V5楽曲

[Concept] High-speed math rock driven by electric bass, all other parts performed with Japanese traditional instruments only, Sleek, edgy, precise, surreal tension, Style Math Rock × Alternative Progressive × Experimental, Technical, groove-centric, no folklore softness, [Tempo / Length] 136–160 BPM feel, full track length 3 minutes, [Bass (Core Driver)] Electric bass only modern instrument, Deep slap, strong attack, fast decay, Clean/distortion switching per phrase, Rhythmic + melodic backbone, [Rhythm] Wadaiko / tsuzumi / hyoshigi only, Linear-drumming logic: no stacked hits, Syncopated, polyrhythmic, tight and mechanical, [Other Instruments] thick-neck Shamisen + normal Shamisen: clean/distortion switching, sharp accents, Koto: rhythmic/texture role only, Shakuhachi / shinobue: sparse, short accents or long tension tones, [Feel] Fast, controlled, forward-driving, Complex but readable, Modern math rock tension with Japanese timbre

[Concept] High-speed math rock driven by electric bass, all other parts performed with Japanese traditional instruments only, Sleek, edgy, precise, surreal tension, Style Math Rock × Alternative Progressive × Experimental, Technical, groove-centric, no folklore softness, [Tempo / Length] 136–160 BPM feel, full track length 3 minutes, [Bass (Core Driver)] Electric bass only modern instrument, Deep slap, strong attack, fast decay, Clean/distortion switching per phrase, Rhythmic + melodic backbone, [Rhythm] Wadaiko / tsuzumi / hyoshigi only, Linear-drumming logic: no stacked hits, Syncopated, polyrhythmic, tight and mechanical, [Other Instruments] thick-neck Shamisen + normal Shamisen: clean/distortion switching, sharp accents, Koto: rhythmic/texture role only, Shakuhachi / shinobue: sparse, short accents or long tension tones, [Feel] Fast, controlled, forward-driving, Complex but readable, Modern math rock tension with Japanese timbre

[Genre: Celtic dance, fast-paced fantasy, ] [Style Reference: Cinematic fantasy anime battle soundtrack, ] [Scale/Mode: Dorian mode, avoid standard major/minor pop scales, ] [Instruments: Fiddle (rapid 16th-note runs), Tin whistle (short rhythmic accents), Bodhran/taiko (driving rhythm), Thin pad (background fantasy ambiance), Harp (sparkling arpeggios), ] [Mood/Atmosphere: High-energy, magical forest adventure, playful but fierce, full of motion, ] [Theme: Rapid, bouncy Celtic dance with virtuosic fiddle solos, suitable for fantasy battle scenes, ] [Whistle: Used sparingly for accents and counter-lines, not dominant, ] [Overall Points: BPM 160, full-speed energy, instruments “jumping” and bouncing, PAD thin for background, solo section with fiddle flair and whistle accents, groove-heavy and danceable choruses, ] [Length: Under 4 minutes, ] [Ending: Clear and complete ending, no abrupt cut, ] [STRUCTURE: Instrument-led progression with natural dynamic rise, No vocal-led chorus structure, ] [Loud], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

A jazzy indie-acid pop track with a warm, slap-style wood-bass groove, [Bass: light ghost notes, soft chopper phrasing, cute bouncing pulse] Drums are airy with pop snares, soft kicks, jazz-swing hats, and hyperpop 16ths, [Rhythm: slightly behind the beat, relaxed groove] Sparse jazz-piano chords (7th/9th/11th) create sweet harmonic space, [Guitar: tiny chord stabs, percussive ultra-clean chunking, pan L/R, minimal sustain] Acid pop plucks, glitch bells, gentle noise sweeps add sparkle without masking the bass, Indie pop undertone adds warmth, airy texture, slight lo-fi human touch, Soft, cute tone with gentle breath at phrase beginnings, [Vocal: close-mic, delicate consonants, playful whisper-like delivery] Playful, intimate delivery, riding indie-acid rhythms, [Dynamic: bright, youthful, buoyant peaks] Keep total length under 3 hurf minutes

