artrock / プログレ系

prog-rock, psychedelic art rock, Rich vocal harmonies, Suite, Multi-part, Early 1970s British progressive rock, overdrived bass, Long-form, Movements, Thematic development, lo-fi mixing and mastering, Contrasting, Dramatic, Tension and release, mathrock, jazzrock, Complex drums, Hammond's B3 organ, minimoog, ARP Odyssey, mellotron, synthwave layers, extremely math-rock, Symphonic suite structure with multiple movements, baroque meets Celtic traditional, complex time signatures and key changes, 12-string guitar arpeggios, Dramatic dynamic shifts between calm and intense sections, Evokes a spiritual journey and the cycles of nature and life

1972 British progressive rock, Dry and Complex drums, dominated Hammond's B3 organ, mellotron, prophet-5, and moog synthesizer layers, extremely math-rock, overdrived Rickenbacker's bass, psychedelic art rock, Rich vocal harmonies, Suite, Multi-part, Long-form, Movements, Thematic development, Contrasting, Dramatic, Tension and release, Symphonic suite structure with multiple movements, baroque meets Celtic traditional, complex time signatures and key changes, 12-string guitar arpeggios, Dramatic dynamic shifts between calm and intense sections, Evokes a spiritual journey and the cycles of nature and life

multi-movement structure, extreamly math-rock, 70s uk progressive rock, thick chorus, irregular time signature, fast picking

free-baroque, Hammond's electric Organ and mellotron, electric, acoustic and gut guitars, London, 1969, Suites, Rock-like Explosive, A slow and cinematic progressive roaack ballad inspiured by late-60s British analog recordings, Recorded as if in a small studi, o with warm ribbon microphones and audible tape hiss, Drums are dry and tight, bass and flute weave counterlines beneath emotional male vocals, Mellotron-like strings rise gradually, creating orchestral tension within minimal reverb, Mix with wide stereo image but organic breathing space, slow fader rides, and gentle tube saturation, Dynamic range preserved — human imperfection and warmth preferred over precision, Key: E minor, Tempo: 70 BPM, 6/8 flow, Avoid glossy production, avoid modern reverb tails, avoid over-polished drums or bright digital snare, avoid stereo widening, avoid clean compression, avoid hi-fi mastering or large-room ambience, avoid 80s or modern progressive rock sound, avoid cinematic strings or ov

late 60's, UK psychedelic trad, CUTE and glitter girl's vocal, mod girl complex, avant-garde, dadaïste, cembalo, electric_viola, mellow Rhodes piano, beatnik, Electric_Baroque, Euro_Pop, tape echo minimal analog sequence techno, Mods, Swinging_London, NewYork art-punk, free baroque, classical soul, complex drums, tube modulated digital, analog glitch, plastic lolipop, pre-punk, shred guitars, overdrived bass guitar, Analog_Delays, Feedback_Echo, Proto_Techno, Mini-Moog, Hammond B-3, Harpsichords, Clavinet, Mellotron, Clavichords, tremolo_Guitar, Bizarre_Guitars, Proto_Progressive

'Hammond's Electric Organ And Mellotron, Electric, London, 1969, Suites, Rock-Like Explosive, A Complex And Theatrical Progressive Rock Inspiured By Late-60S British Analog Recordings, Recorded As If In A Small Studio With Warm Ribbon Microphones And Audible Tape Hiss, Drums Are Dry And Tight, Bass And Weave Counterlines Beneath Emotional Male Vocals, Mellotron-Like Strings Rise Gradually, Creating Orchestral Tension Within Minimal Reverb, Mix With Wide Stereo Image But Organic Breathing Space, Slow Fader Rides, And Gentle Tube Saturation, Dynamic Range Preserved — Human Imperfection And Warmth Preferred Over Precision, A high-energy rock anthem with a driving rhythm section and prominent electric guitar riffs, The song features a male lead vocalist with a powerful, slightly raspy baritone voice, delivering lyrics with a sense of urgency and drama, The instrumentation includes a distorted electric guitar playing a memorable riff, a solid bass

