3:34

失われた35年
v5
A Japanese post-rock / math-rock ensemble with intricate, clean guitar interplay, dynamic shifts, and expressive rhythmic phrasing, Guitars use bright clean tones, fingerpicked arpeggios, broken chords, and syncopated melodic lines, often in interlocking patterns, Bass provides warm, supportive motion with melodic counterlines, Drums emphasize precise but organic groove: busy hi-hat textures, ghost notes, offbeat accents, and fluid dynamic changes, Frequent use of irregular meters, metric modulation, and polyrhythmic feel, The music alternates between quiet, minimal, introspective passages and highly energetic rhythmic drive, Emotional phrasing prioritizes human touch over heavy effects, creating an intimate yet complex sound, Occasional vocals or spoken elements appear as textures rather than traditional singing
4:15

Live remix cover performance with intense audience interaction, Modern alternative rock crossover with jazz roots, Strong drums, deep groove, emotional female vocal, Call-and-response sections, crowd chanting during choruses, Dynamic live build, from intimate verses to explosive sing-along choruses, MC shouts and spoken parts between sections, Audience voices clearly audible, clapping and chanting in rhythm, Raw live energy, imperfect but powerful, Emotional peak during final chorus with maximum crowd participation, Concert hall or live house atmosphere
3:39

dark melodic deathcore, Often uses a two-beat triplet figure right before the chorus, emotional vocal, Starts with minimal instrumentation, gradually building into a fuller, thicker arrangement as the track progresses
3:29

dark melodic deathcore, Often uses a two-beat triplet figure right before the chorus, emotional vocal, Starts with minimal instrumentation, gradually building into a fuller, thicker arrangement as the track progresses
3:54

Genre: Jazz Minimalism /Upbeat J-Rock/Nu-Metal Influenced Crossover, BPM: 155-165, Feel:physical, emotionally raw, restrained but crushing, Focus: Dynamic contrast between jazz intimacy and aggressive groove-driven rock weight, sophisticated tension build without excess, VOCAL: Female Vocal (Husky, intimate tone), Whispery emotional verses evolving into strained, powerful rock delivery, Expressive phrasing over sheer volume, SOUND DESIGN: Organic yet heavy hybrid production mandatory, Tight controlled low-kit drum sound with strong rim hits and sub-heavy kick, Never flashy, pulse-focused, Distorted cello texture providing physical weight, Warm but dark electric piano swells, INSTRUMENTATION: Hybrid ensemble expanding a drumless jazz trio into a groove-driven band, Distorted aggressively guitar functioning as both bass and lead, ARRANGEMENT: Verses, choruses, and rap sections each use a consistent repeated melody
4:49

An intimate indoor crossover performance that fuses jazz minimalism with aggressive modern rock energy, Hybrid ensemble expanding a drumless jazz trio into a powerful groove-driven band, Drums enter as tight, controlled, low-kit groove with strong rim hits and sub-heavy kick, never flashy, reinforcing pulse, Electric piano maintains the core rhythmic motif with wide swells and dark voicings, Cello becomes a dominant force: distorted, aggressively bowed, providing heavy bass ostinatos and grinding melodic counterlines, Cello functions both as bass and lead, with raw, physical attack and rock phrasing, Female vocal remains husky and intimate, whispery verses evolving into strained, emotional rock delivery, Saxophone solo remains lyrical and expressive, cutting through the mix with emotional intensity, Overall sound balances jazz intimacy with modern alternative rock and nu-metal influenced weight, Dynamic build from restrained tension to crushing groove without losing sophistication
3:09

ガソリン
v5
An intimate indoor crossover performance that fuses jazz minimalism with aggressive modern rock energy, Hybrid ensemble expanding a drumless jazz trio into a powerful groove-driven band, Drums enter as tight, controlled, low-kit groove with strong rim hits and sub-heavy kick, never flashy, reinforcing pulse, Electric piano maintains the core rhythmic motif with wide swells and dark voicings, Cello becomes a dominant force: distorted, aggressively bowed, providing heavy bass ostinatos and grinding melodic counterlines, Cello functions both as bass and lead, with raw, physical attack and rock phrasing, Female vocal remains husky and intimate, whispery verses evolving into strained, emotional rock delivery, Saxophone solo remains lyrical and expressive, cutting through the mix with emotional intensity, Overall sound balances jazz intimacy with modern alternative rock and nu-metal influenced weight, Dynamic build from restrained tension to crushing groove without losing sophistication
6:24

Nogoodso
v5
An intimate indoor performance by a jazz trio with no drums, where rhythm and groove are carried entirely by the accompanying instruments, jazz trio built on motivic repetition, minimalism, and melodic improvisation, Electric piano generates the core groove, with wide rhythmic swells and dynamic voicings, Female vocal is husky, whispery, with occasional guttural color, Cello provides bass-line ostinatos, tight groove phrasing, and melodic, masculine improv lines, Alto sax contrasts with soft, feminine lyricism, prioritizing tone and melodic beauty, Cello and sax alternate solos, creating a dialogue of power and gentleness within a sparse, intimate soundscape
3:18

Alternative Rock / Nu-Metal style with emotional male vocals, heavy electric guitars, atmospheric synth pads, deep bass, and dynamic drums, The sound blends distorted guitar riffs with melancholic piano and electronic textures, expressing frustration and emotional tension in a modern rock tone
2:53

Genre: Rap Overlay, BPM: Original Tempo, Instrumentation: Original backing track unchanged with emphasized guitar, Performance: Spoken rap layered subtly over existing song, Vocals: Conversational male rap at low volume, Rhythm: Minimal rhythm section with soft low-volume cajon-style percussion, Feel: Reflective and bittersweet, Mixing: Guitar prominent, rhythm section reduced, rap kept quieter to preserve guitar presence, Concept: Add rap verses while highlighting guitar without altering the original arrangement
2:31

Japanese post-hardcore rock inspired by 凛として時雨, 6/8 time signature, Very fast tempo around 185 BPM, Sharp and chaotic distorted guitar riffs, tight and aggressive drums, rapid snare patterns, emotional build-ups and sudden dynamic drops, Complex rhythm, edgy bass lines, high-speed clean guitar interludes, atmospheric reverb on clean guitar parts, Male falsetto-only vocal throughout the entire song, No chest voice, no mid-register vocals, Entire performance must stay in a high-register airy falsetto: thin, sharp, emotional, and intense, Exclude deep male voice and exclude low or mid vocal tones completely, Vocal style should resemble TK from 凛として時雨 but sung entirely in falsetto with piercing clarity, Overall mood: frantic, emotional, fragmented, dramatic tension and release, with a cinematic chaotic edge
5:47

Genre: Classical Guitar Solo with Flamenco Influence, BPM: 72, Feel: Deeply emotional and passionate, Mood: Warm, intense, and expressive, Instrumentation: Solo classical acoustic guitar, Performance: Fingerstyle picking with dramatic dynamic contrast, combined with flamenco techniques such as rasgueado, golpe, and picado, strong accents and delicate whispers, Arrangement: Gradual build-up leading to an intense, dance-driven accompaniment in the latter half with powerful rhythmic strumming, Focus: Lyrical melodic beauty, clear phrasing, expressive rubato, and percussive nuance