Genre: Digital pop rock (beat-driven) × melancholic dreamy EDM, Tempo: 172 BPM, fast and steady, Instrumentation: Dry clean palm-muted cutting guitar with tempo-synced delay; deep EDM sub bass and clean layered low-end synths; modern electronic drums with punchy kick and crisp highs, Guitar: Clean, dry, minimal saturation; precise muted cutting; rhythmic texture, emotionally restrained, Low End: Deep, tight EDM sub bass; strong kick–bass sidechain; physical impact with a cold, melancholic tone, Mix: Clean and cool; beat-forward; tight low end, uncluttered mids; wide but distant space from delay/reverb tails, Vocals: Centered, controlled, melancholic and detached; smooth compression, soft air, no sweetness, Vocal Take: One continuous lead voice, identical tone throughout; emotionally muted, melancholic delivery, Rendering: prioritize maximum clarity and fidelity; avoid lo-fi artifacts, massive sub bass with deep physical impact, strong kick–sub sidechain, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

[Song genre: Dark Trap + Afrobeat] [Instruments: dry muted koto (clean dry-mute + light overdrive), dry muted shamisen (clean dry-mute + light overdrive), muted bamboo xylophone, heavy slap/chopper bass, taiko drums] [Twin vocals: Female (main, persona fixed), Boy (boyish girl character)] [Vocals: One continuous lead voice with identical tone and character across all sections] [Tight low-end, constant sub bass, forward midrange, dense mix, minimal dynamic range, high average loudness] [EQ: Highs clear but not piercing, mids warm and present, lows tight and controlled, ] [Noise removal: eliminate hiss and low-end rumble, no clipping, clean transient response, ] [Reverb: minimal, short decay, avoid washiness, ] [Volume: consistent loudness, avoid distortion, each instrument audible without masking, ] [Overall feel: loud, clear, high-definition, wide stereo, clean separation, balanced mix, cold and spacious atmosphere, unresolved ending, ], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑middle Outro

Genre: Math Rock, alternative Jazz, 90’s Detroit Rap, Ensure total track length is ~4 minutes, Vocal-driven track with one continuous lead voice, Melodic rap sections with controlled rhythm, intentional pauses, and tension-based delivery, Fast tempo, high energy, tight timing, rhythmic control emphasized, Guitar: dry distortion, picking and scratching nuances audible, textural riffs lead instrumental sections, Bass: fretless, slap, or upright style, melodic and rhythmic, grooves drive the feel, high density but clear, Drums: deep, resonant, low-end focused, no cymbals, tight interaction with bass, creating an immersive, body-shaking sensation, floating and slightly disorienting feel, Tight low-end with constant sub bass, Forward midrange, Dense mix, minimal dynamic range, High average loudness, Complex, technical, emotional, cinematic, experimental yet groove-driven, instrument-focused sections highlight virtuosic performance, creating floating, body-resonating sensation

Genre: Math Rock / Alt Jazz / 90’s Detroit Rap / rapid fire / subtle J-anime opening song vibe, [Mix: clear forward vocals, warm midrange, immersive sub-bass, bright highs, tight transients, slightly boosted presence, ] [Guitar: dry crunchy tone, picking/scratching audible, riffs and leads clear, subtle stereo width, ] [Bass: melodic and rhythmic, low-end punch reinforced, tight with drums, ] [Drums: deep, resonant, immersive, no cymbals, tight with bass, ] [Effects: gentle reverb, subtle stereo widening, maintain live feel, slight attack boost, ] [Overall: fast tempo, high energy, tight rhythm, floating immersive mix, clear separation, enhanced presence, ], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑middle Outro

Vocals: one continuous lead, clear and centered, soft teen-like fragile tone, occasional light harmonies on key phrases, additional subtle harmonies in key phrases to increase emotional depth, airy and breathy, Instruments: Bagpipe lead A5–C6, crisp, bouncy, dominant, leaves space for vocals; Tsugaru Shamisen x2, one crunchy with light overdrive, one clean muted with airy delay, rhythm only, shimmering and floating; Mandolin, thin glass-like tone, soft arpeggio, enters only in vocal-free sections, lightly delayed and reverbed for floating, watery texture; Bass, slap style, root-focused but dynamic, slightly behind beat, adds groove; Bodhrán and light shakers/tambourine for subtle Irish percussion only, fills gaps, no standard drum kit, Mix: minimal reverb except on arpeggio/airy textures, short delay only for depth, clear separation, controlled dynamics, wide but focused stereo, low noise, Ending: song stops naturally at verse/outro end, no extra looping, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑extra looping

Genre: Heavy-tuned Drum and Bass, dark alternative electronic, experimental rock influence, Tempo: 168–174 BPM, Deep sub bass centered around 45–55Hz, powerful but controlled low-end, Tight short kick, sharp dry snare, nervous hi-hats with subtle glitch textures, Atmosphere is oppressive, mechanical, cold yet emotionally unstable, Guitar: clean tone, low-cut below 120Hz, thin and sharp, chorus or subtle delay, repetitive anxious picking patterns, detached and minimal, tight low-end, constant sub bass, forward midrange, dense mix, minimal dynamic range, high average loudness, Arrangement: Minimal intro with sub bass pulse and clean guitar motif, Gradual layering of drums, Short instrumental breaks to create tension, One dramatic drop after a near-silent vocal moment, Overall mood: suffocating, addictive, socially critical, hypnotic, dark but elegant, Vocal: single continuous female lead, dense mix, hysterical urban intensity, Ensure total track length is around 4 minutes, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑extra looping

[Ensure natural ending: fade out instruments & vocals last 5–8s, taper rhythms/melodies, light joyful vibe] [Style/Genre] Dance fusion: Ainu vocals + Celtic melodies + Afrobeat rhythms; energetic, tribal, hypnotic, playful [Mood] Celebratory, joyful, nature-connected, festival-like, upbeat [Instruments] Lead: Ainu lyrics, continuous tone Harmony: optional call-response, subtle layering Bagpipe: main melodic riff, energetic, pan center/left Shamisen: melodic fills & short riffs, pan opposite bagpipe Fiddle: short pluck/rhythmic accents, support role Koto: optional muted phrases Bamboo Xylophone: percussive accents Bass: heavy slap/chopper groove Percussion: Bauron, Taiko, Tambourine, Shaker Ambient: natural sounds (wind, water, forest) [Structure] 4/4 groove, short hypnotic patterns, layered melodic hooks, clean mix, wide stereo, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro, ‑repeated loops

[Genre:] Alternative/Experimental Electronic Rock × Cyberpunk × Grunge [Tempo:] BPM 170, driving, irregular syncopation [Instruments:] Lead vocals (Persona voice, consistent tone, center, +2–4dB, 3–6kHz boost), distorted/clean guitars (gritty, short delay, light reverb), piano (clean, rhythmic, short reverb), bass (tight low end, slight distortion, side-chained to kick), drums/glitch percussion (tight snare, random hi-hat, punchy kick), synth/noise textures (bit-crushed, ring-mod, modulated filters) [Mix:] Vocals always front, tone unified; tight low-end, controlled transients; wide stereo, minimal masking; slight saturation for grit; short/shallow reverb and subtle delay on vocals [Effects:] LFO/modulation on synths/noise; stereo widening and side-chain on instruments; do not alter vocal EQ/dynamics [Goal:] Aggressive cyberpunk/grunge texture, vocals clear and consistent, instruments add grit and tension without covering voice, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

Track Rules: 5 minutes max, no loops, hard stop, live human feel max, Song ends naturally and absolutely at final lyrical phrase, no post-phrase, [Genre: Heavy-tuned Drum and Bass, dark alt electronic, experimental rock, ] [Tempo: 175–180 BPM, forward 16th drive, subtle human timing drift, ] [Bass: Deep sub 45–55Hz, tight low-end, organic finger layer, ] [Drums: Tight kick, snare, acoustic layer, velocity variation, ] [Guitar: Clean <120Hz, thin picking, double-tracked, slight human inconsistency, pick attack audible, ] [Mix: Dense, forward mids, room air preserved, ] [Arrangement: Minimal intro sub + guitar, gradual drums, short breaks, dramatic drop after near-silent vocal, ] [Vocal: Continuous female lead, dry-forward, breath noise and slight pitch drift retained, ] [Human performance: subtle timing variations, micro-dynamics, ghost notes, breath articulation, micro push against drums/bass, ] [Audio: clarity and presence enhanced, live texture preserved, no post-phrase ad-libs, ], ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming

Genre: alternative grunge with raw edge, medium tempo, catchy hooks, Tempo: 160–175 BPM, 16th-note rhythmic drive, slight human timing drift, Guitars: distorted but clear, punchy palm-muted riffs, double-tracked L/R, subtle pick and fret noise, Bass: finger-style attack, low-end growl, slight push against kick for live feel, Drums: acoustic kit layered, snare with ghost notes, kick velocity variation, slight timing drift ±5ms, Vocals: dry-forward, intimate, slightly overdriven, subtle pitch drift, audible breath, Effects & Atmosphere: small room reverb, amp hum intro, subtle room air, natural decay, no fade, Structure: verse-prechorus-verse-chorus-bridge-chorus-outro, dynamic build for catchiness, allow repeated hooks, Feel: energetic but human, raw and emotional, catchy enough for streaming attention but retains live-grunge vibe, Track Range: extend total runtime 3–5 minutes, Mastering: overall sound and volume optimized for clarity, punch, and live feel without losing rawness, ‑Intro Vocals, ‑Intro Chorus, ‑Intro humming, ‑long Intro, ‑long Outro

Dark downtempo electronic pop, 104 BPM, minor key, emotional and introspective atmosphere, Downer mood, late-night solitude, fragile but determined, Arrangement: Minimal intro with airy pad and distant reverb vocal, Soft lo-fi kick enters after 8 bars, Gradual build with subtle hi-hats and deep sub bass, Pre-chorus rising tension with filtered synth and light sidechain, Chorus drops with full but not aggressive electronic beat, wide synth chords, deep sub bass, layered soft vocals, Contrast between quiet verses and emotionally expanded chorus, Brief beat drop before final chorus with almost a cappella “I’m still here”, No guitar focus, Pure electronic texture, Modern Japanese alt-pop vibe, melancholic but uplifting, Clean mix, spacious stereo, emotional vocal forward, Song length around 3:00–3:30, strong hook within first 60 seconds, ‑Intro humming, ‑long Intro, ‑long Outro

Genre: Indie Acoustic / Experimental J-Pop, Tempo: 145 BPM, mid-fast, steady pulse, Mood: Cool, clear, restrained; slightly warm near end, Instrumentation: 2 acoustic guitars (1 percussive, 1 riff/fil-in), cello, minimal drums/air, Guitar: Dry, clear, intricate arpeggios, melodic fills, subtle harmonics, light delay, Cello: Fast passages, slurs and staccato, expressive crescendos, Vocals: One continuous lead voice with identical tone and character across all sections; agile and intimate in verses, bright in choruses, breathy textures, natural phrasing, Arrangement: Verses intimate and agile, choruses bright with breath fragments, interlude with guitar/cello interplay, Performance: Live studio feel, natural timing variations, subtle human imperfections, emotional expressiveness, Track End: let all instruments and vocals finish naturally, [If necessary, include 1-2 seconds of silence after the last note to signal the end, ]

[Genre: Hyperpop] [Claustrophobic, intense atmosphere, room with rain outside the window, ] [Female vocal, whispered, breathy, slightly breaking, as if silently going mad, rhythmically aligned to beat, ] [Chord progression: Canon loop, minor-leaning bass with syncopation, subtly dissonant harmonies, ] [Arpeggio guitar/piano with rhythmic cutting, pads with subtle dissonance, rhythm and panning slightly unstable to create tension, ] [Use delay and reverb to give spaciousness, Maintain canon loop, no modulation, ] [Overall: steady canon loop, emotionally intense, mentally unraveling, slowly building tension with small emotional bursts, ending quietly, ] [Tempo: slow to moderate, around 70–90 BPM, tight to groove as hyperpop track, ] Highest possible audio quality, [Track End: Do not truncate; allow all instruments and vocals to naturally finish]