Aftershow Stream 05.12.2025

250 BPM Male vocals, gothic rock, synth, fast, perfect, edm, metal, Dark Anandiplose-Ketten-Stil

A passionate, Sexy and Hot Glam Metal and Arena Rock song, Vocals Should be female sexy, hot And passionate with a voice in The Style Of Lita Ford and Sebastian Bach, The song tells the story of The wild, seductive rock guitarist Dave Sabo, ” through the eyes of a passionate female singer who falls for him, Include screaming Traci Guns-style guitars, heavy Tommy Lee-style drums, Rachel Bolan-style bass, and a huge arena chorus, Add a sultry mid-tempo bridge with emotional intensity and a soaring guitar solo near the end, Vibe: sexy, emotional, powerful, 80s rock anthem energy

Upbeat Mariah Carey Christmas anthem, Four different Female vocals, dirty Hip Hop, hard Rap, Girlgroup, Girl band, super aggressive, Breakbeat, very dirty, mad

A High-energy, Powerful Glam Metal And Sleaze Metal Anthem Skid Row Slave to the Grind era in The Style Of Skid Row Song Slave To The Grind, fast tempo, aggressive attitude, dirty 90s production, razor-sharp guitars, gritty vocals, Powerful male Glam Metal vocals with rasp and powerful in the style of Sebastian Bach, with raspy screams, emotional power, and attitude, high energy, raw edge, occasional screams, Skid Row-style harmonies in chorus, Fast, punchy drums with double-time kick like Slave to the Grind Dirty in The Style Of Rob Affuso, overdriven rhythm guitars, fast palm-muted riffs in The Style Of Scotti Hill, Screaming lead guitar with wild bends and divebombs in The Style Of Dave Sabo, Growling bass in The Style Of Rachel Bolan, Mood & Atmosphere: Rebellious, powerful, aggressive, street-sleazy, energetic, unstoppable, Feeling of breaking chains, starting a revolution, pure adrenaline, Overall vibe: A firestorm of attitude and speed, a wild Glam Metal riot anthem with 90s grit

Dark industrial percussion and pulsing synths set a tense foundation, layered with gritty postpunk basslines and stark, angular guitar work in the verses, The chorus explodes as Balalaika joins, weaving sharp, folkloric motifs over a relentless electronic groove, creating a striking fusion, ‑tribal, ‑choir, ‑chants

[Neo-Psychedelia, Alternative Hip Hop, Electronic Rock, Ratatat-style production, distorted synthesizer, laid-back melodic rap, anthemic chorus, heavy drums, dreamy atmosphere, male vocals]

Southern hip-hop with rock synth elements, heavy 808 bass, atmospheric distorted guitars, dark melodic synths, trap-influenced drums, menacing tonality, gangster swagger meets introspective depth, cinematic mood, aggressive yet smooth flow pockets, 85 BPM, minor key

184 BPM, C# Phrygian — industrial deathcore × J-metalcore × jersey-club × cinematic choir (Veirith yandere theme), Drop-C# 8-string chugs and tremolo riffs lock to a bouncy off-beat jersey kick plus massive club slam kicks, with tritone stabs, blastbeats, d-beat runs and half-time breakdowns, Verses stay stripped and tense: low female growls and calm possessive lines over subs, sparse percussion and distant strings, Pre-chorus swells with sharp string ostinatos, snare flurries and side-chained pads, Choruses explode into Japanese Padoru hooks: epic female choir in unison, taiko-style drums and soaring violins, doubled by gang shouts and high harsh vocals on the last syllables, Final breakdown is the most unhinged: feral screams, choking kick stops and sudden silence before one last choir hit

Sea shanty / folk rock / pirate music, Gritty male lead vocal with strong group call-and-response, Acoustic guitars, hurdy-gurdy, bodhrán, low drums, fiddle, deep male chants, Dark supernatural pirate atmosphere, Nautical ambience with waves, chains, and creaking wood, Story-driven: the Wolf of the Harbor is cursed by the Devil’s Gold, facing ghosts, storm spirits, and the rising Crimson Tide, Dramatic, emotional, powerful choruses with stomping rhythms and cinematic folk-rock energy, Tempo around 90–100 BPM

Key: Am Tempo: 78–85 BPM Mood: reflective, tense, storytelling, emotional hip-hop** Emotional storytelling hip-hop with soft piano, warm sub-bass, clean acoustic drums, atmospheric reverb, introspective tone, expressive male rap vocals, melodic hooks, steady mid-tempo beat, subtle darkness, cinematic tension, heartfelt delivery, and a smooth yet dramatic arrangement, ‑female voice

Inspirational acoustic pop with orchestral soul textures and moments of intentional silence, The arrangement is centered around ten solo vocalists: in verses, each singer performs one line in rotation; in every chorus, all voices join in unison or gentle harmony, No additional choir, The instrumental foundation—led by soft piano, subtle strings, brushed percussion, and deep bass—is minimal and carefully restrained, creating space for the voices to lead, Silence and breath are used as compositional elements, enhancing emotional pauses and reflective depth, The overall dynamic builds naturally from quiet intimacy to a cinematic but still voice-driven finale, A modern, hopeful anthem shaped by stillness, clarity, and human connection

