling bassline, crisp snares, evolving hi-hats, tom fills and riser builds, Airy sidechained pads, bright pluck arpeggios, supersaw stacks only in drops, piano top notes in post-hooks, shimmer guitar swells optional in intro and break, Angelic airy female mezzo-alto vocals, intimate in verses and powerful in choruses with doubled harmonies, plate reverb in verses, hall reverb on key words, delay throws at line ends, Vocal chops on off-beats during drops with words like “ahh”, “ohh”, “free”, “awake”, Emotional yet driving, cinematic and DJ-ready, designed for hands-up moments and festival anthems

ambient, ethereal, mystical, cinematic, underwater, soft electronic, dreamy, EDM, female voice, vocal chops

Deep, hypnotic ambience: warm heartbeat sub-kick, brushed snare ghosts, soft hats; pads that bloom and breathe with light sidechain, D Aeolian drones, shimmering synth beds, glassy plucks, Airy, breathy female lead (close-mic, whispered/sung), intimate and tender; distant male Gregorian chant in Latin (“Domine, miserere nobis”, “Dona nobis pacem”) used as texture, not lead, Ethereal flutes and a duduk-like timbre softly double the original motif; reverb-heavy hand/taiko percussion in low dynamics, Long plate/hall reverbs, 1/4 and dotted-1/8 delays, reverse swells, subtle vinyl patina, Minimal, mantra-like lyrics about release and renewal; tasteful vocal chops (ah, mmm) as pads, Preserve the original melody; no aggressive risers or big drops—evolve subtly, cinematic warmth, soft high end, mono low-end <120 Hz, Theme: healing after a breakup, letting go and moving forward, Enigma-style ethereal electronica with a downtempo trip-hop pulse (≈100 BPM) and worldbeat color

Industrial Rock/Metal ×Darkwave — 100 BPM | Key: minor | Tuning: Drop C (CGCFAD), Mood: mechanical, anxious→relentless, “spiral/sinking”, Drums: stomp 4×4 with syncopated snare, bit-crushed industrial loops under the kit, tom runs, china/crash bombs; pre-drop 1-beat silence, Bass: dual layer—gritty analog/synth bass + distorted bass guitar in unison; sidechain to kick; parallel saturation/soft clip; sub strictly mono <120 Hz; BASS PRIORITY +2 dB, Guitars: tight hi-gain (5150/Recto) with hard gate; verses = edge-of-breakup shimmer; choruses/breakdowns = palm-mutes + open dyads/add2; octave doubles on hooks, Synths/FX: analog pad bed, metallic/organ stabs, distorted arp; servo/gear SFX; granular “spin” stutters on “spin/spinning”; short tape-stop cuts, Vocals: male baritone/tenor (optional Eastern-European accent); verses spoken-sung close, dry-grit; choruses wide/doubled + low 5th; gang shouts on “I’m sinking”; delay throws; short plate + hall tails, Mix/Master: pads HPF 20