theatrical / film score / うそサントラ

vivace tempo, easy listenings, French-Brazilian taste, mellow and smooth flow of vibraphones' lead melodies, 1970s, French movielike atmosphere, contemporary orchestra, rare groove, ‑big band jazz, ‑symphony, ‑classics

2000's revival of the 1960's UK Mod rock, 180 bpm, hotrod, surf inspired, Mod movies, art rock, style of Decca records, Hammond's B-3 organs, tape-echo, tape-reversed, clearly Drived guitars Telecaster backing and ES-335 withfuzz lead, cool and hip lyrics, psychedelic, standard motifs

vivace tempo, easy listenings, French-Brazilian taste, le récitatif, film score, theatrical, mellow and smooth flow of vibraphones' lead melodies, 1970s, French movielike atmosphere, contemporary orchestra, rare groove

vivace tempo, easy listenings, French-Brazilian taste, rare groove, mellow and smooth flow of vibraphones' lead melodies, French-Brazilian cinematic song with sophisticated esprit and gentle melancholy, Paris-meets-Rio atmosphere, Chord progression: IVmaj7 → III7 → VIm7 → I7 Warm acoustic guitar, soft strings, subtle samba rhythm, Wordless female vocals (humming and soft scat) inspired by 1960s MPB meets FrenchPops, Elegant, nostalgic, and refined mood with Paris-meets-Rio atmosphere, Tempo around Vivace airy mix, gentle percussion, cinematic warmth, 1960s, French movielike atmosphere, contemporary orchestra, lush orchestral strings and cinematic chord voicings, layered male and female humming, gentle harmony like a human choir

French duet, calmly male and cute glitter female duo, two avec singers, Surf rock, Mersey beats of the dry drums, Fender's electric guitars with twin-reverb, fender precision bass, Hammond's electric organs, Rhodes Piano, 60's garage rock, american rocl'n'roll, west coast oldies, Latin jazz funk, rockabilly, old fashion outlaws, japanese Showa era styles, 歌謡曲, groovy

acid jazz, mod soul, organ jazz, Hammond B3 electric-organ with a rotary speaker, early 70's style jazz funk, poetry-reading, talking blues, jazz scat, groovy and calmly-vocal, sweet tone of male voice, grooves, middle funk, 16-beats, acid soul

Modern J-Pop / Anisong-pop, fast 8beat (146 BPM), bright + emotional, Japanese female lead vocal, Early A→B→Chorus structure, chorus head high note, Chorus uses the Royal Road progression (IV–V–iii–vi), Tight drums, release-cut piano stabs, clean electric guitar arpeggio, pop synth lead, light strings on the chorus, Add more layers each chorus; short dynamic bridge; final chorus key up +½ (D→E♭), Keep EDM-drop minimal; band×program hybrid; clear pop mix; hooky short phrases

Genre / Mood / Tempo intimate french pop, late 70s acoustic chanson, slow tempo (around 72 BPM), breathy female vocal, close-miked whisper tone, nostalgic warmth, minimalist arrangement Instrumentation nylon-string guitar (Yamaha G-150A) lightly finger-picked, muted electric bass (Hofner 500/1 Violin Bass), brushed jazz drums (Gretsch Round Badge Kit + Zildjian K Hi-Hats), Fender Rhodes Mk I with soft tremolo, Wurlitzer 200A occasional comping, subtle string section (mono tape saturation, faded high end) Production / Recording Aesthetic recorded through Neumann U87 and U47 mics, tube preamp coloration (Telefunken V76), tape compression with gentle wow & flutter, analog hiss retained, stereo field narrow and centered, reverb plate EMT 140 (very low mix) Vocal Style intimate conversational delivery, bilingual phrasing (softly accented English + Japanese), sighing tone, breath control emphasized, natural mouth sounds preserved Atmosphere / Emotion tender melancholy, romantic deta, ‑cliché, ‑old style chanson, ‑too sweetness