Extremely Math Rock, Complex Drums, Shred Guitars, lo-fi production, Lightning-Fast Organ Playing, Early 70'S Art-Rock, Prog-Rock, Jazz-Rock, Uk Hard Rock, Baroque N' Roll, Psychedelic, Distorted Bass Guitar, Es-335 With Hiwatt Guitar-Amp, Hammond's B3 And Mellotron, Electric, Wessex, 1970, Suites, Rock-Like Explosive, A Complex And Theatrical Prog-Hardrock Inspiured By Late-60S British Analog Recordings, Recorded As If In A Small Studio With Warm Ribbon Microphones And Audible Tape Hiss, Drums Are Dry And Tight, Bass And Weave Counterlines Beneath Emotional Male Vocals, Mellotron-Like Strings Rise Gradually, Creating Orchestral Tension Within Minimal Reverb, Mix With Wide Stereo Image But Organic Breathing Space, Slow Fader Rides, And Gentle Tube Saturation

Complete rejection of dramatic developments, early 80s british postpunk experimental song with a 7/4 time signature, lo-fi tape-recorded production, calmly and simply groove tune, philosophical atmosphere, Driven by a distinctive bass riff, dry drum kit, and analog mastering warmth, Includes a glitchy saxophone solo and a chaotic electric guitar solo with limitless delay-feedback effects, Inspired by the UK underground prog-rock

style: 70's Düsseldorf Krautrock, HummerBeats, AllegroTempo, concrete music, industrial, minimal techno, stoner rock, mechanic voices, male vocal atmosphere: The bleak atmosphere of a city in ruins, A barren worldview, dry and lo-fi, emotion: Mindlessness, despair, nihilism, survival instinct, flat resentment and anger, a voice lacking inflection

long-lengthy, symphonic of Hammonds-organ and Mellotrons, multi-movement structure, extreamly math-rock, 60s UK art rock, UK jazz rock, hyper tensioned playing, thick chorus, irregular time signature, fast shredder picking

multi-movement structure, extreamly math-rock, hyper tensioned playing, 70s uk progressive rock, thick chorus, irregular time signature, fast shredder picking

Early 1970s British progressive rock, Complex drums, Hammond's B3 organ, mellotron, and synthesizer layers, extremely math-rock, overdrived bass, psychedelic art rock, Rich vocal harmonies, Suite, Multi-part, Long-form, Movements, Thematic development, Contrasting, Dramatic, Tension and release, Symphonic suite structure with multiple movements, baroque meets Celtic traditional, complex time signatures and key changes, 12-string guitar arpeggios, Dramatic dynamic shifts between calm and intense sections, Evokes a spiritual journey and the cycles of nature and life

free-baroque, Hammond's electric Organ and mellotron, in London, 1967

extremely math rock, complex drums, shred guitars, lightning-fast organ playing, early 70's art-rock, prog-rock, jazz-rock, UK hard rock, baroque n' roll, psychedelic, distorted bass guitar, Hammond's B3, ES-335 with HIWATT guitar-amp

long-lengthy, symphonic of Hammonds and Moogs, multi-movement structure, extreamly math-rock, 70s uk progressive rock, 60s UK art rock, hyper tensioned playing, thick chorus, irregular time signature, fast shredder picking

Please perform the following poem as a spoken word reading, with post punk background music or instruments, Use only your voice, with cockney dialects and a madness, dry tone And a little huffy

post-punk, afro-beats, minimal funk, overlapping vocals at the same time, polyrhythm, chorus complex, art-punk, progressive, new-wave, no-wave, russian avant-garde, dadaïste, neo-Dadaism

clock-working concrete rhythmmachine, Clatter-clatter-clang, Rampaging Orgel MusicBox, termenvox, pre-war style techno music, IF music, low-level-electric and non-electronic, all of 1920s regularly techs, vintage techno music

alkali-rock, no-wave, post-music, existentialism, avant-garde, Kitsch, dadaïste, surrealism, minimal-baroque, post-rock, concrete, postpunk, epic-experimental

FrenchElectro, Electroclash, MinimalElectro, AnalogSynth, DarkElectronica, GranularSampling, DryBeats, IndustrialTexture, OrganicSamples, Atmospheric, Minimal French Electro with cold, mechanical beats and sparse rhythms, Spoken word and monologue are distinct voices; spoken word is utterly calmly delivered, monologue richly impassioned, Analog synth basslines (Moog/Prophet style) undulate like tectonic waves, with dry machine kicks, metallic claps, and clipped hi-hats, Granular sampling of human crowd voices, processed into ghostly textures, mixed with organic percussive fragments (coin drops, wooden hits, distorted church bells), Early parts decorated with faint organ stabs and ritualistic chimes, later shifting into mechanical hums and cash-register-like pings, Sound design emphasizes dryness and space, with minimal reverb, Dark, atmospheric electronica with a sense of fractured intimacy

