Die Rache des Falken

Part I – Battle & Death: C minor, fast, aggressive, tense, dissonant chords, staccato rhythms, deep ominous octaves, classical orchestral, Include a pause after this part, Part II – Escape: G minor, frantic, desperate, rapid runs, syncopated motifs, ascending scales, classical orchestral, Include a pause after this part, Part III – Resignation: E♭ minor, slow, mournful, solemn, long dark chords, shadowy mood, classical orchestral, Include a pause after this part, Part IV – Determination: C major, strong, rising melodies, clear harmonies, heroic yet somber, classical orchestral, -, symphonic choirs, mystical

Create a medieval, historical composition with a touch of classical orchestration, The music should reflect the lament of a noblewoman living on the countryside, dissatisfied with her life and longing for the city, Include melancholy strings, gentle harpsichord or lute, subtle choir whispers, and soft wind instruments to convey longing, ambition, and frustration, The piece should feel dramatic, emotional, and cinematic, with pauses and shifts reflecting her internal turmoil and changing moods, from reproach to pleading, and finally to wistful hope, Choir in Background

Medieval-inspired dark ballad with a touch of classical and subtle rock influence, The main instrument is a spinet, supported by deep strings, slow percussion, and occasional electric guitar textures for tension, The mood is somber, dramatic, and full of inner conflict, reflecting a man haunted by guilt, unable to love, writing music that will one day become his vengeance, The composition should move between quiet lament and heavy, brooding surges, with a dark and cinematic atmosphere

Dark instrumental piece reflecting doubt and torment, Slow, brooding melodies on spinet and low strings, with dissonant harmonies and unresolved progressions, Sparse percussion and haunting tones create an atmosphere of uncertainty, inner struggle, and unease, as if trapped between fear and decision

male voice, gregorian choir, dark medieval folk ballad, a touch of classical, melodic, cinematic, bardic, dark fantasy, haunting choir, spinett or piano

male voice, Medieval folk, dark, sarcastic, a touch of classical, laughter, Sad to ironic, Dramatic, hauntet, theatralic, experimetal, epic, dynamic flow

deep female voice, A joyful classical-medieval fusion song, sung by an overjoyed woman who is leaving her countryside estate to move to the shining city of Prague, Bright, exuberant, and dance-like, with noble elegance, Storytelling verses flow into uplifting refrains, with playful “la-la-la” interludes that feel like a courtly dance, Instrumentation: strings, flute, oboe, lute, harpsichord, soft drums, and light choir, Style: medieval-inspired but enriched with classical orchestral festivity, like a joyous baroque celebration in a royal court, Energetic, uplifting, and radiant, perfect for dancing in circles and raising hearts in delight

An epic instrumental that starts with a sad, melancholic mood — soft piano and gentle strings, Gradually it builds into a determined, powerful atmosphere with dynamic drums and stronger orchestral layers, Toward the end it evolves into an almost aggressive, intense sound — driving percussion, dramatic brass, and energetic rhythms expressing tension and resolve

male voice, choir, dark, theatrical track blending classical orchestration with medieval folk and modern rock elements, spoken words, story telling, rap, whispering, haunting

Male voice, Medieval ballad with a touch of classical and subtle rock influence, instrument is a spinet, supported by deep strings, slow percussion, and occasional electric guitar textures for tension, The mood is somber, dramatic, and full of inner conflict, dark, cinematic, echos, choir, dungeon synths

male voice Bass-baritone, medieval folk to dark classic, choir, orchestra, beethoven, male aggressive and energetic voice, background, ambient

haunting, orchestral waltz with dark strings and eerie harpsichord, atmospheric tension builds with layered vocals and ghostly echoes, classic, medieval

deep female voice, A joyful classical-medieval fusion song, sung by an overjoyed woman who is leaving her countryside estate to move to the shining city of Prague, Bright, exuberant, and dance-like, with noble elegance, Storytelling verses flow into uplifting refrains, Instrumentation: strings, flute, oboe, lute, harpsichord, soft drums, and light choir, Style: medieval-inspired but enriched with classical orchestral festivity, like a joyous baroque celebration in a royal court, Energetic, uplifting, and radiant, perfect for dancing in circles and raising hearts in delight

unsettling tension, eerie, classic, dark and haunting atmosphere, spinet piano

only male voice, Medieval-inspired dark ballad with a touch of classical and subtle rock influence, The main instrument is a piano, supported by deep strings, slow percussion, and occasional electric guitar textures for tension, The mood is somber, dramatic, and full of inner conflict, reflecting a man haunted by guilt, unable to love, writing music that will one day become his vengeance, The composition should move between quiet lament and heavy, brooding surges, with a dark and cinematic atmosphere

medieval metal, melodic, playfull sound, A villain anthem almost entirely sung by a massive, ominous choir, The choir praises Kajetan von Rabenfels, Lord of the Night, Men voices, male choir, dark industrial, pagan folk