1983-style soft analog pop, warm midrange mix, moderato tempo, Breath-like female vocal, close-mic’d, slightly sleepy tone, Polyphonic analog synth (Roland Juno-60, Korg Polysix, Oberheim OB-X) with lush chorus, subtle vibrato, Clean electric guitar with mild chorus clone (Boss CE-2), compressed and shimmering, Warm bass (Fender Precision Bass DI + tape saturation), soft brushed drums (Ludwig kit + AKG D12 mic), Rhodes Mk I electric piano with gentle tremolo, occasional vibraphone-like bell pad, Subtle analog string pad through Roland Dimension D and EMT 140 plate reverb, Stereo image narrow but creamy, high end rolled off around 10kHz, lo-fi Cassette-style tape jcompression, gentle noise floor, touch of wow & flutter, easy listenings, French-Brazilian taste, le récitatif, film score, theatrical, mellow and smooth flow of vibraphones' lead melodies, 1970s, French movielike atmosphere, contemporary orchestra, rare groove

ArtPop, Cute, Bittersweetpop, Ghoststorysong, Childlike, Ghosttheme, Femalevocal, Pianopop, Ladylike Narration Voice, Children's Choir, Heartfelt Home Comedy, Dramatic, Melodic, Catchy

1980s Japanese tokusatsu hero theme song, heroic symphonic pop rock with brass and strings, Kayokyoku, 70'sDiscoFunk, Lo-Fi Film Score, passionate male vocal in Japanese, dramatic melody, gallant and powerful, like a TV show opening, vintage analog mix, echoing drums and trumpets, blazing electric guitar riffs, bold modulation, grand chorus, full band orchestra sound, warm tape saturation, mono mix feeling, cinematic energy, 1980'S Japanese Tv Theme Song, Transformation Super Heroes, Powergrit Male Vocal, Strong Male Choir, Recorded On Vintage Analog Tape, Light Compression, Mono Mix Feel, Plate Reverb Short Decay, Mild Tape Flutter, Analog Console Saturation, Warm Midrange, Limited High-End

Japanese 1970s TV theme song, baroque pop, harpsichord, female vocal (bright, clear), orchestral band arrangement with brass and strings, analog tape warmth, midrange boosted, slight tape compression, mono-style mix, spring reverb, vintage mastering aesthetics

Japanese 1970S Tv Theme, Psychedelic Funk Kayō, Female Vocal With Trained Voice (Yoko Maekawa Style), (Trained Female Vocal With Chest Resonance:1, 2), Clichéd Film Score-Style Composition, Analog Tape Warmth, Mono Mix, Spring Or Plate Reverb, Warm Compression, Fuzz Guitar, Live Drums, Horn Section, Organ, 135 Bpm, (No Modern Pop Tone, No Whisper Voice, No Breathy Or Autotune-Like Processing), Female Vocal, 1970S Japanese Kayō Singer Style, Strong Core Voice With Vibrato, Clear Pitch, Chest Resonance, Trained Voice Similar To Vocal Music Background, Natural Brightness Not Breathy, Expressive And Slightly Formal Tone, Recorded On Vintage Analog Tape, Light Compression, Mono Mix Feel, Plate Reverb Short Decay, Mild Tape Flutter, Analog Console Saturation, Warm Midrange, Limited High-End

French duet, kayoukyoku, melodic minor, calmly male and cute glitter female duo, two avec singers, prophet-5, polysix, Juno synthesizer, mini moog, TR-808, mellow techno, Surf techno, techno ballads, proto-techno, west german industrial, oldies score, old fashion outlaws, japanese Showa era styles, groovy, ‑American and European styles, ‑modern pop theories

French duet, kayoukyoku, melodic minor, calmly male and cute glitter female duo, two avec singers, prophet-5, polysix, Juno synthesizer, mini moog, TR-808, mellow techno, Surf techno, techno ballads, proto-techno, west german industrial, oldies score, old fashion outlaws, japanese Showa era styles, groovy