Digital post-hardcore, Glitchcore, Chiptune, 16Bit Soundboards, distorted Electric Punkrock Mixture, Clipped Vocals, Agitation On A Megaphone, moderato Tempo, Chaos Of Beepnoizes, Siren, Leftover Punks, progressive house, 8Beat, Complex Analog Math Drums, Chaotic, Acoustic Vs Beep, Noize Battle, Synthwave And Delay Feedback of Fuzz Guitars, Roland Mc-4/Mc-8 Microcomposer, Roland Tb-303, Arp Odyssey, Prophet-5, Pre-Techno Electro, Late 1970'S, Full_Vocoder Of Voices, Ascending Step Sequencer Refrains, Analog Sequencer, Dominant Upward Step Sequence, Ascending Sequencer Pattern Dominated, Early Detroit Techno, progressive

avant-garde, atonality free jazz, polyrhythm, complex drums, spacey, experimental theme, Hammond's B-3 electric organ, ARP Odyssey, prophet-5, 8-bit FM-soundboard, electric guitars, vibraphones, solid, Rhodes

Minimal techno built from concrete train sounds, 1970's Primitive Düsseldorf minimal-concrete techno experiment, 98BPM, allegretto, The beat is the rhythm of rail joints: metallic “clack-clack” as kick and snare, wheel hum as hi-hat, brake hiss as clap, Doors open and close as cymbal crashes, chime tones as synth motifs, Vocoded announcements and station names serve as melody, Layers of metallic noise and tunnel reverb intrude into the quiet minimalism, Mixing emphasizes stereo panning like a passing train, with reverbs mimicking tunnels, carriage interiors, and platforms, Atmosphere: mechanical, cold, hypnotic, with loud industrial intrusions

historical epic metal, thrash metal, ethnic russian folk influences of powermetal, NWOBHM, Post Hardcore, glitchy Nu-Metal, dramatic choir chants, militant marching rhythms, melancholic minor-key melodies with modal folk inflections, folk-dance inspired interludes (polka, Hungarian tanć, eastern european rhythms), pedal tone riffs and powerful orchestral percussion, symphonic layers with accordion-like synths and violin motifs, dark and heavy atmosphere with triumphant climaxes

multi-movement structure, extreamly math-rock, 70s uk progressive rock, featured Hammond's B3 Organ dominated, thick chorus, irregular time signature, fast picking, Multi-Movement Structure, Extreamly Math-Rock, 70S Uk Progressive Rock, Lo-Fi And Dry Record Production, Thick Chorus, Irregular Time Signature, Fast Picking, Prog-Rock, Psychedelic Art Rock, Rich Vocal Harmonies, Suite, Multi-Part, Early 1970S British Progressive Rock, Overdrived Bass, Long-Form, Movements, Thematic Development, Lo-Fi Mixing And Mastering, Contrasting, Dramatic, Tension And Release, Mathrock, Jazzrock, Complex Drums, Minimoog, Arp Odyssey, Mellotron, Synthwave Layers, Extremely Math-Rock, Symphonic Suite Structure With Multiple Movements, Baroque Meets Celtic Traditional, Complex Time Signatures And Key Changes, 12-String Guitar Arpeggios, Dramatic Dynamic Shifts Between Calm And Intense Sections, Evokes A Spiritual Journey And The Cycles Of Nature And Life

post hardcore meets chiraq drill, hiphop, political rap, thrash, hammer-beats, metallic instruments and real MC's rap, claiming style, exploitive tensioned, Screaming Preachers, no nu-metal, no-oldskool-mixture, no-orthodox-metal-vocalists

minimal avant-garde, nowave, postmusic, existentialism, avant-garde, Kitsch, dadaïste, surrealism, minimal-baroque, post-rock, concrete, postpunk, epic-experimental

neo psychedelic, avant-garde girl's pop, baroque-pop, alt-prog, late 80s UK dream pop, complex drums, clavinet, harpsichord, cembalo, Hammond's electric organ, tape echo, post punk

