1:50

A slow-tempo Chinese ballad in a minor key opens with a delicate guqin motif, layered by sparse guzheng phrases and breathy, emotional female vocals, Xiao flute drifts over a reverb-laden, cinematic ambient bed, Minimal temple drum percussion softly marks key moments, keeping the atmosphere poetic and minimal
3:41

鏡中(張棗的詩)
v4.5+
Slow cinematic Chinese post-rock opens with sparse electric guitar and gentle atmospheric textures, Trumpet lines soar mournfully over pulsing, reverb-heavy drums, while the bass moves subtly beneath, Minimal vocals weave into the mix, serving as a textural layer, The instrumental climax swells with guitar and trumpet in raw dialogue, surrounded by lingering pads and restrained percussion for a sorrowful, reflective finish, slow build up with ambient textures
3:14

A cinematic post-rock piece with a slow tempo, opening with ambient synths and layered, reverb-soaked guitars over a deep, sustained bass drone, Vocals in a low register emerge subtly, nearly spoken and blending into the sonic landscape, Drums enter late with sparse, deliberate hits, enhancing the sense of heavy, existential tension, The arrangement gradually expands in density and intensity, instruments propelling emotional arcs, with long intro and outro sections, absent a traditional chorus, emphasizing a brooding, ever-increasing pressure
3:17

Chinese post-rock, guqin-centered composition, slow tempo, melancholic and reflective, cinematic atmosphere, instruments-driven, vocals as texture, minimal singing, spacious arrangement, emotional restraint
4:30

Trance-like ceremonial atmosphere, Primitive and ancient feeling, Dark, mysterious, and slightly unsettling, BPM-136, Steady but organic pulse, Percussive and body-driven, Feels like footsteps, heartbeat, or ritual drums, Steady but organic pulse, Percussive and body-driven, High vocal density, Rapid-fire syllabic delivery
3:19

Ancient Chinese scholarly atmosphere, Light ambient traditional Chinese music underneath the Occasional soft humming and loose vocal sounds, very slow and calm, Guzheng, xiao, soft strings, minimal percussion, floating, immortal realm mood
3:43

Psychedelic rock, clean and airy Cantonese female vocal, emotionally restrained, subtle Chinese instruments as ornament, ‑Mandarin
3:09

A traditional Chinese folk song with a slow tempo and a melancholic mood, The instrumentation features a plucked string instrument, possibly a guzheng or pipa, playing a prominent melodic line with a tremolo effect, A bowed string instrument, likely an erhu, provides a sustained, expressive counter-melody, Percussion is minimal, consisting of a soft, resonant drum hit at key melodic points, The male lead vocal is delivered in a clear, slightly nasal tone, characteristic of traditional Chinese singing, with a vibrato, The female lead vocal is also clear and expressive, with a similar vibrato, The song structure is verse-based, with a recurring melodic theme, The harmony is modal, typical of East Asian music, without a strong Western-style chord progression, The production emphasizes the acoustic instruments and vocals, with a natural reverb that creates a spacious and reflective atmosphere, The tempo is approximately 60 BPM, The key appears to be in a minor mode, contributing to the somber feel
2:02

Ancient Chinese Qin Dynasty battle music, Moderately fast marching tempo, fierce and ferocious, blood-pumping battle energy, Large ancient war drums driving the rhythm, Disciplined male battle shouts, strict unison, aggressive and momentum-driven, unyielding, overwhelming force, The harmonic structure is centered around a minor key, utilizing power chords and rising melodic lines to build tension and resolve into a triumphant, soaring chorus, The arrangement features a call-and-response dynamic between the lead vocal lines and the backing choir, ‑flute, ‑dizi
4:08

Cinematic orchestral fusion with traditional Chinese instrumentation and aggressive rock elements, The arrangement features a heavy, distorted electric guitar riffing alongside a driving drum kit and traditional percussion, A prominent guzheng and erhu provide melodic flourishes over a foundation of sweeping orchestral strings and brass, The vocals are delivered in a dramatic, operatic male style, ranging from powerful belted tenors to rhythmic, spoken-word passages and intense shouting, The tempo is mid-to-fast with a 4/4 time signature, characterized by frequent dynamic shifts and epic, trailer-like production, Reverb and delay are applied to the vocals to enhance the sense of scale, while the mix emphasizes a wide soundstage with punchy low-end and crisp high-frequency traditional accents