Male vocals, Downbeat, Trip Hop, Jazz, Lounge, Soul, Elektronik, smooth, Retro, chill, Cinematisch, Groove, Melancholie

Grunge, opens with a guitar feedback, slowly getting louder, lacking a real climax, but starting with vocals, Building up tension, spoken words, raw Punk guitar

Punchy electronic drums propel a driving groove under pulsing retro synth bass, Lush synth pads set an atmospheric backdrop, while arpeggiated keys add melodic sparkle, Soaring synth leads define the choruses, and robotic, vocoder-infused hooks punctuate the bridges, ‑Electro-Pop, ‑Synthwave, ‑Mood: Futuristisch, ‑verträumt, ‑leicht melancholisch, ‑8-Bit-Sounds, ‑Retro-Synthesizer, ‑verzerrter Gesang, ‑glitchige Percussion, ‑Electro-Pop, ‑Synthwave, ‑BPM: 118

storytelling, male vocals, boom-bap, rap, playful, bassline, nostalgic, vinyl crackle, warm

A fierce christmas gangster rap track built: ominous synths and booming 808s drive the beat, christmas sound, accented by aggressive hi-hats and syncopated claps, The arrangement leaves space for rapid-fire, confrontational flows, explosive beat switches, Rock guitar solo in Chorus, DJ Scratching elements

Energetic hip hop with a fun yet intense vibe, opening with zombies shouting and scratching, echoing 808 drums, verses driven by a steady catchy melody with light electronic textures and bass following the line, end-of-verse echo effects, raw angry male vocal chorus, and a fear-tinged outro highlighted by aggressive piano

German Rap about love and hate of the ghetto District Wedding, Use the same chopped, staccato, syllable-by-syllable delivery at the end of each bar as in verse one, Each final word must be broken into distinct syllables with hard stops, Only the final word of each line should be delivered in chopped, syllable-separated staccato style same as Vers 1

A modern, uplifting charity song for an older, experienced male singer with a rough voice should be performed in a warm, intimate setting, creating a heartfelt and gentle atmosphere, The arrangement remains mostly unplugged and slow, with soft, subtle jazz rhythms influencing the phrasing delicately without changing the core genre, Percussion is minimal or omitted to keep the mood serene and tender, The background choir appears sparingly and gently, adding emotional warmth at key moments without overwhelming the vocals, The singer’s clear, distinct pronunciation conveys sincerity and deep emotion, Overall, the song is calm and reflective, inviting the listener into a personal, soothing experience full of compassion and quiet strength

Moody modern German singer-songwriter pop ballad around ~92 BPM in C minor, 4/4, 6 Minute length, with an intimate close-mic male vocal in a low-to-mid register delivering conversational winter-weather imagery that mirrors a fragile relationship, Verses: sparse Rhodes-style electric piano, warm round bass, minimal kick/snare and soft pads, lots of air for the German lyrics, Pre-chorus: gentle lift with extra pads, ghost-note snare, subtle vocal doubles and soft risers heading into the hook, Chorus: fuller band with steady drum pocket, cool fx glitches, wider keys, mellow electric guitar textures and stacked harmonies on the main hook “Viel Grau bis zum zweiten Advent, kein Winter in Sicht”, Bridge: stripped to piano + pad, small harmonic lift, raw focused vocal, then return into a final anthemic chorus with choir doubles, light handclaps and shakers, Mix: warm, dynamic, vocal clearly upfront with tasteful plate+room reverb, gentle bus compression, analog-leaning color, clean low end, ‑modern EDM drops, ‑hardstyle kicks, ‑heavy distorted guitars, ‑trap hi-hat rolls, ‑over-polished Top 40 pop sheen, ‑extreme autotuned lead vocals, ‑big-band Christmas jingle clichés with sleigh bells everywhere

The song fuses Greek folkrock with pop, opening with bouzouki and bright acoustic guitar, A crisp drum kit and warm bass add groove, while twangy electric guitar weaves throughout, Modern pop production polishes the mix, layering harmonies and dynamic breaks to enhance momentum

Start with haunting ancient folk melodies played on lyre and woodwinds, layered over EDM rhythms with side-chained synth pads and crisp electronic percussion, Evolve sections seamlessly, trading instrumental motifs instead of a chorus, Elevate dynamics using lush surround sound textures, interspersing dynamic power ballad guitar and swelling orchestration for cinematic studio polish, ‑Heavy Reverb, ‑distorted Vocals

A high-energy German punk rock track in E minor around 176 BPM, built on tight downstroke guitars, snappy drums and a sneering lead vocal that jumps between spoken sarcasm and shouted hooks, The song roasts professional complainers and armchair critics with bitter humour, crowd-ready choruses, handclaps, a short pentatonic solo and a feedback-soaked outro, like a sweaty early-2000s club gig on the edge of chaos, [GermanPunk][FastRock][SarcasticAnthem][CrowdSingAlong][2000sStyle][LiveClubEnergy]