Yamaha Ym2203, Ym2151, Ym2612, Ti Sn76489, Cs-80, Dx-7, Sharp Lr35902, Sony Spc700(S-Dsp), Korg Polysix, digitalhardcore chiptune, avant-garde post punk, jazz on breakbeats, Glitchcore, 8Bit, Electric Punkrock Mixture, crying soprano diva, symmetrical-asymmetry, experimental, 180bpm, surrealistic electron, magnetic jazz, acid rain, alkali rock, velvet nursery, MPB essential, medieval digital, Roland Mc-4/Mc-8 Microcomposer, Roland Tb-303, Tr-909, Mt-32, Arp Odyssey, Prophet-5, Oberheim Ob-X, Roland Juno-60, Moog C3, Mini-Moog, Fun, Electronic, Groove-Driven, Playful, Pop

Epic Metal, Baroque Speed Metal Based On Japanese Yonanuki Mode, Female Vocals And Narrations, Kayoukyoku, Slightly Japanimetic, Japanese Historical Motifs, Kodan Narrative Style, Upbeat Narration, Split-Role Dialogue Delivery, One-Man Show, Fake Scenes With High Energy, Night Chase Of Edo Period, Lecture-Style Spoken Interludes For Kodan Effect, Crowd And City Ambience, Action And Spectacle-Focused Composition, Atmospheric Depth, Epic Metal Storytelling Thief Leaping Across Rooftops, Lantern-Lit Streets, Samurai Guards And City Policemen In Pursuit, Rain-Slicked Stone Streets, Cinematic Dynamic Perspective, High Contrast Shadows, Watercolor Texture Feel, Soft Pastel Palette, 1830S Edo Cityscape Authenticity, Fast-Paced Rhythmic Drumming, Blast Beats For Chase Scenes, Melodic Guitar Harmonics For Tension, Traditional Japanese Instruments Subtly Blended, Dynamic Tempo Shifts For Narrative Pacing

70's German_erectro inspired, Minimal techno built from concrete train sounds, 1970's Primitive Düsseldorf minimal-concrete techno experiment, 98BPM, allegretto, The beat is the rhythm of rail joints: metallic “clack-clack” as kick and snare, wheel hum as hi-hat, brake hiss as clap, Doors open and close as cymbal crashes, chime tones as synth motifs, Vocoded announcements and station names serve as melody, Layers of metallic noise and tunnel reverb intrude into the quiet minimalism, Mixing emphasizes stereo panning like a passing train, with reverbs mimicking tunnels, carriage interiors, and platforms, Atmosphere: mechanical, cold, hypnotic, with loud industrial intrusions, ‑house, ‑funk, ‑physical, ‑acoustic and analog, ‑raw voices

electro fanfare, prophet-5, TR-808, Salute, short Greeting Track, complex groove, Commemorative

Epic war metal inspired by historical military marches, Japanese military song (gunka) language feeling from the Meiji era, combined with Western epic war metal storytelling, Slow-to-mid tempo (around 130 BPM), 4/4 time, March-like rhythm, heavy palm-muted guitar riffs, deep male chorus, solemn and restrained atmosphere, No glorification, no hatred, Calm, documentary tone, Heroic on the surface, empty and tragic underneath, Narration-like verses, massive chorus, half-time bridge, Theme: Battle of 203 Meter Hill, Russo-Japanese War, Perspective of ordinary soldiers, Emperor’s name and slogans appear as reflexive actions, not ideology

extremely minimal, drum n' bass, prog-house, 1996-1998 atmosphere, Rock mixed, shredder electric guiters, technopop, eurobeats, digtalrock, sophisticate cliché melodies, Roland JD-800, TR-808 / TR-909, TR-727, JX-305, JP-8000, JUPITER-6, JUPITER-50, JUPITER-80, V-synth GT, S-330, Sequential Circuits Prophet-600, Pearl PolySensor, PPG WAVE 2, 2, Prophet VS, E-mu Emulator II, HAMMOND ORGAN L112, AKAI S900, Arp Solina String Ensemble, Mellotron MK Ⅳ, YAMAHA KX1, KX5, KX76, TX16W, DX7, CS-80, W7, P-500, korg Polysix