1970's Rock n' roll, boogie-woogie, UK HardRock, male vocal and female speaking, swing, shuffling, allegro tempo, kayoukyoku, Japanese TV Filmscore, complex jazz rock improvisations at introduction dry and lo-fi recorded, especially the liquid drums mix

1960'S Mood Music, 1970's Japanese Kayokyoku, male chorus group, Easy Listening, Euro Jazzy Pop, Enka, Yonanuki Mode, Lounge Pop, Cliché Melodramatic Filmscore, Cinematic, Theatrical, Calmly Nihilistic Love Theme, Alfa records (in Japan) style of dry mixed and mastered record production, cabaret big band, This Musical Piece Is A moody jazz and calmly filmscore Track With A softrock taste latin jazz Beat, The Tempo Is Moderato, Around 90-98 Bpm, never-using some synthesizers, The Instrumentation Features A Closed Rimshots Of Snare, And A Closed Hi-Hat Pattern Providing A Consistent Rhythmic Pulse, A Jazzy E, lectric Bass Guitar Plays A Syncopated, A Clean Electric Guitar Plays Moody, Muted Chords, Contributing To A Feel Of Elegance, A Bright, Sustained Quartetto-Strings Provides Atmospheric Backing, The Lead Vocal Is A Male Tenor, Singing In Japanese With A Clear, Slightly Theatrical Delivery, The Melody Is Catchy And Follows A Typical Kayokyoku Structure With A Clear Verse & Chorus

70's German_erectro inspired, Minimal techno built from concrete train sounds, 1970's Primitive Düsseldorf minimal-concrete techno experiment, 98BPM, allegretto, The beat is the rhythm of rail joints: metallic “clack-clack” as kick and snare, wheel hum as hi-hat, brake hiss as clap, Doors open and close as cymbal crashes, chime tones as synth motifs, Vocoded announcements and station names serve as melody, Layers of metallic noise and tunnel reverb intrude into the quiet minimalism, Mixing emphasizes stereo panning like a passing train, with reverbs mimicking tunnels, carriage interiors, and platforms, Atmosphere: mechanical, cold, hypnotic, with loud industrial intrusions, ‑house, ‑funk, ‑physical, ‑acoustic and analog, ‑raw voices

1980's Heartland rock, Arena Rock, Stadium Rock, Mainstream Rock, American rock, Midland song, worker's anthem, modern country, Powerpop, the early 80's Chrysalis label style of contemporary rock production, A high-energy rock anthem with a driving rhythm section and prominent electric guitars, The song features a male lead vocalist with a powerful, slightly raspy delivery, The instrumentation includes electric guitar playing a riff-based melody, a bass guitar providing a strong foundational line, and drums with a consistent rock beat, The production is clean and punchy, with the vocals mixed prominently, The tempo is fast, contributing to the energetic feel, The chord progression is simple and effective, typical of classic rock, The song structure appears to be verse-chorus based, with a clear build-up to the chorus, The electric guitar has a slightly overdriven tone, and there's a sense of urgency in the overall performance

Trip hop, minimal sampling 60's Euro Pop, cool jazz, radio communication quality vocalizations, melancholic female singer, Post-apocalyptic sci-fi, message-in-a-bottle, SOS music

revival J-Pop / Shibuyakei-pop, traditional cliché melody, mid-fast 8beat (128 BPM), bright + emotional, yeye-frenchpop inspired, Eurovision follower, Japanese female lead vocal, Early A→B→Chorus structure, chorus head high note, Chorus uses the Royal Road progression (IV–V–iii–vi), Tight drums, release-cut piano stabs, clean electric guitar arpeggio, pop synth lead, light strings on the chorus, Add more layers each chorus; short dynamic bridge; final chorus key up +½ (D→E♭), Keep EDM-drop minimal; band×program hybrid; clear pop mix; hooky short phrases